180 The Strand, A Cosmic Ray Muon, Abinadi Meza, Accidental Records, ACE, ACE England, Achiampong, Acoustic, Acoustic Mirror, Acoustic Mirrors, Action Research, Adrian Searle, AHRC, Ain Bailey, Aleks Kolkowski, ALM Busy Circuits, Alternating Current, Amanprit Sandhu, Amelia Fletcher, Ammonite, Amoenus, An Electromagnetic Shower, Andrew Curtis, Andrew Grantham, Andrew Nairne, Anna Byrne, Anonymous, Antiphony, Antiphony (Extract), Antiphony (Extract) 2, Antiphony - Disinformation, Antiphony - Logan Dandridge, Antiphony Architectural Supplement, Antiphony Video, Antiphony Video Supplement, Apo 33, Apo33, Aria Dean, Ariane Koek, Arie Altena, Arrow Films UK, Art Blocks, Art Blocks x Pace Verso, Art Process Ideas, Art Sex Music, Artangel, Artist, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Catalyst Radio, Arts Council, Arts Council England, Arts Science, Ash, Ash International, Atelier Luma, Atmospheric Electricity, Atmospherics, Atom Heart, Atomic Light, Audio Essay, Audiovisual Cultures, Auxillary Middlesbrough, Électromagnétisme, Bankside Power Station, Barbara Davis Gallery, Barry Phipps, Battersea Power Station, BBC Monitoring, BBC Monitoring Service, BBC Programme Research Department, BBC Radiophonic Workshop, BCCA, Ben Drew, Benedict Drew, BFI, Black As Sunlight, Black Continuum, Black Continuum 001, Blackout, Blast First, Blue Tapes, Bobby Barry, Brachliegen Tapes, Brian Eno, Brighton CCA, Brighton Centre for Contemporary Art, Brilliant Noise, British Film Institute, Bruce Gilbert, Bruce Nauman, Cable Depot, Café Oto, Café Oto Projects, Cafe OTO / Otoroku, Cambridge University, Caroline Jones, Caroline Thompson, Carsten Nicolai, Catenary Wires, Cathie Boyd, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, Channel, Channel Art Process Ideas, Channel Somerset House, Chinabot, Chris and Cosey, Chris Carter, Chris Ford, Christian Marclay, Christian Rauch, Christina Kubisch, Christina Kubisch - Electrical Walks, Christine Newby, Cinema Guild, Claire Moran, Clare Lilley, CM von Hausswolff, Cold Light, Coldcut, Colliding Lines, Concrete Ear, Contemporary Art Society, Contemporary Arts, Cool Hunting, Copperfield Gallery, Cosey Fanni Tutti, Cosmic Ray Muon, Critical Sonic Practice, Cross Sections, Cryptic, Cryptic Festival, Cryptic Glasgow, Cryptic Projects, Cryptic Sonica, Cyanotapes, Dan Tapper, Dandridge, Dandridge Logan, Daphne Oram, David Blandy, Dazed & Confused, Dazed Magazine, Dazed Online, Dazed Studio, Delia Derbyshire, Denge, Denge Sound Mirrors, Desmond Briscoe, Didier Queloz, Digital Arts and Experimental Media, Dirty Electronics, Discrepant, Disinformation, Disinformation - Antiphony, Disinformation War, Disobey, Disruptive, Disruptive Frequencies, Dissonant Wave, DIY Radio, Domo Baal, Dot Dash, Drift, Dungeness, DXARTS, Ealing Extranormal, Ear Tells The Eye, Ear Tells The Eye Where To Look, Eastbourne, El Mar, El Mar La Mar, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Impulses, Electrical Nature, Electrical Walk, Electrical Walks, Electricity of the Mind, Electricity The Spark of Life, Electromagnetic, Electromagnetic Bubblebath, Electromagnetic Interactions, Electromagnetic Noise, Electromagnetic Shower, Electromagnetic Sound Art, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Art Festival, Electronic Music Studios, Electronic Noise, Electronic Noise Music, Electronic Sound, Electronic Writing, Electrosonic, Emiddio Vasquez, Emma Enderby, EMS Goldsmiths, Enrico Monacelli, Enter The Void, Epistrophy, Erased Tapes, Erased Tapes Sound Gallery, Eric Lyon, Esteban Agosin, Eston Arts Centre, EVA International, Fabrica Gallery, Fact Magazine, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti Archive, Film and Video Umbrella, Fiona Haggerty, Focal Point, Focal Point Gallery, Focal Point Southend, Forma, Forma Arts, Forma Arts & Media, Forma HQ, FPG Sounds, FPG Southend, Fram Kitagawa, Frequencies, Frieze, Frieze Magazine, Frith Street, Frith Street Gallery, Funking Poets, Future Pace, Futurism, FVU, Gabriel Prokofiev, Gaia Fugazza, Gaika, Gareth Evans, Gaspar Noé, Gathering, Gathering London, Gazelle Twin, Geomagnetic Field, Geomagnetism, Ghostworker, Girton, Girton College, Giuliana Stefani, Giya Kancheli, Glasgow CCA, Glasgow Tramway, Glyth, Goethe Institute, Goethe-Institut London, Gold SF, Goldsmiths, Goldsmiths Audio, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths EMS, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths SARU, Goldsmiths Shorts, Gramophone Records, Great Psychic Outdoors, Greenwich Power Station, Greenwich University, Greg Hainge, Greg Hilty, Grid Music, Groenewegen, Guy Veale, Hagoromo, Hannah Kemp-Welch, Hannah Sawtell, Hard Kunzru, Haroon Mirza, Hayward Gallery, Heavenly, Helen Frosi, Here Yesterday, Hidden Sounds, Hito Steyerl, Homage with Minimal Disinformation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hypha 1, ICA London, Iklectik, Iklectik Art Lab, Iklectika, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Imber, IMCC, Imperial War Museum, Imperial War Museum Contemporary, In Situ, Industrial Coast, Industrial Music, Industrial Records, Inigo Wilkins, Institute for Modern and Contemporary Culture, Institute of Contemporary Arts, Interference, International Lawns, International Media Futures, International MediaFutures, Intonarumori, Invaders Must Die, Irreversible Noise, Isn’tses, IWM, IWM Contemporary, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, Νίκος Στέφου, ακουστικά κάτοπτρα, J.P. Sniadecki, Jack Jelfs, James Lingwood, James Wilkes, Jamie Sutcliffe, Jean Khalfa, Jenny Pickett, Jeremy Baumberg, Jodrell Bank, Joe Banks, Joe Gerhardt, John Duncan, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Squire, Jonathan Crabb, Jordan Baseman, Josh Bonnetta, Joshua Berger, Joshua Bonnetta, Julien Ottavi, Justin Barton, K-Punk, Kapotte Muziek, Karst, Karst Gallery, Karst Gallery Plymouth, Karst Plymouth, Karst Studios, Kaseki, Keith Sargent, Kersten Glandien, Kettle's Yard, Kings Place - Sound Unwrapped, Kode 9, Kode9, Kodwo Eshun, Kubisch, L.O.S.D., La Mar, La Plaque Tournante, Lafayette Anticipations, Lance Sieveking, Language, Language [as] Meta-Technology, Language [as] Metatechnology, Larry, Larry Achiampong, Late Junction, Laurie Anderson, Lawrence Bradby, Lawrence Lek, LCC Crisap, Leaky Transmissions, Leila Dear, Liam Slevin, Licheni, Lighthouse, Lighthouse Brighton, Lindsay Seers, Lindsay Seers and Keith Sargent, Lise Autogena, Lisson Gallery, Listen Club, Listening Ear, Live Mains Electricity, Living With Ghosts, LLC, Lo-Fi Music, Logan, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London Sound Artists Working Group, Long Barrow Press, Longbarrow Press, LOSD, Louise K Wilson, LTR Records, Luigi Russolo, Lux, LUX Artist Moving Image, Lux Distribution, Lux Moving Image, Lux Scotland, Magasin Électrique, Magnetic Attack, Magnetic Attacks, Magnetic Movie, Marine Research, Mark Fisher, Mark Leckey, Mark Peter Wright, Mark Van Hoen, Martin Lau, Martin Rees, Mary Tsang, Massimo Bartolini, Matt’s Gallery, Media Futures, MediaFutures, Melissa Franklin, Meta-Technology, Metatechnology, Mete Atatüre, Michael Morris, Michael Sicinski, Middlesbrough, Middlesbrough Institute of Modern Art, Mike Fell, Mike Nelson, Milton Keynes Gallery, MIMA Middlesbrough, Minimal Disinformation, Mirror, Misinformation, MK Gallery, Mona Tasmania, Monica Bello, Movement Two, Music and Sound Residency, Music Of The Future, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Nancy Gaffield, Nastassja Simensky, Natalie Kancheli, Nathaniel Mellors, National Grid, National Grid Music, Natural Radio, Nebularosa, New Atlantis, New Instruments, New Landscape, New Landscape of Electronic Writing, Newport Street, Newport Street Gallery, Nick Luscombe, Nicola Triscott, Nik Void, Nikos Stephou, Nkisi, NMC Recordings, Noémie Goudal, Noise, Noise Collective, Noise Music, Noise of Modernity, Non-Classical, Nonclassical, NUB Project Space, Oceanallover, Onassis Stegi, Open Editions, Open Wave-Receivers, Oto Projects, Otoroku, Otoroku Label, Otoroku Records, Outputs, Outputs AV, Outputs_AV, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Pamela Davis Kivelson, Paradigm Discs, Paris Agar, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Paul Hegarty, Paul Purgas, Paul Shearsmith, Penthouse Margate, People Doing Physics, People Like Us, Peter Eramian, Plink Plunk, Political Aesthetics, Politics of Listening, Poly Kicks, Polykicks, Prelude, Preludes, Primary, Proxemica, Psyché Tropes, Quantum Materials, Quantum Materials Group, Radio Aporee, Radio Arts Catalyst, Radio Halo, Radio Interference, Radio Noise, Radio Noise Collective, Radiophonic Music, Radiophonic Workshop, Radiophonics, Radiophrenia, Radiophrenia Glasgow, Radioqualia, Ralf Wehowsky, Rana Begum, Raster Noton, Ray Dolby, Ray Dolby Centre, Re-Sisters, Rebecca Lee, Receiver, Redcar, Reference Festival, Reference Studios, Relic, Relic 1, Relic 2, Relic 3, Relic Traveller, Reliquary 1, Reliquary 2, Repeater Books, Repeater Radio, Requiem for Imber, Research Group, Resistance, Resisters, Resonance FM, Resonant Frequencies, Richard Slocombe, RLW, Roadside Picnics, Rob Bowman, Rob Pursey, Robert Barry, Roberts Institute of Art, Robin Klassnik, Robin Mackay, Robin Rimbaud, Rorschach Audio, Rough Trade, Rough Trade Books, Rough Trade Records, Rough Trade Shop, Royal College of Art, Ruth Garde, Ruth Jarman, S. J. Groenewegen, S.E.T.I., Sadie Coles, Sadie Coles HQ, Salmon Universe, Saltburn, Saltburn Artists Projects, Saltburn by the Sea, Saltburn Gallery, Sam Stokes, Sarah Bohndiek, SARU, SARU Goldsmiths, Savvy Contemporary, SAVVYZAAR, Scanner, Schemata Arts, Screen and Audiovisual Research Unit, Screen Archive South East, Sculpture, Second Run, Seconds Above You, Semiconductor, Semiconductor Films, Sensory Ethnography, Sensory Ethnography Lab, Sensory Ethnography Laboratory, Serpentine Gallery, SETI, Shelflife, Shoppinghour Magazine, Shortwave Collective, Siân Ede, Signal to Decay, Signal to Decay: Volume 1, Simon Reynolds, Skep Wax, Slash Seconds, Slash Seconds Magazine, Sluice Art, Sluice HQ, Sluice Magazine, Somerset House, Somerset House Channel, Somerset House Studios, Somerset House Studios Music and Sound, Sonic, Sonic Act, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Acts Festival, Sonic Agency, Sonic Arts Week, Sonic Faction, Sonic Imagination, Sonic Immersion, Sonic Practice, Sonic Scope, Sonic Urbanism, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonics, Sonics Series, Sound, Sound Agendas, Sound Art, Sound Art Brighton, Sound Art Hannah, Sound Artist, Sound as Art, Sound Check, Sound Fjord, Sound Group, Sound Image Research Group, Sound Mirror, Sound Mirrors, Sound Projector, Sound Projector Magazine, Sound Research Group, Sound Unwrapped, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Soundfjord, South Bank Centre, Southampton, Southbank Centre, Spellbound, Stargate, Static, Steve Kirby, Stone Roses, Strange Attractor Press, Suchitra Sebastian, Supreme, Surrounded by Colors, Surrounded by Colors We Could No Longer See, Susan Hiller, Suzie Shrubb, Syd Arthur, Tacita Dean, Taco, TACO Thamesmead, Talulah Gosh, TBA 21 Academy, Technology, Tender Trap, Test Department, Test Dept, TG, Thanet Tape Centre, The Aelectrosonic, The Auxillary, The Cinema Guild, The Disinformation War, The Drift, The Electrosonic, The Elephant Trust, The Guardian, The Institute of Contemporary Arts, The Oram Awards, The Process, The Prodigy, The Rapture, The Stone Roses, The Strand, The Stuff of Radio, The Vinyl Factory, The Void, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Thkio Ppalies, Throbbing Gristle, Tomás Saraceno, Touch, Touch Music, Touch Records, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Tramway, Tramway Glasgow, Transmission Ecologies - Movement Radio, Trevor Mathison, Trevor Paglen, Turner Contemporary, Turner Margate, Two Protons, Ulyana Gumeniuk, Unit, Unit London, University, University of Cambridge, University of Greenwich, University of Westminster, Unwrapped, Urbanomic, Utter, Verso, Very Low Frequency Radio, Vinyl Factory, Violins Violence, Violins Violence Silence, Virtual Ground, VLF Radio, Void, Voixxe, Volume 1, War, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Wayfinder, Wayne McGregor, We Are Primary, We Could No Longer See, Wealden, Westminster, WGXC 90.7FM, WGXC90.7FM, When The Ear Tells The Eye Where To Look, Wire, X-Name, Zabludowicz Collection, Zbigniew Karkowski