Adam Lowe, Alice Bell, Andrew Wilson, Anoushka Siegler, Anti- University, Anti-University Now, Antiuniversity, Antiuniversity Now, Ariane Koek, Art Monthly, Arts Science, Audio Feedback, Audio Rorschach, Auto-Destructive Art, Barry Miles, Beauty and Revolution, Ben Uri, Ben Uri Gallery, Birkbeck, Birkbeck University, British Art Studies, Bronac Ferran, Cambridge, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, Committee of 100, Cybernetic Serendipity, Cybernetic Serendipity Music, Daniela Pérez, David Gale, Destruction in Art Symposium, Dialectical Aesthetics, DIAS, Disinformation The Who, Dr Nick Lambert, Elizabeth Fisher, Feedback, Five Screens With Computer, Gaberbocchus Common Room, Gaberbocchus Press, Girton College, Girton College Cambridge, Gustav Metzger, Gustav Metzger Foundation, Gustav Metzger’s Auto-Destructive Art, Guy Haywood, Haroon Mirza, Hauser, Hauser & Wirth, Hauser & Wirth Bruton, Hauser & Wirth Somerset, Head of Research, ICA, ICA Dover Street, ICA London, Institute of Contemporary Arts, International Times, Jasia Reichardt, Jerry Ravetz, Jimi Hendrix, Joe Banks, John Dunbar, Jonathan Benthall, Jonathan Rosenhead, Juliette Desorgues, Kamil Dymek, Kettle's Yard, Kristine Stiles, Leanne Dmyterko, Lift Off, Liquid Crystal Environment, London, Luis Munoz, Mark Titchner, Martin Kemp, Mathieu Copeland, May Day Rooms, Mayday Rooms, Metamute, Metzger Foundation, Mute Magazine, National Grid, Neal White, Nick Lambert, Nigel Lesmoir-Gordon, Noise, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Pawel Ptak, Pete Townshend, Peter Townshend, Peter Zinovief, Pink Floyd, Rana Begum, Raven Row, Ravensbourne, Ravensbourne University, Ray Dolby, Ray Dolby Centre, Rob Bowman, Robert M. Young, Roger Malina, Rorschach Audio, Russell Haswell, Siân Ede, Simon Schaffer, Studies in British Art, Studio International, Studio International Magazine, Suchitra Sebastian, Tate Britain, Tate Gallery, Tate Modern, The Analysis of Beauty, The Gaberbocchus Press, The Gustav Metzger Foundation, The ICA, The Vinyl Factory, The Wall, The Who, Una Ryan, Vasari, Vasari Research Centre, Wayne McGregor, White Heat, Wirth, Yoko Ono, Yuri Pattison
Gustav Metzger in conversation with Joe Banks…
“White Heat: art, science and social responsibility in 1960s Britain” is an exciting one-day conference exploring the relationships between art, science and society in the 1960s. 50 years on, key figures from this period will join speakers from the fields of art and cultural history, the history and philosophy of science, contemporary art, science, activism and popular culture to revisit one of the most intense periods of intellectual and cultural ferment. The symposium takes place in the very lecture theatre where, in 1965, Gustav Metzger gave his iconic lecture-demonstration “The Chemical Revolution in Art”.
Contributors include Joe Banks, Alice Bell, Jonathan Benthall, John Dunbar, Bronac Ferran, Elizabeth Fisher, David Gale, Martin Kemp, Nigel Lesmoir-Gordon, Roger Malina, Gustav Metzger, Jerry Ravetz, Jasia Reichardt, Jonathan Rosenhead, Neal White and Robert M. Young.
9.30am to 4pm, 26 July 2014
Lecture Theatre LT0
Department of Engineering
Trumpington Street
Cambridge CB2 1PZ
Admission £20, concessions £15
Advance booking essential
https://rorschachaudio.files.wordpress.com/2014/07/gustav_metzger_kettles_yard.pdf
Thanks to Bronac Ferran, Guy Haywood & Lizzie Fisher
https://rorschachaudio.com/2014/03/13/pink-floyd-the-wall-gustav-metzger/
https://rorschachaudio.com/2014/02/26/gustav-metzger-anti-university/
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