9V DC Supply with Home-Made Copper Solenoid, Absolute Zero, Accelerate, Adaadat, Adriana Knouf, Afroditi Psarra, Al Khwarizmi, Al-Jabr, Alice Hackney, Alva Noto, Andrew Lagowski, Andy Knight, Angus Carlyle, Anna Friz, Antiphony, Ariane Koek, Artangel, Artificial Lightning, Artists & Airwaves, Arts Catalyst, Arts@CERN, Ash International, Atelier Nord, Atmospherics, Atom Heart, Audio Archive, Audio Art, Audio Rorschach, Audrey Briot, AV Festival, Barcelona, Ben Barwise, Ben Ponton, Bexleyheath to Dartford, Bianca Biberaj, Blanc Sceol, Brilliant Noise, Bruce Gilbert, Calling the Cosmos, Cameron Perry Fraser, Carsten Nicolai, Cartsen Nicolai, Cave Leeds, Caylie Staples, Celebration, Centre for Audio Visual Experimentation, CERN, CERN Geneva, Chaos Media, China Mieville, Chris & Cosey, Chris Carter, Chris Watson, Christian Fennesz, Christina Kubisch, Circuit Blasting, Claire Williams, CM von Hausswolff, Collide, Constanza Piña Pardo, Contemporary Art Society, Coronal Mass Ejection, Cosey Fanni Tutti, Coum Transmissions, Damien Hirst, Dan Tapper, Data Storm, David Roberts Art Foundation, David Toop, Deptford Power Station, Detach, Detektors, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation vs Oubliette, Dom Culture Centre, Doppleganger, Douglas Kahn, DRAF, Eigen+Art, Eigen-Art, Electrical Interference, Electrical Walks, Electricity, Electromagnetic Noise, Electromagnetism, Electron Festival, Electronic Music, Emerging Paradigm, Eric Lyon, Evan Parker, Experimental Music, FACT, FACT Liverpool, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Foundation, Galen Joseph-Hunter, Geomagnetism, Ghost Shells, Glass Salt, Glenn Branca, Greenwich Power Station, Guiliana Stefani, Haroon Mirza, Haroon Mirza Outputs, Hayward Gallery, Headlights, Honor Harger, Hoxton, HRM199, HRM199 Ltd, HRM199 Outputs, HTBA, Hull 2017, Hull Art Lab, Hull Time Based Arts, Humber Street, Humber Street Gallery, Ilm Al-jabr Wa’Mukabalah, Immerse magazine, Invisible Forces, Iris Light, Jack Jelfs, Jeff Gburek, Jeff Kolar, Jim O'Rourke, Joe Banks, Johann Diedrick, John Duncan, John Squire, John Squire: Disinformation, John Wynne, Jon Wozencroft, Kapotte Muziek, Kate Donovan, Knut Aufermann, Kristen Roos, Kwaidan, L.O.S.D., Laura Plana Gracia, Leif Elggren, Liquid Architecture, Lisson Gallery, Live at The Museum of Installation, Live Mains Electricity, Liverpool, London, London Underground, London’s Overthrow, Loran-C, Magnetic Movie, Marc Behrens, Mark Pilkington, Mark Poysden, Mark Van Hoen, Marko Peljhan, Martin Howse, Mechos, Melbourne, Merge magazine, Mesmer Variations, Michael Begg, Michael Joo, Mike Harding, Mike Kelley, Mike Walter, Monash University Museum of Art, Monica Bello, Moscow, MOSI, Movement Radio, Muhammad ibn Musa Al-Khwarizmi, MUMA, Museum of Science and Industry, National Grid, Natural Radio, Neural Magazine, Newcastle, Newport Street, Newport Street Gallery, Omnempathy, Onassis, Onassis Foundation, Onassis Stegi, Oren Ambarchi, ORR Scintilla, ORR_Scintilla, Outputs, Overwhelming Waves, Oxford Contemporary Music, PAJ Publications, Pan Sonic, People Like Us, Psychoacoustics, R&D, R&D2, Radio Noise from the Sun, Radio Phonography, Radio Phrenia, Radio Revolten, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Ralf Wehowsky, Rasa Smite, Raster Noton, Ray Lee, Research & Development, RLW, Robin Rimbaud, ROOT, Rorschach Audio, Running Out Of Time, Ryoichi Kurokawa, Ryoji Ikeda, S.E.T.I., Saburo Teshigawara, Sam Belinfante, Sarah Lucas, Sarah Washington, Sasha Engelmann, Scanner, Scatter, Science Limited, Science Ltd, Semiconductor, Semiconductor Films, Sense Data & Perception, Shintaro Miyazaki, Shortwave Radio, Simon Fisher Turner, Simulation/Skin, Sine-Wave Speech, Solar Radio Noise, Sonic Art, Sonic Boom, Sonic Youth, Sound Archive, Sound Artist, Sound Check for the Disobey Performance, Sounds of Love, Southbank Centre, Spatial Sound, Spirit Box, Stargate, Stegi, Strange Attractor, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Susan Hiller, Sylvia Ross, T:un[k] Systems, Tactile, The Ferranti Archive, The Ferranti Collection, The Foundry, The Visitor, The Wave Epoch, The Wire Magazine, Themepark magazine, Theophany, Throbbing Gristle, Tony Oursler, TOOT, Torsten Lauschmann, Totally Out Of Tune, Touch Records, Transmission Art, Transmission Arts, Transmission Ecologies, Unfold, Untitled Test Sequence, Victor Mazon Gardoqui, VLF Radio, VLF Whistlers, Volt 2021, Voltnoi & Quetempo, Wave Epoch, Wave Farm, WGXC 90.7-FM, WGXC 90.7FM, Wire, Witness 4, Witness 4: The Visitor, Zbigniew Karkowski
Disinformation sound archive on Wave Farm “Saturday Night Special”
From 8pm on the 12 Dec 2015 to 4am the following morning, New York based sonic arts organisation Wave Farm broadcast a radio feature about the Disinformation sound art project – featuring nearly 8 hours of content, including almost all the commercially published Disinformation LPs and CDs, plus interview material and performance recordings. Although the very first Disinformation recording – VLF radio sounds contributed to a track by Andrew Lagowski’s S.E.T.I. project – was released on CD in 1995 (see link for “Mesmer Variations”), the Wave Farm broadcasts cover Disinformation’s earliest experiments with electromagnetic noise, with electrical interference, VLF and shortwave radio, plus extensive remixes and collaborations, during the decade from 1996 to 2006, plus a smattering of more recent tracks, and material connected to the “Rorschach Audio” project. All the programmes are produced by Bianca Biberaj, with special thanks to Bianca and to Galen Joseph-Hunter. Programme 8 features recordings of Disinformation live at the Dom Culture Centre, Moscow (26 Nov 2000) – featuring saxophonists Mike Walter & Andy Knight, Disinformation & Strange Attractor live at Hull Art Lab on Humber Street (4 Feb 2005) – well before the opening of the new Humber Street Gallery, and the Disinformation DJ set at MUMA, Melbourne (4 June 2015). So, those familiar with Disinformation CDs and LPs etc are likely to find programme 8 the most interesting…
https://wavefarm.org/wgxc/schedule/a0e3t1 (then click on the word “Audio”)
Programme 1 – https://wavefarm.org/archive/t3xaf0
Programme 2 – https://wavefarm.org/archive/w7y0as
Programme 3 – https://wavefarm.org/archive/s5xwxh
Programme 4 – https://wavefarm.org/archive/nnkmqt
Programme 5 – https://wavefarm.org/archive/yy0r6f
Programme 6 – https://wavefarm.org/archive/94551v
Programme 7 – https://wavefarm.org/archive/5a14b4
Programme 8 – https://wavefarm.org/archive/mmg0p3
Image 1 – https://wavefarm.org/archive/dpvj0v
Image 2 – https://wavefarm.org/archive/k8vwv0
http://www.discogs.com/Various-Mesmer-Variations/release/226821
“Potent drug-like trances of utter black mysteriousness” Sound Projector (UK)
“Engaging… illuminating, fascinating” The Wire (UK)
“Surrealists on ketamine” Vital (The Netherlands)
In terms of describing and explaining the ideas explored in the early Disinformation recordings, Disinformation features in (among many others) Immerse magazine (1997), Merge (1998) and Themepark (2000) for instance, openly advertise this project’s sources and inspirations, further document the activities themselves, and also help show how these ideas (and a great deal of practical information) were transmitted to and influenced other practitioners in electronic music and sonic art…
https://www.flickr.com/photos/disinfo-archive/
Related
From → Uncategorized
Rorschach Audio + Disinformation 