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Cally Spooner, Radiophrenia, Resoanance FM, Resonance, Resonance 104.4, Resonance 104.4 FM, Richard Dawkins, Rorschach Audio, Rosemary Richards, Sarah Hennies, SARU, Self Expression, Semiology, Semiotext/e, Semiotexte, Semiotics, Sergei Tcherepnin, Serpentine, Serpentine Gallery, Server, Sheena Calvert, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smalltalk for Lonely Ghosts, Somerset House, Sonic Art, Sonic Arts Research Unit, Sonic Garden, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonics, Sonics Series, Sound, Sound and Language, Sound and Politics, Sound and the Written Word, Sound Art, Sound Art Brighton, Sound Artist, Sound Installation, Sound Mirror, Sound Mirrors, Sound Politics, Sound Practice, Sound Recording Technology, Sound Theory, Sounding Things Out, South London Gallery, Spambot EVP Poetics, Spatial Audio, Spatial Sound, Speech, Speech Art, Speech Synthesis, Speech Synthesiser, Steve Goodman, Steven Pinker, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Super Blue, Superblue, Synaptic Island, Technology, Technology as Language, Text, Text Art, Text as a Technology, Text as Technology, Text Technology, The Act of Creation, THE Campus, The Earliest Form of Sound Recording Technology was not a Machine but was Written Language, THE Feature, The Language Instinct, The Modern Language Experiment, The Ultimate Form of Communications Technology is Language Itself, The Voice, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, THES, Times Higher, Times Higher Education, Twitter, Ultimate Form, Umberto Eco, Underbelly, University of Westminster, Unsound, Unsound Festival, Unsoundu, Unsoundu Festiwal, Verso, Vinca Kruk, Virus, Visual Language of Sound, Voice, WhatsApp, William Burroughs, William S. Burroughs, World Wide Web, Written Language, Yamamoto Keiko Rochaix
“Language [as] Meta-Technology” ****
“Language [as] Meta-Technology” [edition 2] by Disinformation
Accessible every day – 10am to 6pm
Fri 23 July to Sun 1 Aug 2021
White Box Gallery
5 Hare & Billet Road
Blackheath
London SE3 0RB
The book “Rorschach Audio – Art & Illusion for Sound” argues that “the earliest form of sound recording technology was not a machine but was written language”. “Language [as] Meta-Technology” is an installation, exhibited by the artist project Disinformation, which, extrapolating that concept, uses a commercially available high-end speech synthesiser to articulate (among other statements) the assertions that “the ultimate form of communications technology is language itself”, and that “all literature and poetry are forms of sonic art”. “Language [as] Meta-Technology” is a fully automated, medically sterile and autonomous kinetic audio installation, which will be fully accessible online and from outside White Box gallery.
Image: “Language [as] Meta-Technology” montage © Joe Banks 2021
Also – https://rorschachaudio.com/2018/11/12/language-as-meta-technology/
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