50 Hertz, 50Hz, A Cosmic Ray Muon, Absolute Value of Noise, ACE, ACE England, Acoustic Mirrors, Adventures in Sound Art, Aeolian Harps, Aesthetica Magazine, AHRC, Ain Bailey, Air Can Break Your Heart, Aleks Kolkowski, Alternating Current, Alternating Current Electricity, Ambient Drone, Ami Clarke, Ammonite, Amplified, An Electromagnetic Shower, Andrew Hill, Anil Seth, Aniruddha Das, Anna Boland, Anna Friz, Annka Kultys, Annka Kultys Gallery, Anti-sphere, Antiphony, Antiphony Architectural Supplement, Antiphony Video Supplement, Antisphere, Antithesis, Appau Jnr Boakye-Yiadom, Arebyte, Arebyte Gallery, Ariane Koek, Arie Altena, Art, Art Blocks, Art Blocks x Pace Verso, Art Electricity, Art-Science, Artist, Arts & Humanities Research Council, Arts @ CERN, Arts at CERN, Arts Catalyst, Arts Catalyst Radio, Arts Council, Arts Council England, Ash International, Atmospheric Electricity, Atmospherics, Audint, Audio Art, Audio Artist, Audio Essay, Audio Installation, Audio Rorschach, Audio-Kinetic Art, Audiograft, Audiograft 2022, Audiokinetic Art, Audiosfera, Audiosphere, Auto-Creative Art, Auto-Destructive Art, Autocreative Art, Autodestructive Art, AXNS, Électrique, Bankside, Bankside Power Station, Barry C. Smith, Barry Smith, Battersea, Battersea Power Station, Battersea Power Station Control Room, BBC Programme Research Department, BBC Radio 3, BBC Radio 4, BBC Radiophonic Workshop, BBC Sounds, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Ben Drew, Benedict Drew, Bernard Wolfe, Bianca Roden, Bill Kouligas, Black Noise, Blackout, Blanck Mass, Blast First, Bloomsbury Music and Sound, Brain, Brian Eno, Brilliant Noise, Bruce Gilbert, Brutalism, Brutalist, Brutalist Architecture, Cable Depot, Café Oto, Café Oto Projects, Caroline Thompson, Carsten Nicolai, CAS, Cathie Boyd, Cavendish Art Science, Cavendish Arts Science, Cavendish Arts Science Fellow, Caylie Stapes, CCA, CCA Glasgow, CCA Goldsmiths, Celeste, Centre for Philosophy, Centre for Practice & Research in Music & Science, Centre for the Study of the Senses, CERN, Changing Signals, Chris Firth, Christian Marclay, Christina Kubisch, Christina Kubisch - Electrical Walks, Chus Martinez, Claire Moran, Clot Magazine, CM von Hausswolff, Cold Light, Contemporary, Contemporary Art Society, Corsica Studios, Cosima Gretton, Cosmic Ray Muon, Creative Technologies Research Centre, CRISAP, Cross Sections, Cryptic, Cryptic Festival, Cryptic Glasgow, Cryptic Projects, Cryptic Sonica, Currents, D&B Audiotechnik, Dan Tapper, Daniel Tapper, Daphne Oram, David Crawforth, David Roberts Art Foundation, Deciphering a Broken Syntax, Deep Wireless, Delia Derbyshire, Desmond Briscoe, DH Lawrence, Dhangsha, Digicult, Digital Arts and Experimental Media, Direct Current, Discord, Discord Server, Disinformation, Disruptive, Disruptive Frequencies, Drone Music, Dronica Festival, Dub Morphology, Dubmorphology, Dushume, DXARTS, E-werk, E-werk Luckenwalde, E-Werk Luckenwalde Engine Room, E-Werk Luckenwalde Turbine Hall, Ear Hustle, Ear Tells The Eye, Ear Tells The Eye Where To Look, Edelmat, Electric Field, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Impulses, Electrical Nature, Electrical Walk, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electrics, Electro Magnetics, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Shower, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Art Festival, Electronic Music Studios, Electronic Writing, Electrosonic, Elektrizität, Elektrizitätswerk, Emiddio Vasquez, Emily Howard, EMS Goldsmiths, Engine Room, Erased Tapes, Erased Tapes Sound Gallery, ERTZ Festival, Esteban Agosin, Estuary Festival, EVA International, Experimental Art, Experimental Music, Experimental Sound, Experimental Video, Exquisite World, Extreme Noise, Eye, Fabrica Gallery, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti Archive, Ferranti Collection, Film and Video Umbrella, Fiona Haggerty, Focal Point, Focal Point Gallery, Focal Point Southend, FON Festival, Forma, Fort Process Festival, FPG, FPG Sounds, FPG Southend, Frequencies, Frieze, Frieze Magazine, From Signal to Decay, Full of Noises, Future Pace, Future\Pace, Futurism, FVU, Gabriel Prokofiev, Gaia Fugazza, Gary Stewart, Geomagnetic Field, Geomagnetism, Gertrude Contemporary, Ghost Shells, Ghostworker, Glasgow CCA, Glasgow Tramway, Glass Salt, Goethe Institute, Goethe-Institut London, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths EMS, Goldsmiths Press, Goldsmiths SARU, Greenwich Power Station, Greenwich University, Greg Hainge, Gregory Orr, Grid Music, Grimes, Gustav Metzger, Guy Veale, Haroon Mirza, Harris Benson, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Helen Frosi, Helsinki, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hypha 1, ICA London, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectika, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Immersive Sound, Immersive Sound Installation, In Situ, Industrial Records, Inigo Wilkins, Installation Art, Institute of Contemporary Arts, Institute of Philosophy, Interference, Intonarumori, Irreversible Noise, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, Jack Jelfs, James Bailey, Jerwood Arts, Jodrell Bank, Joe Banks, Joe Gerhardt, Johann Diedrick, Jordan Baseman, José Alejandro Rivera, Justin Barton, Karst, Karst Gallery, Karst Gallery Plymouth, Karst Plymouth, Karst Studios, Katharina Worf, Keith, Keith Sargent, Ken Hollings, Kettle's Yard, Kiasma, Kiasma Helsinki, Kinetic Art, Kinetic Audio, Kinetic Audio Art, King's Place, Kings Place - Sound Unwrapped, Kode 9, Kristen Gallerneaux, Kubisch, Kunstradio, Kunststrom, Lance Sieveking, Language, Language [as] Meta-Technology, Language [as] Metatechnology, Late Junction, Laurie Anderson, LCC, LCC Crisap, Le Bon Accueil, Le Magasin Électrique, Leaky Transmission, Leaky Transmissions, Leonardo Magazine, Leonardo Music Journal, Lighthouse, Lighthouse Brighton, Lindsay, Lindsay Seers, Lindsay Seers & Keith Sargent, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisson Gallery, Listening Arts Channel, Live Mains Electricity, LLC, London College of Communication, London Metro, London Southbank University, London Underground, Louise K Wilson, Low Frequency Radio, Lucia Pietroiusti, Luckenwalde, Luigi Russolo, LUMA, Luma Arles, Lux, LUX Artist Moving Image, Lux Scotland, Magasin, Magasin Électrique, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Movie, Magnetics, Manchester Collective, Manuela Moscoso, Marcus Du Sautoy, Margate, Marie McPartlin, Mark Fisher, Mark Peter Wright, Mark Pilkington, Marwan T Assaf, Mary Tsang, Matt’s Gallery, Matter is Void, Matts Gallery London, Meta-Technology, Metatechnology, Metro, Michael Faraday, Michael Faraday Memorial, Michel Faber, Mika Vainio, Mike Fell, Mike Nelson, Milo Taylor, Mind, Minimal Disinformation, Misinformation, Modernism, Modernist Architecture, Mona Tasmania, Monica Bello, Monika Bello, Monoskop, Movement Radio, Movement Two, MSCTY, MUMA Melbourne, Museo Reina Sofia, Music and Sound, Music City, MusicCity, Musicity, Mute Records, Naomi Alderman, Naomi Siderfin, Nastassja Simensky, Nathaniel Mellors, National Grid, National Grid Music, National Sound Archive, Natural Radio, Neural Magazine, Neuroscience, New Adventures in Sound Art, New Art City, New Corsica Studios, New Landscape, New Landscape of Electronic Writing, New Music, Newport Street, Nice Little Static, Nicholas Delap, Nick Luscombe, Nicole Raymond, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nikola Tesla, Nikolas Tesla, Nine Elms, Noise Machines, Noise Music, Non-Classical, Nonclassical, Oceanallover, OCM, Oliver Fuke, Onassis Stegi, Optikinetic Instruments, Optokinetic, Optokinetic Art, Optokinetic Arts, Optokinetics, ORF Kunstradio, Oscillations, Oto Projects, Otoroku, Otoroku Label, Otoroku Records, Output Field, Outputs, Outputs AV, Outputs_AV, Oxford Contemporary Music, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pan, Pan Sonic, Pan-Act, Panasonic, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Paul Fletcher, Paul Hegarty, Paul Purgas, Peltz Gallery, Performance, Performance Electrics, Performance Electrics gGmbH, Peter Eramian, Peter Weibel, Phillip Ball, Poison Ivy Rorschach, Political Aesthetics, Politics of Listening, Polly Atkin, Poly Kicks, Polykicks, Power Cuts, Power Hall, Power Nights, Power Station, Prelude, Preludes, Primary, PRISM, Proxemica, PRS Foundation, PRSF, Psychoacoustics, Pylons, Quinta, Rachel Bedder, Rachel Stratton, Radio 3, Radio 4, Radio Arts Catalyst, Radio Halo, Radio Interference, Radiophonic Music, Radiophonic Workshop, Radiophonics, Radiophrenia, Radiophrenia Glasgow, Radioqualia, Radiotopia, Raster Noton, Ray Fearon. Paul Frankl, Rebecca Lee, Receiver, Relic Traveller, Research Group, Resonance, Resonance FM, Rings on Water, Rob Bowman, Roberts Art Foundation, Robin Klassnik, Robin Rimbaud, Romy Lorenz, Rorschach Audio, Rosie Cavaliero, Rough Trade, Rough Trade Books, Rough Trade Records, Rough Trade Shop, Royal College of Art, Royal College of Music, Rupert, Rupert Vilnius, Ruth Garde, Ruth Jarman, SAM, Sargent, SARU, SARU Goldsmiths, Savvy Contemporary, SAVVYZAAR, Scanner, Schemata, Schemata Art, Schemata Arts, School of Advanced Study, Sci-Art, Science & Industry, Science & Industry Museum Manchester, Science and Industry Museum, Science and Industry Museum Manchester, Screen and Audiovisual Research Unit, Seers, Seers/Sargent Exhibition Circle, Semiconductor, Semiconductor Films, Senses, Serpentine, Serpentine Gallery, Serpentine Gallery London, Server, Sferics, Shoppinghour, Shoppinghour Magazine, Signal to Decay, Sluice Art, Sluice HQ, Sluice Magazine, Soho House Magazine, Solar Noise, Solar Radio, Some Call it Noise, Somerset House, Somerset House Studios, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Art, Sonic Artist, Sonic Faction, Sonic Geography, Sonic Imagination, Sonic Poetic, Sonic Possible Worlds, Sonic Research, Sonic Research Group, Sonic Urbanism, Sonica Festival, Sonica Glasgow, Sonica Surge, Sound, Sound & Music, Sound and Music, Sound Archive, Sound Art, Sound Artist, Sound Fjord, Sound Group, Sound Image Research Group, Sound Installation, Sound Mirrors, Sound Research Group, Sound Series, Sound Studies, Sound Trap, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Soundfjord, South Bank Centre, South London Gallery, Southbank Centre, Spark, Spark of Life, Sparks, Spatial and Sonic Poetics, Speak Spirit Speak, Spellbound, Spy-Nul, Stargate, Static, Stephen Spender, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Studio Kind, Study of the Senses, Suchitra Sebastian, Superblue, Suprematism, Surges, Susan Hiller, Suzie Shrubb, Synaptic Island, Synaptic Lineage, Synaptic Radio, Taco, TACO Thamesmead, Talbot Rice Gallery, TBA 21 Academy, Team Lab, Tecsonics, Terms of Service, Test Department, Test Dept, Teylers Museum Haarlem, TG, Thanet Tape Centre, The Act of Creation, The Aelectrosonic, The Brain, The Electrosonic, The Eye, The Ferranti Archive, The Ferranti Collection, The Guardian, The ICA, The Quietus, The Rapture, The Rumble, The Spark of Life, The Stuff of Radio, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theophany, Thkio Ppalies, Throbbing Gristle, Tim Dixon, Touch Records, Tramway, Tramway Glasgow, Transmission Ecologies, Transmission Ecologies - Movement Radio, Trebuchet Magazine, Trevor Mathison, Trevor Paglen, Tricor, Turbine Hall, Turner, Turner Contemporary, Turner Contemporary Margate, Turner Margate, Two Protons, Under Ether, University of Greenwich, University of London, University of Westminster, Unwrapped, Urbanomic, Vagus Nerve, Value of Noise, Verso, Very Low Frequency, Very Low Frequency Radio, Video Art, Virtual Art, Virtual Art Exhibition, Virtual Art Platform, Visual Perception, VLF, VLF Radio, VLF Works, Volks Nicosia, Warp Records, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, We Are All Bats, We Are Primary, Wellcome, Wellcome Trust, WGXC 90.7FM, WGXC90.7FM, When The Ear Tells The Eye Where To Look, White Noise, Words and Music, Words and Music - Electricity, Wysing Arts Centre, Wysing Polyphonic, Zabludowicz Collection, Zero BPM, ZKM, ZKM Karlsruhe