A Ghost in Stone, Akihiro Higuchi, Alchemy, Alchemy Festival, Alchemy Film & Arts, Ammonite, Ammonite - Under Sun and Thyme, Ammonites, André Maurois, Anna Abrahams, Anti-Sense, Art & Illusion for Sound, Art and the Rural Imagination, Artist, Arts Catalyst, Atrocity Exhibition, Audio Rorschach, Back to Our Eyes, Barbican Centre, Basel, Bath Spa University, Ben Nicholson, Benoit Mandelbrot, Berwick Film & Media Arts Festival, BFI, BFMAF, Blincdigital Festival, Boise State University, British Film Institute, Brooklyn Rail, C.W. Morris, Carolee Schneemann, Caroline Bergvall, CCA, CCA Streams, Centre for Contemporary Arts, Charles Darwin, Chris King, Clara Pais, Claudia Mareis, Close-Up Film Centre, Colin Perry, Collected Poems, Critical Media Lab, Daniel & Clara, Daniel Fawcett, David Cronenberg, Devonian, Diego Gerard, Disinformation, Disonare, Doctor Who, Domo Baal, Domo Baal Gallery, Dr Who, Dronica Festival, Evolution, Experimental Design and Media Cultures, Extractable Matters, Extractable Matters on Film, Eye Film, Eye Film Museum, FACT Liverpool, Felix Carey, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, Film & Video Umbrella, Film as Landscape, Film as Landscapes, Film Panic, Film Panic Magazine, Focal Point Gallery, Found Footage Magazine, Fracto, Future\Pace, FVU, Gareth Evans, Genetics, Geoffrey Grigson, Ghost, Ghost in Stone, Ghost Stone, Giovanna Fossati, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Heinz-Otto Peitgen, Helium Neon Research Laser, Higukinski, Iain Chambers, Images of Life, In Certain Places, Information, Information Exhibition, International Lawns, IXDM, J.G. Ballard, Jamie Allen, Jeff Keen, Jo Hyde, Joe Banks, Joel McKim, John Greening, Jonas Mekas, Jonathan Kemp, Junji Ito, Karel Doing, Kettle’s Yard Gallery, Kinetic Art, Kinetic Oscillator, Kunsthalle Basel, Landscape Art, Landscape is You and Me, Landscape Video, Landscapes of the Mind, Langham Research Centre, Language as Meta-Tech, Language as Metatech, Language is Meta-Tech, Language is Meta-Technology, Language is MetaTech, Language is MetaTechnology, Language [as] Meta-Technology, Language [as] Metatechnology, Lars Henrik Gass, Laure Genillard, Laure Genillard Gallery, LFMC, Light | Sensitive | Material, Lightcone, Living Rocks, London Film Makers Co-op, Lucia Hinojosa, Lux, Lux Scotland, Malgorzata Plysa, Mandelbrot Set, Marshall McLuhan, Martin Howse, Mat Schulz, Meanings of Landscape, Merle Ibach, Miriam De Rosa, Molecular Biology, More Than Ponies, Morphology, Muffled Ciphers, Murti, Murtis, Music and New Art Forms, n.o.w.here, Nadin Mai, National Grid, Nederlands Filmmuseum, New Art Forms, New Geographies, Niharika Dinkar, Now-Here, Nowhere Labs, One+One Filmmakers Journal, Optical Oscillator, Optokinetic Art, Oscillation, Oscillator, Pace, Pace Gallery, Peter Richter, Peter Taylor, Philip Tagney, Places of the Mind, Portland Sculpture & Quarry Trust, Prisoner of the Coral Deep, Project Ourselves, Reflects Our Own Being, Reflects Our Own Being Back to Our Eyes, Research Laser, Retina of the Mind’s Eye, Robert Worby, Rorschach Audio, Royal Society of British Sculptors, Royal Society of Sculptors, Rural College of Art, Rural Imagination, Sadie Coles, Sadie Coles HQ, Saint Hilda, Saint Hilda of Whitby, Saint Patrick, SCHQ, SCHQ Electric, Science of Signs, Selected Poems, Semiotics, Sense, Shaligram, Shaligrams, Shift Register, Simona Monizza, Site Gallery, Site Gallery Sheffield, Slow Film Festival, Sluice HQ, Sound Artist, Spiral, Stévan Célébonovic, Stone, Sukhdev Sandhu, Sun and Thyme, Susan Hiller, Television Screen is the Retina, Television Screen is the Retina of the Mind’s Eye, The Atrocity Exhibition, The Beauty of Fractals, The Living Rocks, The Science of Signs, The Spiral, The Television Screen is the Retina of the Mind’s Eye, Tone Foundation, Tone Foundation - Music and New Art Forms, Under Sun and Thyme, Unsound 2020, Unsound Lab, Unsound Lab 2020, Uzumaki, Vasari Research Centre, Vertigo, Vertigo Magazine, Video Art, Video as a Living Medium, Video Feedback, Video Installation, Video Landscape, Video Organism, Videodrome, Viktor Wynd, Viktor Wynd Fine Art, Vishnu, Visual Feedback, Visual Music, Visual Semiotics, Walking in Circles, Whitby, White Box Gallery, William Bateson, William Fowler, Wysing, Wysing Arts, Wysing Arts Centre
“Ammonite” – “A Ghost in Stone” ****
“Fossils fascinate me – they’re like time capsules; if only one could unwind this spiral it would probably play back to us a picture of all the landscapes it’s ever seen” –
J.G. Ballard, Prisoner of the Coral Deep, 1964
https://movingimageartists.co.uk/2020/04/30/ammonite/
Article [see link] © Joe Banks, photo [above] © Julie Hill
“Ammonite” – by Disinformation – also features in issue 8 of the Mexican-American art magazine Disonare, featuring Jonas Mekas, Carolee Schneemann, Caroline Bergvall and Susan Hiller etc, launched at the Brooklyn Rail, New York, 15 Jan 2020.
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