A Serpentine, Aesthetica, Aesthetica Magazine, Andrew Lambirth, Art & Illusion, Art & Illusion for Sound, Art Monthly, Atelier Lanza, Biology, Carsten Nicolai, CCCB, CCCB Barcelona, Chamber of Pop Culture, Clot Magazine, Contemporary Art, Disinformation, DNA, Double Helix, Evolution, Evolutionary Biology, Fabrica Brighton, Francis Crick, Freud Museum, Freud Museum London, Frieze Art Fair, Frieze London, Frieze Magazine, Galerie fur Zeitgenossiche Kunst, Galerie fur Zeitgenossiche Kunst Leipzig, Genetics, Georgian Gallery, GFZK Leipzig, Hayward Gallery, Huddersfield Art Gallery, J.G. Ballard, James Watson, John Soane Museum, John Soanes Museum, Kettle's Yard, Kinetic Art, Kinetic Depth Effect, Laboratory Oscillator, Laboratory Oscilloscope, Lanza Atelier, Line of Beauty, Line of Beauty & Grace, Modern Art, New Forms, NGCA, NGCA Sunderland, Noise, Noise exhibition, Northern Gallery, Northern Gallery for Contemporary Art, Optokinetic Art, Orleans House, Orleans House Gallery, Oscilloscope, Oscilloscope Art, Oscilloscope Artwork, Pop Culture, Portrait of the Painter & his Pug, Quad Derby, Quay Arts, Richard Humphreys, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Royal Society of British Sculptors, Royal Society of Sculptors, Saltburn Artists Projects, Saltburn Gallery, Serpentine Currents, Serpentine Gallery, Serpentine Line, Serpentine London, Serpentine Pavilion, Sine-Wave, Sine-Wave Generator, Sir John Soane’s Museum, Sonic Boom, Sound Sweep, South Hill Park, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Study Gallery, Study Gallery of Modern Art, Talbot Rice, Talbot Rice Edinburgh, Tate Britain, The Analysis of Beauty, The Chamber of Pop Culture, The Hayward Gallery, The Mac, The Mac Birmingham, The Painter & his Pug, The Rumble, The Sound Sweep, William Bateson, William Hogarth, Wrexham Arts Centre
William Hogarth & the Serpentine Line…
“Rorschach Audio – Art & Illusion for Sound” (2012), pages 161+162…
From → Uncategorized
