A Human History of Sound and Listening, A Scientific Odyssey of Sound, Acoustic Ambiguity, Acoustic Anthropology, AHRC, Apophenia, Art & Illusion, Art & Illusion for Sound, Artist, Arts & Humanities Research Council, Arturo Barea, Assigned to Listen, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Aural History, Baltic, BBC Monitoring and the Second World War, BBC Monitoring Service, BBC Radio 4, Bluecoat, Brenda Cleare, Casino Luembourg, David Bowman, David Hendy, EH Gombrich, Electricity of the Mind, Ernst Kris, Furtmüller Herb, Geoffrey Grigson, Goldsmiths, Haunted Media, Hayward Gallery, Hayward Touring, Ilsa Barea, Imperial War Museum, IWM, IWM Contemporary, Joe Banks, Jolyon Jenkins, Laura Johnson, Listening, Louis Rose, Malcolm Frost, Martin Esslin, Noise, Norwich University, Out of the Ordinary, Places of the Mind, Politics of Listening, Psychology Art and Antifascism, Ray Barker, Rorschach Audio, Sam Belinfante, Send reinforcements am going to advance, Send three and four pence am going to a dance, Sheffield Institute of Arts, Site Gallery, Some Axioms Musings and Hints on Hearing, Sonic Boom, Sonic Studies, Sonic Wonderland, Sound Artist, Sound Studies, Suzanne Bardgett, The Clash, Trevor Cox, UK Sound Studies Network, Unit for Sound Practice Research, University of Westminster
E.H. Gombrich, “Assigned to Listen” & the BBC Monitoring Service
“Open your ears, for which of you will stop
The vent of hearing when loud Rumour speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert enmity
Under the smile of safety wounds the world…”
Henry IV, Part 2, c.1596
See “Rorschach Audio” book pages 23 to 26, 29, 49 to 51, 117 and 132 to 133
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