50 Hertz, 50Hz, A Human History of Sound and Listening, A Scientific Odyssey of Sound, Acoustic Inkblot, Acoustic Rorschach, AHRC, Alice Evermore, Apophenia, Artefact, Artist, Arts & Humanities Research Council, Assembly, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Blast First, Casino Luxembourg, Charlie Morrow, CM von Hausswolff, Continent, David Hendy, Dead Lines, Disinformation, Drone Rorschach, Duke University Press, Eavesdropper, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Experimental Music, Festiwalu, Florian Hecker, Gaia B, Ghost in the Machine, Glenn Branca, Goldsmiths College, Haunted Technology, Hecker, Helena Gough, Helsinki, High Static, High Static Dead Lines, If The Spirit Moves You, Ilpo Väisänen, IMCC, incite/, INS, Installation Art, International Necronautical Society, Janet Cardiff, Jean-Marc Savic, Joe Banks, Justine Picardie, Ken Hollings, Kiasma, Kiasma Helsinki, Kristen Gallerneaux, Leeds 2023, Leeds2023, Media@McGill, Mika Vainio, Mike Kelley, MIT Press, Mute Records, MUU for Ears, New York University, Noise, Pan Sonic, Panasonic, Politics of Listening, Psychoacoustics, Radical Philosophy, Resonance FM, Robin Rimbaud, Rorschach Audio, Sadie Coles, Sadie Coles HQ, Sami Klemola, Scanner, Sinebag, Somerset House, Somerset House Studios, Sonic Art, Sonic Inkblot, Sonic Rorschach, Sonic Wonderland, Sound Artist, Sound Installation, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, STUK, Susan Hiller, The Act of Magic, The MIT Press, The Quietus, Tom McCarthy, Trevor Cox, University of Westminster, Unsoundu, Unsoundu Festiwal, Westminster University
The CD features a “Rorschach Audio” pastiche by Disinformation, also Gaia B, Alice Evermore & Eavesdropper, Incite/, Helena Gough, Sami Klemola, Charlie Morrow, Jean-Marc Savic & Sinebag – 2nd edition now available…
http://www.leppiniemi.net/MFE/MFE.html
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Rorschach Audio + Disinformation