000 Days on Earth, 20, Acoustic Inkblot, ADF, AHRC, Aimee Nash, Alasdair Hopwood, Alfred Hitchcock, Allegorical Portrait of J. Robert Oppenheimer, Ani Das, Anomalous Psychology Research Unit, APRU, Art and Illusion, Art and Illusion for Sound, Arthur Conan Doyle, Arts & Humanities Research Council, Arts Catalyst, Arts Council, Asian Dub Foundation, Assigned to Listen, Atau Tanaka, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural Contract, BBC Monitoring Service, Benny Nilsen, Beth Orton, BJ Nilsen, Blaine Harrison, BMX Bandits, Bonnie Camplin, Bristol New Music, Casper Clausen, Cat’s Eyes, CCA, Centre for Contemporary Arts, Chimerization, Chris French, Church Bells, Colston Hall, Conrad Standish, Daphne Oram Collection, Daughter, Daydreaming with Stanley Kubrick, Devastations, Diana Deutsch, Disinformation, Doves, Dr Das, Drone Rorschach, Edinburgh Festival, Edinburgh International Film Festival, Efterklang, EH Gombrich, EIFF, Ele Carpenter, Electronic Music Studios, Electronic Voice Phenomena, Elena Tonra, Ernst Gombrich, Evesham, EVP, Eyal Weizman, False Memory Archive, Fire in the Eye, Florian Hecker, Forensic Architecture, Geoffrey Grigson, George Lucas, Ghost, Ghost Hunting, Ghost Images, Ghost Orchid, Ghostly Surveillance, Ghosts, Glenn Branca, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Hallucination Perspective Synthesis, Haunted Media, Haunting, Hauntologies, Hauntology, Hazard, Hearing Voices in the Noise, HTRK, Iain Forsyth, Incomprehensible Languages, Innkeepers, INS, Installation Art, Instrumental Transcommunication, International Necronautical Society, Intricate Universe, ITC, Jacques Ninio, James Lavelle, Jane Pollard, Jarvis Cocker, Jean Cocteau, Jeffrey Sconce, Jehnny Beth, Jimi Goodwin, Joe Banks, Joe McAlinden, John Drever, John Levack Drever, Jonnine Standish, K-Punk, Karst, Konstantin Raudive, Kunsthalle Wien, Larry Sider, Lawrence Abu Hamdan, Leonardo da Vinci, Leverhulme Trust, Liima, Linden, Mangled Human Voices, Mark D’Inverno, Mark Underwood, Martyn Jolly, Matt Berninger, Mattering of Matter, Messages of Death, Mick Grierson, Mike Kelley, Military Industrial Complex, Minor Victories, Modulated Hisses, Morse Tickings, Mysterious Messages, Mystery Jets, Neil Matheson, Nicolas Bourriaud, Noise, Nuclear Culture, NX Records, Occultism, Orphée, Orpheus, Painting with Electricity, Paranormal Activity, Pedagogies of the Ear, Perception, Perceptual Creativity, Poltergeist, Primo Levi, Psychoacoustics, Rachel Goswell, Rachel Zeffira, Radiophonic Babel, Radiophonic Babel of War, Requiem for 114 Radios, Research Archive, Research Artwork, Robert Oppenheimer, Rorschach Audio, Rorschach Train, Rorschach Video, Sadie Coles HQ, Saint Jerome, Saltburn Artists Projects, Saltburn Gallery, Sas Mays, Savages, Scanner, School of Sound, Serpentine Gallery, Shelock Homes, Sigmund Freud, Slowdive, Some Axioms Musings & Hints on Hearing, Somerset House, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sound & Music, Sound Design, Sound Recording, Sound Studies, Spellbound, Spiritualism, Static, Strange Attractor, Superstar, Susan Hiller, Synthetic Hinge, T1&2 Gallery, Technology, The Black Ryder, The Machine and the Ghost, The National, The Periodic Table, Theatre of Noise, Threshold Studios, THX1138, Tom McCarthy, Tony Oursler, Touch Music, Tramway Glasgow, Turner Prize, Ulric Neisser, Unit for Sound Practice Research, University of London, UNKLE, Vanessa Joan Müller, Verbal Satiation, Video Art, Video Installation, Videodrome, Walter Murch, Wellcome Trust, Wood Norton Hall, Wrexham Arts Centre