A Ghost in Stone, A Life in Time, Adam Scovell, Adrijana Gvozdenović, Advanced Music, Aki Inomata, Akihiro Higuchi, Alan Moore, Alchemy, Alchemy Festival, Alchemy Film & Arts, Amanda Geitner, Amazon Video, Ammonite, Ammonite - Under Sun and Thyme, Ammonite Blu-ray, Ammonite Blu-ray release, Ammonite DVD, Ammonite DVD release, Ammonite Film, Ammonite official trailer, Ammonite trailer, Ammonites, Ammonites and Leaping Fish, André Maurois, Angelica Sule, Anna Abrahams, Anthropomorphic Trouble, Anti-Sense, Archaeology, Archaeology & Art, Art & Archaeology, Art & Illusion for Sound, Art and the Archaeologist, Art and the Rural Imagination, Art Blocks, Art Contemporary, Art Journal, Artist, Arts Catalyst, Atrocity Exhibition, Audio Rorschach, Axis, Axis Magazine, Back to Our Eyes, Barbican Centre, Basel, Bath Spa University, BBC Films, Ben Nicholson, Benoit Mandelbrot, Berwick Film & Media Arts Festival, BFI, BFI LFF, BFI LFF 2020, BFI London, BFI London Film Festival, BFI London Film Festival 2020, BFMAF, Bio Morph, Bio Morphic, Bio Morphism, Biomorph, Biomorphic, Biomorphism, Blincdigital Festival, Boise State University, British Film Institute, Brooklyn Rail, C.W. Morris, Can We Ever Know, Can We Ever Know the Meaning of these Objects?, Carolee Schneemann, Caroline Bergvall, Catherine Elwes, CCA, CCA Streams, Centre for Contemporary Arts, Cephalopod, Cephalopods, Charles Darwin, Charlotte Murchison, China, China Mieville, Chris King, Church of Kraken, Church of Kraken Almighty, Clara Pais, Claudia Mareis, Close-Up Film Centre, Colin Perry, Collected Poems, Comment on England, Contemporary Art, Coral Deep, Critical Media Lab, Daniel & Clara, Daniel Fawcett, Darwin, Darwinism, David Cronenberg, Deep Time, Devonian, Diego Gerard, Discord, Discord Server, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disonare, Doctor Who, Domo Baal, Domo Baal Gallery, Dr Who, Dronica Festival, Earthworks, Emile Sherman, Emma Philip, Etches Collection, Evolution, Experimental Design and Media Cultures, Extractable Matters, Extractable Matters on Film, Eye Film, Eye Film Museum, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Felix Carey, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, Film & Video Umbrella, Film as Landscape, Film as Landscapes, Film Panic, Film Panic Magazine, Firstsite Colchester, Firstsite Collector's Group, Firstsite off-site Colchester, Focal Point Gallery, Fodhla Cronin O'Reilly, Found Footage Magazine, Fracto, Francis Lee, Future Pace, Future\Pace, FVU, Gallery 46, Gallery 46 Whitechapel, Gareth Evans, Generative Art, Genetics, Geoffrey, Geoffrey Grigson, Ghost, Ghost in Stone, Ghost Stone, Giant Squid, Giovanna Fossati, Goda Palekaitė, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Grigson, Heinz-Otto Peitgen, Helium Neon Research Laser, Henry Moore, Higukinski, Iain Canning, Iain Chambers, Images of Life, Imaginary Landscape, Imaginary Landscapes, In Certain Places, Information, Information Exhibition, Intermission, International Lawns, IXDM, J.G. Ballard, James Holcombe, Jamie Allen, Jean Hélion, Jeff Keen, Jess Twyman, Jitsuen-ban, Jo Clarke, Jo Hyde, Joe Banks, Joel McKim, John Greening, John Piper, Jomyaku, Jon Clatworthy, Jonas Mekas, Jonathan Kemp, Joseph Gerhardt, Judith Robinson, Junji Ito, Jurassic, Jurassic Coast, Karel Doing, Kate Winslet, Kettle’s Yard Gallery, Kevin Quigley, Kiku-ishi, Kiku-ishi (Ammonite), Kim Knowles, Kinetic Art, Kinetic Oscillator, Kraken, Kunsthalle Basel, Landscape, Landscape and the Moving Image, Landscape Art, Landscape Imaginary, Landscape is You and Me, Landscape Video, Landscapes of the Mind, Langham Research Centre, Language as Meta-Tech, Language as Metatech, Language is Meta-Tech, Language is Meta-Technology, Language is MetaTech, Language is MetaTechnology, Language [as] Meta-Technology, Language [as] Metatechnology, Lapworth Museum, Lapworth Museum of Geology, Lars Henrik Gass, Laure Genillard, Laure Genillard Gallery, Leaping Fish, Lee Campbell, LFMC, Life in Time, Light | Sensitive | Material, Lightcone, Lionsgate, Living Coast, Living Rocks, London Film Makers Co-op, Lottie Clark, Lucia Hinojosa, Lux, Lux Scotland, Lyme Regis, Malgorzata Plysa, Mandelbrot Set, Marshall McLuhan, Martin Howse, Mary Anning, Mat Schulz, Meaning of these Objects, Meanings of Landscape, Merle Ibach, Metal Southend, Mieville, Mineral Sciences Lab, MIRAJ, Miriam De Rosa, Molecular Biology, More Than Ponies, Morph, Morphology, Moving Image, Moving Image Review, Moving Image Review & Art Journal, Muffled Ciphers, Murti, Murtis, Music and New Art Forms, Myfanwy Evans, Myfanwy Piper, n.o.w.here, Nadin Mai, National Grid, Nederlands Filmmuseum, Neon, New Art Forms, New Geographies, Nigel Hurst, Niharika Dinkar, Norwich Castle, Now-Here, Nowhere Labs, One+One Filmmakers Journal, Optical Oscillator, Optokinetic Art, Oscillation, Oscillator, Other Film, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Painting and Scultpure, Paul Brookes, Penelope Lively, Peter Richter, Peter Taylor, Philip Tagney, Places of the Mind, Plastic Tree, Plymouth Art Gallery, Plymouth Museum, Plymouth Museum & Art Gallery, Poetics of Time, Portland Sculpture & Quarry Trust, Prisoner of the Coral Deep, Project Ourselves, Reflects Our Own Being, Reflects Our Own Being Back to Our Eyes, Research Laser, Retina of the Mind’s Eye, Richard Ashrowan, Robert Smithson, Robert Worby, Rorschach Audio, Rosy Gray, Royal Society of British Sculptors, Royal Society of Sculptors, Rural College of Art, Rural Imagination, Ruth Jarman, Sadie Coles, Sadie Coles HQ, Saint Hilda, Saint Hilda of Whitby, Saint Patrick, Sally Golding, Saoirse Ronan, Sarah Sparkes, SónarPLANTA, Schizma, SCHQ, SCHQ Electric, Science of Signs, See-Saw Films, Selected Poems, Semiconductor, Semiconductor Films, Semiotics, Sense, Server, Shaligram, Shaligrams, Shift Register, Simona Monizza, Site Gallery, Site Gallery Sheffield, Slow Film Festival, Slow Reveal, Sluice HQ, Smithsonian National Museum of Natural History, Sofia Lemos, Sonar Planta, Sonic Continuum, Sonic Continuum: On Sound and Poetics of Time, Sound and Poetics, Sound and Poetics of Time, Sound Artist, Spiral, Spiral Jetty, Squid, Stévan Célébonovic, Steve Etches, Stone, Sukhdev Sandhu, Sun and Thyme, Super Blue, Superblue, Susan Hiller, Susan Owens, TBA21, Television Screen is the Retina, Television Screen is the Retina of the Mind’s Eye, Telluride Film Festival, Terah Walkup, The Atrocity Exhibition, The Beauty of Fractals, The Box, The Box Plymouth, The Jurassic Coast, The Living Coast, The Living Rocks, The Moving Image Review & Art Journal, The Science of Signs, The Spiral, The Television Screen is the Retina of the Mind’s Eye, Think Evolution, Think Evolution #1: Kiku-ishi (Ammonite), Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tone Foundation, Tone Foundation - Music and New Art Forms, Toronto International Film Festival, Transmission Films, Under (Visual) Arrest, Under Sun and Thyme, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Uzumaki, Vasari Research Centre, Verso, Vertigo, Vertigo Magazine, Video Art, Video as a Living Medium, Video Feedback, Video Installation, Video Landscape, Video Organism, Videodrome, Viktor Wynd, Viktor Wynd Fine Art, Vishnu, Visual Feedback, Visual Music, Visual Semiotics, Walking in Circles, Whitby, White Box Gallery, William Bateson, William Fowler, Wysing, Wysing Arts, Wysing Arts Centre