&Beyond, &Beyond Collective, Aathma Dious, Acoustic Mirror, Acoustic Mirrors, Action Research, Adam Kaasa, AHRC, AHRC Open World Research Initiative, AI, Alexa Google 23andMe, Alexandra Lacroix, All Literature and Poetry are Forms of Sonic Art, Alphabet, Amazon, Ambisonic, Ambisonics, Amelia Barratt, Ami Clarke, Amoenus, Amoenus Sound, AmoenusSound, Ancestral Technology, And Beyond, And Beyond Collective, Andrew Durbin, Andrew Fenchel, Andrew Lampert, Andy Farnell, Angus Carlyle, Annotations, Annotations 2, Annotations II, Annotations II: Amelia Barratt - Librarian, Anti-Cool, Apple, Art & Language, Art and Telecommunications, Art Blocks, Art Language Location, Artforum, Artificial Intelligence, Artificial Language, Artist, Arts & Humanities Research Council, Aseel AlYaqoub, Audio Art, Audio Illusion, Audio Installation, Audio Rorschach, Autechre, Avebury, Axis, Banner Repeater, Barry Burns, Ben Bacon, Benjamin Bacon, Beware of Linguistic Engineering, Bianca Lech, Black Obsidian Sound System, Blake Lemoine, Bloomsbury, Bloomsbury Festival, Bomb Factory, Bomb Factory Art Foundation, Bomb Magazine, Bonnie Jones, Booklyn, Borbála Soós, BOSS, Breath, Breathe, Brian Eno, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brion Gysin, British Telecom, Bulldog Trust, C.S. Peirce, C.W. Morris, Café Oto, Call and Response, Call and Response Studios, Cambridge Archaeological Journal, Cathy Lane, Cave Painting, CCA, CCA Annex, CCA Brighton, CCA Glasgow, CCA Glasgow Annex, CCA Goldsmiths, CCA Project Space, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Contemporary Art Glasgow, Centre for Contemporary Art Goldsmiths, Centripedal Vortex, Charles Sanders Peirce, Charles W. Morris, Chicago Review, Chiemi Shimada, Civic Sound, Civic Sound Archive, Colin Cherry, Collective Act, Collective Air, Communication, Communications, Communications Technology, Communications Theory, Company Gallery, Concept Art, Conceptual Art, Constellations of Listening, Crafting Intelligence, CRISAP, Crystallised Language, D Contemporary, Daaphne, Daniel van der Velden, Danni Zuvela, Deciphering, Deciphering a Broken Syntax, Deep Structure, Delaine Le Bas, Dialogue Applications, Digital Arts and Experimental Media, Discord, Discord Server, Disinformation, Domo Baal, Drawing Room, Dream Machine, Dreamachine, Duncan MacLeod, Durham University, DXARTS, Early Writing, Ebun Sodipo, Echo, Eleni Ikoniadou, Ella Finer, Elle/They, Elliot Reed, Emma Bolland, Emma Května, Empire of Signs, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Erased Tapes, Erased Tapes Sound Gallery, Eric de Visscher, Esther Venrooij, EVP Poetics, Experimental Sound Art, Fabien Cante, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Facebook, Facebook Messenger, Facebook Portal, Facebook Watch, Family Purge, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Fayd, Fayd Digital, FAYD Notes, Festival, Festiwalu, Fiction Group, Fieldnotes, Fieldnotes Journal, Fieldnotes/Sessions, Finkel, First Ghosts, Forage-AR, Freedom of Speech, Frieze, Frieze Magazine, Future Pace, Future Shock, Futureshock, Future\Pace, Futurist, Futurology, Gala Porras-Kim, Gallery Oredgin, Gascia Ouzounian, Gazell.io, Gazell.io Project Space, Gazellio, Gazello Art House, Generative Art, Ghostworker, Giphy, Glasgow, Glasgow CCA, Goldmsiths College, Goldsmiths CCA, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Google, Grégoire Chelkoff, Greenwich University, Guest, Guest Holes, Hana Noorali, Hanging by a Wire, Haroon Mirza, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Henry Wang, HKW, HKW Berlin, Holly Graham, HRM199, Human Knowledge, Hypersonica, I Have A Voice, Iarlaith Ni Fheorais, Iklectik, Iklectik Art, Iklectik Art Lab, Image Research, Immersive Sound, Immersive Sound Installation, Immersive Spatial Sound, Independent Researcher, Industrial Records, Information Technology, Information Theory, Infrasonica, Instagram, Interactive Voice Recognition, International Media Futures, International MediaFutures, Internet, Irving, Irving Finkel, Jana Charl, Jennifer Crook, Jennifer Mehigan, Jennifer Walshem, Jennifer Wicks, Jessica Wiesner, Jessie Marino, Jio Platforms, Joe Banks, Joey Holder, Johanna Schindler, John Bingham-Hall, John Hansard Gallery, Jonah King, Jonathan Packham, Joy of Text, Kareem Al Kabbani, Katie Ione Craney, Katrin Klingan, Ken Hollings, Kersten Glandien, Kettle's Yard, Kinetic Art, Kode 9, Koppel Project, Koppel Project Hive, Kristen Gallerneaux, Kumbirai Makumbe, LAMDA, Lampo, Lampo Folio, Language, Language Acts, Language Acts and Worldmaking, Language Acts and Worldmaking Project, Language Art, Language as a Weapon, Language as Medium, Language as Meta, Language as Meta-Tech, Language as Metatech, Language as Technology, Language Based Art, Language Experiment, Language Game[s], Language Instinct, Language is a Virus, Language is a Virus from Outer Space, Language is Meta-Technology, Language is MetaTechnology, Language Itself, Language Model, Language Model for Dialogue Applications, Language of Sound, Language Tech, Language Technology, Language Transitions, Language Virus, Language Weapon, Language [as] Meta-Technology, Language [as] Metatechnology, Lascaux and Altamira, Late Junction, Laurie Anderson, LCC, Leaky Transmissions, Leeds 2023, Leeds2023, Let There be Language, Lexis, Lexis/Axis, Lexis:Axis, Librarian, Library X, Limits of Language, Limits of Verbal Language, Linguistic Engineering, Listening, Listening To Non-Human Life, Literature and Poetry, London College of Communication, Lucas Wozniak, Lynton Talbot, Maïa Nunes, Makiko Yamamoto, Manick Govinda, Many Voices All of Them Loved, Mapillary, Mark Coeckelbergh, Mark Vernon, Mark Zuckerberg, Martin Green, Massive Music, MassiveMusic, Matt Lewis, Mature Themes, Media Futures, MediaFutures, Meme, Memes, Memetics, Meta, Meta Platforms Inc., Meta Platforms., Meta-Tech, Meta-Technology, Meta-verse, Metahaven, Metatech, Metatechnology, Metaverse, Metaverse Spatial Audio, Microsoft, Misinformation, MIT Press, Modern Language, Modern Language Experiment, Mother Tongue, Nathan Gray, National Grid, Nick Clegg, Nick Houde, Nicky Coutts, Nightboat Books, Nikita Gale, Nkisi, Noam Chomsky, Non-Human Life, Nour Mobarak, Occasional Papers, Oculus, oice, On Listening, Open World Research Initiative, Orphan Dift, Otherness, Otherness Festival, Outer Space, Outset Study, Over the Clouds, Pace, Pace Discord, Pace Gallery, Pace Gallery Discord, Pace London, Pace Verso, Pallas Citroen, Paradise, Parrhesiades, Paul Pettitt, Plena Rondo, Poetry Foundation, Poetry Project, Polisonic, Polisonics, Political Voice, Politics and Sound, Politics of Communication, Politics of Sound, Post Office Telecommunications, Primary Information, Project Space, Proto-Language, Prototype Publishing, Purge, Purge Projects, Quinn Latimer. Cally Spooner, Radio Art Zone, Radio Arts Catalyst, Radio Silence, Radiophrenia, Radiophrenia Glasgow, Recording Device, Research Group, Resoanance FM, Resonance, Resonance 104.4, Resonance 104.4 FM, Rhythm is Ancestral Technology, Richard Dawkins, Rogue Syntax, Roland Barthes, Rorschach Audio, Rosemary Richards, Rosina Lui, Rough Trade, Rough Trade Books, Rough Trade Records, RTM, RTM Radio, RTM.FM, Sarah Hayden, Sarah Hennies, Sarah Peace, SARU, Saskia Sassen, Savvy Contemporary, SAVVYZAAR, Scripting Silence, Self Expression, Self Portrait as Amma’s Teardrop, Semiology, Semiotext/e, Semiotexte, Semiotics, Sergei Tcherepnin, Serpentine, Serpentine Gallery, Server, Sheena Calvert, Shehnaz Suterwalla, Sign, Sign Chorus, Sign Systems, Slow Compression, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smalltalk for Lonely Ghosts, Sociotype, Sociotype Journal, Somerset House, Sonic, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Art, Sonic Arts Research Unit, Sonic Expression, Sonic Garden, Sonic Signalling, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: the Political Voice, Sonic Witness, Sonic Witnessing, Sonics, Sonics Series, Sound, Sound and Language, Sound and Politics, Sound and the Written Word, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Group, Sound Image Research Group, Sound Installation, Sound Mirror, Sound Mirrors, Sound of All Human Knowledge, Sound of Human Knowledge, Sound Politics, Sound Practice, Sound Recording Technology, Sound Research Group, Sound Theory, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sounding Things Out, Soundscapes of Social Justice, South London Gallery, Spambot EVP Poetics, Spatial Audio, Spatial Sound, Speech, Speech and Language, Speech Art, Speech Sounds, Speech Synthesis, Speech Synthesiser, Stanley Schtinter, Stella Sideli, Steve Goodman, Steven Pinker, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Sukhdev Sandhu, Sum of All Human Knowledge, Super Blue, Superblue, Synaptic Island, Systems, Taco, Taco Gallery, Technology, Technology as Language, Telecom, Telecommunication, Telecommunications, Telecommunications Art, Telecoms, Tenderbooks, Tenderpixel, Test Department, Test Dept, Text, Text Art, Text as a Technology, Text as Technology, Text Technology, Texte Zur Kunst, TG, Thamesmead, Thamesmead Arts & Culture Office, The Act of Creation, The Bomb Factory, The Bulldog Trust, THE Campus, The Earliest Form of Sound Recording Technology was not a Machine but was Written Language, The Empire of Signs, The Family Purge, THE Feature, The Guardian, The Language Instinct, The Modern Language Experiment, The Prosthetics, The Sound of All Human Knowledge, The Sound of Human Knowledge, The Sum of All Human Knowledge, The Ultimate Form of Communications Technology is Language Itself, The Voice, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, THES, Throbbing Gristle, Times Higher, Times Higher Education, Tom Gooch, Tom Western, Tomato, Top Stories, Tramshed, Translation Acts, Transmission, Transmissions, Triple Canopy, Twitter, Ultimate Form, Umberto Eco, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uncoded, Uncoded - Crafting Intelligence, Underbelly, Underworld, Uniform Books, Uniformbooks, Unit, Unit Gallery London, Unit London, Unit London Gallery, University of Greenwich, University of Southampton, University of Westminster, Unsound, Unsound Festival, Unsoundu, Unsoundu Festiwal, Urbanism, Valentina Ferrandes, Verbal Language, Verbuchstabieren Trilogy, Verso, Vinca Kruk, Virus, Visual Carlow, Visual CCA Carlow, Visual Language of Sound, Vitrine Basel, Vitrine Bermondsey, Vitrine Digital, Vitrine 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Burroughs, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, WordPower - Language as Medium, Words are Weapons of Sound, Words as Sound Weapons, Words as Weapons, Words Themselves are Weapons of Sound, World Wide Web, Written Language, Yamamoto Keiko Rochaix, Zhou Yinglin