20Hz, 35MW, 50Hz, A History of the Universe in Sound, A Machine to Listen to the Sky, Abinadi Meza, AC, AC-DC, AC/DC, Accord, Acoustic Mirrors, Action Research, Adam Basanta, Adam Kinsey, Adriana Knouf, Afroditi Psarra, Agency Gallery, AJA, Akio Suzuki, Alice Eldridge, Alice Hackney, Alternating Current, Alternating Current (AC), Alvin Lucier, Ambisonic, Ambisonics, Ana Gutieszca, Andrew Hill, Anithesis, Ann Winsper, Anna Friz, Anne Zeitz, Antiopic, Arcadia, Architectural Acoustics, Art & Illusion, Art & Illusion for Sound, Art Contemporary, Artangel, Artist, Artquest, Arts Council Tokyo, Assembly, Assembly 2020, Atau Tanaka, Atmospherics, Audio Art, Audio Rorschach, Audio Spatial Composition, Audio Spectre, Audio Spectres, Audiosfera, Audiosphere, Auditory Illusion, Audrey Briot, Automatic Writing Circle, Échos Magnétiques, Ö1 Kunstradio, B-Side Festival, Bagpipes, Bankside, Bankside Power Station, Barbara Davis Gallery, Barry Burns, Bartosz Dylewski, Battersea, Battersea Power, Battersea Power Station, Battersea Power Station Control Room, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Wales, BBC World Service, BCCA, Bea De Souza, Beatrice Dillon, Bell Lungs, Ben Barwise, Benedict Cumberbatch, Binaural Beats, Blanc Sceol, Blast First, Block Universe, Bourdon, Bright Sparks Trail, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Bumblebee, Bunty, Burden, Café Oto, Call & Response, Call and Response, Call and Response Studios, Camden Arts Centre, Cameron Perry Fraser, Carsten Seiffarth, Cartier, CAVE, Cave Leeds, Cécile Chevalier, CCA, CCA Brighton, CCA Glasgow, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Arts, Changing Signals, Chaos Media, Charlotte Law, Chisenhale, Chisenhale Dance Space, Chisenhale Gallery, Choral Sculpture, Chris Kiefer, Christina Kubisch, Clélia Barbut, Close Lightning, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, Coalhouse Fort, Coalhouse Fort Tilbury, Come Home Again, Contemporary Art, Contemporary Art Museum St. Louis, Contemporary Art Society, Control Room A, Control Room B, Copper Sounds, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Current War, Damien Simon, Dan Powell, Dan Tapper, Daniel Tapper, Daniel W J Mackenzie, Dave Tompkins, David Roberts Art Foundation, David Thomas Broughton, DC, De La Warr Pavilion, Dead Lines, Deep Media Research, Deptford Power Station, Deutschlandfunk Kultur, Devonshire Collective, Diana Deutsch, Direct Current, Direct Current (DC), Dirk Campbell, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation My Misinformation, DIY Radio, DLWP Bexhill, Domestic EMI, Doug Kahn, Douglas Kahn, Dr Simon Foster, Dr. Walford Bodie, DRAF, Drone, Drone Music, Drones, DWLP Bexhill, Eartheater, Earwitness Theatre, Eastbourne, Electric Boulevard, Electric Walk, Electric Walks, Electric Wizard, Electric Wizard of the North, Electrical Walk, Electrical Walks, Electricity, Electricity Pylons, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Force Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Music, Electronic Voice Phenomena, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Eleonora Oreggia, Energies In The Arts, Es Devlin, EVP, Ewerk, Ewerk Luckenwald, Experimental Music, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Fay Burnett, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festival of Power, Fieldwave, Fiery Biscuits String Section, Florian Hecker, FON Festival, Fort Process, Fort Process Festival, Fort Process Newhaven, Fracture Patterns, Frances Young, Full of Noises, Furtherfield, George Westinghouse, Ghosts In The Machine, Gina Buenfeld, Glasgow, Goethe Institut, Goldsmiths, Goldsmiths College, GR-Uniforma, Great Britain Sasakawa Foundation, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Grid Music, Grischa Lichtenberger, Guoda Dirzyte, Haarlem, Hackspace, Hannah Kemp-Welch, Hannah White, Haroon Mirza, Haroon Mirza Outputs, Hecker, Heikki Salonen, Heinrich Dove, Heinrich Wilhelm Dove, Heliosphere, Helsinki, High Static, High Static Dead Lines, Honor Harger, Horniman Museum, Horniman Residency, Horniman Residency 2018, How To Wreck A Nice Beach, HRM199, HRM199 Ltd, HRM199 Outputs, Hurdy Gurdy, Hyperdub, Ian Stonehouse, Ian Thompson, Iklectik, Iklectik Art Lab, Iklectik Offsite, Iklectika, Illusion in Language, Illusion in Speech, Illusion in Speech and Language, Illusions, Ilpo Väisänen, Immersive Sound, Immersive Spatial Sound, Imran Khan, In the Studio, Information, Information Disinformation, INS, Institute of Modern Art Brisbane, Isn’tses, J. Milo Taylor, Jack Jelfs, Jack Lister, Jamie Ward, Jason Hotchkiss, Jeff Gburek, Jeph Vanger, Jeremy Keenan, Jez Riley French, Jez Stevens, Jobina Tinnemans, Joe Banks, Joe Gerhardt, John Drever, Jonathan Sterne, Jordan Edge, Joshua Legallienne, Joyce Hinterding, Julian Weaver, Karl M.V. Waugh, Karst, Karst Plymouth, Kate Carr, Katharina Worf, Kathryn Ashill, Kathy Hinde and Matthew Olden, Katie McCallum, Ken Hollings, Kersten Glandien, Kiasma, Kiasma Helsinki, KiRa, Klangkunst, Kode 9, Krakow, Kristen Floos, Kristen Gallerneaux, Kunstradio, Kyoka, La Belle Electra, Laurie Taylor, Lawrence Abu Hamdan, Le Bon Accueil, Lee Berwick, Lift 109, Lisa McKendrick, Lisson Gallery, Listen Club, Listening Arts, Listening Arts Channel, Listening As Culture, Listening Culture, Live Mains Electricity, Live to Air, LN-CC, LNCC, Lords of Lightning, Lost Property, Louise Mackenzie, Lovely Music, Low Frequency Radio, Luckenwalde, Machine Listening, Mack Hagood, Magic Lantern, Magnetic Movie, Magnetic Signals, Magneticsignals, Manchester, Manchester Science Festival, Map 71, Mara Mills, Maria Marzaioli, Mark Anderson, Mark M0WGF, Mark Vernon, Mark Vernon & Barry Burns, Markus Steffens, Marlo Eggplant, Martin Clark, Matt Lewis, Max Eastley, Más Hangok, Meditation Machine, Metaverse, Metaverse Spatial Audio, Michael Shannon, Michelle Hannah, Mika Vainio, Mike Blow, Mike Fell, Mike Kelley, Milo Taylor, Mogwai, MSI Manchester, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museo Reina Sofia, Museum of Science & Industry, Music & Sound, Music & Sound: Sound Thought, Music Hackspace, Mute Records, Mysterious Monopole, NASA, NASA Sound Archive, National Grid, National Grid Music, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Ned Rush, New Defence, New Interpretations Orchestra, Newhaven, Newhaven Fort, Nicholas Kaplony, Nicholas Ritson, Nick Kaplony, Niko Karlsson, Noise Music, Nonclassical, Object Hereafter, OKLYN, Olga Panades, Onassis Stegi, Oonagh Cousins, Open Wave-Receivers, ORE, ORF Musikprotokoll, ORR Scintilla, ORR_Scintilla, Oscillations, Otomo Yoshihide, Outlands, Outlands Network, Outputs, Overwhelming Waves, Pallant House, Pallant House Gallery, Pan Sonic, Panasonic, Patrick Sykes, Paul Bonaventura, Penguin, Penguin Random House, Pete Bebergal, Peter Bebergal, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Phantom Power, Phantom Power Podcast, Pheobe Riley Law, Pickett Improv, Polisonic, Polisonics, Political Effects of Listening, Politics and Sound, Politics of Listening, Politics of Sound, Power Station, Presence, Psychoacoustic Ambiguities, Psychoacoustics, Radio 3, Radio 4, Radio Aporee, Radio Art, Radio Lab 2022, Radio Phonography, Radio Phrenia, Radio Phrenia Live to Air, Radio Revolten, Radiophonography, Radiophrenia, Radiophrenia Live-to-Air, Random House, Rarely Unable, Raviv Ganchrow, Re Place London, Recording The Spirit Level, Redhookgrainterminal, Renaissance Instruments, Renaissance Music, Renaissance Polyphony, Renaud Bajeux, Rennes, Replace London, Research Group, Rhombos, Rhys Chatham, Rie Nakajima, Ritual Extra, Riverside Radio, Robin Rimbaud, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Ruslan Karablin, Ruth Jarman, Ryuichi Sakamoto, Sam Hewitt, Sasha Engelmann, Scanner, Schemata Arts, Science and Industry Museum, Science and Industry Museum Manchester, Science Gallery Bengaluru, Science Gallery Chicago, Science Gallery Dublin, Science Gallery London, Science Gallery Venice, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sensory Deception, Sensory Deception: The Psychoacoustics and Sonic Illusion, Serpent, Seth Kim-Cohen, Sferics, Shannen SP, Shatner’s Bassoon, Shawm, Shortwave Collective, Signal, Silence Blossoms, Silent Sound, Simon Foster, Singuhr, Singuhr Projects, Slow Listener, Somadome, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Geography, Sonic Illusion, Sonic Ray, Sonic Spectre, Sonic Spectres, Sophie Scott, Sound and Politics, Sound Art Brighton, Sound Art Hannah, Sound Artist, Sound Image Research Group, Sound Minds, Sound Mirrors, Sound Politics, Sound Practice, Sound Practice Research, Sound Studies, Sound Theory, Sound Thought, Sound Thought 2018, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Spark, Spark of Life, Spatial Audio, Spatial Sound, Spectral, Speech and Language, SPR, Sprit Box, SSUR, Stephan Barrett, Stephen McGreevy, Stephen Shiell, Steve Kennedy, Steve Rajam, Steven Kennedy, Steven Rajam, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Studio HRM199, Studio HRM199 Ltd, Sunsong, Surrounded by Colors, Surrounded by Colors We Could No Longer See, Susan Hiller, Tap/Sew, Tasos Stamou, Tate Garden, Tate Modern Garden, TED Talks, Terumo Foundation, Test Subjects, Tetsuya Umeda, Teylers Museum, Teylers Museum Haarlem, The Agency, The Agency Gallery, The Current War, The Electric Wizard of the North, The Ferranti Archive, The Ferranti Collection, The Hum, The Larsens, The Psychoacoustics and Sonic Illusion, The Situationist, The Spark of Life, The Unit for Sound Practice Research, The War of the Currents, The Wave Epoch, The Wire, The Wire Magazine, Thomas Edison, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Drage, Totally Radio, Totallyradio, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transmission Ecologies, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, UKAEA, Unit for Sound Practice Research, University of Brighton, University of Greenwich, University of London, Unsound, Unsound Festival, Unsound Krakow 2018, Ursula Damm, Vernon & Burns, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Victor Mazon Gardoqui, Vincent Van Uffelen, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, VLF Works, Voces Castrum, Voixxe, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Voltage, Voluta, Walford Bodie, War of the Currents, Wave Epoch, Wave Farm, We Are All Bats, We Could No Longer See, We’re All Bats, Well Hung Game, Wellcome, Wellcome Collection, Wellcome Trust, Wet Sounds, Wetsounds, Wire, Wireless, Witte de With, Witte de With Center for Contemporary Art, X-Name, Xname, Young Guns, Yuko Mohri, Yuko Mohri Exhibition Circle