180 Quarter, 180 Studios, 3ETV, Aaron Goddard, Aaron Higgins, Acid Realism, Adam Basanta, Addy Feuerstein, Adrian David Pickett, Adrian Piper, Adventures In Sound & Music, AGI, Agnes Ungar, AI Strategy 2025, AI.Exchange, Aino-Kaisa Koistinen, Aleksandra Ershova, Alex Arteaga, Alex Estorick, Alex Myers, Alex Zakkas, Alexander Damianisch, Algorithmic Audio, Algorithmic War, Algorithmic Warfare, Aline Braun, Alkistis Voulgari, All Media is Training Data, Alphabet, AlphaCode, AlphaFold, AlphaStar, AlphaZero, Amanda Hodgkinson, Ambient Propaganda, Ambient Propaganda Infrastructure, Ana Casal, Ancestor, Ancestral Audio, Ancestral Audio Technology, Ancestral Sonics, Ancestral Sound, Ancestral Sound Technology, Ancestral Technology, Ancestry, Andi Schoon, Andrés Benjamín, Andrea Coyotzi Borja, Andrea Fleber, Andrea Franco, Anna Ridler, Anneke Kampman, Annette Arlander, Anthology of a Decade, Anthropology, Anthropology of Sound, Anton Vidokle, Anya Bess, Aoife Blair, Arash Joulandan, Araya Wongwan, Archaeology, Archive Fever, Arjon Dunnewind, Art & Language, Art & Writing, Art Ecosystem, Art Ecosystems, Artificial General Intelligence, Artistic Research, Arts Ecosystem, Arts Technologies, Ash, Ash International, Audio Drift, Barb Macek, Bart Geerts, Be Heard, Beeple, Bella Marrin, Ben Grosser, Benjamin Jenner, BiBi Jordan, Biennale, Bjørn Magnhildøen, Bogna Konior, Book Works, Book Works Dummy, Bransha Gautier, Brian Khuu, Brian Kuan Wood, Browserbased, Bruce A Barber, Bruno Melo, Bya de Paula, Caleb Kelly, Call, Cao Fei, Carrier Bag, Carrier Bag of Tech, Casey Reas, Cell Deletion, Chantelle Flores, Chat GPT 6.1, Chat GPT 6.1 Astra, Chat GPT Astra, Cheong Kin Man, Çifel Hüseyin, Claire Catterall, Click Save, Cliff Lauson, Clusterduck, Code 2026, Conor Wilson, Contemporary Art, Convocation, Convocation I, Convocation II, Convocation III, Cordula Daus, Corner Shop, Corner Shop London, Cracked Media, CTM 2027, CTM 2027 Process, CTM Process, Dániel Máté, Damien Roach, Daniela Stojkovic, Danielle King, Daria Belkina, Dariya Kanti, Data Land, Dataland, Dataland Latent Space, Davey Whitcraft, David Eckersley, David Miller, Dawid Orzeł Pieniewski, Deepmind, Demis Hassabis, Dev Harlan, Digital Art, Digital Art Biennale, Digital Ruins, Dirk Vekemans, Disinformation, Dogtime, Dogtime Expanded Painting, Dogtime Unstable Media, Dominik Podsiadly, Dorin Budușan, Drawing, Drawing as Slow Conversation, Dummy, DUMPHAUS, Dust to Data, E-Flux, E-Flux Agenda, E-Flux Bulletin, E-Flux Criticism, E-Flux Journal, E-Flux Notes, Eastside Projects, Echo Chamber, Ektoras Arkomanis, Elaine Tam, Elena Peytchinska, Eli Scheinman, Elina Kohanaya & Sergey Tkachenko, Emma Cocker, Episodes, Erick Calderon, Erika Matsunami, Erika Tsimbrovsky, Euphonia, Eva Jäger, Ezoza Zokirjonova, Fact Magazine, Fani Arapi, Feral Metaverse, Field Notes, Field Notes Journal, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Associates, Fieldnotes Fold, Fieldnotes Folio, Fieldnotes Folios, Fieldnotes Journal, Fieldnotes Live, Fieldnotes Magazine, Fieldnotes Radio, First Sound, First Sound Last Sound, Focal Point, Focal Point Gallery, Focal Point Southend, Forevermidi, Forkhead Box P4, FoxP4, Francesco Pizzocchero, Francis Crick, Francis Crick Institute, Francis Hunger, Fuck AI, Future Art, Future Art Ecosystems, Future Language, Future Languages, Gabriel Prokofiev, Gallery Sound, Geo Flouris, George Matvienko, Gerrit Rietveld, Gerrit Rietveld Academy, Gerrit Rietveld Academy Amsterdam, Ghala Vasylenko, Gina Prat Lilly, Giorno Foundation, Goldsmiths CCA Episodes, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths Sonics, Google, Google Brain, Google Deepmind, Google Platform 37, GPT 6.1, GPT 6.1 Astra, GPT Astra, Gretchen Andrew, Hana Noorali, Hans Ulrich Obrist, Harold Cohen, Hearing, Herndon Dryhurst, Herndon Dryhurst Studio, Hito Steyerl, Holly Herndon, How (Not) To Be Heard, Ideology, Igor Buharov, Iklectik, Iklectik 2026, Iklectika, Iklectika 2026, Impakt, Impakt 2026, Impakt Centre, Impakt Centre for Media Culture, Impakt Festival, Impakt Festival 2026, Impakt Festival 2027, Impakt Foundation, Impakt Radio, Impakt TV, Impakt Utrecht, Information Overload, Institute of Advanced Studies, Intermedia Art, Intermedia Arts, Intermedia Arts Museum, Iris Colomb, Iza Koczanowska, J.C Muyonjo, Jacek Zachodny, Jacques Derrida, Jailbreak, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jaws, Jeffrey Cobbold, Jerzy Kosałka, Jesse Damiani, Jessica Morgan, Joe Banks, Johanna Hällsten, John Giorno, John Watkinson, Joonas Westerlund, Joseph Mong-Sum Leung, Joubin Zargarbashi, Journal of Art & Writing, Julieta Aranda, K11, K11 Art, K11 Art Foundation, Kalliopi Ioumpa, Kanishka Narayan, Karina Palosi, Karl England, Karl Heinz Jeron, Katarina Gotic Damiani, Katrina Brown, Kay Watson, Kimi K2.6, Kimi K3 Swarm, King’s Cross, Knowledge Quarter, Kode 9, Kode9, Konstantina Mavridou, Kostas Daflos, Kristoffer Ørum, Kristýna Švihálková, Kseniia Kurbatova, Kunsthal Mechelen, Language, Language Art, Language as Technology, Language is Meta-Technology, Language is MetaTechnology, Language is Technology, Language Itself is a Technology, Language [as] Meta-Technology, Language [as] Metatechnology, Language-Based, Languages of the Future, Languages of the Future Conference, Larva Labs, Last Sound, Latent Space, Laura Purseglove, Laura Sillars, Lelia Matis, Lena Séraphin, Liana Psarologaki, Library, Lila Ibrahim, Listen to Me, Listening, Listening Service, London Knowledge Quarter, Louis Jebb, Luis Gasca, Luis Corvalán, Lydgalleriet, Lynton Talbot, Maartje A. Sanders, Machine Language, Machine Languages, Madam Memoticon, Manal Al-Dowayan, Manfred Mohr, María del Buey Cañas, Marguerite Humeau, Marie McPartlin, Marina Doritis, Mark C. H. Schobben, Mark Leahy, Marta Stanisława Sala, Mat Dryhurst, Material Sound, Maternica collective, Matt Elek, Matthew Copson, Max Syedtollan, Maya Man, Media Arts, Media Collective, Media Culture, Media is Training Data, Meta Contemporary, Meta-Technology, Metatechnology, Mez Breeze, MICH (Michał Hertmanowski), Middlesbrough Institute of Modern Art, MIMA, MIMA Middlesbrough, Mindguard, Mindguard AI, Mirosław Chudy, Modern Art, Modern Art Oxford, Moma, MoMA New York, MOMA NY, MOMA NYC, Montez Press, Moonshot, Moonshot AI, Moving Lines, MuZero, Narges Porsandekhial, Narrative Experiences, Narrator, Natali Keen, Natalia Rozhkova, National Poetry, National Poetry Library, Near-Field Communication, Near-Field Communication Digital Art Biennale, Neil Luck, NFC, Nick Luscombe, Nicole Bachmann, Nicole Nemesi, Nikita Krzyżanowska, No School, No School Nevers, Node, NODE Studio, NODE Studio NY, NODE Studio NYC, Nonclassical, Norah Khan, Norah N. Khan, Not To Be Heard, not-a-composite one, Nottingham, Nottingham Contemporary, Nscale, NTS Radio, Offprint, Olesia Gerasimenko, Olga Krashenko, Osvaldo Cibils, Out-Spoken, Outside the Lines, Paloma Macchione, Paperwork, Parrhesiades, Paul Wiersbinski, Paula Kramer, Paulina Larocca, Pause AI, Petra Johnson, Plastic Language, Platform 37, Platform 37 King’s Cross, Poetry, Poetry Library, Post-Digital Art, Postdigital Condition, Practice Sharing, Practice Sharing III, Pritam Mitra, Project Euphonia, Propaganda Infrastructure, Public Art, Public Space, QR Code, Rachel Smith, Radical Audio, Radical Audio Guide, Radical Audio Guides, Radio Station, Raqs, Raqs Media, Raqs Media Collective, Reference Point, Refik Anadol, Regina De Rozario, Regina Dürig, Right Click, Right Click Save, Right Click Save Magazine, Ro Heinrich, Rodrigo Cordeiro, Roland Buckingham-Hsiao, Rosinda Casais, Rudy Paganini, Sabina Holzer, Sandra Koretskaya, SAR, SAR SIG, Sara Faggian, Sara Lipuzic, Sasha Stiles, Sean Bidder, Seran Demiral, Sergio Patricio, Serpentine, Serpentine Art Technologies, Serpentine Art Technology, Serpentine Arts Technologies, Serpentine Arts Technologies Future Art Ecosystems, Serpentine Arts Technology, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Sharon Young, Shawn Lawson, Shelley Hodgson, Shunya Wada, Sign Symbol, Sign Symbol Sound, Silvia Nonnenmacher & Jürgen Trautwein, Slow Conversation, Sluice, Sluice Art, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smartphone, Snowfro, Society for Artistic Research, Society for Artistic Research Special Interest Group, Sofia Lemos, Sonic, Sonic Anthropology, Sonic Archaeology, Sonic Council, Sonics, Sonics Series, Sonoscopia, Sonotopia, Sound Art, Sound Artist, Sound Gallery, Spaces Magazine, Special Interest Group, Spoken Word, Spoken Words, Station Radio, Stef Assandri, Stefanie Reling-Burns, Steffi Hofer, Stepan Panteleev, Stephen Squibb, Steve Goodman, Store X, Susanne Kass, Susi Nousiainen, Svetlana Fenster, Symbol Sound, szkarpaty, Tara Page, Tarsila West, Tatiana Schunck, Techno-Ancestrality, Technology, Technology Ancestor, Technology Ancestry, Terhi Marttila, Text Art, The AI.Exchange, The Call, The Carrier Bag, The Carrier Bag of Tech, The Lines, The Listening, The Listening Service, The Narrator, The Serpentine, The Serpentine Gallery, The Store X, The Toe Rag, The Toe Rag Magazine, The Vinyl Factory, Think Piece, Think Pieces, Thomas Ballhausen, To Be Heard, Toe Rag, Toe Rag Magazine, Tommy Derveloy, Touch Music, Touch Records, Traditional Knowledge, Training Data, Transterile, Trevor Paglen, Trish Scott, Tyler Hobbs, UCL, UCL Think Piece, UCL Think Pieces, Universal Speech Model, Unsound Discourse, Unsound Kraków, Unsound New York, Unsound NY, Urgent Futures, Urgent Futures Podcast, Utrecht, Vanessa Hoche, Vera Molnár, Victoria Ivanova, Viktor Ivanov, Vincent van der Molen, Vinyl Factory, Viral Ideology, Viral Media, Vladislav Fedotov, Vuk Cosic, WaveNet, Werktank Leuven, White Cube, Wiebke Leister, Wild Papers, Will Renée, William Mapan, Word & Sound, Wordplay, Xavier Dallet aka Chan Somethingstar, Xyh Tamura, Youssef El Idrissi, Zemir Velatovac, Zsolt Mesterhazy
Near-Field Communication Digital Art Biennale
“Language [as] Meta-Technology” graphics and branding feature in 7th edition of #NFCDAB – the Near-Field Communication Digital Art Biennale, which launches tonight at the Gerrit Rietveld Academy in Amsterdam. The exhibition is curated by Bjørn Magnhildøen, Zsolt Mesterhazy and Dominik Podsiadly, in collaboration with Browserbased and the Gerrit Rietveld Academie Dogtime programme, and uses QR-code and NFC (smartphone) technology to exhibit online artworks in public space.
Exhibition launches at 5pm, 25 Sept 2026
Open 5pm to 9pm, to 30 Sept 2026
Gerrit Rietveld Academie
Frederik Roeskestraat 96
1076 ED Amsterdam
The Netherands
https://rietveldacademie.nl/en/page/38495/nfcdab-near-field-communication-digital-art-biennale
Participating artists – Aaron Higgins, Adam Basanta, Addy Feuerstein, Adrian David Pickett, Agnes Ungar, Alex Myers, Alex Zakkas, Alkistis Voulgari, Andrea Fleber, Anya Bess, Arash Joulandan, Araya Wongwan, Ben Grosser, Bibi Jordan, Bransha Gautier, Brian Khuu, Bruce A. Barber, Bjørn Magnhildøen, Bruno Melo, Bya de Paula, Clusterduck, Daniela Stojkovic, Daria Belkina, Dariya Kanti, Davey Whitcraft, David Miller, Dawid Orzeł Pieniewski, Dev Harlan, Dirk Vekemans, Disinformation, Dominik Podsiadly, Dorin Budușan, Dumphaus, Elina Kohanaya & Sergey Tkachenko, Erika Matsunami, Ezoza Zokirjonova, Forevermidi, George Matvienko, Geo Flouris, Ghala Vasylenko, Igor Buharov, Iza Koczanowska, J.C. Muyonjo, Jacek Zachodny, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jerzy Kosałka, Joonas Westerlund, Joubin Zargarbashi, Kalliopi Ioumpa, Karina Palosi, Karl Heinz Jeron, Konstantina Mavridou, Kristoffer Ørum, Kseniia Kurbatova, Lelia Matis, Luis Gasca, Maartje A. Sanders, Madam Memoticon, Mark C. H. Schobben, Maternica Collective, Mez Breeze, MICH (Michał Hertmanowski), Mirosław Chudy, Natali Keen, Natalia Rozhkova, Nicole Nemesi, Nikita Krzyżanowska, not-a-composite one, Olesia Gerasimenko, Osvaldo Cibils, Paul Wiersbinski, Pritam Mitra, Rudy Paganini, Sandra Koretskaya, Sara Lipuzic, Shawn Lawson, Shunya Wada, Silvia Nonnenmacher & Jürgen Trautwein, Stefanie Reling-Burns, Stepan Panteleev, Svetlana Fenster, Szkarpaty, Tarsila West, Tommy Derveloy, Viktor Ivanov, Vincent van der Molen, Vladislav Fedotov, Vuk Cosic, Xavier Dallet aka Chan Somethingstar, Youssef El Idrissi and Zsolt Mesterhazy.
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