100% Pylon, 2009 A-Z, 4’33”, A Cosmic Ray Muon, A New Dictionary of Art, A Spectre, A Spectre - Haunting, Aaron Holloway-Nahum, Aaron Mahnke, Absolute Value of Noise, Accidental Records, ACE NTP, Acoustic Mirrors, Action Field Kodra, Adam Lowe, Adrian Searle, Adventures in Sound Art, AHRC, Ain Bailey, Air Can Break Your Heart, Al-Jabr, Albert Bregman, Albert Tarrats, Alchemy Festival, Aleks Kolkowski, Alex Martin, Alex Sainsbury, Alexei Monroe, ALKU, Allegorical Portrait, Allegorical Portrait of J. Robert Oppenheimer, Allegorical Portrait of Roger Bacon, ALM Busy Circuits, Alteration of Consciousness, Alternating Current, Amanprit Sandhu, Amit D Patel, Ammonite, Ammonite Production Notes, Ammonite Video Installation, Amoenus, Amplified, An Allegorical Portrait of J. Robert Oppenheimer, An Allegorical Portrait of Roger Bacon, An Electromagnetic Shower, Analysis of Beauty, Ancient Greece, André Chêdas, Andrei Tarkovsky, Andrew Cluer, Andrew Nairne, Andy Cluer, Angus Carlyle, Anil Seth, Aniruddha Das, Anna Friz, Anna Irina Russell, Anna Ramos, Anne Faucheret, Anne Hilde Neset, Anthony Enns, Antiphony, Antiphony (Extract), Antiphony (Extract) 2, Antiphony - Disinformation, Antiphony - Logan Dandridge, Antiphony Architectural Supplement, Antiphony Video Supplement, Antonio Gagliano, Apocryphal Media, Apocryphal Psychtechnologies, AQNB, Archive 81, Archive81, Arebyte Gallery, Aria Dean, Ariane Koek, Armin Medosch, Art, Art & Illusion for Sound, Art and Perception, Art Blocks, Art Blocks x Pace Verso, Art Electricity, Art Monthly, Art Monthly Magazine, Art X Neuroscience, Art X Neuroscience Collective, Artefakt Barry Nichols, Artefakt Magazine, Artist, Arts & Humanities Research Council, Arts @ CERN, Arts at CERN, Arts Catalyst, Arts Catalyst Radio, Arts Council, Arts Council England, Arts Council National Touring Programme, Arts Institute, Arts Science, ASA, Ash International, Atocha, Atomic Light, Atractivoquenobello, Audint, Audio Art, Audio Content Fund, Audio Essay, Audio Fund, Audio Illusions, Audio Inkblot, Audio Inkblot Test, Audio Pareidolia, Audio Rorschach, Audio Rorschach Test, Audiograft, Audiograft 2022, Audiosfera, Audiosphere, Auditory Illusions, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Scene, Auditory Scene Analysis, Auditory Undead, AXNS, AXNS Collective, Électromagnétisme, Bachtrack, Bankside Power Station, Banner Repeater, Barbara London, Barry C. Smith, Barry Phipps, Barry Smith, Battersea Power Station, BBC Programme Research Department, BBC Radio, BBC Radio 4, BBC Radio Four, BBC Radiophonic Workshop, BCCA, Beauty Salon, Ben Barwise, Ben Drew, Benedict Drew, Benjamin Radford, Bernard Wolfe, Bianca Roden, Bill Viola, Bizarre, Bizarre Magazine, Bjorn Geldhof, Black Noise, Black Tapes, Black Tapes Podcast, Blackout, Blaze TV, Blind Spot, Blind-Spots, Bloomsbury, Bloomsbury Music and Sound, Bloomsbury Publishing, Blue Tapes, Bon Accueil, Book of Guilty Pleasures, Brachliegen Tapes, Brandon LaBelle, Bregenz, Bregenzer Kunstverein, Brian Dillon, Brian Eno, Brighton CCA, Brighton Centre for Contemporary Art, Brion Gysin, British Art Studies, Broadcasting House, Bronac Ferran, Bruce Nauman, Burghley House, Burghley House Sculpture Garden, Cabinet, Cabinet Magazine, Cable Depot, Café Oto, Café Oto Projects, Cafe OTO / Otoroku, Cambridge University, Cambridge University Press, Camden Art Centre, Carolin Schnurrer, Caroline Collier, Caroline Jones, Caroline Kraabel, Caroline Thompson, Carsten Nicolai, Cate Morrison, Cathie Boyd, Cathy Lane, Cavendish Art Science, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, CD, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, Centre for Philosophy, Centre for Practice & Research in Music & Science, Centre for the Study of the Senses, China Mieville, Chinabot, Chloe Vaitsou, Chris Firth, Chris Ford, Chris Ingram, Christian Marclay, Christian Rauch, Christina Kubisch, Christina Kubisch - Electrical Walks, Chus Martinez, Circadian Songs, Civic Floor, Claire Moran, Clare Lilley, Closed Circuit, Clot Magazine, CM von Hausswolff, Cockneys vs Zombies, Cockneys vs. Zombies - Rorschach Ink Blots & the Auditory Undead, Cold Light, Collective Act, Colliding Lines, Colm Lally, Communication, Contemporary Art Society, Continent, Contradiction, Copperfield Gallery, Cosima Gretton, Cosmic Ray Muon, Creative Technologies Research Centre, CRISAP, Critical and Curatorial Practices, Critical Sonic Practice, Cross Sections, Cryptic, Cryptic Festival, Cryptic Glasgow, Cryptic Projects, Cryptic Sonica, Currents, Cyanotapes, D&B Audiotechnik, Daina Salina, Daina Salin, Damien Simon, Dan Tapper, Dandridge, Dandridge Logan, Daniel Powell, Daniel Tapper, Daria Khan, David and Indrė Roberts Collection, David Blandy, David Roberts, David Roberts Art Foundation, David Ryan, David Toop, De La Warr Pavilion, Dead Lines, Dead Signals, Dead Signals Podcast, Deadly Sounds From Above, Deep Wireless, Deleted Scenes, Dhangsha, Didier Queloz, Diffusion, Digicult, Digital Arts and Experimental Media, Direct Current, Discovering New Sounds, Discrepant, Disinformation, Disinformation - Antiphony, Disinformation and Sound Mirrors, Disinformation War, Disonare, Disruptive, Disruptive Frequencies, Dissonant Wave, Divine Mania, Divine Mania - Alteration of Consciousness in Ancient Greece, Dolores Acebal, Douglas Kahn, DRAF, DRAF Studio, Drawing Matter, Dream Machine, Dreamachine, Dub Morphology, Dubmorphology, Durian Grey, Dushume, DXARTS, Тетяна Кочубінська, E-werk, E-werk Luckenwalde, E-Werk Luckenwalde Engine Room, E-Werk Luckenwalde Turbine Hall, E:vent London, Ear Room, Eastbourne, Ed Pinsent, Edelmat, EH Gombrich, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Noise, Electrical Walk, Electrical Walks, Electricity of the Mind, Electricity The Spark of Life, Electrics, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Bubblebath, Electromagnetic Fields, Electromagnetic Interactions, Electromagnetic Noise, Electromagnetic Shower, Electromagnetic Sound Art, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Music, Electronic Music Studios, Electronic Sound, Elektrizität, Elektrizitätswerk, Elena Biserna, Eli Ningú, Emalin Gallery, Emma Bolland, Emma Enderby, Empty Set, Emptyset, EMS Goldsmiths, Engine Room, Erased Tapes, Erased Tapes Sound Gallery, Erik Benndorf, Erik Granly Jensen, Ernst Gombrich, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, Errant Bodies, Errant Bodies Press, Espace des Sciences, Espace Ferrié, Esteban Agosin, EVA International, Evi Baniotopoulou, EVOL, Evolution & Neuroscience, EVPs as Rorschach Audio, Exotic Audio Research, Expérience Radiophonique, Experimental Sound, Exploring Cultural Diversity, Eye Drawing, Fabrica - The First 10 Years, Fabrica Brighton, Fabrica Gallery, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti Archive, Fifteen Questions, Film and Video Umbrella, Fingers, Fiona Bradley, Fiona Haggerty, First Site, Firstsite, Fitzpatrick Gallery, Florian Hecker, Focal Point, Focal Point Gallery, Focal Point Southend, Forma, Forma Arts, Forma Arts & Media, Forma HQ, FPG Sounds, FPG Southend, Fram Kitagawa, Francisco Lopez, Frédéric Grossi, Frequencies, Frieze, Frieze Artist Award, Frieze Magazine, Furtherfield, Furtherfield Gallery, Future Pace, Futurism, FVU, Gabriel Prokofiev, Gaia Fugazza, Gaika, Galerie Le Bon Accueil, Gary Hill, Gary Stewart, Gascia Ouzounian, Gathering, Gathering London, Gemma Planell, Georgia Gardner Gray, Gesa Helms, Ghost Audio, Ghost Hunting, Ghost in the Machine, Ghost Orchid, Ghost Tape, Ghost Tape No. 10, Ghost Tape No. Ten, Ghost Tape Number 10, Ghost Tape Number Ten, Ghost Voice, Ghost Voices, Ghost Voices & Perceptual Creativity, Ghosts In The Machine, Ghostworker, Girton, Girton College, Glasgow CCA, Glasgow Tramway, Glenn Branca, Goethe Institute, Goethe-Institut London, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths EMS, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths SARU, Goldsmiths Shorts, Greenwich Power Station, Greenwich University, Greg Hainge, Greg Hilty, Grid Music, Groenewegen, GV Art, GV Art Gallery, Hack Circus, Hack Circus Magazine, Hagoromo, Halciion, Hallucinations, Halluzination Perspektive Synthese, Handmade Electronic MusicNannette Aldred, Haroon Mirza, Haroon Mirza Outputs, Haunted Machine, Haunted Machines, Haunted Weather, Haunting, Hauntology, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Head, Head Magazine, Helen Frosi, Hell Fire Touring Club, Hestercombe Gallery, Hidden Sounds, High Static, High Static Dead Lines, High Static Dead Lines: Sonic Spectres & the Object Hereafter, Historien de L’Art, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Honor Harger, House, House Magazine, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hugo Bausch Belbachir, If You Could Give 200 Words Worth of Advice, Iklectik, Iklectik Art Lab, Iklectika, Ilia Rogatchevski, Image Research, IMCC, Immanent Rapture, Immerse, Immerse magazine, Indrė Roberts, Industrial Records, Ingram Collection, Inigo Wilkins, Inkblot Audio, Inkblot Sound, Installation Art, Installation Art in the New Millennium, Institute for Modern and Contemporary Culture, Institute of Philosophy, InterCommunication, InterCommunication Journal, Interference, International Media Futures, International MediaFutures, Intonarumori, Investigating Ghosts, Invisible London, Irreversible Noise, Isn’tses, Ivet Ćurlin, ΗΧΟΠΟΛΙΣ, J. Robert Oppenheimer, Jack Jelfs, James Bailey, James Ginzburg, Jamie Allen, Jean Khalfa, Jennifer Crook, Jeremy Baumberg, Jeremy James Wood, Jeremy Wood, Joe Banks, John Cage, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Squire, Jonathan Crabb, Jonathan Swain, Justin Barton, Karst, Karst Gallery, Karst Plymouth, Kaseki, Katharina Worf, Keith Sargent, Kersten Glandien, Kettle's Yard, Kim Cascone, King's Place, Kings Place - Sound Unwrapped, Kings Place London, KM, Kode 9, Kode9, Kristen Gallerneaux, Kubisch, Kunsthalle Wien, Kunstradio, Kunststrom, La Plaque Tournante, Lance Sieveking, Language, Language [as] Meta-Technology, Language [as] Metatechnology, Lara Cory, Laroche, Larry Achiampong, Late Junction, Latvian National Museum of Art, Laurie Anderson, Laurie Taylor, L’Art et L’Illusion, LCC Crisap, LCC London, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Le Bon Accueil Rennes, Leeds University, Left of the Dial, Left of the Dial Podcast, Leila Johnston, Leonardo, Leonardo Music Journal, Levels of (Dis)information, Licheni, Lieu d'Art Contemporain, Lightbox Gallery, Lightbox Woking, Lighthouse, Lighthouse Brighton, Lindsay Seers, Lindsay Seers and Keith Sargent, Lisson Gallery, Listen Club, Listening, Listening for the Enemy, Live Mains Electricity, Liz Whitehead, LMC, Logan, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London, London College of Communication, London Iklectik, London Musicians Collective, London Sound Artists, London Sound Artists Working Group, London Southbank University, Lore, Lore Oxford, Lore Podcast, Louise K Wilson, LTR Records, Lucia Hinojosa, Lucia Hinojosa Gaxiola, Lucia Pietroiusti, Lucida, Lucida 1, Lucida 11, Lucida 2, Luckenwalde, Luigi Russolo, Lux, LUX Artist Moving Image, Lux Distribution, Lux Moving Image, Lux Scotland, Lyd Kunst, Macba, Macba Barcelona, Macba Museu, Macba Museu d’Art Contemporani, Macba Museu d’Art Contemporani de Barcelona, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetics, Makiko Nagaya, Manuela Moscoso, María Salgado, Marc Garrett, Marc Sollinger, Marc-Olivier Wahler, Marcus Du Sautoy, Marie McPartlin, Mark Alizar, Mark Blacklock, Mark Fisher, Mark Peter Wright, Mark Pilkington, Martin Green, Martin Rees, Marwan T Assaf, Mary Poppins, Mary Poppins Cameo Appearances, Mary Poppins Cameo Appearances in the Work of Andrei Tarkovsky, Mary Tsang, Masami Akita, Massimo Bartolini, Matías Rossi, Matchett & Page, Matt Bernico, Matt’s Gallery, Matthew Miller, Matts Gallery London, Mayday Rooms, Media Futures, MediaFutures, Medlar Lucan, Melissa Franklin, Merge, Merge magazine, Meta-Technology, Metatechnology, Mete Atatüre, Metro, Metro Magnetics, MIA Journal, Michael Petry, Michelle Cotton, Mike Fell, Mike Kelley, Minimal Disinformation, Minoru Hatanaka, Misinformation, MIT Press, Modern Architecture in Noise Mind, MOI, MOI Deptford, Mona Tasmania, Monica Bello, Monika Bello, Monoskop, Movement Two, Moving Image Artists, Moving Target, Moving Target Shadow Detection, MSCTY, Mudam, Mudam Luxembourg, Multiverse Music, Murray R. Schaeffer, Musée des Transmissions, Museo Reina Sofia, Museum of Installation, Music and Sound, Music and Sound Residency, Music City, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute, Mute Magazine, Mute Records, Nam June Paik, Nastassja Simensky, Natalie Kane, Nataša Ilić, National Grid, National Grid Music, National Touring Program, National Touring Programme, Núria Rodriguez, NDE, Near Death Experience, Nebularosa, Ned McConnell, Negatives of Lightning, Netflix, Neuroscience, New Adventures in Sound Art, New Dictionary of Art, New Instruments, New Millennium, New Music, New Sounds, Newport Street, Newport Street Gallery, Nic Collins, Nice Little Static, Nick Horrigan, Nick Luscombe, Nick Thurston, Nicola Oxley, Nicola Triscott, Nicolas Collins, Nicolas de Oliveira, Nicole Raymond, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nikola Tesla, Nine Elms, Nkisi, NMC Recordings, Noise, Noise & Whispers, Noise of Modernity, Non-Classical, Nonclassical, Nottingham Contemporary, NTT ICC, NUB Project Space, Object Hereafter, OCM, On Listening, Onassis Stegi, Open Editions, Optikinetic Instruments, ORF Kunstradio, Orphan Dift, Oscillations, Oto Projects, Otoroku, Otoroku Label, Otoroku Records, Outputs, Outputs AV, Outputs_AV, Oxford Contemporary Music, Pablo Wendel, Pace, Pace Gallery, Pace Verso, Paddy O'Connell, Palais de Tokyo, Palais de Tokyo Paris, Pamela Davis Kivelson, Panasonic, Pansonic, Paradigm Discs, PARC, Pareidolia, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Pat Treasure, Paul Bae, Paul Carey-Kent, Paul Fletcher, Paul Hegarty, Paul March-Russell, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Paul Purgas, Peculiarity Press, People Doing Physics, Perceptual Creativity, Performance, Performance Electrics, Performance Electrics gGmbH, Peter Eramian, Peter Lewis, Peter Weibel, Petrel, Phantom Signals, Phantom Sound, Pharsalia, Phillip Ball, Pinchuk Art Centre, Plink Plunk, Plymouth College of Art, Political Aesthetics, Politics of Listening, Poly Kicks, Polykicks, Power Nights, Prelude, Preludes, Primary, PRISM, PRS Foundation, PRSF, Psyché Tropes, Psycho Acoustics, Psychoacoustics, Psychoacoustics & Auditory Illusions, Psychological Operations, Psyops, Q-02, Quantum Materials, Quantum Materials Group, Quim Pujol, R&D, R&D2, Rachel Bedder, Rachel Stratton, Radical Radio, Radio 4, Radio Aporee, Radio Four, Radio Noise, Radio Silence, Radio Territories, Radiophonic, Radiophonic Art, Radiophonic Communication, Radiophonic Music, Radiophonic Workshop, Radiophrenia, Radiophrenia Glasgow, Radioqualia, Rana Begum, Rapture, Rasa Smite, Raster Noton, Rattling Thunder, Raven Row, Ray Dolby, Ray Dolby Centre, Ray Lee, Ràdio Macba, Ràdio Web Macba, Ràdio Web Macba Working Group, Re:Search, Rebecca Lee, Receiver, Reflections, Reina Sofía, Reina Sofía Madrid, Relic 1, Relic 2, Relic 3, Relic Traveller, Reliquary 1, Reliquary 2, René van Peer, Repeater Books, Research Group, Resonance, Resonance FM, Resonance Magazine, Rhizome, Rhombus, Ricardo Cárdenas, Richard Humphreys, Richard Serra, Richard Whitby, Riot Ensemble, Riot Ensemble: Sonic Illusions, Roadside Picnics, Rob Bowman, Rob Mullender, Rob Young, Robert Devcic, Robert Good, Robert Oppenheimer, Roberts Collection, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Robin Mackay, Roc Jimenez de Cisneros, Roger Bacon, Roisner, Romy Lorenz, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Rorschach Audio… All Aboard!, Rorschach Ink-Blots, Rorschach Sound, Rough Trade, Rough Trade Books, Rough Trade Records, Rough Trade Shop, Routledge, Royal College of Art, Royal Society of British Sculptors, Royal Society of Sculptors, RTM, RTM Radio, RTM.FM, Ruth Catlow, Ruth Garde, Ryan Dilley, S. J. Groenewegen, Sabina Sabolović, Sadie Coles, Sadie Coles HQ, Salmon Universe, Salome Voegelin, Sam Stokes, Sarah Bohndiek, SARU, SARU Goldsmiths, Savvy Contemporary, SAVVYZAAR, Schemata Arts, School of Advanced Study, Screen and Audiovisual Research Unit, Screen Archive South East, Sculpture, Sculpture Garden, Seers/Sargent Exhibition Circle, Seisma, Seisma Magazine, Sel Noir, Semiconductor, Semiconductor Film, Semiconductor Films, Senses, Serpent's Tail, Serpentine Gallery, Serpentine Gallery London, Sfeir-Semler Gallery, Shadow Detection, Shoppinghour, Siân Ede, Signal to Decay, Signal to Decay: Volume 1, Silence of the Suns, Simon Schaffer, Simon Worthington, Sina Najafi, Siobhan Coen, Site Gallery, Site Gallery Sheffield, Slash Seconds, Slit Lamp Eye, Sluice Art, Sluice HQ, Sluice Magazine, Soлomiya, Soлomiya Magazine, Soho House, Solar Radio, Solomiya, Solomiya Mag, Solomiya Magazine, Somerset House, Somerset House Studios, Somerset House Studios Music and Sound, Sonar, Sonar Festival, Song-Ming Ang, Songs of Lightning, Sonic, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Art, Sonic Arts Network, Sonic Boom, Sonic Faction, Sonic Illusions, Sonic Imagination, Sonic Immersion, Sonic Inkblot, Sonic Inkblot Test, Sonic Pareidolia, Sonic Phantom, Sonic Possible Worlds, Sonic Practice, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Rorschach Test, Sonic Scope, Sonic Spectres, Sonic Spectres & the Object Hereafter, Sonic Urbanism, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonics, Sonics Series, Sonja Wiik, Son[i]a, Sound, Sound & Music, Sound and Music, Sound Anthology, Sound Art, Sound Art - Sound as Media, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound as Media, Sound City, Sound Fjord, Sound Group, Sound Image Research Group, Sound Mirrors, Sound Of Ruins, Sound Projector, Sound Projector Magazine, Sound Research Group, Sound Series, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Soundfjord, Soundscapes of Social Justice, South London Gallery, Southampton, Spectre, Spectre Haunting, Spellbound, Spellbound Video Installation, Spike Island, Stargate, Starry Rubric Set, Static, Static Man, Steina and Woody Vasulka, Steven Connor, Steven Rajam, Still Point, Stone Roses, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Studies in British Art, Studio HRM199, Studio HRM199 Ltd, Study of the Senses, Submarine Cable Depot, Subtext Recordings, Suchitra Sebastian, Suki Chan, Sung Tieu, Susan Hiller, Susan Treister, Suzie Shrubb, Taco, Taco Gallery, TACO Thamesmead, Takeo Nozaki, Tatiana Kochubynska, Tatiana Kochubynskaya, TBA 21 Academy, Technological Imaginary, Tecsonics, Tectonic Recordings, Tender Books, Tender Pixel, Tenderbooks, Tenderpixel, Teresa Grimes, Terry Miles, Test Department, Test Dept, Tetiana Kochubynska, Tetiana Kochubynskaya, TG, Thames & Hudson, Thamesmead, Thamesmead Arts & Culture Office, Thanet Tape Centre, The Analysis of Beauty, The Analysis of Beauty & Blind-Spots, The Arts Institute, The Black Tapes, The Black Tapes Podcast, The Blind Spot, The Book of Guilty Pleasures, The Disinformation War, The Elephant Trust, The Ghost Orchid, The Guardian, The Hayward Gallery, The Hell Fire Touring Club, The Lightbox, The MIT Press, The Negatives of Lightning, The Oram Awards, The Psychologist, The Psychologist Magazine, The Rapture, The Rumble, The Sampler, The Starry Rubric Set, The Static Man, The Stone Roses, The Stuff of Radio, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Themepark, Themepark magazine, Theophany, Theophany… The World’s Shortest Sound Installation, Three Receivers, Throbbing Gristle, Tiago Pina, Tim Dixon, Time, Tin Type Gallery, Tintype Gallery, Tobias Revell, Tom McCarthy, Tomás Saraceno, Tony Oursler, Touch, Touch Records, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Tramshed, Tramway, Tramway Glasgow, Transmediale, Transmission Ecologies - Movement Radio, Trebuchet, Trebuchet Magazine, Trevor Mathison, Trevor Paglen, Trials & Tribulations, Tricor, Turbine Hall, Turner Contemporary, Turner Contemporary Margate, Turner Margate, Two Protons, Txe Roimeser, Ulyana Gumeniuk, Umland Editions, Una McCormack, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uncertain Ruins, Uncurating Sound, Uniform Books, Uniformbooks, Unit, Unit London, University, University of Cambridge, University of Greenwich, University of Leeds, University of London, University of Westminster, Unsound: Undead, Unwrapped, Urbanomic, Urbanomic Press, Utter, Value of Noise, Verónica Lahitte, Verso, Very Low Frequency Radio, Vi Ser Pa Kunst, Video Artist, Violeta Ospina, Violins Violence, Violins Violence Silence, Virtual Ground, VLF, VLF Interference, VLF Radio, VLF Radio Noise, Volume 1, W.S. Burroughs, War, War of Sound, Warspite Road, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Waves, Wayne McGregor, We Are Primary, Wellcome Trust, Westminster, WGXC 90.7FM, WGXC90.7FM, White Box Blackheath, White Box Gallery, White Noise, William Burrough, William Hogarth, William S. Burroughs, Woolwich, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, Working Group, World’s Shortest Sound Installation, Wysing Arts Centre, Wysing Polyphonic, X-Name, Xabier Erkizia, Yarlington, Yates Norton, Yulia Ustinova, Zabludowicz Collection, ZKM, ZKM Karlsruhe
Disinformation Bibliography – Update/s ****
Just added another 45 (long over-due) items to the (still incomplete) Disinformation bibliography, to the list of book and magazine articles about Disinformation and Rorschach Audio (from 1997 to 2022) – click on the link and scroll down (and thanks very much to everyone who’s written, contributed to or helped out with these)…
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