3ETV, Aaron Higgins, Adam Basanta, Addy Feuerstein, Adrian David Pickett, AGI, Agnes Ungar, AI.Exchange, Alex Estorick, Alex Myers, Alex Zakkas, Alkistis Voulgari, All Media is Training Data, Alphabet, AlphaCode, AlphaFold, AlphaStar, AlphaZero, Ancestral Technology, Andrea Fleber, Anna Ridler, Anton Vidokle, Anya Bess, Arash Joulandan, Araya Wongwan, Art & Language, Art & Writing, Art Ecosystems, Artificial General Intelligence, Arts Technologies, Audio Drift, Beeple, Bella Marrin, Ben Grosser, BiBi Jordan, Biennale, Bjørn Magnhildøen, Bransha Gautier, Brian Khuu, Brian Kuan Wood, Browserbased, Bruce A Barber, Bruno Melo, Bya de Paula, Caleb Kelly, Cao Fei, Casey Reas, Cell Deletion, Chat GPT 6.1, Chat GPT 6.1 Astra, Chat GPT Astra, Click Save, Clusterduck, Contemporary Art, Cracked Media, Daniela Stojkovic, Danielle King, Daria Belkina, Dariya Kanti, Data Land, Dataland, Davey Whitcraft, David Miller, Dawid Orzeł Pieniewski, Deepmind, Demis Hassabis, Dev Harlan, Digital Art, Digital Art Biennale, Dirk Vekemans, Disinformation, Dogtime, Dogtime Expanded Painting, Dogtime Unstable Media, Dominik Podsiadly, Dorin Budușan, DUMPHAUS, Dust to Data, E-Flux, E-Flux Agenda, E-Flux Bulletin, E-Flux Criticism, E-Flux Journal, E-Flux Notes, Elaine Tam, Eli Scheinman, Elina Kohanaya & Sergey Tkachenko, Erick Calderon, Erika Matsunami, Euphonia, Ezoza Zokirjonova, Feral Metaverse, Field Notes, Field Notes Journal, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Associates, Fieldnotes Fold, Fieldnotes Folio, Fieldnotes Folios, Fieldnotes Journal, Fieldnotes Live, Fieldnotes Magazine, Fieldnotes Radio, First Sound, First Sound Last Sound, Forevermidi, Forkhead Box P4, FoxP4, Francis Crick, Francis Crick Institute, Fuck AI, Future Art, Future Art Ecosystems, Future Language, Future Languages, Gabriel Prokofiev, Gallery Sound, Geo Flouris, George Matvienko, Gerrit Rietveld, Gerrit Rietveld Academy, Gerrit Rietveld Academy Amsterdam, Ghala Vasylenko, Gina Prat Lilly, Giorno Foundation, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths Sonics, Google, Google Brain, Google Deepmind, Google Platform 37, GPT 6.1, GPT 6.1 Astra, GPT Astra, Gretchen Andrew, Hans Ulrich Obrist, Harold Cohen, Holly Herndon, Igor Buharov, Impakt, Impakt 2026, Impakt Festival, Impakt Festival 2026, Impakt Festival 2027, Impakt Utrecht, Institute of Advanced Studies, Iza Koczanowska, J.C Muyonjo, Jacek Zachodny, Jailbreak, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jaws, Jerzy Kosałka, Jesse Damiani, Joe Banks, John Giorno, John Watkinson, Joonas Westerlund, Joubin Zargarbashi, Journal of Art & Writing, Julieta Aranda, Kalliopi Ioumpa, Kanishka Narayan, Karina Palosi, Karl England, Karl Heinz Jeron, Kimi K2.6, Kimi K3 Swarm, King’s Cross, Knowledge Quarter, Konstantina Mavridou, Kristoffer Ørum, Kseniia Kurbatova, Language, Language Art, Language as Technology, Language is Meta-Technology, Language is MetaTechnology, Language is Technology, Language Itself is a Technology, Language [as] Meta-Technology, Language [as] Metatechnology, Languages of the Future, Languages of the Future Conference, Larva Labs, Last Sound, Laura Purseglove, Laura Sillars, Lelia Matis, Library, Lila Ibrahim, Listening Service, London Knowledge Quarter, Louis Jebb, Luis Gasca, Maartje A. Sanders, Machine Language, Machine Languages, Madam Memoticon, Manfred Mohr, Marguerite Humeau, Mark C. H. Schobben, Mat Dryhurst, Material Sound, Maternica collective, Max Syedtollan, Maya Man, Media Collective, Meta-Technology, Metatechnology, Mez Breeze, MICH (Michał Hertmanowski), Middlesbrough Institute of Modern Art, MIMA, MIMA Middlesbrough, Mindguard, Mindguard AI, Mirosław Chudy, Modern Art, Modern Art Oxford, Moonshot, Moonshot AI, MuZero, Narrator, Natali Keen, Natalia Rozhkova, National Poetry, National Poetry Library, Near-Field Communication, Near-Field Communication Digital Art Biennale, Neil Luck, NFC, Nick Luscombe, Nicole Nemesi, Nikita Krzyżanowska, Nonclassical, Norah Khan, Norah N. Khan, not-a-composite one, Nottingham, Nottingham Contemporary, NTS Radio, Olesia Gerasimenko, Osvaldo Cibils, Outside the Lines, Paul Wiersbinski, Pause AI, Plastic Language, Platform 37, Platform 37 King’s Cross, Poetry, Poetry Library, Pritam Mitra, Project Euphonia, Public Art, Public Space, QR Code, Raqs, Raqs Media, Raqs Media Collective, Reference Point, Refik Anadol, Right Click, Right Click Save, Right Click Save Magazine, Rudy Paganini, Sandra Koretskaya, Sara Lipuzic, Sasha Stiles, Serpentine, Serpentine Arts Technologies, Serpentine Arts Technologies Future Art Ecosystems, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Shawn Lawson, Shunya Wada, Sign Symbol, Sign Symbol Sound, Silvia Nonnenmacher & Jürgen Trautwein, Sluice, Sluice Art, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smartphone, Snowfro, Sonic, Sonics, Sonics Series, Sound Art, Sound Artist, Spoken Word, Spoken Words, Stefanie Reling-Burns, Stepan Panteleev, Svetlana Fenster, Symbol Sound, szkarpaty, Tarsila West, Techno-Ancestrality, Technology, Text Art, The AI.Exchange, The Lines, The Listening, The Listening Service, The Narrator, Think Piece, Think Pieces, Tommy Derveloy, Training Data, Trevor Paglen, Tyler Hobbs, UCL, UCL Think Piece, UCL Think Pieces, Universal Speech Model, Urgent Futures, Urgent Futures Podcast, Utrecht, Vera Molnár, Viktor Ivanov, Vincent van der Molen, Vladislav Fedotov, Vuk Cosic, WaveNet, White Cube, Will Renée, William Mapan, Word & Sound, Xavier Dallet aka Chan Somethingstar, Youssef El Idrissi, Zsolt Mesterhazy
Near-Field Communication Digital Art Biennale
“Language [as] Meta-Technology” graphics and branding feature in 7th edition of #NFCDAB – the Near-Field Communication Digital Art Biennale, which launches tonight at the Gerrit Rietveld Academy in Amsterdam. The exhibition is curated by Bjørn Magnhildøen, Zsolt Mesterhazy and Dominik Podsiadly, in collaboration with Browserbased and the Gerrit Rietveld Academie Dogtime programme, and uses QR-code and NFC (smartphone) technology to exhibit online artworks in public space.
Exhibition launches at 5pm, 25 Sept 2026
Open 5pm to 9pm, to 30 Dec 2026
Gerrit Rietveld Academie
Frederik Roeskestraat 96
1076 ED Amsterdam
The Netherands
https://rietveldacademie.nl/en/page/38495/nfcdab-near-field-communication-digital-art-biennale
Participating artists – Aaron Higgins, Adam Basanta, Addy Feuerstein, Adrian David Pickett, Agnes Ungar, Alex Myers, Alex Zakkas, Alkistis Voulgari, Andrea Fleber, Anya Bess, Arash Joulandan, Araya Wongwan, Ben Grosser, Bibi Jordan, Bransha Gautier, Brian Khuu, Bruce A. Barber, Bjørn Magnhildøen, Bruno Melo, Bya de Paula, Clusterduck, Daniela Stojkovic, Daria Belkina, Dariya Kanti, Davey Whitcraft, David Miller, Dawid Orzeł Pieniewski, Dev Harlan, Dirk Vekemans, Disinformation, Dominik Podsiadly, Dorin Budușan, Dumphaus, Elina Kohanaya & Sergey Tkachenko, Erika Matsunami, Ezoza Zokirjonova, Forevermidi, George Matvienko, Geo Flouris, Ghala Vasylenko, Igor Buharov, Iza Koczanowska, J.C. Muyonjo, Jacek Zachodny, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jerzy Kosałka, Joonas Westerlund, Joubin Zargarbashi, Kalliopi Ioumpa, Karina Palosi, Karl Heinz Jeron, Konstantina Mavridou, Kristoffer Ørum, Kseniia Kurbatova, Lelia Matis, Luis Gasca, Maartje A. Sanders, Madam Memoticon, Mark C. H. Schobben, Maternica Collective, Mez Breeze, MICH (Michał Hertmanowski), Mirosław Chudy, Natali Keen, Natalia Rozhkova, Nicole Nemesi, Nikita Krzyżanowska, not-a-composite one, Olesia Gerasimenko, Osvaldo Cibils, Paul Wiersbinski, Pritam Mitra, Rudy Paganini, Sandra Koretskaya, Sara Lipuzic, Shawn Lawson, Shunya Wada, Silvia Nonnenmacher & Jürgen Trautwein, Stefanie Reling-Burns, Stepan Panteleev, Svetlana Fenster, Szkarpaty, Tarsila West, Tommy Derveloy, Viktor Ivanov, Vincent van der Molen, Vladislav Fedotov, Vuk Cosic, Xavier Dallet aka Chan Somethingstar, Youssef El Idrissi and Zsolt Mesterhazy.
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