180 The Strand, 20th Century, 24 Hour Psycho, 59 Productions, A Ghost in Stone, A Life in Time, Acoustic Mirrors, Acute Art, Adam Scovell, Adrijana Gvozdenović, Advanced Music, Afterimage Reader, Agustin Vidal Saavedra, Aki Inomata, Akihiro Higuchi, Alan Moore, Albion's Psychic Landscape, Alchemy, Alchemy Festival, Alchemy Film & Arts, Alex Sainsbury, Amanda Geitner, Amazon, Amazon Video, Ammonite, Ammonite - Under Sun and Thyme, Ammonite Blu-ray, Ammonite Blu-ray release, Ammonite DVD, Ammonite DVD release, Ammonite Film, Ammonite official trailer, Ammonite trailer, Ammonites, Ammonites and Leaping Fish, André Maurois, Angelica Sule, Anna Abrahams, Annka Kultys, Annka Kultys Gallery, AnOther Magazine, Anthropomorphic Trouble, Anti-Sense, Antiphony, Antiphony Architectural Supplement, Antiphony Video Supplement, Archaeology, Archaeology & Art, Arebyte, Arebyte Gallery, Argos Centre, Argos Centre for Audiovisual Arts, Argos VZW, Art & Archaeology, Art & Illusion for Sound, Art and the Archaeologist, Art and the Rural Imagination, Art Blocks, Art Contemporary, Art Forms, Art Forms in Nature, Art Forms of Nature, Art Journal, Artist, Artist's Video, Arts Catalyst, Arts Catalyst Radio, Arts Council England, Arts Intermix, Atau Tanaka, Atelier Cologne, Atrocity Exhibition, Audio Rorschach, Autobiographical Animals, Axis, Axis Magazine, Back to Our Eyes, Barbara London, Barbican Centre, Basel, Bath Spa University, BBC Films, Ben Drew, Ben Nicholson, Benoit Mandelbrot, Berwick Film & Media Arts Festival, BFI, BFI LFF, BFI LFF 2020, BFI London, BFI London Film Festival, BFI London Film Festival 2020, BFMAF, Bigger & Closer, Bill Viola, Bio Morph, Bio Morphic, Bio Morphism, Bio-Morphology, Biological Morphology, Biomorph, Biomorphic, Biomorphism, Biomorphology, Blackout, Blincdigital Festival, BMW, Boise State University, Booklyn, Brandon LaBelle, British Art Studies, British Film Institute, Brooklyn Rail, Bruce Nauman, Brussels, Burberry, C.W. Morris, Cable Depot, Call It Sleep, Can We Ever Know, Can We Ever Know the Meaning of these Objects?, Carolee Schneemann, Caroline Bergvall, Catherine Elwes, Cavendish Arts Science, CCA, CCA Glasgow, CCA Goldsmiths, CCA Streams, Centre for Contemporary Arts, Centre for Land Use Interpretation, Centre Point, Cephalopod, Cephalopods, Channel Somerset House, Charing Cross Road, Charles Darwin, Charlotte Murchison, Chateau Denmark, China, China Mieville, Chris Ingram, Chris King, Church of Kraken, Church of Kraken Almighty, Circa, Circa Art, Circa Arts, Clara Pais, Claudia Mareis, Close-Up Film Centre, Clot Magazine, CLUI, Colin Perry, Collected Poems, Collectif Scale, Comment on England, Consumimur Igni, Contemporary Art, Coral Deep, Cream, Creative Medium, Critical Media Lab, Cultural Institute, Cultural Institute of Radical Contemporary Arts, D'Arcy, D'Arcy Wentworth Thompson, Daiwa Anglo-Japanese Foundation, Daniel & Clara, Daniel Birnbaum, Daniel Fawcett, Daniel Langlois, Daniel Langlois Foundation, Dark Morph, Darwin, Darwinism, Dave Griffiths, David Cronenberg, David Hockney, David Toop, Dazed Media, De Appel, Deep Time, Denmark Street, Devonian, Dhanveer Singh Brar, Diego Gerard, Disclaimer, Discord, Discord Server, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disonare, Disruptive, Disruptive Frequencies, Dissonant Waves, Doctor Who, Dogwoof, Domo Baal, Domo Baal Gallery, Dotcom Séance, Douglas Gordon, Dr Who, Dronica Festival, Earthworks, Electromagnetic, Electronic Arts, Electronic Arts Intermix, Electronic Music Studios, Emile Sherman, Emma Philip, EMS Goldsmiths, England on Fire, Ernst Haeckel, Ernst Schoen, Es Devlin, Esther Leslie, Etches Collection, EVA International, Evolution, Excelsior Ruth, Experimental Design and Media Cultures, Experimental Sound, Extractable Matters, Extractable Matters on Film, Eye Film, Eye Film Museum, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Fact Magazine, Farah Nayeri, Fayd, Fayd Digital, FAYD Notes, Felix Carey, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, Film & Video Umbrella, Film and Video Umbrella, Film as Film, Film as Landscape, Film as Landscapes, Film London, Film Panic, Film Panic Magazine, Firstsite Colchester, Firstsite Collector's Group, Firstsite off-site Colchester, Florian Ortkass, Focal Point Gallery, Fodhla Cronin O'Reilly, Fondation Daniel Langlois, Form, Fossil, Fossil Collecting, Fossil Experience, Fossile Erfahrung, Fossils, Found Footage Magazine, Fracto, Francesca Thyssen-Bornemisza, Francis Lee, Frank Gillette, Frankfurt Radio, Frequencies, Frieze, Frieze Magazine, Frith Street Gallery, Furtherfield, Furtherfield Gallery, Future Pace, Future\Pace, FVU, Gallery 46, Gallery 46 Whitechapel, Gareth Evans, Gary Hill, Gazell.io, Gazelli, Gazelli Art House, Generative Art, Generative Video, Generative Video Art, Genetics, Geneva International Film Festival, Geoffrey, Geoffrey Grigson, GHD, Ghost, Ghost in Stone, Ghost Stone, Giant Squid, Gilles Ivain, Giovanna Fossati, Glasgow CCA, Glasgow Tramway, Glenn Branca, Goda Palekaitė, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths EMS, Goldsmiths MFA, Goldsmiths Press, Goldsmiths SARU, Grace Weir, Grigson, Growth, Growth Patterns, Guy Debord, Hannes Koch, Harun Farocki, Haruna Takeda, Hastings Contemporary, Heaven’s Gate, Heinz-Otto Peitgen, Helium Neon Research Laser, Henry Hussey, Henry Moore, Here at Outernet, Higukinski, Hilma af Klint, Holoplot, How Video Transformed the World, Iain Canning, Iain Chambers, Image Music Text, Images of Life, Images of the World, Images of the World and the Inscription of War, Imaginary Landscape, Imaginary Landscapes, Imus Nocte, In Certain Places, In Girum, In Girum Imus Nocte et Consumimur Igni, Inflamed Invisible, Information, Information Exhibition, Ingram Collection, Intellect Books, Intermission, International, International Lawns, Isaac Cronin, Ivan Chtcheglov, Ivan Vladimirovitch Chtcheglov, IXDM, J.G. Ballard, Jack Dartford, Jakob Kudsk Steensen, James Holcombe, Jamie Allen, Jean Hélion, Jeff Keen, Jess Twyman, JG, JG Ballard, Jitsuen-ban, Jo Baring, Jo Clarke, Jo Hyde, Joe Banks, Joel McKim, John Greening, John Hansard Gallery, John Piper, John Squire, Jomyaku, Jon Clatworthy, Jonas Mekas, Jonathan Kemp, Joseph Gerhardt, Judith Robinson, Junji Ito, Jurassic, Jurassic Coast, Karel Doing, Kate Winslet, Kettle’s Yard Gallery, Kevin Quigley, Khoj Curatorial, Khoj Studios, Kiku-ishi, Kiku-ishi (Ammonite), Kim Knowles, Kinetic Art, Kinetic Oscillator, King’s Cross, Kornhausforum Bern, Kraken, Kunsthalle Basel, La Fondation Daniel Langlois, Landscape, Landscape and the Moving Image, Landscape Art, Landscape Imaginary, Landscape is You and Me, Landscape Video, Landscapes, Landscapes of the Mind, Langham Research Centre, Language, Language as Meta-Tech, Language as Metatech, Language is Meta-Tech, Language is Meta-Technology, Language is MetaTech, Language is MetaTechnology, Language [as] Meta-Technology, Language [as] Metatechnology, Lapworth Museum, Lapworth Museum of Geology, Lars Henrik Gass, Laure Genillard, Laure Genillard Gallery, Leaky Transmissions, Leaping Fish, Lee Campbell, Lena Reisner, LFMC, Life in Time, Light Room, Light | Sensitive | Material, Lightbox Gallery, Lightbox Woking, Lightcone, Lightroom, Lightroom King’s Cross, Lightroom KX, Lightroom UK, Lijnbaan Center, LIMA, Liminal Lands, Lionsgate, Liquid Architecture, Lis Rhodes, Living Coast, Living Rocks, London Film Makers Co-op, London Theatre Company, London Video Arts, Lottie Clark, Lower Third, Lucia Hinojosa, Lucy Reynolds, Luma Arles, Lux, LUX Artist Moving Image, Lux Distribution, Lux Moving Image, Lux Scotland, Lyme Regis, Maho Kubota Gallery, Malgorzata Plysa, Mandelbrot Set, María Palacios Cruz, Marco Brambilla, Margate, Maria Walsh, Mark Webber, Markus Reymann, Marshall McLuhan, Martin Howse, Mary Anning, Mary Tsang, Mat Osman, Mat Schulz, Matt Flix, Matt Flix Archive, MattFlix, MattFlix Archive, Matthias Kispert, Mayday Rooms, Meaning of these Objects, Meanings of Landscape, Memory of Currency, Merle Ibach, Meta Space, Meta-Space Gallery, Meta-Technology, Metal Southend, Metaspace, Metaspace Gallery, Metatechnology, Michael Mazière, Michelle Henning, Mieville, Mika Rottenberg, Mike Kelley, Mila Askaravoa, Mineral Sciences Lab, MIRAJ, Miraj Journal, Miriam De Rosa, Mixed Metaphors, Molecular Biology, Moma, Monolith, MonteVideo, Moon is the Oldest TV, More Than Ponies, Morph, Morphology, Moving Image, Moving Image Review, Moving Image Review & Art Journal, Moving Image Review & Journal, Muffled Ciphers, Murcof, Murti, Murtis, Music and New Art Forms, Mute Magazine, Mute Records, Myfanwy Evans, Myfanwy Piper, n.o.w.here, Nadin Mai, Nahmad Contemporary, Nalada Taechanarong, Nam June Paik, National Grid, Nature, Nederlands Filmmuseum, Neon, Netflix, New Art Forms, New Geographies, New Oxford Street, Newport Street, Newport Street Gallery, Nick Starr, Nicky Hamlyn, Nigel Hurst, Niharika Dinkar, Non-Classical, Norwich Castle, Now Arcade, Now Building, Now Pop-Up, Now Pop-Up 2, Now Trending, Now-Here, Nowhere Labs, OHSH, OHSH Projects, On Growth and Form, One+One Filmmakers Journal, Optical Oscillator, Optokinetic, Optokinetic Art, Optokinetic Arts, Optokinetics, Oscillation, Oscillator, Other Film, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Oxford Street, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Painting and Scultpure, Pallant House, Pallant House Gallery, Panadol, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Paul Brookes, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Pauline Julier, Penelope Lively, Peter Richter, Peter Taylor, Peter Weibel, Philip Tagney, Places of the Mind, Plastic Tree, Plymouth Art Gallery, Plymouth Museum, Plymouth Museum & Art Gallery, POE Consulting, Poetics of Time, Political Aesthetics, Politics of Listening, Porsche, Portland Sculpture & Quarry Trust, Prater Galerie Berlin, Prequell, Primary, Prisoner of the Coral Deep, Project Ourselves, Psychic Landscape, Radical Contemporary Arts, Radio Arts Catalyst, Radiophrenia, Rami Khalifé, Random, Random International, Raven Row, Reference Point, Reference Studios, Reference Studios x Selfridges, Reflects Our Own Being, Reflects Our Own Being Back to Our Eyes, Relic Traveller, Research Laser, Retina of the Mind’s Eye, Richard Ashrowan, Richard Serra, Richard Slaney, Rob Bowman, Robert Smithson, Robert Worby, Rorschach Audio, Rosy Gray, Royal Society of British Sculptors, Royal Society of Sculptors, Rural College of Art, Rural Imagination, Ruth Jarman, Ruth Waters, Sadie Coles, Sadie Coles HQ, Saint Hilda, Saint Hilda of Whitby, Saint Patrick, Sally Golding, Sally O'Reilly, Sam Dolbear, Saoirse Ronan, Sarah Sparkes, SARU, SARU Goldsmiths, SónarPLANTA, Scale, Scale Collective, Schemata Arts, Schizma, SCHQ, SCHQ Electric, Science of Signs, Screen and Audiovisual Research Unit, Screen Archive South East, See-Saw Films, Selected Poems, Selfridges, Semiconductor, Semiconductor Films, Semiotics, Sense, Server, Shaligram, Shaligrams, Shape, Shape and Form, Shift Register, Signals, Signals: How Video Transformed the World, Simon Denny, Simona Monizza, Site Gallery, Site Gallery Sheffield, Slow Film Festival, Slow Reveal, Sluice Art, Sluice HQ, Sluice Magazine, Smithsonian National Museum of Natural History, SODA Gallery, Sofia Lemos, Soft Ground, Somerset House, Somerset House Channel, Somerset House Studios, Sonar Festival, Sonar Planta, Sonic Agency, Sonic Continuum, Sonic Continuum: On Sound and Poetics of Time, Sonic Continuum: On the Sound and Poetics of Time, Sonic Urbanism, Sophia Olver, Sound and Poetics, Sound and Poetics of Time, Sound Artist, Sound Mirrors, Sounds from the Ground, South By Southwest, Spaghetti Blockchain, Spellbound, Spiral, Spiral Jetty, Squid, Stévan Célébonovic, Steina and Woody Vasulka, Stephen Ellcock, Steve Etches, Stone, Stone Roses, Stuart Comer, Stuart Wood, Studies in British Art, Sukhdev Sandhu, Summer Palace, Sun and Thyme, Super Blue, Superblue, Superflex, Susan Hiller, Susan Owens, Swedenborg Film Festival, Tacita Dean, Taco, TACO Thamesmead, TBA21, TBA21 Foundation, TBA21–Academy, Teklife Ghettoville Eski, Television, Television Art, Television Screen is the Retina, Television Screen is the Retina of the Mind’s Eye, Telluride Film Festival, Terah Walkup, Terrel Seltzer, Thanet Tape Centre, The Atrocity Exhibition, The Beauty of Fractals, The Box, The Box Plymouth, The Elephant Trust, The Guardian, The Inscription of War, The Jurassic Coast, The Kitchen, The Lightbox, The Living Coast, The Living Rocks, The Moving Image Review & Art Journal, The Now Building, The Rapture, The Scale Collective, The Science of Signs, The Spiral, The Stone Roses, The Strand, The Television Screen is the Retina of the Mind’s Eye, The Temple, The Vinyl Factory, The Voices of Time, Theatrum Mundi, Theatrum Mundi Collective, Theresa Mikuriya, Think Evolution, Think Evolution #1: Kiku-ishi (Ammonite), Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Time, Time Based Arts, Today Art Museum, Tone Foundation, Tone Foundation - Music and New Art Forms, Tony Oursler, Tony Tremlett, Toronto International Film Festival, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Tramway Glasgow, Transmission Films, Turner Contemporary, Turner Contemporary Margate, Turner Margate, TV As A Creative Medium, Under (Visual) Arrest, Under Sun and Thyme, University of Westminster, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Uzumaki, Vanessa Wagner, Vasari Research, Vasari Research Centre, Vašulka Kitchen, Verso, Vertigo, Vertigo Magazine, Video Art, Video Artwork, Video as a Living Medium, Video Feedback, Video Installation, Video Landscape, Video Organism, Video Transformed the World, Videodrome, Videographic Art, Videographie, Videographie: TAKE #1 & #2, Videography, Videosphere, Viktor Wynd, Viktor Wynd Fine Art, Vinyl Factory, Violins Violence, Violins Violence Silence, Vishnu, Visible Press, Visual Feedback, Visual Music, Visual Semiotics, Voices of Time, VRHAM Hamburg, Walking in Circles, Watkins Publishing, We Are Primary, Wentworth Thompson, Westminster University, Whitby, White Box Gallery, William Bateson, William Fowler, Wipe Cycle, Wysing, Wysing Arts, Wysing Arts Centre, Xumiiro