#alvarobarrington, #artistsistealfrom, 840 Series, A Masterclass in Creative Thinking, Action Research, Aesthetic Politics, Afterall, AJ Ayer, Alison Turnbull, All artworks are psychology experiments, Alvaro Barrington, Andrew Durbin, Anti-Book, Art & Language, Art and Writing, Art Blocks, Art Blocks x Pace Verso, Art is not necessarily science, Art should never be boring, Art-Science, Artangel, Artforum, Artistic Perspectives in a Post-Truth Climate, Artists I Steal From, Arts Catalyst, Arts@CERN, Atelier Nord, Audio Rorschach, Audiovisual Cultures, Bastard Assignments, Bibliomancy, Bold Tendencies, Bomb Magazine, Booklyn, Bookworks, Borbála Soós, but science is always art, Campaign, Campaign Live, Carsten Nicolai, Cave Leeds, CCA Glasgow, CCA Goldsmiths, Centre for Audio Visual Experimentation, Centre for Contemporary Art, CERN Geneva, Christina Kubisch, CM von Hausswolff, Company Gallery, Concrete Poetry, Conspiracy of the Real, Contemporary Writing, Covandonga Valdes, Curating Writing, Damien Hirst, Dan Tapper, Danielle Arnaud, Danielle Arnaud Gallery, Dave Trott, DDMMYY, Detektors, Disinformation, Disinformation John Squire, Disinformation War, Dissonant Wave, DJ Spooky, Don’t destroy all rational thought, Don’t Speak Or, Electrical Walks, Electricity The Spark of Life, Electro Putere, Empiricism, Experimental Writing, FACT Liverpool, Fake News, False Speech, Filthy Lucre, Flatpack Festival, Forced Entertainment, Forensic Aesthetics, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Frieze, Frieze Magazine, Gabriel Prokofiev, Galerie Thaddaeus Ropac, Giya Kancheli, Goethe Institute, Goethe-Institut London, Gold SF, Goldsmiths, Goldsmiths Audio, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Grace Schwindt, Grid Music, Groenewegen, Haroon Mirza, Henry Moore Institute, Honor Harger, Humanism, IMCC Westminster, Information as Material, Institute for Modern and Contemporary Cultures, Invisible Dust, Invisible Forces, James Lingwood, Jennifer Higgie, Joe Banks, John Squire, John Squire: Disinformation, Julia Peyton-Jones, Karl Popper, Karst, Karst Gallery, Karst Plymouth, Kate Pickering, Koppel Project, Language Art, Leeds Art Gallery, Listenpony, Literary Arts, Lynton Talbot, Martin Howse, Melissa Gronlund, MFA Fine Art, Michael Joo, Michael Morris, Mike Fell, Mishka Henner, Misinformation, Molly Smyth, Monica Bello, Musica Dispersa, New Instruments, Newport Street, Newport Street Gallery, Nick Thurston, Nightboat Books, No Idea Festival, Non-Classical, Nonclassical, OCM, One Plus One Equals Three, Oona Grimes, Otolith, Otolith Group, Oxford Contemporary Music, Pace, Pace Gallery, Pace Verso, Parrhesiades, Pavilion, Poetry Project, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Polly Gould, Positivism, Post-Truth, Prelude, Preludes, Psychology, Quinn Latimer, Radioqualia, Raitis Smits, Rasa Smite, Rationalism, Ray Lee, Reading as Art, Reading Matters, Red Crayola, Repeater Books, Repeater Radio, Resonant Frequencies, Richard Forster, Rob Mullender, Roberts Institute of Art, Robin Rimbaud, Rorschach Audio, S. J. Groenewegen, Sam Belinfante, Sam Plagerson, Scanner, Sci-Art, Science Limited, Science Ltd, Sean Cubitt, Semiconductor, Semiconductor Films, Shelter Press, Shintaro Miyazaki, Sighs Trapped by Liars, Simulation/Skin, Sonic Agency, Sonic Immersion, Sonic Scope, Sonics, Sonics Series, Sound Agendas, Sound and Politics, Sound as Art, Sound Mirrors, Sound Poetry, Sound Politics, Sound Practice, Sound Theory, Speculative Libraries, Spiritualism, Susan Hiller, Sylvia Ross, Tacita Dean, Tenderpixel, Texte Zur Kunst, Thaddaeus Ropac, The Disinformation War, The House that Heals the Soul, The medium isn’t the message, The Voice as a Political Implement, Tim Etchells, Trevor Paglen, Triple Canopy, Truth, University of Leeds, University of Westminster, Verso, VLF Radio, War, Waveform, We Break Strings, Wellcome Trust, William Burroughs, Word and Image Studies, Writing and Concepts, Yorkshire Sculpture Park
“If you could give 200 words worth of advice to a Fine Art student in 2015…”
Following the (packed) “Rorschach Audio” demonstration at The University of Leeds Chemistry Building in Oct 2014, Leeds University’s School of Fine Art, History of Art and Cultural Studies invited 12 guest speakers to offer “a short answer to a big question”, with a very loose brief… “If you could give 200 words worth of advice to a Fine Art student in 2015, what would it be?”… for publication in an A5 chapbook produced in May 2015.
Authors (contributing one page each) include Tim Etchells (performance artist and co-founder, Forced Entertainment), Richard Forster (sculptor and draughtsman), Oona Grimes (multimedia artist and story teller), Melissa Gronlund (writer and editor, Afterall), Mishka Henner (photographic and web artist), Jennifer Higgie (writer and editor, Frieze), Pavilion (commissioning agency), Grace Schwindt (sculptor and film and performance artist), Molly Smyth (sculptor), Alison Turnbull (painter), Covandonga Valdes (painter) and Joe Banks (founder of Disinformation). The booklet is edited by Nick Thurston and published in association with The Henry Moore Institute, Leeds Art Gallery, Pavilion and Yorkshire Sculpture Park. “Art is not necessarily science, but science is always art”; “All artworks are psychology experiments”; “Don’t destroy all rational thought”; “The medium isn’t the message”; “Art should never be boring”…
http://www.fine-art.leeds.ac.uk/events/visiting-artists-talk-joe-banks/
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Thanks. Any link to where I can buy/download one of these A5 books?
Hi Per, apparently some of the artists didn’t want their contributions made available online, as for print copies, I’ll ask if any are available and give you a shout
So, can I buy a print copy?
Sorry Per, it’s sold-out