0rphan Drift, 15 Questions, 24 Hour Psycho, A Spectre, A Spectre - Haunting, Absolute Value of Noise, Accidental Records, Act of Creation, Adventures in Sound Art, AHRC, Ain Bailey, Air Can Break Your Heart, Al-Jabr, Alchemy Festival, Alexander Kowalski, All Literature and Poetry are Forms of Sonic Art, ALM Busy Circuits, Alternating Current, Amanprit Sandhu, Amoenus, Analysis of Beauty, Andrew Bernstein, Andrew Dickson, Andrew Nairne, Andy Knight, Angus Carlyle, Anil Seth, Aniruddha Das, Anna Barham, Anna Friz, Anne Faucheret, Anne Paceo, Anor Londo, Anteloper, Antiphony, Antiphony (Extract), Antiphony (Extract) 2, Antiphony - Disinformation, Antiphony - Logan Dandridge, Aria Dean, Ariane Koek, Art, Art and Perception, Art Form, Art is not necessarily science, Art is not necessarily science but science is always art, Art Space, Art-Science, Artist, Arts Science, Arturo Barea, Ash International, Audio Hallucination, Audio Illusions, Audio Rorschach, Audiograft, Audiograft 2022, Audiokinetic Art, Auditory Hallucinations, Axel Roebel, Barbara London, Barry Hale, Barry Phipps, Bernard Wolfe, BFI London, BFI London Film Festival, Bianca Roden, Biennale, Big Black, Bill Viola, Binker Golding, Black Noise, Blackout, Blondie, Blue Tapes, Bornemisza, Brachliegen Tapes, Brian Eno, Briana Marela, Brion Gysin, British Film Institute, Bruce Nauman, Bruno Schulz, Bryan Senti, but science is always art, Cable Depot, Café Oto, Cafe OTO / Otoroku, Cambridge University, Carl Michael von Hausswolff, Carl Stone, Caroline Jones, Cathy Lane, Caught by the River, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, Cement, Cement Fields, Centre for Practice & Research in Music & Science, Centre Point, Channel Somerset House, Charing Cross Road, China Mieville, Chinabot, Chris Firth, Chris Ford, Christian Rauch, Christina Kubisch, Christina Kubisch - Electrical Walks, Chus Martinez, Clare Lilley, Closed Circuit, CM von Hausswolff, Cold Light, Collective Act, Colliding Lines, Consumimur Igni, Creative Technologies Research Centre, Cyanotapes, Cyril Roy, D&B Audiotechnik, Dan Tapper, Dandridge, Daniel Tapper, Dark Morph, David Rickard, David Toop, Davor Vincze, Dead Lines, Dead Rat Orchestra, Deep Wireless, Didier Queloz, Digital Arts and Experimental Media, Dirk Serries, Discrepant, Disinformation, Disinformation - Antiphony, Disklavier, Disruptive, Disruptive Frequencies, DJ Hell, DJ Rocca, Dniepr Hydro-Electric Power Station, Douglas Gordon, Drawing Matter, Dream Machine, Dreamachine, DXARTS, E-werk Luckenwalde, Eastbourne, Eleanor Westbrook, Electrical, Electrical Noise, Electrical Walks, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Sound, Electronic Voice Phenomena, Elephant Stone, Elpida Hadzi-Vasileva, Emma Enderby, Enter The Void, Erika Blumenfeld, Esteban Agosin, Evan Parker, EVP, EVP Recording, EVP Recordings, Experimental Sound, Fabrica, Fabrica Brighton, Fabrica Gallery, Fact Magazine, Félicie d’Estienne d’Orves, Fear Falls Burning, Fields, Fifteen Questions, Florian Hecker, Forty Part Motet, Fram Kitagawa, Freak de l'Afrique, Fred At last, Fredrik Wallin, Frenzy of the Absolute, Frequencies, Furtherfield, Furtherfield Gallery, Futurism, Gabriel Prokofiev, Gaika, Gary Hill, Gary Stewart, Gascia Ouzounian, Gaspar Noé, Gazelli Art House, Geneva International Film Festival, George Bures Miller, Georgia Gardner Gray, Ghost Orchid, Gilles Ivain, Girton, Girton College, Glenn Branca, Goldsmiths Press, Grain Silo, Grant-Lee Phillips, Grégory Privat, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Greg Hilty, Guiseppe Tartini, Guy Debord, H.G. 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Antiphony, Logan Ryland Dandridge, London Southbank University, Love Supreme Arkestra, LTR Records, Luma Arles, Magdalena Hoffmann, Maggie Roberts, Magnetic Field, Magnetic Field Interference, Magnetic Movie, Magnetics, Magnus Schaefer, Manuel Göttsching, Manuela Moscoso, Marc Garrett, Marcus Du Sautoy, Maria Chiara Argiró, Marie McPartlin, Mariele Neudecker, Mark Fisher, Mark Holub, Markus Buehler, Marshall McLuhan, Martin Esslin, Martin Green, Martin Rees, Marwan T Assaf, Matchett & Page, Matilde Meireles, Matt’s Gallery, Matthew Fuller, Media Futures, MediaFutures, Medium Is Message, Medium Is Not The Message, Medium is the Message, Melissa Franklin, Memory Makers, Merzbow, Meta Space, Meta-Space Gallery, Meta-Technology, Metaspace, Metaspace Gallery, Metatechnology, Mete Atatüre, Metro, Metro Magnetics, Michael Francis, Michael Newman, Michael Stearns, Mike Kelley, Mike Walter, Mila Askarova, Minimal Disinformation, Misinformation, Moby, Monica Bello, Monoskop, MSCTY, Music and Sound Residency, Music City, Music Of The Future, Mychelle, Nahmad Contemporary, Nam June Paik, Nancy Mounir, Natalie Kane, Nataša Ilić, Nathaniel Brown, National Grid, NDE, Near Death, Near Death Experience, New Adventures in Sound Art, New Music, Newport Street, Newport Street Gallery, Nice Little Static, Nick Luscombe, Nick Thurston, Nicola Triscott, Nicole Raymond, Nigel Stanford, Nikki Sheth, Nikola Bankov, Nikola Tesla, Nine Elms, Nkisi, NMC Recordings, Noise, Nomex, Non-Classical, Nonclassical, Now Pop-Up, Now Pop-Up 2, Object Hereafter, OCM, Oh Magazine, Olmo, On Listening, Open Editions, Optikinetic Instruments, ORF Kunstradio, Origin of Painting, Orphan Dift, Oscillations, Outernet Arts, Outernet Global, Outernet London, Oxford Contemporary Music, Oxford Street, Pamela Davis Kivelson, Paradigm Discs, Paul Abbott, Paul Carey-Kent, Paul Fletcher, Paul Nomex, Paul Purgas, Paz de la Huerta, People Doing Physics, Perspektive, Pete Tong, Peter Coccoma, Peter Matthews, Peter Weibel, Phillip Ball, Plink Plunk, Power Station, PRISM, PRS Foundation, PRSF, Psyché Tropes, Psycho Acoustics, Psychoacoustic, Psychoacoustics, Quantum Materials, Quantum Materials Group, Quietus, Radio Art, Radio Noise, Radiophonic Art, Radiophrenia Glasgow, RAF Lyneham, Rana Begum, Rapture, Ray Dolby, Ray Dolby Centre, Reference Studios, Reference Studios x Selfridges, Repeater Books, Research Group, Resonance, Resonance FM, Resynthese FAVN, Richard Serra, Rob Bowman, Rob Mullender, Robin Klassnik, Roman Flügel, Rorschach Audio, RTM, RTM Radio, RTM.FM, Runnin' Riot, Ruth Catlow, Ryochi Kurokawa, Sabina Sabolović, Sadie Coles, Sadie Coles HQ, Salmon Universe, Sam Stokes, Sarah Bohndiek, Savvy Contemporary, SAVVYZAAR, Sci-Art, Science, Science Art, Science is always art, Sculpture, Seasferic, Seers/Sargent Exhibition Circle, Seisma, Seisma Magazine, Selfridges, Semiconductor, Semiconductor Films, Shatwell Farm, Shoko Igarashi, Siân Ede, Sietse van Erve, Simon Belshaw, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, SODA Gallery, Solar Radio, Somerset House, Somerset House Channel, Somerset House Studios, Somerset House Studios Music and Sound, Sonar Festival, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Art, Sonic Boom, Sonic Research, Sonic Research Group, Sonic Spectres, Sonic Spectres & the Object Hereafter, Sonny Singh, Sound, Sound and Music, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Image Research Group, Sound Mirrors, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Sounds of Electricity, Soundscapes of Social Justice, South By Southwest, Southampton, Spectre, Speech, Speech is an Art Form, Speech Itself is an Art Form, Stargate, Stefan Goldmann, Steina and Woody Vasulka, Sternberg Press, Steve Kennedy, Steven Kennedy, Stone Roses, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Submarine Cable Depot, Suchitra Sebastian, Susan Hiller, Synthese, Taco, Taco Gallery, Talbot Rice, Talbot Rice Gallery, Tanya Donelly, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, Technology, Tecsonics, Test Department, Thamesmead, Thamesmead Arts & Culture Office, The Act of Creation, The Analysis of Beauty, The Clash, The Forty Part Motet, The Ghost Orchid, The Inscription of War, The Medium is Not the Message, The Medium is the Message, The Oram Awards, The Origin of Painting, The Quietus, The Rapture, The Stone Roses, The Theatre of the Absurd, The Tibetan Book of the Dead, The Void, The Wire, The Wire Magazine, Theatre of the Absurd, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tibetan Book of the Dead, Tiger Stripes, Tim Dixon, Tobias Revell, Today Art Museum, Tomás Saraceno, Tony Oursler, Touch, Touch Music, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Tramshed, Troika, Turner Contemporary, Ulyana Gumeniuk, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uniform Books, Uniformbooks, University of Cambridge, University of Greenwich, Unwrapped, Urbanomic, Utter, Value of Noise, Vanessa Joan Müller, Verbal Language, Video Artist, Vincent Lostanlen, Virtual Ground, VLF, VLF Interference, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Receiver, VLF-Band Radio Art, VLF-Band Radio Noise, Void, VRHAM Hamburg, Warspite Road, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Wayne McGregor, WGXC 90.7FM, WGXC90.7FM, White Noise, Whitstable, Whitstable Biennale, Who By Fire, Who Made Who, William F. 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