20Hz, 35MW, 50 Hertz, 50Hz, A History of the Universe in Sound, A Human History of Sound and Listening, A Scientific Odyssey of Sound, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Acoustic Mirrors, Adriana Knouf, Afroditi Psarra, Agency Gallery, Aleksander Kolkowski, Alexander Mosolov, Alexandra Maciá, Alexandre da Cunha, Alice Hackney, Alistair Robinson, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Amanda Stuart, Analogue Oceans, Anil Seth, Anna Friz, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Antiphony Video Supplement, Apophenia, Arcadia, Ariane Koek, Arie Altena, Art & Illusion, Art & Illusion for Sound, Art on the Underground, Artlaw, Artquest, Arts Catalyst, Arts@CERN, Artsadmin, Ash International, Assembly 2020, Atelier Nord, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Audrey Briot, Australian Centre for Contemporary Art, AV Festival Newcastle, Échos Magnétiques, Ö1 Kunstradio, B-Side Festival, Babylone Electrifiée, Baltic, Battersea, Battersea Power, Battersea Power Station, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Knight, Benedict Cumberbatch, Berlin, Bernard Wolfe, Bianca Roden, Blackout, Blast First, Blaze TV, Bluecoat, Bon Accueil, Bright Sparks Trail, British Electric Foundation, Call & Response, Call and Response, Cameron Perry Fraser, Carsten Nicolai, Carsten Seiffarth, CERN Geneva, Changing Signals, Chloe Wong, Chris Firth, Christina Kubisch, Clélia Barbut, Close Lightning Spherics, Cold Light, Coldcut, Construction of an Act, Control Room A, Control Room B, Cryptic, CTM, CTM Festival, CTM Radio Lab, Current War, Damien Hirst, Damien Simon, Dan Tapper, David Hendy, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, Deadly Sounds From Above, Deep Media Research, Denge, Detektors, Deutschlandfunk Kultur, Direct Current, Direct Current (DC), Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, Disobey, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Douglas Kahn, DRAF, E-werk Luckenwalde, Earth Sound Earth Signal, EH Gombrich, Eigen+Art, Eigen-Art, Electric Boulevard, Electric Sublime, Electrical Currents of the City, Electrical Nature, Electrical Pulse of London, Electrical Walks, Electricity, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Art Festival, Electronic Writing, Electrosonic, Emerging Paradigm, Empty Set, Energies In The Arts, Eric Demetriou, Ernst Gombrich, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, Erratum, Espace des Sciences, Espace Ferrié, Eurostar, Expérience Radiophonique, Experimedia Films, Fabrica Gallery, FACT Liverpool, Festival Des Sciences, Festival of Power, Field, Fieldwave, Folkestone Fringe, Foundling Museum, Freunde Guter Musik, Frgmnt, Furtherfield, Futurism, Galeria OMR, Galerie für Zeitgenössische Kunst, Galerie Le Bon Accueil, Gazelli Art House, George Westinghouse, GFZK Leipzig, Goethe Institut, GR-Uniforma, Grid Music, Guglielmo Marconi, GV Art, Hari Kunzru, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haunted Media, Hayward Gallery, Hayward Touring, Heaven 17, HEK Haus der elektronischen Künste, Helsinki, Her Noise, Historien de L’Art, Honor Harger, Hope Lawrie, HRM199, Human League, Hyperdub, i-D magazine, Ilpo Väisänen, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, In Focus: Hogarth and Copyright, Information, Information Disinformation, Installation No. 3 for High and Low Frequencies, Intonarumori, Invisible Forces, Iron Foundry, Isn’tses, Jack Jelfs, James Ginzburg, Jeff Kolar, Jeffrey Sconce, Jeremy Keenan, Jo Grys, Joe Banks, John Squire, John Squire: Disinformation, John Wynne, Joshua Bonnetta, Joyce Hinterding, Julius Meytuss, K/not, Kate Carr, Körper im Elektromagnetischen Feld, Keith Sargent, Kerber Verlag, Kiasma, Kiasma Helsinki, Kinetic Depth Effect, King's Place, Klangkunst, Knife Loop, Knifeloop, Knut Aufermann, Kode 9, Kohn Gallery, Kristen Floos, Laura Plana Gracia, L’Art et L’Illusion, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Le Bon Accueil Rennes, Le fantôme dans la machine, Leafcutter John, Lee Berwick, Lenin, Lieu d'Art Contemporain, Life Loop, Lifeloop, Lift 109, Lindsay Seers, Lindsay Seers & Keith Sargent, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Listening, Live Mains Electricity, Lords of Lightning, Lovely Music, Luigi Russolo, Luke Jerram, Maria Chehonadskih, Mark Peter Wright, Marlene Andersson, Martin Howse, Martin Messier, Martyn Ware, Marwan T Assaf, Matt Lewis, Matt’s Gallery, Metropolitan, Michael Joo, Michael Shannon, Mika Vainio, Mike Fell, Mila Askarova, Miroirs Acoustiques, Miroirs à Sons, Monica Bello, Montpelier, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Musée des Transmissions, Museum of Installation, Music Hackspace, Mute Records, NASA, NASA Sound Archive, National Grid, Neural Magazine, New Art Gallery Walsall, New Landscape, New Landscape of Electronic Writing, Newport Street, Newport Street Gallery, NGCA, Nikola Tesla, Nine Elms, Noémie Goudal, Noise, Nonclassical, Northern Gallery for Contemporary Art, Norwich University, OCM, Olga Panades, ORF Musikprotokoll, Oxford Contemporary Music, Pan Sonic, Panasonic, Patrick Sykes, Paul Fletcher, Paul Glazzard, Paul Purgas, Perceptual Hypotheses, Phantom Signals, Phillip Ball, Pierre Bastien, Plus Electrification, Power, Power Station, Radio Art, Radio Bronka, Radio Picnic, Radio Picnic Berlin, Radio Revolten, Radioqualia, Radius, Raitis Smits, Rasa Smite, Raster Noton, Ray Lee, Recording The Spirit Level, Rennes, Resonanzen, Riverside Radio, Robin Klassnik, Robin Rimbaud, Rorschach Audio, Royal Institution, Ruth Garde, Sabine Himmelsbach, Salon Bruit, Salon de Bruit, Sam Belinfante, Samizdat, Sarah Washington, Sasha Engelmann, Scanner, Schirn Kunsthalle, Science Limited, Science Ltd, Seamus O’Donnell, Seers/Sargeant Exhibiton Circle, Semiconductor, Semiconductor Films, Sferics, Shannen SP, Sheffield Institute of Arts, Shintaro Miyazaki, Sian Gledhill, Silent Sound, Simon Foster, Simulation/Skin, Singuhr Sound Gallery, Site Gallery, Socialism plus Electrification, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House Assembly 2020, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Boom, Sonic Studies, Sonic Wonderland, Sonica, Sonica 2016, Sound & Music, Sound Minds, Sound Mirrors, Sound Studies, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Spectral, Station, Stephen McGreevy, Strange Lines & Distances, Sunderland, Sunset Sunrise Sunset, Sunsong, Syd Arthur, Sylvia Ross, Tacita Dean, Tate Modern, TED Talks, Tesla, The Aelectrosonic, The Agency, The Agency Gallery, The Analysis of Beauty, The Current War, The Electrosonic, The Foundling Museum, The Motherland of Electricity, The Power of Electricity, The Quietus, The Situationist, The War of the Currents, The Wire, The Wire Magazine, Thomas Coram, Thomas Edison, Tilman Küntzel, Tim Dixon, Tim Drage, Titans in the Landscape, Tom McCarthy, Touch Records, Transmission Ecologies, Transmitting Object, Transmitting Object Behaviours, Trevor Cox, Troika, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Turner Contemporary, Very Low Frequency, Very Low Frequency Radio, Victor Mazon Gardoqui, Vincent Honoré, Vincent Van Uffelen, VLF Noise, VLF Radio, VLF Sound, Volksbühne Berlin, War of the Currents, Wellcome Trust, Yang Li, Young Guns, ZKM Karlsruhe