72 Films, Acoustic Mirrors, Ai Weiwei, Air Traffic Control, Alexander Goodson, Alva Noto, Amy Pettifer, AND-OR, Andy Clark, Ania Micińska, Art is not necessarily science, Art-Science, ATC, Audio Rorschach, Audiology, Auditory Illusions, Auditory Inkblot, Audun Mortensen, Aura Satz, Bárbara Rodríguez Muñoz, Bing Crosby, Bjorn Geldhof, Blind Spot, Blind-Spots, Brain, Breakthrough, Brian Dillon, Brian Roettinger, but science is always art, Camera Obscura, Carbonic Oscillation, Carsten Nicolai, Casino Luxembourg, Centre for Chinese Contemporary Art, Centre for the Study of the Senses, CFCCA Manchester, Chandler McWilliams, Christchurch, Citroën DS, City University, CM von Hausswolff, Cockneys vs Zombies, Cocktail Party Effect, Communications, Crass, Cyclopean POV, Dave Okumu, Delhi Belly, Desmond Dekker, Diana Deutsch, Dick Whittington, DK Bose, Dora Meade, Drone Rorschach, Тетяна Кочубінська, Ear Tells The Eye, Ear Tells The Eye Where To Look, Eigen+Art, Eigen-Art, Electronic Voice Phenomena, Emiddio Vasquez, EVP, Eye Tracking, Feast of Listen, Gee Vaucher, Gertrude Contemporary, Ghost in the Machine, Ghost Noses, Ghosts, Glenn Branca, Goldsmiths College, Harpers Bazaar, Hayden White, Hejira, Here's to my sweet Satan, Hermann Rorschach, Human Eye, Human Fiction Tartini, If The Spirit Moves You, International Necronautical Society, Isabella Martin, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, Νίκος Στέφου, ακουστικά κάτοπτρα, Jacek Plewicki, Jean Cocteau, Jean Genet, Jo Burzynska, Joe Banks, Justine Picardie, Kinetic Depth Effect, Konstantin Raudive, Lawrence Abu Hamdan, Left Eye, Lefty Le Mur, Leonardo da Vinci, Limner Journal, Liquid Architecture, LLC, London Consortium, Lucida, Mandy Kahn, Martyna Dakowicz, Matching, McGurk Effect, Michal Kosakowski, Mika Hayashi Ebbesen, Mike Kelley, Mikhail Karikis, Mikołaj Tkacz, Minjeong An, Mishearing, Mishearings, MUMA Melbourne, Mushon Zer-Aviv, Mykola Ridnyi, Necker Cube, Niall Macdonald, Nico Krijno, Nicosia, Nikos Stephou, Noise 2016, Oenosthesia, Oliver Gordon, Orphée, Orpheus, Pareidolia, Paul Hibbard, Penny Rimbaud, Peter Eramian, Picket Fence Effect, Pinchuk, Pinchuk Art, Pinchuk Art Centre, Pinchuk Centre, Poetry as I need it, Politics of Listening, Psychoacoustics, Raster Noton, Right Eye, Rorschach Audio, Rorschach Ink-Blots, Royal College of Art, Sam Beste, Sara C Motta, Scanner, Sci-Art, Scientific American, Shoppinghour, Shoppinghour Magazine, Sine-Wave Speech, Soлomiya, Soлomiya Magazine, Solomiya, Solomiya Mag, Solomiya Magazine, Sonic Studies, Sound Mirrors, Sound Studies, Spiritualism, Stereoscopic Perspective, Steven Pinker, Suki Chan, Super Salon, Surfing Uncertainty, Susan Hiller, Tatiana Kochubynska, Tatiana Kochubynskaya, Technology, Tender Books, Tender Pixel, Tenderbooks, Tenderpixel, Tetiana Kochubynska, Tetiana Kochubynskaya, The Auricle, The University of Westminster, Think Work Observe, This is a Voice, Thkio Ppalies, Ti Pi Tin, Tintype Gallery, TiPiTin, Tom Harrad, Tom McCarthy, Tony Oursler, Turner Contemporary, University of Greenwich, University of Salford Art Collection, Vision, Visual Data, Visual Perception, Visual reality is in itself a carefully constructed optical illusion, Volks, Warsaw, Wellcome Collection, When The Ear Tells The Eye Where To Look, White Christmas, Writing Around Sound, Yasushi Tanaka-Gutiez
“Art is not necessarily science, but science is always art…”
Issue 10 of the art and culture magazine Shoppinghour, originally published in 2013, is now available as a free download. The magazine features “Cockneys vs Zombies – Rorschach Ink Blots & the Auditory Undead” – an article which provided an invaluable opportunity to take ideas from this website, some of which emerged after the publication of the “Rorschach Audio” book, and commit them to print. “Art is not necessarily science, but science is always art”; “as soon as our attention is drawn to certain visual obstructions, we notice them – glasses and our own noses for instance; so, as with blind-spots, normally the mind edits-out such obstructions, to create the perception of an uninterrupted visual field, which is itself partly an illusion”, etc.
Contributors include Minjeong An, And-Or, Sam Beste, Martyna Dakowicz, Alexander Goodson, Lawrence Abu Hamdan, Human Fiction Tartini, Mandy Kahn, Mikhail Karikis, Michal Kosakowski, Nico Krijno, Lefty Le Mur, Niall Macdonald, Isabella Martin, Chandler McWilliams, Audun Mortensen, Sara C Motta, Dave Okumu, Amy Pettifer, Jacek Plewicki, Penny Rimbaud, Brian Roettinger, Mikołaj Tkacz, Gee Vaucher, Hayden White and Mushon Zer-Aviv. Shoppinghour was edited by Peter Eramian and Yasushi Tanaka-Gutiez, with Martyna Dakowicz, Mika Hayashi Ebbesen, Dora Meade, Ania Micińska and Oliver Gordon, with design by Think Work Observe. Print copies are available via Ti Pi Tin.
https://rorschachaudio.files.wordpress.com/2015/11/shoppinghour.pdf
http://www.tipitin.com/shop/shoppinghour-magazine-issue-10-feast-of-listen
Related
From → Uncategorized
Rorschach Audio + Disinformation 