20Hz, 35MW, 50 Hertz, 50Hz, A History of the Universe in Sound, A Human History of Sound and Listening, A Scientific Odyssey of Sound, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Acoustic Mirrors, Adriana Knouf, Afroditi Psarra, Agency Gallery, Aleksander Kolkowski, Alexander Mosolov, Alexandra Maciá, Alexandre da Cunha, Alice Hackney, Alistair Robinson, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Amanda Stuart, Analogue Oceans, Anil Seth, Anna Friz, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Antiphony Video Supplement, Apophenia, Arcadia, Ariane Koek, Arie Altena, Arrow Films UK, Art & Illusion, Art & Illusion for Sound, Art on the Underground, Artlaw, Artquest, Arts Catalyst, Arts@CERN, Artsadmin, Ash International, Assembly 2020, Atau Tanaka, Atelier Nord, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Audrey Briot, Australian Centre for Contemporary Art, AV Festival Newcastle, Échos Magnétiques, Électromagnétisme, Ö1 Kunstradio, B-Side Festival, Babylone Electrifiée, Baltic, Battersea, Battersea Power, Battersea Power Station, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Knight, Benedict Cumberbatch, Berlin, Bernard Wolfe, BFI, Bianca Roden, Blackout, Blast First, Blaze TV, Bluecoat, Bon Accueil, Bright Sparks Trail, British Electric Foundation, British Film Institute, Call & Response, Call and Response, Cameron Perry Fraser, Carsten Nicolai, Carsten Seiffarth, CERN Geneva, Changing Signals, Channel, Channel Somerset House, Chloe Wong, Chris Firth, Christina Kubisch, Cinema Guild, Clélia Barbut, Close Lightning Spherics, Cold Light, Coldcut, Construction of an Act, Contemporary Arts, Control Room A, Control Room B, Critical Sonic Practice, Cryptic, CTM, CTM Festival, CTM Radio Lab, Current War, Damien Hirst, Damien Simon, Dan Tapper, David Hendy, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, Deadly Sounds From Above, Deep Media Research, Denge, Detektors, Deutschlandfunk Kultur, Direct Current, Direct Current (DC), Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, Disinformation War, Disobey, Dissonant Wave, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Douglas Kahn, DRAF, E-werk Luckenwalde, Earth Sound Earth Signal, EH Gombrich, Eigen+Art, Eigen-Art, El Mar, El Mar La Mar, Electric Boulevard, Electric Sublime, Electrical Currents of the City, Electrical Nature, Electrical Pulse of London, Electrical Walks, Electricity, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Bubblebath, Electromagnetic Field Recording, Electromagnetic Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Art Festival, Electronic Writing, Electrosonic, Eleonora Oreggia, Embodied Interaction, Emerging Paradigm, Empty Set, Energies In The Arts, Eric Demetriou, Ernst Gombrich, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, Erratum, Espace des Sciences, Espace Ferrié, Eurostar, Ewa Justka, Expérience Radiophonique, Experimedia Films, Fabrica Gallery, FACT Liverpool, Festival Des Sciences, Festival of Power, Field, Fieldwave, Folkestone Fringe, Foundling Museum, Freunde Guter Musik, Frgmnt, Furtherfield, Futurism, Galeria OMR, Galerie für Zeitgenössische Kunst, Galerie Le Bon Accueil, Gareth Evans, Gazelle Twin, Gazelli Art House, George Westinghouse, Gesture Music, GFZK Leipzig, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Shorts, GR-Uniforma, Grid Music, Groenewegen, Guglielmo Marconi, GV Art, Hari Kunzru, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haunted Media, Hayward Gallery, Hayward Touring, Heaven 17, HEK Haus der elektronischen Künste, Helsinki, Her Noise, Historien de L’Art, Honor Harger, Hope Lawrie, HRM199, Human League, Hyperdub, i-D magazine, ICA London, Ilpo Väisänen, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, In Focus: Hogarth and Copyright, Information, Information Disinformation, Inigo Wilkins, Installation No. 3 for High and Low Frequencies, Institute of Contemporary Arts, Intonarumori, Invisible Forces, Iron Foundry, Irreversible Noise, Isn’tses, J.P. Sniadecki, Jack Jelfs, James Ginzburg, Jeff Kolar, Jeffrey Sconce, Jeremy Keenan, Jo Grys, Joe Banks, John Squire, John Squire: Disinformation, John Wynne, Josh Bonnetta, Joshua Berger, Joshua Bonnetta, Joyce Hinterding, Julius Meytuss, K/not, Kate Carr, Körper im Elektromagnetischen Feld, Keith Sargent, Kerber Verlag, Kiasma, Kiasma Helsinki, Kinetic Depth Effect, King's Place, Klangkunst, Knife Loop, Knifeloop, Knut Aufermann, Kode 9, Kohn Gallery, Kristen Floos, La Mar, Language, Laura Plana Gracia, L’Art et L’Illusion, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Le Bon Accueil Rennes, Le fantôme dans la machine, Leafcutter John, Lee Berwick, Leila Dear, Lenin, Lieu d'Art Contemporain, Life Loop, Lifeloop, Lift 109, Lindsay Seers, Lindsay Seers & Keith Sargent, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Listening, Live Mains Electricity, Living With Ghosts, Lords of Lightning, Lovely Music, Luigi Russolo, Luke Jerram, Maria Chehonadskih, Mark Leckey, Mark Peter Wright, Marlene Andersson, Martin Howse, Martin Messier, Martyn Ware, Marwan T Assaf, Matt Lewis, Matt’s Gallery, Meta Gesture, Meta Gesture Music, Metropolitan, Michael Joo, Michael Shannon, Michael Sicinski, Mika Vainio, Mike Fell, Mila Askarova, Miroirs Acoustiques, Miroirs à Sons, Monica Bello, Montpelier, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Musée des Transmissions, Museum of Installation, Music Hackspace, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute Records, NASA, NASA Sound Archive, National Grid, Nebularosa, Nebularosa Records, Neural Magazine, New Art Gallery Walsall, New Instruments, New Landscape, New Landscape of Electronic Writing, Newport Street, Newport Street Gallery, NGCA, Nikola Tesla, Nine Elms, Nkisi, Noémie Goudal, Noise, Nonclassical, Northern Gallery for Contemporary Art, Norwich University, OCM, Olga Panades, ORF Musikprotokoll, Oxford Contemporary Music, Pan Sonic, Panasonic, Patrick Sykes, Paul Fletcher, Paul Glazzard, Paul Purgas, Perceptual Hypotheses, Phantom Signals, Phillip Ball, Pierre Bastien, Plus Electrification, Power, Power Station, Radio Art, Radio Bronka, Radio Picnic, Radio Picnic Berlin, Radio Revolten, Radioqualia, Radius, Raitis Smits, Rasa Smite, Raster Noton, Ray Lee, Recording The Spirit Level, Rennes, Resonanzen, Riverside Radio, Robin Klassnik, Robin Rimbaud, Rorschach Audio, Royal Institution, Ruth Garde, S. J. Groenewegen, Sabine Himmelsbach, Salon Bruit, Salon de Bruit, Sam Belinfante, Samizdat, Sarah Washington, Sasha Engelmann, Scanner, Schirn Kunsthalle, Science Limited, Science Ltd, Seamus O’Donnell, Second Run, Seers/Sargeant Exhibiton Circle, Semiconductor, Semiconductor Films, Sensory Ethnography, Sensory Ethnography Lab, Sensory Ethnography Laboratory, Sferics, Shannen SP, Sheffield Institute of Arts, Shintaro Miyazaki, Sian Gledhill, Silent Sound, Simon Foster, Simulation/Skin, Singuhr Sound Gallery, Site Gallery, Socialism plus Electrification, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Channel, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Boom, Sonic Immersion, Sonic Practice, Sonic Scope, Sonic Studies, Sonic Wonderland, Sonica, Sonica 2016, Sound & Music, Sound Minds, Sound Mirrors, Sound Studies, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Spectral, Station, Stephen McGreevy, Strange Lines & Distances, Sunderland, Sunset Sunrise Sunset, Sunsong, Syd Arthur, Sylvia Ross, Tacita Dean, Tate Modern, Technology, TED Talks, Tesla, The Aelectrosonic, The Agency, The Agency Gallery, The Analysis of Beauty, The Cinema Guild, The Current War, The Disinformation War, The Electrosonic, The Foundling Museum, The Institute of Contemporary Arts, The Motherland of Electricity, The Power of Electricity, The Process, The Quietus, The Situationist, The War of the Currents, The Wire, The Wire Magazine, Thomas Coram, Thomas Edison, Tilman Küntzel, Tim Dixon, Tim Drage, Titans in the Landscape, Tom McCarthy, Touch Records, Transmission Ecologies, Transmitting Object, Transmitting Object Behaviours, Trevor Cox, Troika, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Turner Contemporary, Urbanomic, Very Low Frequency, Very Low Frequency Radio, Victor Mazon Gardoqui, Vincent Honoré, Vincent Van Uffelen, VLF Noise, VLF Radio, VLF Sound, Volksbühne Berlin, War, War of the Currents, Wellcome Trust, X-Name, Xname, Yang Li, Young Guns, ZKM Karlsruhe