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Electromagnetic Sound Art at Primary, Nottingham

The electromagnetic sound artworks “National Grid” (1996) and “Ghost Shells” (1996) plus the audio text artwork “Language [as] Meta-Technology” (2018-2021) all appear in “Sonic Sculptures 3: Playground of Sound” at Primary in Nottingham, curated by Ryan Boutlbee and Tom Harris.

“Sonic Sculptures 3”
Sat 14 Sept 2024
Open 1pm to 11pm

Primary
33 Seely Road
Nottingham NG7 1NU

“Sonic Sculptures 3” features performances by Ingrid McLaren, Daphnellc Lavender and Guohan, alongside work by Disinformation, Sam Slattery, Abena Addo, Mai Muraguchi, Jason Haynes, Siân Landau, Paul Westcombe, Eve Vickers, Marco Galvani, Mahtina Noh, Marns Faith, Tasha Lizak, Tat-kuen Ko, Paul Sims, Seth Guy, Jjacy, Jake Greenup, Yasmin Rai, Eloïse Bertil, Lou Liska, Lottie Woodard, Gina Tsitseri, Anna Vienna Ho, Viktar Makuryn, Boyi Bai, Shih-Lin Hung, Ewa Sadowska, Udagan, Marns Faith, Daniel Rudolf, Miriam Bean, Mitosis, M.A. Ricciardi, N.N., Boyi Bai, Mahdis Golzar Kashani, Lucite Plains, Robert Gillespie, Are You Not Well, Johannes Zakrzewski, Eloïse Bertil, AJ Sidford, Leonard Maassen, Gavriel Rubin, Phil Dunn, D[Nowhere]J, Aris Daryono, Anthony Esland, Gen Doy, Tom Harris, Yu Pan, Alastair Levy, Zuzanna Wudarska, Abenaartistaddo, Marko Stojanovic, Joshua Brown, Ryan Boultbee, Krystle Patel, Baiocchi Daria, Laila Arafah, Louise Marlborough, Ade Awofadeju, Bowen Wu, Neil Milton, Harry Martin, Zac Pomphrey, Methas Chantawongs, Dross, Barry Anderson, Mireia Ludevid, Gaia Crocella, Julia Schauerman, Mathijs Hunfeld, Faris Amin, Sarah Bernstein, Bret Berry, Evan J Lawson, Federico Pozzer, Yang Lu, Siana Serres, Minkyung Kim, Odonian Drifts, Charles Dobson and Milo Masoničić.

https://www.weareprimary.org/whats-on/sonic-sculptures-3-playground-of-sound

Archive – https://www.youtube.com/watch?v=c5Omt3gOd7A

The Museum of Installation Archive – launch at Tate Britain ****

The debut “National Grid” sound installation premiered in the “Soundproofs” exhibition at the Museum of Installation (art gallery) Deptford, London, July 1997. “Soundproofs” also featured artworks by David Clegg, Bruce Gilbert (from the punk band Wire) and Javier Marchan, plus a Disinformation DJ set, and performances by Martin Creed and Owada and by Hayley Newman. The MOI Archive launched at Tate Britain on Friday 6th Sept 2024 (more info soon)…

https://www.tate.org.uk/whats-on/tate-britain/museum-of-installation-archive

“National Grid” is documented in the book “Installation Art in the New Millennium” by MOI directors Michael Petry, Nicola Oxley and Nicolas De Oliveira, Thames & Hudson 2003 (page 157), and “Musica Falsa” (magazine) Éditions MF (Paris) 1997 (page 25). Photo (above): Stefan Brüggemann.

“National Grid” at MOI, 1997 – https://www.flickr.com/disinfo/33661873685/

Electromagnetic Sound Art at LCB Depot, Leicester ****

“Sound 2024” exhibition
2nd to 20th Sept 2024
Mondays to Fridays [only]
Opening 9am to 5pm

LCB Depot
31 Rutland Street
Leicester LE1 1RE

Large format graphics + radio noise recordings from the Disinformation “R&D” CDs feature in the “Sound 2024” exhibition at LCB Depot, Leicester, alongside work by Arjan Onderdenwijngaard, Asha King, Dead Hand, Diren Demir, Domenico De Simone, Eloïse Bertil, James West, Jon Pask, Kwame Phillips, L’KU / AJH, Lucy Dearlove, Miriam Bean, Mort Drew, Nadya Sayapina & Eugene Bulyk, Núria Rovira Terradas, Patricia Azevedo & Clare Charnley, Ross Clement, Sam Rowe, Seth Guy, Shortwave Collective, Soar Sound & Radio Lear, and Yu Yan.

The recording exhibited in “Sound 2024” is the Disinformation track “Ghost Shells”, which was first published on LP and CD in 1996, then exhibited as a gallery sound installation at Art™ (Inverness) May 1999, and in the Ikon Gallery touring exhibition “Kiss the Sky”, which toured UK venues from May 2000 onwards. “Ghost Shells” can also be heard in the BBC Radio 4 “Broadcasting House” interview, broadcast 15 June 2008 (see earlier posts). A 0.083 seconds long extract from “Ghost Shells” was exhibited as the definitive (though not the first) iteration of the “Theophany” sound artwork, which was exhibited in the Raphael Cartoon Room at the Victoria & Albert Museum (London) 5 Nov 2000, and at Fabrica Gallery (Brighton) Nov to Dec 2001*.

https://lcbdepot.co.uk/event/sound2024/

Special thanks to Chris Slowe.

* “Theophany” in Clot Magazine – https://tinyurl.com/y4vp7wxl

Disinformation “Antithesis” review by Farhad Mirza

The Disinformation “Antithesis” exhibition reviewed by the Glasgow based journalist Farhad Mirza…

https://newart.city/blog/electric-spirits

To provide a little context for some of the material used in this article, the quote from Lafcadio Hearn – author of “Kokoro” (meaning “heart”) and “Kwaidan” (“scary stories”) – viz. “very possibly all sense of art, as well as all sense of the supernatural, had its simple beginnings in the study of shadows”, features prominently in the catalogue for the Disinformation touring exhibition (“The Analysis of Beauty” exhibition catalogue, published 2003); plus the tracks “Kwaidan part 1” and “Kwaidan part 3” feature on the Disinformation CD “Sense Data & Perception” (published 2005).

Also note in particular the material about “Antithesis” curator Alice Hoffmann-Fuller’s 3D model of the Michael Faraday Memorial at the Elephant & Castle in London. Special thanks to Farhad Mirza, Alice Hoffmann-Fuller and Benny Lichtner.

“A Year In The Country… Spectral Fields”

The latest book by Stephen Prince – “A Year In The Country – Wyrd Explorations” (subtitle “A Decade Of Wandering Through Spectral Fields”) features documentation of the two (highly influential) sound installation and music events, co-curated by Disinformation and Drew Mulholland, at the former RAF “Rotor” radar station and Regional Seat of Government – meaning massive nuclear bunker – at Troywood, Anstruther, Fife, the first event being in September 1998 –

https://ayearinthecountry.co.uk/a-year-in-the-country-wyrd-explorations-book/

The first event featured live performances by Add N to X, Disinformation, E.A.R. (aka Pete Kember, aka Sonic Boom), Mount Vernon Arts Lab (Drew Mulholland) and Project DARK, with the “National Grid” (sub-bass) sound installation exhibited in the (electrical access chute in the) bunker’s 150 metre long access corridor, and the “Theophany” (“The Voice of God”) sound installation in the bunker’s underground chapel. The flyer advertising the first event can be read here –

https://www.flickr.com/disinfo/33020832354/

“Rorschach Audio: Orpheus Mix” – Palais de Tokyo, 2009 to 2011

Orpheus Mix – https://www.flickr.com/disinfo/53805202392/

“Citadels of the Underworld” ****

Part 1 – https://www.flickr.com/disinfo/53745156221/

Part 2 – https://www.flickr.com/disinfo/53744223107/

Electromagnetic Sound Art – 1996 to 2016 ****

Disinformation on Resonance 104.4 FM – Wavelength – 4 November 2016 –
https://www.mixcloud.com/Resonance/wavelength-4th-november-2016/

Disinformation on BBC Radio 4 – Broadcasting House – 15 June 2008 –
https://www.youtube.com/watch?v=xoMKR_OH3GM

Disinformation on BBC Radio 4 – Broadcasting House – 2 November 2008 –
https://www.youtube.com/watch?v=OrV3e3WQZ1Y

Disinformation on ITV1 (formerly Carlton TV) – Raw TV – 20 August 1999 –
https://www.youtube.com/watch?v=-g6PcLEx6bs

Thanks to William English, Paddy O’Connell, Ryan Dilley, Raw TV, and to Chris Weaver (of Resonance FM)

… interviews discussing work published 1996 onwards

“Rorschach Audio” at Modus Sandbox

Thanks to everyone who came to the “Rorschach Audio” lecture-demonstration at the Bernie Grant Arts Centre in Tottenham last night. Last night’s talk was the inaugural presentation in the new Modus Sandbox series organised by Modus Arts (and was, owing to limited capacity, promoted almost completely by word-of-mouth). Special thanks to Wajid Yaseen, Annie Goh, and Caitlin Evans.

“Rorschach Audio – Art & Illusion for Sound” stresses the influence that little-known wartime intelligence work with sound had on one of the most important works of visual arts theory ever published…

“Ammonite” video at LCB Depot, Leicester ****

“New Generations” exhibition
12th to 26th January 2024
Mondays to Fridays [only]
Opening 9am to 5pm

LCB Depot
31 Rutland Street
Leicester LE1 1RE

“New Generations” at LCB Depot, Leicester, is an exploration of “the processes that artists employ to create intricate and surprising computational artwork”, featuring the “Ammonite” video by Disinformation, alongside exhibits by Chris Joseph, Stuart Smith, Karen Hazelton, Seph Li, Fania Raczinski & Dave Everitt, Alp Tuğan, Simon Šerc, Algoritmarte, Mateus Domingos, Alan Jetzt, Paul Mazzitelli, Khush Kali, Stephen Scrivener, Howard Cohen, Stephen Bell, Sean Clark, Desmond Henry and Brian Reffin Smith.

https://www.interactdigitalarts.uk/projects/new-generations

Images – https://photos.app.goo.gl/TRdPGEDDstR7ctAM8