24 Hour Psycho, ACE England, Adventures in the War Against Reality, AHRC, Alchemy Festival, Alden Ehrenreich, Allegorical Portrait of J. Robert Oppenheimer, American Land Museum, American Prometheus, Andrea Sabbadini, Angelica Sule, Anna Abrahams, Anna Storm, Anna Volkmar, Argos Centre, Argos Centre for Audiovisual Arts, Argos VZW, Ariane Koek, Arjuna Neuman, Art, Art & Illusion for Sound, Art and Nuclear Power, Art and Nuclear Power: The Role of Culture in the Environmental Debate, Art Journal, Artistic Inventiveness, Arts & Humanities Research Council, Arts and Humanities Research Council, Arts Catalyst, Arts Council of England, Arts Science, Atelier Vlaams Bouwmeester, Atlas Entertainment, Atomic Heritage Goes Critical, Banned From The Roxy, Barbara London, Basement Tapes, Basement Tapes Remix, BBC Monitoring, BBC Monitoring Service, Benny Safdie, BFI, BFI LFF, BFI LFF 2020, BFI London, BFI London Film Festival, BFI London Film Festival 2020, Bildmuseet Umea, Bill Viola, Bohr, Bornemisza, Bridget Kennedy, British Art Studies, British Film Institute, British Psychoanalytical Society, Bruce Nauman, Brussels, Call It Sleep, Cambridge, Campaign for Nuclear Disarmament, Catherine Elwes, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, Center for Land Use Interpretation, Centre for Art and Media, Charles Roven, Chris Nolan, Christopher, Christopher Nolan, Chus Martinez, Cillian Murphy, Clot, Clot Magazine, CLUI, CND, Consumimur Igni, Copenhagen, Crass, Cruise Missiles, Crystal Bennes, Cultural Negotiation of Science, Dane DeHaan, Daniel Langlois, Daniel Langlois Foundation, Dave Griffiths, David Blandy, David Burke, David Krumholtz, David Lynch, Decolonising the Nuclear, Derby Quad, Desert X, Digital Text Art, Discord, Discord Server, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Doctor Atomic, Douglas Gordon, Dylan Arnold, Dylan Thomas Award, Eastbourne, Ecco, Edgar Lisse, Edward Teller, Eglė Rindzeviciute, Ele Carpenter, Electronic Bauhaus, Emily Blunt, Emma Thomas, Environmental Debate, Eric Stewart, Ernest Lawrence, Es Devlin, European Psychoanalytic Film Festival, Experimental Portraiture, Eye, Eye Film, Eye Film Museum, Eye Filmmuseum, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Father of the Atom Bomb, Father of the Atomic Bomb, Fathima Nizaruddin, Film & Video Umbrella, Film Panic, Florence Pugh, Fondation Daniel Langlois, Frank Oppenheimer, Frankenstein, Frankenstein Reanimated, Freud Museum, Frieze, Frieze Magazine, Furtherfield, Future Pace, Future\Pace, FVU, Gabriel Whaley, Gabrielle Hecht, Galerie Ravenstein, Gary Hill, Geoffrey Grigson, Gilles Ivain, Gimpel Fils, Giovanna Fossati, Girton College, Girton College Cambridge, Glenn Branca, Goldsmiths College, Gotta Light?, Guy Debord, Guy Haywood, Haroon Mirza, Harper Collins, Harun Farocki, Hay Wain, Haywain, Haywain with Cruise Missiles, Heisenberg, Huddersfield Art Gallery, I Saw the World End, ICA, ICA London, Ignacio Acosta, Images of the World, Images of the World and the Inscription of War, Imperial War Museum, Imperial War Museum Contemporary, Imus Nocte, In Girum, In Girum Imus Nocte et Consumimur Igni, In Plain Sight, Infrastructures of Apocalypse, Infrastructures of Apocalypse: American Literature and the Nuclear Complex, Institute of Contemporary Arts, Institute of Psychoanalysis, Intermission, International Dylan Thomas Award, Isaac Cronin, Isidor Isaac Rabi, Ivan Chtcheglov, Ivan Vladimirovitch Chtcheglov, IWM Contemporary, J. Robert Oppenheimer, Jack Quaid, Jackie Oppenheimer, James Holcombe, Jean Tatlock, Jessica Hurley, John Adams, John Berger, John Constable, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Heffernan, John Squire, Josh Hartnett, Joshua Portway, Kai Bird, Karen Cunningham, Karst, Karst Plymouth, Katherine "Kitty" Oppenheimer, Katherine Oppenheimer, Kennard, Kenneth Branagh, Kim Knowles, Kinetic Photomontage, Kinetic Portraiture, Klara and the Bomb, Kristen Gallerneaux, La Fondation Daniel Langlois, LaBoral Gijon, Land Use, Land Use Interpretation, Landscape Art, Landscapes of Nuclear Weapons, Landscapes of Nuclear Weapons Testing, Landscapes of Weapons Testing, Language as Meta-Tech, Language as Metatech, Language [as] Meta-Technology, Language [as] Metatechnology, Laurie Britton Newell, Lee Campbell, Leslie Groves, Lewis Strauss, Ligaya Salazar, Light | Sensitive | Material, Lise Autogena, Little Brown, Little Brown Book Group, Louisa Hall, Louisa Warren Hall, Lucy Reynolds, Lux, Lux Scotland, Maarten Vanden Eynde, Machiko Weston, Manhattan Project, Manuela Moscoso, Marc Garrett, Marcus Du Sautoy, Marie McPartlin, Mark Frost, Mark Titchner, Martin J. Sherwin, Material Nuclear Culture, Matt Damon, Matthew Coolidge, Matthew Marsh, Matthew Modine, Metamorphosis of Narcissus, Michael Angarano, Michael Frayn, Michael Mazière, Mike Kelley, Military Photography, MIRAJ, Moving Image, Moving Image Review, Moving Image Review & Art Journal, Moving Image Salon, MSCHF, MSCHF art collective, Nam June Paik, National Theatre, NeMe Limassol, Neville Wakefield, Newport Street, Newport Street Gallery, Nicky Hamlyn, Niels Bohr, Niharika Dinkar, Nike, Nolan, Northumbria University, Nuclear Complex, Nuclear Cultural Heritage, Nuclear Culture, Nuclear Culture Research Group, Nuclear Culture Roundtables, Nuclear Culture Source Book, Nuclear Landscape, Nuclear Mundane, Nuclear Power, Nuclear Sublime, Nuclear Weapons, Off Country, Oppenheimer, Origin of Painting, Other Film, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Pallant House, Pallant House Gallery, Paris Agar, Part 8, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Past Present and Future, Past Present and Future of Artistic Inventiveness, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Perpetual Uncertainty, Peter, Peter Evans, Peter Kennard, Peter Pomerantsev, Peter Sellars, Peter Weibel, Peter William Evans, Photographer’s Gallery, Photomontage, Portrait of Derek Bentley, Portrait of J. Robert Oppenheimer, Portrait of Jean Genet, Portrait of Robert Oppenheimer, Q Arts, Rami Malek, Rana Begum, Raphael Cartoon Room, Ray Dolby, Ray Dolby Centre, RBS, RCA London, Reanimated, Research Group, Reset the Apparatus, Richard Feynman, Richard Saltoun, Richard Serra, Richard Slocombe, Rob Bowman, Rob Mullender, Robert Downey Jr., Robert Oppenheimer, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Rowman & Littlefield, Royal College of Art, Royal Shakespeare Company, Royal Society of British Sculptors, Royal Society of Sculptors, Ruth Catlow, Sadie Coles, Sadie Coles HQ, Sally Golding, Sally O'Reilly, San Francisco Opera, Sara Kestelman, Saulesh Yessenova, Screening Conditions, Siân Ede, Simona Monizza, Site Gallery, Site Gallery Sheffield, Slow Reveal, Sluice, Sluice HQ, Southampton, Spellbound, Splitting the Atom, Steina and Woody Vasulka, Steve Aoki, Steve Aoki’s Basement Tapes Remix, Stone Roses, Studies in British Art, Subjective Vision, Subjectivity, Subjectivity of Vision, Suchitra Sebastian, Super Blue, Superblue, Susan Hiller, Susanna Lea, Swedenborg Film Festival, Syncopy Inc., Taylor Dunne, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, Terrel Seltzer, Text Art, The Edge of Forever, The Guardian, The Hay Wain, The Haywain, The Inscription of War, The Institute of Contemporary Arts, The Moving Image Review & Art Journal, The Nuclear Culture Source Book, The Origin of Painting, The Return, The Return: Part 8, The Role of Culture, The Rumble, The Stone Roses, The V&A, This Is Not Propaganda, This Is Not Propaganda: Adventures in the War Against Reality, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tom Morton-Smith, Tony Oursler, Torque Editions, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Trinity, Trinity Test, Twin Peaks, Twin Peaks: A Limited Event Series, Twin Peaks: Season 3, Twin Peaks: The Return, Un*uck the World, Under (Visual) Arrest, Unfuck the World, University of Texas, University of Texas at Austin, University of West London, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, V&A, Vannevar Bush, Vaudeville Theatre, Verso, Victoria & Albert Museum, Videographic Art, Videographie, Videographie: TAKE #1 & #2, Videography, Vision, War Against Reality, War on Reality, Warren Harper, Wayne McGregor, Wellcome Collection, Wellcome Trust, Werner Heisenberg, Where Next Columbus?, World War II, Z33, ZKM, ZKM Centre for Art and Media