20Hz, 35MW, 50Hz, A Conjecture on Space, A History of the Universe in Sound, A Machine to Listen to the Sky, A Room Listening to Itself, Accord, Acoustic Mirrors, Adam Basanta, Adam Kinsey, Adrian Godwin, Adriana Knouf, Aeolius, Afroditi Psarra, Agency Gallery, Akio Suzuki, Alexandre da Cunha, Alice Eldridge, Alice Hackney, Alvin Lucier, Ana Gutieszca, Andrew Hill, Andrey Novikov, Andy Pyne, Anithesis, Anna Friz, Anne Zeitz, Antiopic, Arcadia, Architectural Acoustics, Arpgeggi, Art & Illusion, Art & Illusion for Sound, Art on the Underground, Artist, Artquest, Arts Council Tokyo, Assembly, Assembly 2020, Atau Tanaka, Atmospherics, Attenborough Centre, Attenborough Centre for the Creative Arts, Audio Art, Audio Rorschach, Audio Spatial Composition, Audio Spectre, Audio Spectres, Audiosfera, Audiosphere, Audrey Briot, Automatic Music, Échos Magnétiques, Ö1 Kunstradio, B-Side Festival, Bagpipes, Bartosz Dylewski, Battersea, Battersea Power, Battersea Power Station, BBC Radio, BBC Radio 3, BBC Radio 4, BBC World Service, BCCA, Bea De Souza, Beatrice Dillon, Ben Barwise, Black Neck Band, Blanc Sceol, Blast First, Bourdon, Bright Sparks Trail, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Buchla Krell Patch, Bumblebee, Burden, Café Oto, Call & Response, Call and Response, Camden Arts Centre, Cameron Perry Fraser, Cécile Chevalier, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, Cementimental, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Changing Signals, Chaos Matrix, Chaos Media, Charlotte Law, Chris Kiefer, Chris Parfitt, Christian Wolff, Christina Kubisch, Clélia Barbut, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, Coalhouse Fort, Coalhouse Fort Tilbury, Cobra, Community 21, Compression-Expansion-Phasing, Control Room A, Control Room B, Copper Sounds, Cove Park, Cryptic, CTM, CTM Festival, CTM Radio Lab, Damien Hirst, Damien Simon, Dan Powell, Dan Tapper, Daniel Tapper, Daniel W J Mackenzie, Dave Tompkins, David Roberts Art Foundation, De La Warr Pavilion, Dead Lines, Deptford Power Station, Deutschlandfunk Kultur, Devonshire Collective, Dirk Campbell, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, DRAF, Drone, Drone Music, Drones, DWLP Bexhill, Eartheater, Eastbourne, Ebb and Flow, Electric Boulevard, Electric Walk, Electric Walks, Electrical Walk, Electrical Walks, Electricity, Electricity Pylons, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Force Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Music, Electronic Voice Phenomena, Elektrizitätswerk, Eleonora Oreggia, EVP, Exotic Pylon, Experimental Music, Experimental Television Center, Experimental Television Center New York, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Fay Burnett, Feedback Cell, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festival of Power, Fieldwave, Fiery Biscuits String Section, Flood the Box, Florian Hecker, Foghorn Requiem, FON Festival, Fort Process, Fort Process Newhaven, Fracture Patterns, Frances Young, Full of Noises, Gemma Padley, Generator Projects Dundee, Gina Buenfeld, Glasgow CCA, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Gong Girl, GR-Uniforma, Great Britain Sasakawa Foundation, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Grid Music, Grischa Lichtenberger, Guoda Dirzyte, Gus Loxbo, Haarlem, Hackspace, Hanna Olivegren, Hannah Kemp-Welch, Hannah Pickett, Hannah White, Hannah White. Kassia Zermon, Haroon, Haroon Mirza, Haroon Mirza Outputs, Haunted Machines, Hecker, Heikki Salonen, Heliosphere, Helsinki, High Static, High Static Dead Lines, Himera, Himera Collective, Holding & Not Holding, Honor Harger, Horniman Museum, Horniman Residency, Horniman Residency 2018, How To Wreck A Nice Beach, HRM199, HRM199 Ltd, HRM199 Outputs, Hurdy Gurdy, Hyperdub, Ian Stonehouse, Ian Thompson, Iklectik, Iklectik Art Lab, Iklectik Offsite, Iklectika, Illusion in Language, Illusion in Speech, Illusion in Speech and Language, Illusions, Ilpo Väisänen, Imran Khan, In the Studio, Information, Information Disinformation, INS, Isn’tses, J. Milo Taylor, Jack Jelfs, Jack Lister, Jamie Ward, Jason Hotchkiss, Jeff Gburek, Jeph Vanger, Jeremy Keenan, Jez Riley French, Jez Stevens, Jobina Tinnemans, Joe Banks, Joe Gerhardt, John Drever, John Squire, John Squire: Disinformation, John Zorn, Jonathan Sterne, Jordan Edge, Joshua Legallienne, Joyce Hinterding, Julian Weaver, Julien Chamla, Kaleidoscopic World of Synaesthesia, Karl M.V. Waugh, Karst, Karst Plymouth, Kate Carr, Katharina Worf, Kathy Hinde and Matthew Olden, Katie McCallum, Kellar, Ken Hollings, Kerber Verlag, Kersten Glandien, Kiasma, Kiasma Helsinki, Kidderminster Arts Festival, KiRa, Kira Zhigalina, Klangkunst, Kode 9, Krakow, Kristen Floos, Kristen Gallerneaux, Kyoka, Lauri Hyvärinen, Le Bon Accueil, Lee Berwick, Lift 109, Lisa Jayne, Lisa McKendrick, Lisson Gallery, Listen, Listen Club, Listen Lisse, Listening, Listening Arts, Listening Arts Channel, Listening As Culture, Listening Culture, Listening Mirrors, Listening To Non-Human Life, Littoral Transmissions, Live Mains Electricity, LN-CC, LN-CC etc, LNCC, Lords of Lightning, Lost Property, Louise Mackenzie, Lovely Music, Luminous Birds, Machine Listening, Mack Hagood, Magic Lantern, Manchester, Manchester Science Festival, Map 71, Mara Mills, Maria Marzaioli, Mark Anderson, Mark M0WGF, Marlo De Lara, Marlo Eggplant, Martin Clark, Matt Lewis, Max Eastley, Más Hangok, Medicine & Duty, Michael Joo, Michael Whelan, Mika Vainio, Mike Blow, Mike Fell, Mike Kelley, Milo Taylor, MSI Manchester, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museo Reina Sofia, Museum of Science & Industry, Music and Dance in Remote Antiquity, Music Hackspace, Mute Records, Mysterious Monopole, NASA, NASA Sound Archive, Natalie D Kane, Natalie Kane, National Glass Centre, National Grid, National Grid Music, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Ned Rush, New Defence, New Interpretations Orchestra, New York, Newhaven, Newhaven Fort, Newport Street, Newport Street Gallery, Nicholas Kaplony, Nicholas Ritson, Nick Kaplony, Niko Karlsson, Ninja Riot, NIO, Noise MJusic, Non-Human Life, Nonclassical, Object Hereafter, OKLYN, Onassis Stegi, Oonagh Cousins, ORE, ORF Musikprotokoll, ORR Scintilla, ORR_Scintilla, Oscillations, Otomo Yoshihide, Outlands, Outlands Network, Outputs, Outwork, Overwhelming Waves, Pallant House, Pallant House Gallery, Pan Sonic, Panasonic, Panoramic Scores, Parting the Waves, Patrick Sykes, Paul Bonaventura, Peace Project, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Phantom Field, Phantom Power, Phantom Power Podcast, Pheobe Riley Law, Pickett Improv, Play, Play Head, Power, Power Station, Presence, Psychoacoustic Ambiguities, Psychoacoustics, PWM, Pylon, Pythagorean Dream, Radio 3, Radio 4, Radio Aporee, Radio Art, Radio Phonography, Radio Phrenia, Radiophonography, Radiophrenia, Rarely Unable, Recording The Spirit Level, Redhookgrainterminal, Renaissance Instruments, Renaissance Music, Renaissance Polyphony, Rennes, Rhys Chatham, Rie Nakajima, Ringlock, Ritual Extra, Riverside Radio, Robin Dickinson, Robin Rimbaud, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Ruslan Karablin, Ruth Jarman, Ryuichi Sakamoto, Sam Andreae, Sam Hewitt, Sam Underwood, Sasha Engelmann, Scanner, Schemata Arts, Science and Industry Museum, Science and Industry Museum Manchester, Science Gallery Bengaluru, Science Gallery Chicago, Science Gallery Dublin, Science Gallery London, Science Gallery Venice, Science Limited, Science Ltd, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sensory Deception, Sensory Deception: The Psychoacoustics and Sonic Illusion, Serpent, Seth Kim-Cohen, Sferics, Shannen SP, Shatner’s Bassoon, Shawm, SHNDG, Shrag, Silence Blossoms, Silent Sound, Simon Foster, Simulation/Skin, Singing Polymers, Sφera, Skaņas Laukums, Slow Listener, Slum of Legs, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Geography, Sonic Illusion, Sonic Spectre, Sonic Spectres, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sound Art Brighton, Sound Artist, Sound Image Research Group, Sound Minds, Sound Mirrors, Sound Practice Research, Sound Room, Sound Studies, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Spark, Spark of Life, Spatial Sound, Spectral, Speech and Language, SPR, Sprit Box, SSUR, Station, Stephan Barrett, Stephen McGreevy, Stephen Shiell, Steve Kennedy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Telemetry, Studio HRM199, Studio HRM199 Ltd, Sunset Sunrise Sunset, Sunsong, Susan Hiller, Sussex Downs College, Sylvia Ross, Tap/Sew, Tasos Stamou, TED Talks, Tentacular Resonances, Terumo Foundation, Tesla Coil Organ, Test Subjects, Tetsuya Umeda, Teylers Museum, Teylers Museum Haarlem, The Academy of Sun, The Agency, The Agency Gallery, The Ferranti Archive, The Ferranti Collection, The Hum, The Larsens, The Psychoacoustics and Sonic Illusion, The Situationist, The Spark of Life, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Third Space, Third Space Helsinki, Tim Drage, Tobias Revell, Toby Revell, Totally Radio, Totallyradio, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transits, Transmission Ecologies, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Tuukka Haapakorpi, Twittering Machines, Ugly Animal, UKAEA, University of Brighton, University of Greenwich, University of London, University of Northumbria, University of Sunderland, Unsound, Unsound Festival, Unsound Krakow 2018, Ursula Damm, Very Low Frequency, Very Low Frequency Radio, Victor Mazon Gardoqui, VLF, VLF Noise, VLF Radio, VLF Sound, VLF Works, Voces Castrum, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Voltage, Voluta, Vyner Articles, Wave Epoch, We Are All Bats, We Haunt You While You Watch, We’re All Bats, Well Hung Game, Wellcome, Wellcome Collection, Wellcome Trust, West Hill Blast Quartet, Wet Sounds, Wetsounds, Wire, X-Name, Xname, YOU&TH, Young Guns, Yuko Mohri, Yuko Mohri Exhibition Circle, [Play>Head]
“National Grid” – live at Fort Process 2018
Fort Process is an extraordinary one day sonic arts and music festival that utilises the unique resonant spaces of Newhaven Fort. This third edition of Fort Process, curated by Lost Property, features performances, installations, talks, workshops and live art, from a massive line-up of contributors, including Adam Basanta, AJA, Alice Eldridge + Chris Kiefer, Ana Gutieszca, Automatic Writing Circle, Bartosz Dylewski, Bell Lungs, Blanc Sceol, Bunty, Cécile Chevalier + Chris Kiefer, Copper Sounds, Dan Powell, Daniel W J Mackenzie, David Thomas Broughton, Dirk Campbell, Disinformation, Fay Burnett, Fiery Biscuits String Section, Frances Young, Grischa Lichtenberger, Guoda Dirzyte, Isn’tses, Jack Lister, Jamie Ward, Jason Hotchkiss, Jeph Vanger, Jez Riley French + Pheobe Riley Law, Jez Stevens, Jobina Tinnemans, Joe Banks, Jordan Edge, Joshua Legallienne, Julian Weaver, Kathy Hinde + Matthew Olden, Katie McCallum + Karl M.V. Waugh, KiRa + Accord, Kyoka, Louise Mackenzie, Map 71, Maria Marzaioli, Mark Anderson, Marlo Eggplant, Más Hangok, Max Eastley, Mike Blow, Mysterious Monopole, Ned Rush, New Interpretations Orchestra, Nicholas Ritson, Niko Karlsson, ORE, Pickett Improv, Redhookgrainterminal, Rhombos, Rhys Chatham, Rie Nakajima, Ritual Extra, Sam Hewitt, Semiconductor, Shatner’s Bassoon, Silence Blossoms, Slow Listener, Stephan Barrett + Adam Kinsey, Tap/Sew, Tasos Stamou, Tetsuya Umeda, The Larsens, UKAEA, Ursula Damm, Voces Castrum and Well Hung Game. “Rorschach Audio” lecture demonstration at 2:30pm [sharp] + “National Grid” sound installation running through the day, including live collaboration with Renaissance polyphony ensemble Voces Castrum, in the deep tunnels at 5:00pm.
22 Sept 2018 – 12 midday to 11pm
Fort Process 2018
Newhaven Fort
Fort Road
Newhaven
East Sussex BN9 9DS
Programme download – https://tinyurl.com/ycr26buj
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Rorschach Audio + Disinformation 