0 BPM, 180 The Strand, 1980 to 2020, 20Hz, 20th Century, 35MW, A History of the Universe in Sound, A Machine to Listen to the Sky, A---Z, A---Z x Iklectik, Aaron Holloway-Nahum, Acoustic Environment, Acoustic Environments, Adam Lowe, Adriana Tranca, Advanced Music, Agency Gallery, AHRC, Ain Bailey, Air, Aki Onda, Albert Tarrats, Aleks Kolkowski, Alessandra Eramo, Alessandra Grignaschi, Alex De Little, Alex Sainsbury, Alexandra Lacroix, Ali Hossaini, Alice Hackney, ALKU, Alvin Lucier, Amit D Patel, Amit Patel, Ammonite, Amoenus, Amoenus Sound, AmoenusSound, Amplified, Analema, André Chêdas, Andrew Hugill, Andrew Knight-Hill, Andy Robinson, Angus Carlyle, Anil Seth, Anna Irina Russell, Anna Marazuela Kim, Anna Ramos, Anne Duffau, Annka Kultys, Annka Kultys Gallery, Anti-sphere, Antiopic, Antisphere, Antonio Gagliano, Appau Jnr Boakye-Yiadom, Architectural Acoustics, Architectural Space, Architecture & Sound, Arebyte Gallery, Arebyte London, Ariane Koek, Ars Electronica 2023, Art Blocks, Art Blocks x Pace Verso, Art Catalyst, Art Contemporary, Art In Sound, Art In Sound Up To 1980, Art Lab, Art Lab Berlin, Art Laboratory, Art Laboratory Berlin, Artangel, Arteleku, Artist, Artistic Research, Arts, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Arts & Media, Arts Catalyst, Arts Catalyst Radio, Arts@CERN, As If Radio, As Nature, Assembly 2020, Atau Tanaka, Atmospherics, Atocha, Audio Archive, Audio Art, Audio Content Fund, Audio Essay, Audio Fund, Audio Hallucination, Audio Landscape, Audio Rorschach, Audio Sphere, Audio-Technica, Audioblast, Audioblast Festival, Audiology, Audiosfera, Audiosphere, Audiosphere: Social Experimental Audio, Audiosphere: Social Experimental Audio Pre- and Post-Internet, Auditory Hallucinations, Auditory Representations of Information, Aura Satz, Aural Cinema, Aural Diversity, Aural Pluralities, Aural Pluralities Network, Aural Plurality, Axel Roebel, Électromagnétisme, Ö1 Festival, Ö1 Kunstradio, B-Side Festival, BA Sound Arts, Bachtrack, Barbara Ellison, Barry Burns, BBC Radio 3, BBC Radiophonic Workshop, BBC World Service, Bea De Souza, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Beatrice Dillon, Ben Barwise, Ben Drew, Benedict Drew, Bermondsey Project Space, Bernard Wolfe, Bertze Musiken Jaialdia, Betty Guereta, Bianca Biberaj, Bianca Roden, Bill Kouligas, Binaural Beats, Bornemisza, Brandon LaBelle, Brian Eno, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Bristol, British Art Studies, Bruce Nauman, Cabinet Gallery, Cachichi, Café Oto, Café Oto Projects, Caleb Kelly, Call & Response, Call and Response, Carolin Schnurrer, Caroline Thompson, CAS, Catalyst, Cathie Boyd, Cathy Lane, Cavendish Arts Science Fellow, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, CCCB, Cement Field, Cement Fields, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Practice & Research in Music & Science, CERN Geneva, Changing Signals, Choral Sculpture, Chris Firth, Christian Marclay, Christina, Christina Kubisch, Christina Kubisch - Electrical Walks, Christine Takengny, Christoph Cox, Chus Martinez, Claire Catterall, Claire Moran, Classical, Claudio Zamperoni, Close Lightning, Clot Magazine, Come Home Again, Communication, Constellations of Listening, Contemporary Art, Contemporary Art Society, Cool Hunting, Creators Programme, CRISAP, Critical Sonic Practice, Cryptic, Cryptic Artists, Cryptic Festival, Cryptic Glasgow, Cryptic Nights, Cryptic Projects, Cryptic Sonica, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Currents, Damien Hirst, Dan Tapper, Daniel Tapper, Daphne Xanthopoulou, Daria Khan, Dark Morph, David and Indrė Roberts Collection, David Crawforth, David Roberts, David Toop, Dazed Studio, Deleted Scenes, Deutschlandfunk Kultur, Dev Joshi, Dhangsha, Dhanveer Singh Brar, Digital Arts and Experimental Media, Digital Music, Dirty Electronics, Discord, Discord Server, Discovering New Sounds, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation John Squire, Disinformation My Misinformation, Disonata, Disonata: Art In Sound, Disonata: Art In Sound Up To 1980, Disruptive, Disruptive Frequencies, Dissonant Waves, Dolores Acebal, Dr Simon Foster, Drone, Drone Music, Dub Morphology, Dubmorphology, Duncan MacLeod, Dushume, DXARTS, Dystopia, Dystopia Festival, E-werk, E-werk Luckenwalde, Ear Tells The Eye, Ear Tells The Eye Where To Look, Edelmat, Editions Mego, El Reina, El Reina Sofía, Electric Walk, Electric Walks, Electrical, Electrical Noise, Electrical Walk, Electrical Walks, Electrics, Electromagnetic, Electromagnetic Bubblebath, Electromagnetic Field, Electromagnetic Interactions, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetism, Electronic Art Festival, Electronic Audio Club, Electronic Music, Electronic Sound, Electronic Writing, Elektricität, Elektrizität, Elektrizitätswerk, Eleni Ikoniadou, Eli Ningú, Ella Finer, Elvira Dyangani Ose, Emiddio Vasquez, Emily Howard, Engine Room, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Equitable Vitrines, Erased Tapes, Erased Tapes Sound Gallery, Eric de Visscher, Eric La Casa, Ernst Schoen, Errant Bodies, Errant Sound, ERTZ, ERTZ Festival, Es Devlin, Esteban Agosin, Esther Leslie, EVOL, Experimentación Sonora, Experimental Music, Experimental Radio, Experimental Sound, Experimentation, Exploring Cultural Diversity, Extended Stereo, Fabien Cante, Fabienne Nicholas, Fabrica, Fabrica Gallery, Fact Magazine, Factum Arte, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Festival de Otras Músicas, Festiwalu, Fibrr, Fibrr Records, FibrrRecords, Fieldwave, Fine Tuned, Finetuned, Fiona Haggerty, Florian Hecker, Florian Ortkass, Focal Point, Focal Point Gallery, Focal Point Southend, FON Festival, Forma, Forma Arts, Forma Arts & Media, Forma HQ, FPG Sounds, FPG Southend, Francesca Cavallo, Francesca Laura Cavallo, Francesca Thyssen-Bornemisza, Francesco Fusaro, Francisco Lopez, Frankfurt Radio, Free Thinking, Frequencies, Frieze, Frieze Magazine, From Signal to Decay, Full of Noises, Future City, Future City Ltd, Future Pace, Futurecity, Futurecity Ltd, Future\Pace, Gabriel Prokofiev, Gabriela Spangenthal, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Gary Stewart, Gascia Ouzounian, Gathering, Gathering London, Gemma Planell, George Keatos, Ghostworker, Glasgow, Glasgow CCA, Glasgow Tramway, Goethe Institut, Goethe Institut Glasgow, Goethe Institute, Goethe-Institut London, Goldsmiths CCA, Goldsmiths Press, GR-Uniforma, Grégoire Chelkoff, Greg Hainge, Grid Music, Group Study, Guy Marc Hinant, Hackoustic, Halluzination, Halluzination Perspektive Synthese, Hannah Kemp-Welch, Hannes Koch, Haroon Mirza, Haroon Mirza Outputs, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Hearing, Hector Campbell, Heinrich Dove, Heinrich Wilhelm Dove, Helen Frosi, Helen Turner, Heliosphere, Heloise Reynolds, Hestercombe Gallery, Hidden Gardens, Hidden Sounds, Hinrichsen Foundation, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Hot Salvation, House, House of Music, HRM199, HRM199 Ltd, HRM199 Outputs, Humanities Research, Hung La, Hyperdub, Hypersonica, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik London, Iklectik Nomadik, Iklectika, Ilaria Puri Purini, Ilia Rogatchevski, Immateriality Sound and the Art Gallery, Immersive Audio, Indrė Roberts, Industrial Records, Infinite Archives, Inflamed Invisible, Information, Information Disinformation, Interdimensional Generated Space, Interference, Intermission, International, International Media Futures, International MediaFutures, Invada, Invada Records, Invada Records UK, Irene Revell, Isn’tses, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, Jack Jelfs, James Webb, Jana Winderen, Jeni Walwin, Jennifer Higgie, Jeremy Keenan, Jez Riley French, Joe Banks, John Bingham-Hall, John Drever, John Hansard Gallery, John Levack Drever, John Oswald, John Richards, John Squire, John Squire: Disinformation, Jonathan Packham, Jorgen Teller, Joseph Kamaru, Joseph Kamaru KMRU, Joyce Hinterding, Juergen Teller, Julian Weaver, Justin Barton, Kareem Al Kabbani and Tom Western, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Keith Sargent, Kersten Glandien, King's Place, Kings Place London, Klangkunst, Klangraum Krems, KMRU, Kode 9, Krems Klangraum, Kubisch, Kunsthalle Wien, Kunstradio, Kunststrom, Kwaidan, Kwaidan Editions, Lafayette Anticipations, Lafcadio Hearn, Language, Late Junction, Laurie Anderson, LCC, Lea Dickely, Lee Berwick, Leeds 2023, Leeds2023, Leverhulme, Leverhulme Trust, Lighthouse Brighton, Lindsay Seers, Lisa Hall, Lisa McKendrick, Lisson Gallery, Listening, Listening Room, Listening Sensations, Listening To Non-Human Life, Listening Workshop, LLC, LN-CC, LNCC, London, London Sound Artists, London Sound Artists Working Group, London Sound Index, London Tunnels, Loudspeaker Orchestra, Louise K Wilson, Lovely Music, Lucia Pietroiusti, Luckenwalde, Lucy Shanahan, Luis Alvarado, MA Sound Arts, Macba, Macba Barcelona, Macba Museu, Macba Museu d’Art Contemporani, Macba Museu d’Art Contemporani de Barcelona, Machines That Go Bleep, Magnetic, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Signals, Magnetics, Magneticsignals, Magnus Schaefer, Maike Aden, Malgorzata Plysa, Manuel Borja-Villel, Manuela Moscoso, Many Voices All of Them Loved, Mara Mills, María Salgado, Marchus Trust, Marcus Du Sautoy, Marek Wolynski, Margate Radio, Margie Borschke, Maria Papadomanolaki, Marie McPartlin, Marina Benetti, Mark Davy, Mark Fisher, Mark Leckey, Mark M0WGF, Mark Peter Wright, Mark Vernon, Markus Heckman, Markus Reymann, Marta Zapparoli, Marwan T Assaf, Mat Schulz, Matías Rossi, Matt Lewis, Matt’s Gallery, Matthew Fuller, Matts Gallery London, Max Syedtollan, Mayday Rooms, Media Futures, MediaFutures, Meditation Machine, Meta-Net, Metro, Metro Magnetic, Metro Magnetics, MFZ Records, Michael Joo, Michael Newman, Mike Fell, Minimal Disinformation, Misinformation, MIT Press, MIT Press Reader, Mix Tate, Mixtate, Monica Bello, Monty Adkins, MSCTY, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music and Sound Residency, Music City, Music of the Mind, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute, Mute Frequencies, Mute Magazine, Mute Records, Naomi Siderfin, National Grid, National Grid Music, Núria Rodriguez, Nebularosa, Ned McConnell, Neil Luck, New Art Forms, New Generation Thinkers, New Sounds, Newport Street, Newport Street Gallery, Nick Luscombe, Nick Ryan, Nicky Hirst, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nine Elms, Nkisi, Noise, Noise Music, Noises, Nomadik, Non-Classical, Non-Human Life, Nonclassical, Nonclassical Air, NottFAR, Nottingham Forum for Artistic Research, Of Music, Oliver Fuke, On Listening, ORF Musikprotokoll, Otherness, Otherness Festival, Oto Projects, Otoroku, Otoroku Label, Otoroku Records, Outlands, Outlands Network, Outputs, Outside the Lines, Oxford University, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pan, Pan-Act, Party Project Fiesta, Patricia Bossio, Patrick Sykes, Paul Bonaventura, Paul Fletcher, Paul Hegarty, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Paul Purgas, Peltz Gallery, Penumbra, Performance, Performance Electrics, Perspektive, Pervasive Media, Pervasive Media Studio, Peter Dalton, Peter Doig, Peter Eramian, Peter Weibel, Phillip Ball, Poetics of Time, Poison Ivy Rorschach, Poly Kicks, Polykicks, Post Archive Faction, Power Night, Power Nights, Powers of Hearing, Pre-emptive Listening, Preemptive Listening, Prelude, Preludes, PRISM, Profound Sound, PRS Foundation, Psycho Acoustic, Psycho Acoustics, Psychoacoustic, Psychoacoustics, Qu Junktions, Queen Sofía Museum, Quim Pujol, Radio Art, Radio Art Zone, Radio Arts, Radio Arts Catalyst, Radio Benjamin, Radio Lab 2022, Radio Noise, Radio Noise Collective, Radio Reverb, Radio Revolten, Radio Thamesmead, Radio Three, Radiophonic, Radiophonic Art, Radiophonic Communication, Radiophonic Music, Radiophonic Workshop, Radiophrenia, Radiophrenia Glasgow, Random, Random International, Raven Row, Ràdio Macba, Ràdio Web Macba, Ràdio Web Macba Working Group, Re Place London, Re-Solarization, Re-Synthesizers, Re:Search, Recording The Spirit Level, Reference Festival, Reference Studios, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Replace London, Research & Development, Research Council, Resonance Chamber, Resonance Extra, Resynthese FAVN, Resynthesizers, Ricardo Cárdenas, Richard Chartier, Richard Whitby, Riot Ensemble, Riot Ensemble: Sonic Illusions, Rob Bowman, Rob Mullender, Robert Barry, Robert Ssempijja, Roberts Collection, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Roc Jimenez de Cisneros, Rorschach Audio, Rothschild Foundation, Rough Trade, Rough Trade Books, Rough Trade Records, Routledge, RTM.FM, Ruth Garde, Ryoji Ikeda, Sadie Coles, Sadie Coles HQ, Salome Voegelin, Sam Dolbear, Sarah Hayden, Saskia Sassen, Savvy Contemporary, SAVVYZAAR, SónarPLANTA, SB16, Scanaudience, Science, Science Gallery Monterrey, Science Limited, Science Ltd, Science of Sound, Seers/Sargent Exhibition Circle, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Sensoramics, Serpentine, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Sferics, Shannen SP, Sharjah Art, Sharjah Art Biennial, Sharjah Biennial, Sharjah Biennial 16, Shoppinghour, Shoppinghour Magazine, Shortwave Collective, Signal to Decay, Silent Sound, Simon Foster, Simulation/Skin, Sinead McCarthy, Siobhan Coen, Site Gallery, Site Gallery Sheffield, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Sofia Lemos, Somadome, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Somerset House Studios Music and Sound, Sonar Festival, Sonar Planta, Sonic, Sonic Act, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Acts Festival, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Archive, Sonic Archives, Sonic Art, Sonic Boom, Sonic Common, Sonic Commons, Sonic Continuum, Sonic Continuum: On the Sound and Poetics of Time, Sonic Diversity, Sonic Experiments, Sonic Faction, Sonic Geography, Sonic Illusions, Sonic Imagination, Sonic Landscape, Sonic Practice, Sonic Ray, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonica, Sonica 2024, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonica Surge 2023, Sonics Series, Son[i]a, Sophie Forbat, Sound, Sound and Poetics of Time, Sound and Space, Sound and Space in Science Technology and the Arts, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts, Sound Arts Now, Sound Arts Practice, Sound Experimentation, Sound Experimentation 1980 to 2020, Sound Fjord, Sound Image Research Group, Sound Installation, Sound Landscape, Sound Service, Sound Trap, Sound Unwrapped, Sound Walk, Sounds from the Ground, Soundscape, Soundscapes, Soup Gallery, Space, Spatial Listening, Spatial Sound, Spectral, Speech, Spellbound, Spiritualism, Stephen McGreevy, Stereo, Stereophonic, Stereophonica, Sternberg Press, Stone Roses, Strange Transmission, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio, Stuart Wood, Studies in British Art, Studio HRM199, Studio HRM199 Ltd, Sunsong, Super Blue, Superblue, Superflex, Superfutures, Supreme, Sylar Robert Ssempijja, Sylvia Ross, Synthese, Taco, TACO Thamesmead, Tate, Tate Gallery, Tate Modern, TBA, TBA 21, TBA 21 Academy, TBA 21 Collection, TBA 21 Current, TBA 21 Foundation, TBA21, TBA21 Collection, TBA21 Current, TBA21 Foundation, TBA21–Academy, Technology, TED Talks, Teklife Ghettoville Eski, Test Department, Test Dept, TG, The Agency, The Agency Gallery, The Aldwych, The Arts, The Cryptician, The Current, The Guardian, The Hinrichsen Foundation, The Leverhulme Trust, The Listening Room, The Marchus Trust, The MIT Press, The Sampler, The Situationist, The Stone Roses, The Strand, The Vinyl Factory, The Voice Line, The VoiceLine, The Wave Epoch, The Wire, The Wire Magazine, The World Of Experimental Radio, Theatrum Mundi, Theatrum Mundi Collective, Theophany, Thkio Ppalies, Thomas Bey, Throbbing Gristle, Thyssen, Thyssen Bornemisza, Thyssen Bornemisza Art, Thyssen-Bornemisza Art Contemporary, Tiago Pina, Tim Dixon, Tim Drage, Time, Tom Gooch, Tone Foundation, Tone Foundation - Music and New Art Forms, Tramway, Tramway Glasgow, Transmission, Transmissions, Trevor Mathison, Trevor Paglen, Trials & Tribulations, Tricor, Turbine Hall, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Txe Roimeser, Tyler Maxin, UAL, Ubicua, Ubicua Gallery, Un-Writing Nature, Uniform Books, Uniformbooks, Unit, Unit London, University of Brighton, University of Greenwich, University of Oxford, University of Southampton, University of the Arts London, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Unsoundu, Unsoundu Festiwal, Unwrapped, Urbanism, Vanessa Joan Müller, Verónica Lahitte, Verso, Verweben, Verweben 2019, Verweben 2023, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vestalia Chilton, Victor Nubla, Victoria Miro, Victoria Miro Gallery, Vincent Lostanlen, Vinyl Factory, Violeta Ospina, Violins Violence, Violins Violence Silence, Vision Archive, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Works, Voice Line, VoiceLine, Voices in the Gallery, Voicing the Political, Volks Nicosia, Vortic, Vortic Curated, Walter Benjamin, Watershed, Watershed Bristol, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Ways of Listening, Weaving, Weaving 2019, Weaving 2023, Wellcome, Wellcome Collection, Wellcome Foundation, Wellcome Trust, Werner Moebius, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, When The Ear Tells The Eye Where To Look, Whitechapel, Whitechapel Gallery, William Bailey, Wire, Wireless, Working Group, World Archive, World Of Experimental Radio, World Service, X-Name, Xabier Erkizia, Yates Norton, Yoko Ono, Zero BPM, ZKM, ZKM Karlsruhe