&Beyond, &Beyond Collective, 180 The Strand, Aathma Dious, Absence of Evidence, Absence of Evidence to the Contrary, Acoustic Mirror, Acoustic Mirrors, Action Research, Acute Art, Adam Curtis, Adam Kaasa, AHRC, AHRC Open World Research Initiative, AI, Akerman Daly, Albert Tarrats, Alexa Google 23andMe, Alexandra Lacroix, ALKU, All Literature and Poetry are Forms of Sonic Art, Alphabet, Amazon, Ambisonic, Ambisonics, Amelia Barratt, Ami Clarke, Amoenus, Amoenus Sound, AmoenusSound, An Endless Supply, Ancestral Technology, And Beyond, And Beyond Collective, André Chêdas, Andrew Durbin, Andrew Fenchel, Andrew Lampert, Andy Farnell, Angus Carlyle, Anna Irina Russell, Anna Ramos, Annotations, Annotations 2, Annotations II, Annotations II: Amelia Barratt - Librarian, AnOther Magazine, Anti-Cool, Antonio Gagliano, Apple, Applied Pansemiotics, Architectonic Semiotics, Arebyte Gallery, Art & Language, Art and Telecommunications, Art Blocks, Art Blocks x Pace Verso, Art Language Location, Artforum, Artificial Intelligence, Artificial Language, Artist, Artistic Practice, Arts & Humanities Research Council, Aseel AlYaqoub, Audio Art, Audio Content Fund, Audio Fund, Audio Illusion, Audio Installation, Audio Rorschach, Audiosfera, Audiosphere, Auditory Representations of Information, Autechre, Avebury, Axis, Banner Repeater, Barry Burns, BBC Radio 3, BBC Radiophonic Workshop, Ben Bacon, Benjamin Bacon, Beware of Linguistic Engineering, Bianca Lech, Black Obsidian Sound System, Blake Lemoine, Bloomsbury, Bloomsbury Festival, Bomb Factory, Bomb Factory Art Foundation, Bomb Magazine, Bonnie Jones, Booklyn, Borbála Soós, BOSS, Breath, Breathe, Brian Eno, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brion Gysin, Brion Gyson, British Telecom, Bulldog Trust, C.S. 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Books, Rough Trade Records, RTM, RTM Radio, RTM.FM, S. J. Groenewegen, Samuel Beckett, Sarah Hayden, Sarah Hennies, Sarah Kent, Sarah Peace, SARU, Saskia Sassen, Savvy Contemporary, SAVVYZAAR, Scripting Silence, Sean Dockray, Self Expression, Self Portrait as Amma’s Teardrop, Selfridges, Semiology, Semiotext/e, Semiotexte, Semiotics, Sergei Tcherepnin, Serpentine, Serpentine Gallery, Server, Shakespeare & Co., Shakespeare & Company, Sheena Calvert, Shehnaz Suterwalla, Sign, Sign Chorus, Sign Symbol, Sign Symbol Sound, Sign Systems, Slow Compression, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smalltalk for Lonely Ghosts, Sociotype, Sociotype Journal, SODA Gallery, Somerset House, Somerset House Channel, Somerset House Studios, Sonar Festival, Sonic, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Art, Sonic Arts Research Unit, Sonic Expression, Sonic Garden, Sonic Immersion, Sonic Scope, Sonic Signalling, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: the Political Voice, Sonic Witness, Sonic Witnessing, Sonics, Sonics Series, Son[i]a, Sound, Sound and Language, Sound and Politics, Sound and the Written Word, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Group, Sound Image Research Group, Sound Installation, Sound Mirror, Sound Mirrors, Sound of All Human Knowledge, Sound of Human Knowledge, Sound Poetry, Sound Politics, Sound Practice, Sound Recording Technology, Sound Research Group, Sound Theory, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sounding Things Out, Soundscapes of Social Justice, South London Gallery, Spambot EVP Poetics, Spatial Audio, Spatial Sound, Speech, Speech and Language, Speech Art, Speech Sounds, Speech Synthesis, Speech Synthesiser, Spoken Word, Stanley Schtinter, Stella Sideli, Steve Goodman, Steven Pinker, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stuart London, Sukhdev Sandhu, Sum of All Human Knowledge, Super Blue, Superblue, Superfutures, Supreme, Symbol Sound, Synaptic Island, Systems, Taco, Taco Gallery, Technology, Technology as Language, Telecom, Telecommunication, Telecommunications, Telecommunications Art, Telecoms, Tenderbooks, Tenderpixel, Terrel Seltzer, Test Department, Test Dept, Text, Text Art, Text as a Technology, Text as Technology, Text Technology, Texte Zur Kunst, TG, Thamesmead, Thamesmead Arts & Culture Office, The Act of Creation, The Aldwych, The Bomb Factory, The Bulldog Trust, THE Campus, The Disinformation War, The Earliest Form of Sound Recording Technology was not a Machine but was Written Language, The Empire of Signs, The Family Purge, THE Feature, The Future of Media, The Guardian, The Language Instinct, The Medium and the Message, The Medium is the Message, The Modern Language Experiment, The Now Building, The Paris Review, The Process, The Prosthetics, The Same For Everyone, The Sound of All Human Knowledge, The Sound of Human Knowledge, The Strand, The Sum of All Human Knowledge, The Ultimate Form of Communications Technology is Language Itself, The Vinyl Factory, The Voice, The Voice Line, The VoiceLine, The Weight of Words, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, THES, Throbbing Gristle, Tiago Pina, Tim Etchells, Times Higher, Times Higher Education, Times Literary Supplement, TLS, Today Art Museum, Tom Gooch, Tom Western, Tomato, Tony Tremlett, Top Stories, Tramshed, Translation Acts, Transmission, Transmissions, Trevor Paglen, Triple Canopy, Trunk Records, Twitter, Txe Roimeser, Ultimate Form, Ulysses, Umberto Eco, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uncoded, Uncoded - Crafting Intelligence, Underbelly, Understanding Media, Underworld, Uniform Books, Uniformbooks, Unit, Unit Gallery London, Unit London, Unit London Gallery, University of Edinburgh Art Collection, University of Greenwich, University of Southampton, University of Westminster, Unnatural Language Processing, Unsound, Unsound 2023, Unsound Dada, Unsound Festival, Unsound Festival 2023, Unsound Kraków, Unsound London, Unsoundu, Unsoundu Festiwal, Urbanism, Urbanomic, Valentina Ferrandes, Verónica Lahitte, Verbal Language, Verbuchstabieren Trilogy, Verso, Vinca Kruk, Vinyl Factory, Violeta Ospina, Virus, Visible Language, Vision Archive, Visual Carlow, Visual CCA Carlow, Visual Language of Sound, Vitrine Basel, Vitrine Bermondsey, Vitrine Digital, Vitrine Fitzrovia, Vitrine Gallery, Voice, Voice Line, Voice Recognition, VoiceLine, Voices in the Gallery, Voicing the Political, VRHAM Hamburg, War, Weapon, Weapons, Weight of Words, WhatsApp, Wikimedia, Wikimedia Sound, Wikimedia Sound Logo, Wikipedia, Wikipedia Sound, Wikipedia Sound Logo, William Burroughs, William S. Burroughs, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, WordPower - Language as Medium, Words and Sound, Words are Weapons of Sound, Words as Sound Weapons, Words as Weapons, Words Themselves are Weapons of Sound, Working Group, World Archive, World Wide Web, Written Language, Xabier Erkizia, Yamamoto Keiko Rochaix, Zhou Yinglin