A Human History of Sound and Listening, A Scientific Odyssey of Sound, A World View, Acoustic Rorschach, Alva Noto, Andrew O'Hagan, Apophenia, Art & Illusion, Art & Illusion for Sound, Artefact, Audio Apophenia, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Baltic, Barbara Ellison, Bluecoat, Carbonic Oscillation, Carsten Nicolai, Cave Leeds, Centre for Audio Visual Experimentation, Channel One Channel Two and Channel Three, Claudia Firth, CM von Hausswolff, Continent, David Batchelor, David Hendy, Dead Lines, Drone Rorschach, Duke University Press, EH Gombrich, Eigen+Art, Eigen-Art, Electronic Voice Phenomena, Eleonora Oreggia, Errant Bodies Press, EVP, Force of Listening, Ghost in the Machine, Goldsmiths, Grace Schwindt, Harpers Bazaar, Haunted Media, Haunted Technology, Hayward Gallery, Hayward Touring, Hearing Voices in the Noise, High Static, Human Conversation, If The Spirit Moves You, International Necronautical Society, Islington Mill, Jamie Hamilton, Jennifer Higgie, Jo Burzynska, John Latham, Justine Picardie, Konstantin Raudive, Kristen Gallerneaux, Larry Sider, Listening, London Consortium, Lucia Farinati, Magic Lantern, Marina Warner, Mark Underwood, Martyna Poznanska, Mike Kelley, Mishearing, Mishearings, Neil Matheson, New York University, Noise, Norwich University, Now You're Talking, Oenosthesia, Oliver Sacks, Pedagogies of the Ear, Penelope Curtis, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmatic, Poetry as I need it, Raster Noton, Raudive Surrogate, Robin Rimbaud, Rorschach Audio, Sally Tallant, Salome Voegelin, Sam Belinfante, Sas Mays, School of Sound, Seeing Voices, Serpentine Gallery, Sheffield Institute of Arts, Site Gallery, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sound Studies, Speak, Stanley Picker Gallery, Stelarc, Steven Pinker, Strange Attractor Press, STUK, Susan Hiller, Suzanne Treister, Tate Modern, Technology and Spiritualism, The Act of Magic, The Language Instinct, The Machine and the Ghost, Thomas Y. Levin, Tom McCarthy, Trevor Cox, Unit for Sound Practice Research, Vocal Phantoms, Writing Around Sound, Xname
“Rorschach Audio” lecture-demonstration in Leeds
Weds 22 Oct 2014, 2pm to 3.30pm
Lecture Theatre D
Chemistry Building
University of Leeds
Leeds LS2 9JT
Admission is free and the lecture is open to the public. The presentation is part of the Visiting Artist’s Talk series organised by The School of Fine Art, History of Art and Cultural Studies, University of Leeds. Speakers last year included Stelarc, David Batchelor and Penelope Curtis. Visitors this year include Jennifer Higgie, Sally Tallant and Grace Schwindt.
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see you there – pete