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0 BPM, 1980 to 2020, 20Hz, 35MW, A History of the Universe in Sound, A Machine to Listen to the Sky, Advanced Music, Agency Gallery, Air, Alessandra Eramo, Alice Hackney, Alvin Lucier, Ammonite, Amoenus, Amoenus Sound, AmoenusSound, Antiopic, Ariane Koek, Art Catalyst, Art Contemporary, Art In Sound, Art In Sound Up To 1980, Artangel, Arteleku, Artist, Arts, Arts Catalyst, Arts Catalyst Radio, Arts@CERN, As If Radio, Assembly 2020, Atmospherics, Audio Art, Audio Hallucination, Audio Rorschach, Audio Sphere, Audio-Technica, Audiology, Audiosfera, Audiosphere, Audiosphere: Social Experimental Audio, Audiosphere: Social Experimental Audio Pre- and Post-Internet, Auditory Hallucinations, Axel Roebel, Ö1 Kunstradio, B-Side Festival, Barry Burns, Bea De Souza, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Beatrice Dillon, Ben Barwise, Bertze Musiken Jaialdia, Bornemisza, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Caleb Kelly, Call & Response, Call and Response, CAS, Catalyst, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, CCCB, Centre for Contemporary Art, Centre for Contemporary Art Brighton, CERN Geneva, Changing Signals, Christina, Christina Kubisch, Christine Takengny, Christoph Cox, Close Lightning, Clot Magazine, Contemporary Art, Contemporary Art Society, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Damien Hirst, Dan Tapper, Daniel Tapper, Deutschlandfunk Kultur, Discord, Discord Server, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation John Squire, Disinformation My Misinformation, Disonata, Disonata: Art In Sound, Disonata: Art In Sound Up To 1980, Dr Simon Foster, Drone, Drone Music, El Reina, El Reina Sofía, Electric Walk, Electric Walks, Electrical Walk, Electrical Walks, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetism, Elektrizitätswerk, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Equitable Vitrines, Eric La Casa, ERTZ, ERTZ Festival, Experimentación Sonora, Experimental Music, Experimentation, Fabrica, Fabrica Gallery, Factum Arte, Festival de Otras Músicas, Festiwalu, Fieldwave, Florian Hecker, FON Festival, Francisco Lopez, Full of Noises, Future Pace, Future\Pace, Gaia Fugazza, Glasgow, Glasgow CCA, Goethe Institut, Goldsmiths CCA, GR-Uniforma, Greg Hainge, Guy Marc Hinant, Hackoustic, Halluzination, Halluzination Perspektive Synthese, Hannah Kemp-Welch, Haroon Mirza, Heliosphere, HRM199, Hung La, Hyperdub, Iklectik, Iklectik Art, Iklectik Art Lab, Ilaria Puri Purini, Immateriality Sound and the Art Gallery, Information, Information Disinformation, Intermission, Isn’tses, Jack Jelfs, James Webb, Jana Winderen, Jeni Walwin, Jennifer Higgie, Jeremy Keenan, Jez Riley French, Joe Banks, John Oswald, John Squire, John Squire: Disinformation, Jorgen Teller, Joyce Hinterding, Juergen Teller, Kate Carr, Katharina Worf, Kersten Glandien, Klangkunst, Kode 9, Kubisch, Kunsthalle Wien, Kunstradio, Kwaidan, Kwaidan Editions, Lafcadio Hearn, Lea Dickely, Lee Berwick, Leeds 2023, Leeds2023, Lisa McKendrick, Lisson Gallery, Listening, Listening Room, Listening To Non-Human Life, LN-CC, LNCC, Lovely Music, Luis Alvarado, Magnetic Signals, Magneticsignals, Magnus Schaefer, Maike Aden, Malgorzata Plysa, Manuel Borja-Villel, Margie Borschke, Mark M0WGF, Mark Vernon, Mat Schulz, Matt Lewis, Matthew Fuller, Michael Joo, Michael Newman, Monica Bello, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, National Grid, New Art Forms, Newport Street, Newport Street Gallery, Noise, Noise Music, Noises, Non-Human Life, Nonclassical, ORF Musikprotokoll, Otherness, Otherness Festival, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Party Project Fiesta, Patrick Sykes, Paul Hegarty, Perspektive, Psycho Acoustic, Psycho Acoustics, Psychoacoustic, Psychoacoustics, Queen Sofía Museum, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Lab 2022, Radio Revolten, Radiophrenia, Re-Synthesizers, Recording The Spirit Level, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Resynthese FAVN, Resynthesizers, Richard Chartier, Rorschach Audio, Ryoji Ikeda, Sadie Coles, Sadie Coles HQ, Salome Voegelin, SónarPLANTA, Science Limited, Science Ltd, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Sferics, Shannen SP, Silent Sound, Simon Foster, Simulation/Skin, Site Gallery, Site Gallery Sheffield, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Some Call it Noise, Some Call it Noise - 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Disinformation at Museo Reina Sofía ****

July 19, 2020

Audiosphere – Sound Experimentation 1980 to 2020 – opens at Museo Reina Sofía, Madrid, October 2020, exhibition continues until January 2021. Audiosphere features works by Christoph Cox, Disinformation, Alessandra Eramo, Jez Riley French, Ryoji Ikeda, Caleb Kelly, Jørgen Teller, James Webb, Jana Winderen, plus many others. Audiosphere “looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of… recent changes… in the artistic conception of sound”, exposing artists “the majority unknown to the contemporary art spectator”.

Audiosphere – Audiosfera [Sound Experimentation 1980 to 2020]
Museo Nacional Centro de Arte Reina Sofía
Calle Santa Isabel, 52
28012 Madrid

Opens 14 Oct 2020 to 15 Feb 2021
Mondays – 10am to 9pm
Tuesdays – closed
Weds to Sat – 10am to 9pm
Sundays – 10am to 2:30pm

https://www.museoreinasofia.es/en/exhibitions/audiosphere

Exhibition curated by Francisco López

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