35MW, 50Hz, A Human History of Sound and Listening, A Scientific Odyssey of Sound, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Acoustic Mirrors, Agency Gallery, Aleksander Kolkowski, Alexander Mosolov, Alice Hackney, Alistair Robinson, Alternating Current, Alternating Current (AC), Alva Noto, Amanda Stuart, Analogue Oceans, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiphony, Antiphony Video Supplement, Apophenia, Ariane Koek, Art & Illusion, Art & Illusion for Sound, Artlaw, Artquest, Arts Catalyst, Arts@CERN, Artsadmin, Ash International, Assembly 2020, Atelier Nord, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Australian Centre for Contemporary Art, AV Festival Newcastle, Échos Magnétiques, B-Side Festival, Babylone Electrifiée, Baltic, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Knight, Benedict Cumberbatch, Blackout, Blast First, Bluecoat, British Electric Foundation, Call & Response, Call and Response, Carsten Nicolai, Carsten Seiffarth, CERN Geneva, Chloe Wong, Christina Kubisch, Clélia Barbut, Coldcut, Construction of an Act, Cryptic, Current War, Damien Hirst, Damien Simon, Dan Tapper, David Hendy, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, Deep Media Research, Denge, Detektors, Direct Current, Direct Current (DC), Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, Disobey, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Douglas Kahn, DRAF, Earth Sound Earth Signal, EH Gombrich, Eigen+Art, Eigen-Art, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity The Spark of Life, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetism, Emerging Paradigm, Empty Set, Energies In The Arts, Eric Demetriou, Ernst Gombrich, Erratum, Eurostar, Experimedia Films, Fabrica Gallery, FACT Liverpool, Festival Des Sciences, Field, Fieldwave, Folkestone Fringe, Foundling Museum, Freunde Guter Musik, Furtherfield, Futurism, Galeria OMR, Galerie für Zeitgenössische Kunst, Gazelli Art House, George Westinghouse, GFZK Leipzig, Goethe Institut, GR-Uniforma, Grid Music, Guglielmo Marconi, GV Art, Hari Kunzru, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haunted Media, Hayward Gallery, Hayward Touring, Heaven 17, HEK Haus der elektronischen Künste, Her Noise, Honor Harger, Hope Lawrie, HRM199, Human League, Hyperdub, i-D magazine, In Focus: Hogarth and Copyright, Information, Information Disinformation, Installation No. 3 for High and Low Frequencies, Intonarumori, Invisible Forces, Iron Foundry, Isn’tses, Jack Jelfs, James Ginzburg, Jeff Kolar, Jeffrey Sconce, Jeremy Keenan, Joe Banks, John Squire, John Squire: Disinformation, John Wynne, Joshua Bonnetta, Joyce Hinterding, Julius Meytuss, Kate Carr, Körper im Elektromagnetischen Feld, Kinetic Depth Effect, King's Place, Knut Aufermann, Kode 9, Kohn Gallery, Laura Plana Gracia, Le Bon Accueil, Le fantôme dans la machine, Leafcutter John, Lee Berwick, Lenin, Lieu d'Art Contemporain, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Listening, Live Mains Electricity, Luigi Russolo, Luke Jerram, Maria Chehonadskih, Mark Peter Wright, Marlene Andersson, Martin Howse, Martin Messier, Martyn Ware, Matt Lewis, Metropolitan, Michael Joo, Michael Shannon, Mike Fell, Mila Askarova, Miroirs Acoustiques, Miroirs à Sons, Monica Bello, Montpelier, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Installation, Music Hackspace, National Grid, Neural Magazine, New Art Gallery Walsall, Newport Street, Newport Street Gallery, NGCA, Noémie Goudal, Noise, Nonclassical, Northern Gallery for Contemporary Art, Norwich University, OCM, Olga Panades, Oxford Contemporary Music, Paul Glazzard, Paul Purgas, Perceptual Hypotheses, Pierre Bastien, Plus Electrification, Radio Revolten, Radioqualia, Radius, Raitis Smits, Rasa Smite, Raster Noton, Ray Lee, Rennes, Resonanzen, Robin Rimbaud, Rorschach Audio, Royal Institution, Ruth Garde, Sabine Himmelsbach, Sam Belinfante, Samizdat, Sarah Washington, Scanner, Schirn Kunsthalle, Science Limited, Science Ltd, Semiconductor Films, Shannen SP, Sheffield Institute of Arts, Shintaro Miyazaki, Sian Gledhill, Silent Sound, Simulation/Skin, Singuhr Sound Gallery, Site Gallery, Socialism plus Electrification, Somerset House Assembly 2020, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Boom, Sonic Studies, Sonic Wonderland, Sonica, Sonica 2016, Sound & Music, Sound Mirrors, Sound Studies, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Strange Lines & Distances, Sunderland, Syd Arthur, Sylvia Ross, Tacita Dean, Tate Modern, The Agency, The Agency Gallery, The Analysis of Beauty, The Current War, The Foundling Museum, The Motherland of Electricity, The Power of Electricity, The Quietus, The Situationist, The War of the Currents, Thomas Coram, Thomas Edison, Tilman Küntzel, Tim Drage, Titans in the Landscape, Tom McCarthy, Touch Records, Trevor Cox, Troika, Very Low Frequency, Very Low Frequency Radio, Vincent Honoré, Vincent Van Uffelen, VLF Radio, Volksbühne Berlin, War of the Currents, Wellcome Trust, Yang Li, ZKM Karlsruhe