0 BPM, 180 The Strand, 1980 to 2020, 20Hz, 20th Century, 35MW, A History of the Universe in Sound, A Machine to Listen to the Sky, Aaron Holloway-Nahum, Advanced Music, Agency Gallery, AHRC, Ain Bailey, Air, Aki Onda, Albert Tarrats, Aleks Kolkowski, Alessandra Eramo, Alex De Little, Alex Sainsbury, Alexandra Lacroix, Alice Hackney, ALKU, Alvin Lucier, Amit D Patel, Ammonite, Amoenus, Amoenus Sound, AmoenusSound, Amplified, Analema, André Chêdas, Andrew Knight-Hill, Angus Carlyle, Anil Seth, Anna Irina Russell, Anna Ramos, Annka Kultys, Annka Kultys Gallery, Anti-sphere, Antiopic, Antisphere, Antonio Gagliano, Appau Jnr Boakye-Yiadom, Architectural Acoustics, Architectural Space, Architecture & Sound, Arebyte Gallery, Arebyte London, Ariane Koek, Art Blocks, Art Blocks x Pace Verso, Art Catalyst, Art Contemporary, Art In Sound, Art In Sound Up To 1980, Artangel, Arteleku, Artist, Arts, Arts & Humanities Research Council, Arts Catalyst, Arts Catalyst Radio, Arts@CERN, As If Radio, 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Deutschlandfunk Kultur, Dev Joshi, Dhangsha, Dhanveer Singh Brar, Digital Arts and Experimental Media, Discord, Discord Server, Discovering New Sounds, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation John Squire, Disinformation My Misinformation, Disonata, Disonata: Art In Sound, Disonata: Art In Sound Up To 1980, Disruptive, Disruptive Frequencies, Dissonant Waves, Dolores Acebal, Dr Simon Foster, Drone, Drone Music, Dub Morphology, Dubmorphology, Duncan MacLeod, Dushume, DXARTS, E-werk, E-werk Luckenwalde, Ear Tells The Eye, Ear Tells The Eye Where To Look, Edelmat, Editions Mego, El Reina, El Reina Sofía, Electric Walk, Electric Walks, Electrical, Electrical Noise, Electrical Walk, Electrical Walks, Electrics, Electromagnetic, Electromagnetic Bubblebath, Electromagnetic Interactions, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetism, Electronic Art Festival, Electronic Music, Electronic Writing, Elektrizität, Elektrizitätswerk, Eleni Ikoniadou, Eli Ningú, Ella Finer, Elvira Dyangani Ose, Emiddio Vasquez, Emily Howard, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Equitable Vitrines, Erased Tapes, Erased Tapes Sound Gallery, Eric de Visscher, Eric La Casa, Ernst Schoen, ERTZ, ERTZ Festival, Es Devlin, Esteban Agosin, Esther Leslie, EVOL, Experimentación Sonora, Experimental Music, Experimental Sound, Experimentation, Exploring Cultural Diversity, Fabien Cante, Fabrica, Fabrica Gallery, Fact Magazine, Factum Arte, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Festival de Otras Músicas, Festiwalu, Fieldwave, Fiona Haggerty, Florian Hecker, Florian Ortkass, FON Festival, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Francesca Thyssen-Bornemisza, Francesco Fusaro, Francisco Lopez, Frankfurt Radio, Free Thinking, Frequencies, Frieze, Frieze Magazine, From Signal to Decay, Full of Noises, Future Pace, Future\Pace, Gabriel Prokofiev, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Gary Stewart, Gascia Ouzounian, Gathering, Gathering London, Gemma Planell, Ghostworker, Glasgow, Glasgow CCA, Glasgow Tramway, Goethe Institut, Goethe Institute, Goethe-Institut London, Goldsmiths CCA, Goldsmiths Press, GR-Uniforma, Grégoire Chelkoff, Greg Hainge, Grid Music, Guy Marc Hinant, Hackoustic, Halluzination, Halluzination Perspektive Synthese, Hannah Kemp-Welch, Hannes Koch, Haroon Mirza, Haroon Mirza Outputs, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Heinrich Dove, Heinrich Wilhelm Dove, Helen Frosi, Heliosphere, Heloise Reynolds, Hestercombe Gallery, Hidden Sounds, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, HRM199, HRM199 Ltd, HRM199 Outputs, Hung La, Hyperdub, Hypersonica, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectika, Ilaria Puri Purini, Ilia Rogatchevski, Immateriality Sound and the Art Gallery, Immersive Audio, Indrė Roberts, Industrial Records, Infinite Archives, Inflamed 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McKendrick, Lisson Gallery, Listening, Listening Room, Listening To Non-Human Life, LLC, LN-CC, LNCC, London, London Sound Artists, London Sound Artists Working Group, Loudspeaker Orchestra, Louise K Wilson, Lovely Music, Lucia Pietroiusti, Luckenwalde, Lucy Shanahan, Luis Alvarado, Macba, Macba Barcelona, Macba Museu, Macba Museu d’Art Contemporani, Macba Museu d’Art Contemporani de Barcelona, Magnetic, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Signals, Magnetics, Magneticsignals, Magnus Schaefer, Maike Aden, Malgorzata Plysa, Manuel Borja-Villel, Manuela Moscoso, Many Voices All of Them Loved, María Salgado, Marcus Du Sautoy, Margie Borschke, Marie McPartlin, Marina Benetti, Mark Fisher, Mark M0WGF, Mark Peter Wright, Mark Vernon, Markus Reymann, Marwan T Assaf, Mat Schulz, Matías Rossi, Matt Lewis, Matt’s Gallery, Matthew Fuller, Matts Gallery London, Mayday Rooms, Media Futures, MediaFutures, Meditation Machine, Meta-Net, Metro, Metro Magnetic, Metro Magnetics, MFZ Records, Michael Joo, Michael Newman, Mike Fell, Minimal Disinformation, Misinformation, Monica Bello, Monty Adkins, MSCTY, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music and Sound Residency, Music City, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute, Mute Frequencies, Mute Magazine, Mute Records, Naomi Siderfin, National Grid, National Grid Music, Núria Rodriguez, Nebularosa, Ned McConnell, New Art Forms, New Generation Thinkers, New Sounds, Newport Street, Newport Street Gallery, Nick Luscombe, Nick Ryan, Nicky Hirst, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nine Elms, Nkisi, Noise, Noise Music, Noises, Non-Classical, Non-Human Life, Nonclassical, Oliver Fuke, On Listening, ORF Musikprotokoll, Otherness, Otherness Festival, Oto Projects, Otoroku, Otoroku Label, Otoroku Records, Outputs, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pan, Pan-Act, Party Project Fiesta, Patricia Bossio, Patrick Sykes, Paul Bonaventura, Paul Fletcher, Paul Hegarty, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Paul Purgas, Peltz Gallery, Performance, Performance Electrics, Perspektive, Peter Dalton, Peter Eramian, Peter Weibel, Phillip Ball, Poetics of Time, Poison Ivy Rorschach, Poly Kicks, Polykicks, Post Archive Faction, Power Nights, Prelude, Preludes, PRISM, PRS Foundation, Psycho Acoustic, Psycho Acoustics, Psychoacoustic, Psychoacoustics, Queen Sofía Museum, Quim Pujol, Radio Art, Radio Art Zone, Radio Arts, Radio Arts Catalyst, Radio Lab 2022, Radio Noise, Radio Revolten, Radio Three, Radiophonic, Radiophonic Art, Radiophonic Communication, Radiophonic Music, Radiophonic Workshop, Radiophrenia, Radiophrenia Glasgow, Random, Random International, Raven Row, Ràdio Macba, Ràdio Web Macba, Ràdio Web Macba Working Group, Re Place London, Re-Synthesizers, Re:Search, Recording The Spirit Level, Reference Festival, Reference Studios, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Replace London, Resonance Chamber, Resynthese FAVN, Resynthesizers, Ricardo Cárdenas, Richard Chartier, Richard Whitby, Riot Ensemble, Riot Ensemble: Sonic Illusions, Rob Mullender, Roberts Collection, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Roc Jimenez de Cisneros, Rorschach Audio, Rough Trade, Rough Trade Books, Rough Trade Records, Ruth Garde, Ryoji Ikeda, Sadie Coles, Sadie Coles HQ, Salome Voegelin, Sam Dolbear, Sarah Hayden, Saskia Sassen, Savvy Contemporary, SAVVYZAAR, SónarPLANTA, Science Limited, Science Ltd, Seers/Sargent Exhibition Circle, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Sensoramics, Serpentine Gallery, Serpentine Gallery London, Sferics, Shannen SP, Shoppinghour, Shoppinghour Magazine, Signal to Decay, Silent Sound, Simon Foster, Simulation/Skin, Siobhan Coen, Site Gallery, Site Gallery Sheffield, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Sofia Lemos, Somadome, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Somerset House Studios Music and Sound, Sonar Festival, Sonar Planta, Sonic, Sonic Act, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Acts Festival, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Archive, Sonic Archives, Sonic Art, Sonic Continuum, Sonic Continuum: On the Sound and Poetics of Time, Sonic Faction, Sonic Geography, Sonic Illusions, Sonic Imagination, Sonic Practice, Sonic Ray, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonics Series, Son[i]a, Sound, Sound and Poetics of Time, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Experimentation, Sound Experimentation 1980 to 2020, Sound Image Research Group, Sound Installation, Sound Trap, Sound Unwrapped, Spatial Listening, Spatial Sound, Spectral, Speech, Spellbound, Spiritualism, Stephen McGreevy, Sternberg Press, Stone Roses, Stuart Wood, Studies in British Art, Studio HRM199, Studio HRM199 Ltd, Sunsong, Super Blue, Superblue, Superflex, Superfutures, Supreme, Sylvia Ross, Synthese, TBA 21, TBA 21 Academy, TBA21, TBA21 Foundation, TBA21–Academy, TED Talks, Teklife Ghettoville Eski, Test Department, Test Dept, TG, The Agency, The Agency Gallery, The Aldwych, The Guardian, The Listening Room, The Sampler, The Situationist, The Stone Roses, The Strand, The Vinyl Factory, The Voice Line, The VoiceLine, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Theophany, Thkio Ppalies, Thomas Bey, Throbbing Gristle, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tiago Pina, Tim Dixon, Tim Drage, Time, Tom Gooch, Tone Foundation, Tone Foundation - Music and New Art Forms, Tramway, Tramway Glasgow, Trevor Mathison, Trevor Paglen, Trials & Tribulations, Tricor, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Txe Roimeser, Tyler Maxin, Ubicua, Ubicua Gallery, Uniform Books, Uniformbooks, Unit, Unit London, University of Greenwich, University of Southampton, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Unsoundu, Unsoundu Festiwal, Unwrapped, Urbanism, Vanessa Joan Müller, Verónica Lahitte, Verso, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Victor Nubla, Vincent Lostanlen, Vinyl Factory, Violeta Ospina, Violins Violence, Violins Violence Silence, Vision Archive, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Works, Voice Line, VoiceLine, Voices in the Gallery, Voicing the Political, Volks Nicosia, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Ways of Listening, Wellcome, Wellcome Collection, Wellcome Foundation, Wellcome Trust, Werner Moebius, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, When The Ear Tells The Eye Where To Look, William Bailey, Wireless, Working Group, World Archive, X-Name, Xabier Erkizia, Yates Norton, Zero BPM, ZKM, ZKM Karlsruhe