0 BPM, 3D Audio, 3D Instrument, 3D Sound, Acoustic Space, Acoustic Spatiality, Acoustics, Alex De Little, Alistair McClymont, Anastasiia Soroka, Andrew Knight-Hill, Annka Kultys, Annka Kultys Gallery, ARCA, Architectural Acoustics, Architectural Association, Architectural Association - School of Architecture, Architectural Post-Modernism, Architectural Postmodernism, Architectural Space, Architecture, Architecture & Sound, Architecture and Sound, Architecture Foundation, Are You Listening, Arebyte, Arebyte Gallery, Arebyte London, Artist, Audio Art, Audio Installation, Audio Rorschach, Audio-Kinetic Art, Augmenting the Void, BA Sound Arts, Barbican Art, Barbican Art Gallery, Barbican Centre, Barbican Immersive, Barbican London, Basalt, Basalt Rennes, BBC Radiophonic Workshop, Biblioteka, Binaural Beats, Brain Wave, Bruton, CCA Goldsmiths, Cement, Cement Fields, Cement Void, Cement Voids, Charles Jencks, Choral Sculpture, Circuit Systems, Claire Oster, Cleek Schrey, Closed Circuit, Closed Circuit Systems, Closed Circuit Systems: Space Madness, Closed Circuits, Come Home Again, Concrete, Concrete Void, Concrete Voids, Corinna Dean, Cosmic House, CRISAP, Damien Simon, Dark Mofo, David Adjaye, David and Indrė Roberts Collection, David Roberts, David Walsh, Denman + Gould, Digital Music, Dinzu Artefacts, Disinformation, Disinformation War, Dissonant Wave, Drawing Matter, Drone, EEG, Eleanor Goulding, Electric Infrastructure, Electrical Impulses, Electrical Infrastructure, Electro Encephalogram, Electro Encephalograph, Electro Encephalography, Electroencephalogram, Electroencephalograph, Electroencephalography, Electromagnetic Sound Art, Elizabeth Hall, Ephemera Festival, Es Devlin, Experimental Sound, Experimental Sound System, Federico Campagna, Feel The Sound, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Formulary for a New Urbanism, Frequencies, Frequency Lab, Future Artists Programme, Gaunt, Gilles Ivain, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths University, Grain Silo, Greenwich University, Groenewegen, Gustav Metzger, Hans Berger, Hauser, Hauser & Wirth, Hauser & Wirth Bruton, Hauser & Wirth Somerset, Hayward, Hayward Gallery, Heinrich Dove, Heinrich Wilhelm Dove, Hestercombe Gallery, Hlib Velyhorskyi, How To Pass Through a Door, Iklectik Art, Iklectik Art Lab, Immersive Artistic Experiences, Immersive Audio, Immersive Audio Installation, Immersive Sound, Immersive Sound Installation, Indrė Roberts, Installation, Installation Art, Invada, Invada Records, Invada Records UK, ISAST, Ivan Chtcheglov, Ivan Vladimirovitch Chtcheglov, Jack Warne, Jazbo Gross, Jelena Viskovic, Joe Banks, John Squire, Karst, Karst Gallery, Karst Gallery Plymouth, Karst Plymouth, Karst Studios, Kinetic Art, Krystle Patel, LADA, Landscape Art, LCC, LCC Crisap, LCC MA Sound Art, Leonardo, Leonardo Journal, Leonardo Music Journal, Leonardo/ISAST, Lex Amor, Liam Byrne, Lisa Hall, Listening, Listening Workshop, Live Arts Development Agency, Living Instrument, LMJ, London College of Communication, London Hayward Gallery, London South Bank, London South Bank Centre, London Southbank, London Southbank Centre, Loudspeaker Orchestra, Low Frequency, Lucy or Robert, MA Sound Art, MA Sound Arts, Maria-Chiara Piccinelli, Mark Pilkington, Marysia Lewandowska, Matchett & Page, Meditation Machine, Misinformation, Mitchell Gillies, Mon Takanawa, MONA, Mona Foma, Mona Tasmania, Museum of Narratives, Music, Music for Architecture, National Grid, Ned McConnell, New Instruments, New Urbanism, Newport Street, Newport Street Gallery, Newt, Newt in Somerset, Nicholas Olsberg, Nick Luscombe, Oliver Griffin, Open Day, Pass Through a Door, Peter Adjaye, Peter Gregson, PiM.studio, Post-Modernism, Postmodernism, Power of Sound, Presse Books, Public Art, Public Space, QEH, Queen Elizabeth, Queen Elizabeth Hall, Radiophonic Workshop, Radiophrenia, Radiophrenia Glasgow, Re Place London, Rebecca Edwards, Replace London, Resonance Chamber, Roberts Collection, Roberts Institute, Roberts Institute of Art, Rorschach Audio, Royal Academy, Royal Academy Sound Programme, Royal Academy Soundscape, Royal Academy Summer Exhibition, Royal Academy Summer Exhibition Sound Programme, Royal Academy Summer Exhibition Soundscape, Russell Denman, S. J. Groenewegen, Sadie Coles, Sadie Coles HQ, School of Architecture, Sculpture, Sculpture and Public Space, Shatwell, Shatwell Farm, Shatwell Farm Open Day, Shatwell Farm Open Day 2021, Silo, Siloed Thinking, Site Specific, Site-Specific Sound, Site-Specific Sound Installation, Situationist, Situationist International, Sofia Victorino, Somadome, Somerset, Somerset House: Future Artists Programme, Sonaform, Sonaform Frequency, Sonaform Frequency Lab, Sonic Architecture, Sonic Art, Sonic Immersion, Sonic Scope, Sonics Series, Sound, Sound and Space, Sound Art, Sound Artist, Sound Arts, Sound Arts Practice, Sound Design, Sound Designs, Sound Designs with Nick Luscombe, Sound Installation, Sound Programme, Sound System, Sound-Image, Sound/Image 22, Soundhouse, SoundImage, SoundImage 22, Sounds & Shapes, Soundscape, South Bank, South Bank Centre, Southbank, Southbank Centre, Space Madness, Spatial Acoustics, Spatial Audio, Spatial Listening, Spatial Sound, Stevie Jones, Stone Roses, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Sub Bass, Sukhdev Sandhu, Summer Exhibition, Summer Exhibition Sound Programme, Summer Exhibition Soundscape, The Architecture Foundation, The Cosmic House, The Disinformation War, The Museum of Narratives, The Newt, The Newt in Somerset, The Sound, The Stone Roses, Theatrum Mundi, Theatrum Mundi Collective, This Museum Is (Not) Obsolete, Through a Door, Tony Birch, Transmissions, UAL, University of Brighton, University of Greenwich, University of the Arts London, Unsound Adelaide, Unsound Dispatch, Valentin Rajenkov, Void, Voids, War, Warp, Warp Records, Ways of Listening, Wirth, Yates Norton, Zero BPM
Disinformation in “Sounds & Shapes” ****

Matchett & Page’s summer exhibition, Sounds & Shapes, is installed across the site of Shatwell Farm. The exhibition includes two site specific works: a sound installation by Disinformation in one of the disused grain silos, and a geometric patio-courtyard designed by Denman + Gould. The geometric theme continues into the Haybarn gallery with silkscreen prints that explore colour and shape by Lucy or Robert.
Open weekends, 11am to 5pm
17 July to 1 August 2021
… and by appointment
Matchett & Page
Shatwell Farm
Shatwell Lane
Yarlington BA9 8DL
Exhibition guide – https://tinyurl.com/dy5856ue
https://matchett.page/sounds_and_shapes
Poster design: Denman & Gould
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