Acoustic Anthropology, AJ Ayer, Ambiguity, Audio Apophenia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Aural History, BBC Radio, C, Disembodied Voice, Disinformation, François, François Périer, French Resistance, Hari Kunzru, Haunted Media, INS, International Necronautical Society, Jean Cocteau, Jean Marais, Maquis, María Casares, MI6, Mute Magazine, Orpheus, OUP, Oxford University Press, Phantasma Humana, Phantasmatic, Psykick Dancehall, Robin Rimbaud, Roger Blin, Rorschach Audio, Scanner, School of Sound, Sergei Diaghilev, Sonic Phantoms, Sonic Studies, Sound Studies, The Mattering of Matter, Tom McCarthy, Transmission and the Individual Remix, Vocal Phantoms
My dad’s copy of “Orphée” by Jean Cocteau – special thanks to Colin Banks
See every single published version of “Rorschach Audio”
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Rorschach Audio + Disinformation