&labels, 032c, 180 Studios, 1880, 1880 That, 3ETV, 45, 45RPM, 45s, A Fossil Record of Early Human Thought, A Matter, A Mouth In Search Of A Voice, A Visual Conversation, A Voice, Abandon Normal Devices, ABC Listen, ABC Radio, Acoustic States, Acoustic States of Consciousness, Act of Listening, Action Research, Active Listening, Acts of Listening, Acute Art, Adam Curtis, Adnan Naqvi, Adriana Rispoli, Adrienne Herr, Advanced Technologies, Aesthetica, Aesthetica Magazine, Afterall, Afterall Journal, Afterall Research, Agentworld, AGI, Agnes Cameron, AI, AI 2027, AI Art, AI as Material, AI Bubble, AI Extinction Risk, AI Force, AI Grok, AI Lab, AI Laboratory, AI Lit, AI Literature, Ai vs AI, Ai vs Ai Wei Wei, AI vs Ai Weiwei, AI War, Ai Wei Wei, Ai Wei Wei vs AI, Ai Weiwei, Ai Weiwei vs AI, Ain Bailey, Air Age Blueprint, Akademie der Künste, Aki Onda, Alan Hall, Alasdair Milne, Alex Estorick, Alexander Estorick, Alfredo Salazar-Caro, Ali Ghodsi, Ali Smith, Alice Bucknell, Aliki Leftherioti, Alison Brady, ALL, All Media is Training Data, All Watched Over, All Watched Over by Machines of Loving Grace, Allison Parrish, Almine Rech, Almine Rech Gallery, Alphabet, Alphabets, Alpine Fellowship, Altered States, Altered States of Consciousness, Alt_R, Alt_R Deptford, Alva Noto, Always More, Always Ready, Amatter, Ambient, Ambient Music, Ambit, Ambit Magazine, Amina Abbas-Nazari, Ammonite, Amor Cringe, An Endless Supply, Ana Caballero, Ana Maria Caballero, Anagram, Ancestral Audio, Ancestral Intelligence, Ancestral Knowledge, Ancestral Memory, Ancestral Sound, Ancestral Technologies, Ancestral Technology, And Labels, Andrea Miotti, Andrew Pierre Hart, Andy Warhol, Anita Klesch, Anna Barham, Annabel Williams, Anne Duffau, Anneke Kampman, Annie Jael Kwan, Annka Kultys, Annka Kultys Art Gallery, Annka Kultys Gallery, Anomalous AI, Anthology, Anthology for Listening, Anthropic, Anthropic Claude, Anti-Algorithm, Antikythera, Antikythera Journal, Anton Vidokle, Apollo Magazine, Apophenia, Arabic Numerals, Architectural Association, Architecture, Architecture of Perception, Archival Audio, Arebyte, Arebyte Camden, Arebyte Gallery, Arebyte London, Arebyte Skills, Arebyte Studio, Arebyte Studios, Ariel Dorfman, Arjon Dunnewind, Ars Electronica, Art & Advanced Technologies, Art & Language, Art & Tech, Art & Technology, Art & Writing, Art Blocks, Art Book, Art Catalyst, Art Center, Art Centre, Art District, Art Ecosystem, Art Ecosystems, Art for Everyone, Art Foundation, Art Foundation Pax, Art Fund, Art Lab, Art Language Location, Art Licks, Art London, Art Meta, Art of Listening, Art of London, Art on the Underground, Art Research, Art Review, Art Spectrum, Art Spectrum 2026, Art Technologies, Art Text, Art x Public AI, Art/Work, Art/Work Association, Artangel, Artangel America, Artangel Projects, Artexte, Artforum, Artforum Magazine, Artificial General Intelligence, Artificial Intelligence, Artisanal Intelligence, Artist, Artistic Platform, Artistic Research, Artists + Machine Intelligence, Artmeta, Arts & Culture, Arts & Culture Lab, Arts and Humanities, Arts Catalyst, Arts Ecosystem, Arts Lab, Arts of Language, Arts Research, Arts Technologies, Arts Technology, Ash International, Ashoka University, Assembly, Assembly Somerset House, Astro-Darien, At Distance Speak, Atlas of Anomalous AI, Audible Matter, Audio Archive, Audio Artefact, Audio Book, Audio Culture, Audio Drift, Audio Essay, Audio Graft, Audio Memory, Audio Research, Audio Research Program, Audio Rorschach, Audio-Kinetic Art, Audio-Kinetic Artwork, Audio-Visual, Audio-Visualism, Audiograft, Audiovisual, Audiovisualism, Augmented Vocality, Augmented Vocality and Beyond, Aural Culture, Aural Diversity, Aural Diversity Research, Aural Diversity Research Hub, Auriea Harvey, Auris, Auris Festival, Autechre, Authentic Intelligence, Auto Italia, Auto Italia South East, Autonomedia, Autotelic, Autotelic Foundation, Autotelic London, Frith Street Gallery, Ö1 Blaue Stunde, Ö1 Zeit-Ton, Österreichischer Rundfunk, Banks Violette, Banksy, Banner Repeater, Barbara Kruger, Barbarous Relic, Barbican, Barbican Centre, Barbican Immersive, Barbican London, Barry Burns, Bart Kuipers, Baruch Gottlieb, BBC Radio, BBC Radio 4, Beatrice de Salles, Becoming Machine, Becoming Press, Ben Sheppee, Benjamin Whateley, Between Poetry & Painting, Between the Lines, Biblioteka, Biblioteka Art Book Fair, Biblioteka Book Fair, Biblioteka London, Biological Form, Biomorphic Art, Biomorphism, Birkbeck, Birkbeck College, Birkbeck Humanities, Birkbeck London, Birkbeck Social Sciences, Bitforms, Bitforms Gallery, Bjork, Blue Labyrinth, Blue Labyrinths, Body of Knowledge, Book Sculpture, Book Sculptures, Books On Books, Borbála Soós, Brandon LaBelle, BRDCST, Brian Kuan Wood, British Art, British Museum, Broadway Arts, Broadway Arts & Tech, Broadway Nottingham, Bronac Ferran, Brook Lapping, Building a Voice, Bureau for Listening, C, C4i, Cabinet, Cabinet Gallery, Cabinet Magazine, Café Oto, Café Oto Projects, Caleb Kelly, Call, Cambridge, Camden, Camden Art, Camden Art Centre, Camp, Camp Arts, Camp Arts et Musiques, Camp Editions, Camp Radio, Cansu Waldron, Capital Is Dead, Capital Is Dead: Is This Something Worse, Carmela De Falco, Carnegie Mellon University, Caroline Busta, Carrier Bag, Carsten Nicolai, Casino Display, Casino Luxembourg, Cathy Lane, Cecilia Wee, Celebration of Typography, Cell Deletion, Cement Fields, Central School of Speech & Drama, Centre for Research in New Music, CeReNeM, Channel, Channel Somerset House, Channel Somerset House Studios, Chapter, Chapter Arts, Chapter Arts Centre, Chapter Cardiff, Chat GPT 6.1, Chat GPT 6.1 Astra, Chat GPT Astra, ChatGPT 3.5, ChatGPT 4, Chatroom, Chelsea College of Arts, Chelsea Space, Chimera, Chisenhale Gallery, Chrimes Family Charitable Trust, Chris Hables Gray, Christian Marclay, Christine Sun Kim, Circa, Circa Art, Circa Arts, Circa Arts Programme, Circa Economy, Circa London, Circa Piccadilly, Circa Pipeline, Circa Prize, Circa Public Art, Clara Che Wei Peh, Clara Peh, Claude, Claude Anthropic, Claude Co-work, Claude Cowork, Click News, Click on My Mouth, Click Save, Cliff Kuang, Clone Aqualung, Close Reading, Close Readings, Clot, Clot Magazine, Clot Online, Code + Matter, Code Plus Matter, Cognitive Infrastructure, Cognitive Infrastructures, Cognitive Infrastructures Studio, Colin Cherry, Collection, Collective Noise, Common Guild, Common Protocol, Commonplace, Commonplace Magazine, Communication, Communication Art, Communication Artwork, Communications, Communications Art, Communications Artwork, Communicology, Company of Angels, Computala, Computational Poem, Computational Poetry, Computer Art, Computer Arts, Computer Arts Society, Computer Artwork, Computer Poem, Computer Poetry, Computer Programming, Concept Art, Concept Artwork, Conceptual Art, Conceptual Artwork, Conceptual Poetics, Consciousness, Contemporary And, Contemporary Art Society, Control, Control AI, Control Magazine, Control Systems, Cory Arcangel, Counter Public, Counterpublic, Creative AI, Creative AI Lab, Creative Folkestone, Creative Practice, Creative R&D, CRISAP, Critical AI, Critical Language, Crypto Punk, Crypto Punks, Cryptopunk, Cryptopunks, CSSD, CTM, CTM 2027, CTM Berlin, CTM Festival, CTM Festival 2027, CTM Festival Berlin, CTM Festival Resynth, CTM Resynth, Cultural Phenomena, Culture and Communication, Culture Lab, Cuneiform, CURA, Curating Language, Curating Language Acts, Curiosity Studio, Cursor, Cybernetic Culture, Cybernetic Culture Research, Cybernetic Culture Research Unit, Cyberwar, Cyborg, Cyclo, Dan Levy, Dan McQuillan, Daniel Birnbaum, Daniel Hadas, Danielle King, Dark Forest, Dark Forests, Data, Data Art, Data Arts, Data Land, Data Land Art, Data Land Inc, Data Land Museum, Data Land Museum of AI Art, Data Practices, Data Tunnel, Data Waves, Data-Cosm, Data-Cosm 1, Data-Cosm [N°1], Data-Cosm [No.1], Data-Verse, Data.Tron, Datacosm, Datacosm 1, Datacosm [N°1], Dataland, Dataland Art, Dataland Inc, Dataland Museum, Dataland Museum of AI Art, Datamatic, Datamatics, Dataphonic, Dataphonics, Datatron, David and Indrė Roberts, David and Indrė Roberts Collection, David Blandy, David Kreuger, David Van Eyssen, Davina Quinlivan, Deep Fakes, Deep Thought, Deepfakes, Deepthink AI, Deepthought, Delfina Foundation, Demystification, Demystification Committee, Demystification Committee Ltd, Dendral, Department of Euterpe, Department of Euterpe (1926–2026), Dept of Euterpe, Dept of Euterpe (1926–2026), Des Bains, Des Moines, Des Moines Art, Des Moines Art Center, Deutschlandfunk Kultur, Digital Archive, Digital Art, Digital Art & Language, Digital Art Blog, Digital Art Mile, Digital Art Summit, Digital Arts, Digital Arts Blog, Digital Culture, Digital Cultures, Digital Masterpieces, Disclaimer, Disclaimer Journal, Disclaimer Magazine, Disinformation, Disinformation Art Project, Disinformation is Sold, Disinformation War, Disintegrator, Disintegrators, Disnovation, Disobedient Writing, Disruption Voice, Disruption Voice & Listening, Dissonant Waves, Dmstfctn, DNA, DNR, DNR Salon, DNR Salon Series, Do Not Research, Document, Document Journal, Does Writing Have a Future?, Domain, Don't Speak, Doomscroll, Dopplereffekt, Douglas Dodds, Dr. Meredith Lake, Dragos Musat, Dream Radio, Drexciya, Drone, Drone Music, Dsnfrmtn, Dust to Data, DWF Foundation, E-Flux, E-Flux Agenda, E-Flux Bulletin, E-Flux Criticism, E-Flux Journal, E-Flux Notes, Earliest Written Word, Early Human Thought, Earshot, Ecosystem, Ecosystems, Ed Fornieles, Edcat, Edgar Sanjuan, Edinburgh University Press, Edmund King, Edward A. Shanken, Edward Feigenbaum, Efsun Erkılıç, Elaine Tierney, Eleanor McDowall, Eleanor Rathbone Charitable Trust, Electric Dream, Electric Dreaming, Electricity, Electronic Art, Electronic Mediations, Electronic Music, Electronica, Eleni Ikoniadou, Elephant & Castle, Eli Scheinman, Emergence, Emergence Magazine, Emergence Press, Emerging Art, Emerging Art Foundation, Emily Baker, Emmanuel Vaughan-Lee, Endangered Languages, Endless Supply, Ensemble, Ephemera Festival, Esther Leslie, Estorick, Estorick Collection, Estorick Collection of Modern Italian Art, Eternal Now, Euterpe, Eva Jäger, Evan Hubinger, Evelyn McCune, Evelyn Ruppert, Everdawn, Everdawn Foundation, Every Word, Every Word Un-Made, Every Word Unmade, Everyday Press, Evolution, Evolutionary Biology, Exchange Place, Exchange Place Studios, Executed Poetry, Exhibition Research, Exhibition Research Lab, Exoplanetary Poetry, Expanding Frequencies, Experimental Listening, Experimental Listening Room, Experimental Piano, Experimental Piano Music, Experimental Translation, Experiments in Text, Extinction Risk, Eyebeam, Facebook, FACT, FACT Liverpool, Fact Mag, Fact Magazine, Factory International, Fake News, Falling Tree, Falling Tree Productions, Field Notes, Field Notes Journal, Field Recording, Field Recordings, Fieldnotes, Fieldnotes Associates, Fieldnotes Fold, Fieldnotes Folio, Fieldnotes Folios, Fieldnotes Journal, Fieldnotes Live, Fieldnotes Radio, Finding the Words, Fiona Banner, Firstsite, Firstsite Colchester, Firstsite Gallery, Firstsite Gallery Colchester, Flare-Up, Flash Art, Flat Time House, Flatlines, Flatlines Hyperdub, Flatlines Press, Flora Sagers, Florian Hecker, Fold, Fondation CAB, Fondation Pernod Ricard, For Everyone, Foreign Objekt, Forensic Architecture, Forensis, Forkhead Box P4, Form von Text und Bild, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Fossil, Fossil Record, Fossil Record of Early Human Thought, Fossils, Foundation, FoxP4, Fractal Meat, Francesco Tacchini, Frieze, Frieze London, Frieze Magazine, Frith Street, Frith Street Gallery, From Texts to Art, Frontier AI, Fuck AI, Fukt, Fukt #23, Fukt #23 The Sound Issue, Fundamental AI Research, Fuse Art, Fuse Art Space, Future, Future Art, Future Art Ecosystem, Future Art Ecosystems, Future Art Ecosystems R&D, Future Art R&D, Future Artist, Future Artist Programme, Future Artists, Future Artists Programme, Future City, Future Intelligence, Future Language, Future Languages, Future Listening, Future Media, Future of Intelligence, Future of Listening, Future of Media, Future of Perception, Future of Writing, Future Perception, Future Writing, Futurecity, Futures Institute, Futures of Listening, Fuzzy Logic, Gabriel Prokofiev, Galeria Mascota, Galerie Ropac, Galerie Thaddaeus Ropac, Gazelli, Gazelli Art, Gazelli Art Gallery, Gazelli Art House, Gašper Beguš, Günseli Yalcinkaya, Gemma Blackshaw, Gen AI, General Intelligence, Generative AI, Geoffrey Hinton, Georg Bak, Gerald Donald, Giorno Foundation, Gladstone Gallery, Global Friends, Go Project, Go Project Films, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Computing, Goldsmiths Media, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goodwood, Goodwood Art, Goodwood Art Foundation, Google, Google Arts, Google Arts & Culture, Google Arts & Culture Lab, Gossamer Fog, Gov AI, GPT 6.1, GPT 6.1 Astra, GPT Astra, Graham Dunning, Grammar of Art, Grammarly, Granta, Granta Magazine, Gray Area, Grok, Grok AI, Grok Imagine, Groupwork, Guardian Angels, Gwern Branwen, Hangar Bicocca, Hannah Cobb, Hannah Rothschild, Hanne Darboven, Hans Ulrich Obrist, Harddiskmuseum, Hari Kunzru, Haroon Mirza, Haus der Kulturen der Welt, Hearing, Heavenly Questions, Helen Buckley-Woods, Herndon Dryhurst, Herndon Dryhurst Studio, Hettie Judah, Hieroglyph, Hieroglyphs, Hito Steyerl, HKW, Hold Your Tongue, Holly Herndon, Horizon Europe, Host of Angels, Hotel Generation, House 2026, House Magazine, HRM 199, HRM199, HTML, Hugging Face, Hugh Scott-Douglas, Human, Human Thought, Humanities Research, Humeau, Hype Beast, Hypebeast, Hyper Culture, Hyper Normalisation, Hyper Politics, Hyper-Fiction, Hyper-Object, Hyper-Text, Hyper-Text Mark-up Language, Hyperculture, Hyperdub, Hyperdub Flatlines, Hyperfiction, HyperNormalisation, Hyperobject, Hyperobjects, Hyperpolitics, Hyperpop, Hypertext, Hypertext Markup Language, I Heard a Book, I Internet, IAS - UCL, IBM Watson, Ideogram, Ikeda, Iklectik, Iklectik 2026, Iklectik Art, Iklectik Art Lab, Iklectik Arts, Iklectik Kin, Iklectik London, Iklectik Nomadik, Iklectik Research, Iklectika, Immersive Art, Immersive Arts, Immersive Arts UK, ImmuneGPT, Impakt, Impakt 2026, Impakt Festival, Impakt Festival 2026, Impakt Festival 2027, Impakt Utrecht, In Celebration of Typography, In Listening, In Search Of A Voice, In The Beginning, In The Beginning Was Accounting, In the beginning was the Word, Index Festival, Indigenous Knowledge, Indigenous Languages, Indigenous Wisdom, Inferno, Inflammatory Essays, Information, Information Technology, Inigo Wilkins, Iniva, Inksea, Inksea Art, Inscription, Inscription Journal, Inscription: Journal of Material Text, Installation Art, Institute of Advanced Studies, Institute of International Visual Arts, Inter.Sonix, Interact Digital Arts, International Visual Arts, Internet, Intersonix, Intertitles, Irving Finkel, Is This Something Worse, Iskra Velitchkova, Isobel Peyton Jones, μετά, Jack Rollo, Jade Foster, Jahnavi Phalkey, Jailbreak, James Rowson, James Surowiecki, Jan Steinbach, Jane Fitz, Jane Wildgoose, Janine Sarbu, Japan Telecom, Japanese Telecom, Jasia Reichardt, Jason Goldfarb, Jason Singh, Javier Andreu-Perez, Jaws, Jenny Holzer, Jessie Damiani, Joanna Zylinska, Joe Banks, Johannes Gutenberg, John Giorno, John Latham, John Preston, John Squire, Jon Davis, Jonas Lund, Jonathan Stein, Josef O'Connor, Joseph Cook, Joseph Kosuth, Joseph Murray, Josh Citarella, Josh Weeks, Joshua Citarella, Journal for Cultural Phenomena, Journal of Art & Writing, Journal of Sound and Culture, Joy University, Julia Bell, Julie F. Hill, Julie Hill, Julien Silvano, Julieta Aranda, Just Silence, Justin Barton, K Allado-McDowell, K20, K3, Kadist, Kairos, Kairos London, Kalen Iwamoto, Kalie Granier, Kanishka Narayan, Karina Utomo, Karl England, Karst, Karst Gallery, Karst Plymouth, Katherine Hayles, Kathleen Forde, Kathleen Soriano, Kay Watson, Künstler Bücher, Künstlerbücher, Ken Ikeda, Ken Lum, Kerlin Gallery, Keyboard, Kieren Reed, Kill Switch, Kimi, Kimi K2.6, Kimi K3, Kimi K3 Swarm, Kin, Kinetic Art, Kings College London, Kiran Sande, Kit Wilson, Klangkunst, Klesch Fellowship, Kline Coma, Knowledge Exchange, Kode 9, Kode9, Kodwo Eshun, Kollectiv, Kulturquartier, Kunst, Kunsthal Charlottenborg, Kunstlicht, Kunstlicht Journal, Kunstradio, KW Institute, Kyle Lapidus, Labor of Listening, Labour of Listening, Lake Space, Language, Language & Politics, Language Acts, Language Art, Language Artwork, Language As, Language as a Living System, Language as a Material, Language as a Technology, Language as Material, Language as Memory, Language as Origin, Language as System, Language as Technology, Language Contains, Language Contains a Fossil Record of Early Human Thought, Language for Technology, Language in Art, Language Inhuman, Language Is, Language is a Living System, Language is a Technology, Language is Meta-Technology, Language is MetaTechnology, Language is Technology, Language Itself, Language Itself as a Technology, Language Itself Contains a Fossil Record of Early Human Thought, Language Itself Is, Language Itself is a Technology, Language Loop, Language Loops, Language Machine, Language Machines, Language Models, Language Technology, Language Virus, Language [as] Meta-Technology, Language [as] Metatechnology, Languages of the Future, Languages of the Future Conference, Large Language Models, Large Lore Models, Larry Achiampong, Laura Grace Ford, Laura Purseglove, Laura Sillars, Lauren Lee McCarthy, Laurie Anderson, Laurie Britton Newell, Lawrence Abu Hamdan, Lawrence Weiner, LCC, LCC Crisap, Le Random, Leah Clements, Leela Jadhav, Leuphana University, Leverhulme, Leverhulme Aural Diversity, Leverhulme Trust, Leverhulme Trust Aural Diversity, LI-MA, Liam Howe, Library, Library for Listening, Library Science, Library Science Journal, Lil Internet, Lily Robert-Foley, LIMA, Limit of Language, Limits of Language, Linda Rocco, Lingua Emergent, Linguistics, Liquid, Liquid Architecture, Liquid Architecture Archive, Liquid Architecture Melbourne, Lisson Gallery, Listen Gallery, Listen With Others, Listening, Listening Bureau, Listening Futures, Listening Glossary, Listening In, Listening Room, Listening Service, Listening Session, Listenings, Literacy, Literary Culture, Literature, Literature and Technology, Liverpool, Living Media, Living Media Art, Llama, Llama 3.1, Llama AI, LLM, Logic of the Signifier, London, London College of Communication, London Review, London Review of Books 45, London Review of Books 45s, Long Tail, Lost in Transmission, Lost Language, Loud Spirits, Louis Jebb, Louisa Clement, Louise Ramirez, Love & Hate, Loving Grace, Lowercase, LRB 45, LRB 45s, Lucas Museum, Lucas Museum of Narrative Art, Lucy Liyou, Luigi Monteanni, Lutz Koepnick, Lynton Talbot, Machine Dream, Machine Dreams, Machine Imaginaire, Machine Intelligence, Machine Learning, Machine Perception, Machines, Machines of Loving Grace, Machinic Language, Machinic Languages, Mack Books, Macro, Made Anywhere, Made Thinking, Maenads, Maitreyi Maheshwari, Maja & Reuben Fowkes, Maja Fowkes, Manifesto Terricolam, Manual Override, Marc Cieslak, Marek Poliks, Marguerite, Marguerite Humeau, Maria Perevedentseva, Maria Roszkowska, Marina Iodice, Mark Fisher, Mark Vernon, Mark Zuckerberg, Mark-up Language, Markup Language, Marshall McLuhan, Martha Joseph, Martine Syms, Maryam Monalisa Gharavi, Mashinka Firunts Hakopian, Mat Dryhurst, Material Mnemonics, Material Sound, Material Text, Matt Finch, Matt’s Gallery, Matthew De Abaitua, Maureen Paley, Max Bacharach, Max Syedtollan, Mayor Gallery, McKenzie Wark, Media, Media Archaeology, Media Art, Media Collective, Media is Training Data, Media of the Future, Medienkunst, Medium, Memory, Meredith Lake, Message, Message from the Unseen World, Meta Blog, Meta Creation, Meta Fiction, Meta Gesture, Meta Gesture Music, Meta Label, Meta Library, Meta Modernism, Meta Museum, Meta Music, Meta Sonar, Meta-Haus, Meta-Haus Paris, Meta-Linguistic, Meta-Linguistics, Meta-Museum Horizon Europe, Meta-Tech, Meta-Technology, Meta-Technology Art, Meta-Technology Artwork, Metabolic Rifts, Metachrosis, Metachrosis Literary, Metachrosis Literary Magazine, Metachrosis Magazine, Metacreation Lab, Metacult, Metafiction, Metahaus, Metahaus Paris, Metahaven, Metakovan, Metalabel, Metalibrary, Metalinguistic, Metalinguistics, Metamodernism, Metamuseum, Metatechnology, Metatechnology Art, Metatechnology Artwork, Metaversal, Micro, Micro Macro, Microsoft, Microsoft AI, Microsoft Azure, Microsoft Teams, Microsoft VALL-E, Middle of Nowhere, Middlesbrough Institute of Modern Art, Mike McShane, Mila Askarova, MIMA, MIMA Middlesbrough, Mindguard, Mindguard AI, Minor Compositions, Minoru Hatanaka, Misinformation, MIT, MIT Press, Mnemo Zine, Mnemosonic, Mnemozine, Modern Art, Modern Art Oxford, Modus Arts, Modus Operandi, Mohammed Shafeer K P, Moma, MOMI Queens, Monday Chatroom, Mondriaan Fund, Monoskop, Montez Press, Montez Press Radio, Moonshot, Moonshot AI, Moronic Inferno, Mosaic Rooms, Movement Radio, Moving Image, MP3 Audio, Multimedia, Multiplica, Muse, Muse Glimmer, Muse Voice, Muse Voice Transcribe, Museum of the Future, Museum of the Future Dubai, Museum Of The Moving Image, Music, Music and Altered States of Consciousness, Music and Media, Music as Altered States of Consciousness, Musical Sound, Mustafa Suleyman, My Body, My Body Is Your Keyboard, My Machine, My Veins, My Veins Are the Wires, N-Space, N-Space Fellowship, N-Space Fellowship Somerset House, N-Space Somerset House, N. Katherine Hayles, Nadim Samman, Narrative Art, Narrator, National Year of Reading, Near Future, Near Futures, Near Now, Neil Luck, Nelli Shkarupina, Neon Hieroglyph, Neringa Bumblienė, Neural, Neural Magazine, Neuro Art, Neuro Arts, Neuroart, Neuroarts, New Approaches to Sound, New Approaches to Sound Music & Media, New Models, New Music, New Perspective, New Perspectives, New Works For Radio, New Writing, NFT Bust, Nguyen Wahed, Nick Luscombe, Nick Thurston, Nicola Triscott, Nicolas Maigret, NM Studio, Noam Chomsky, Node, Node Foundation, Noema, Noema Magazine, Noise, Noise Music, Non-Human Listening, Nonclassical, Nora Khan, Nora N. Khan, Nottingham Contemporary, Number, Numbers, Numeracy, Numeral, Numerals, O Superman, Objekt Magazine, Off Site Project, Off Site Projects, Office Impart, OHSH Projects, OLEA Biotoken, Oliver Smith, Omnilingual ASR, On Air, On Air – On Site, On Kawara, On Language, On Letters, On Listening, On Site, Onassis, Onassis Air, Onassis Culture, Onassis Foundation, Onassis ONX, Onassis ONX Relay, Onassis Ready, Onassis Stegi, Onassis USA, One & Three Chairs, One and Three Chairs, ONX, ONX Relay, OpenAI o1, ORF, ORF Kunstradio, Origin, Origin of AI, Origins of AI, Oto Projects, Oto Sound, Oto Sound Museum, Otohan, Otoroku, Otoroku / Otohan, Out of Print, Out of Print: The Problem of Literacy, Out Side, Outernet, Outernet Arts, Outernet Arts Channel, Outernet Channel, Outernet London, Outside the Lines, Pace, Pace Gallery, Pace Gallery Journal, Pace Journal, Pace Live, Pace London, PACT, PACT UCL, Padimai Art, Padimai Art & Tech, Padimai Art & Tech Studio, Padimai Art & Technology, Palazzo Diedo, Paleolithic, Paleolithic Tool-Use, Paperwork, Parrhesiades, Parrhesiades Vol. 1, Parrhesiades Vol. 2, Parrhesiastes, Passengers, Passengers Offsite, Paul Mellon Centre, Paul Mellon Centre for Studies in British Art, Pause AI, Pax Art Awards, Pedagogies, Pedagogy, Pera Museum, Perfect Language, Perimeter, Perimeter London, Pernod Ricard, Personal and Political, PH Holt Foundation, Phaedra, Phaedra Ensemble, Phantom Core, Pharmako-AI, Philip Leonard, Philosophical Language, Philosophy, Philosophy of Language, Phonetics, Phonopoetica, Pi Artworks, Pi Soundworks, Pi Sounworks, Piano, Piano Drone, Pianoforte, Piccadilly Lights, Piccalilli Gallery, Pickleback, Pictogram, Pierre d’Alancaisez, Pil & Galia, Pil & Galia Kollectiv, Pirelli Hangar Bicocca, Pita Arreola, Plasmata, Plasmata II, Plastic Language, Plastic Prognosticate, Plastic Words, Poetics Research, Poetics Research Centre, Poetry & Listening, Poetry Language Code, Poetry on Vinyl, Poetry Synth, Politics of Futurity, Politigram, Polyglot, Polysemic Artwork, Pop Art, Poppy Curran Jones, Post-Left, Post-Socialist, Post-Socialist Art, Post-Socialist Art Centre, Postinternet, Power of Language, Practice Based Research, Prem Krishnamurthy, Primary Information, Printing, Problem of Literacy, Processing, Processing: Art & Advanced Technologies, Prof. Julia Bell, Programming Language, Programming Languages, Project Arts, Project Arts Centre, Promethean Watch, PrometheanWatch, Prophecies, Prophecies of the Future, Prophecy, Protocol, Protocol Art, Protocol Artwork, Prototype, Prototype Publishing, PSW, Psychoacoustics, Public AI, Public Art, Publishing, Pull the Plug, Qenric, QR Code, Quinn Latimer, R&D, Rachel K. Ward, Radical Attention, Radical Audio, Radical Audio Guide, Radical Audio Guides, Radical Philosophy, Radical Philosophy Magazine, Radio 4, Radio Papesse, Radio Station, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Ltd, Radiophrenia Scotland, Raqs, Raqs Media, Raqs Media Collective, Raster, Raster Artistic Platform, Raster Media, Raster Noton, Raven Row, Raven Row Art Gallery, Raven Row London, Ravensbourne, Ravensbourne University, RCS, Reading, Reading and Writing, Reading and Writing in the Age of AI, Reading in the Age of AI, Reality Studies, Reality Study, Reality_Studies, Reference, Reference Point, Reference Point 180, Reference Press, Refik Anadol, Refik Anadol Studio, Reina Mun, Remembering the Future, Renate Lurdesa Baumane, Repeater Books, Repository of Traditional Knowledge, Res PublicAI, Research Council, Research Program, Research Project, Research Projects, Research Unit, Resisting AI, Resonance, Resonance FM, Resonance FM: The Art of Listening, Resonant Nest, ReSound, Resynth, Resynthesise the Traditional, Resynthesising, Resynthesising the Traditional, Reuben & Maja Fowkes, Reuben Fowkes, Review of Books, Richard Brautigan, Rick Rubin, Right Click, Right Click News, Right Click Save, Right Click Save Magazine, Riitta Valijarvi, Roberto Alonso Trillo, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Robin Mackay, Robin Sparkes, Roger Haas, Romance of Technology, Roopa Vasudevan, Ropac, Ropac Gallery, Rorschach Audio, Rosetta Stone, Ross Goodwin, Rothschild Foundation, Rovr, Rovr Live, Rovr Soho, Royal Birmingham Conservatoire, RTM, RTM Radio, RTM.FM, Ruaridh Law, Rubén Bañuelos, Run the Code, Runes, Ryoji, Ryoji Ikeda, Ryoji Ikeda C4i, S. J. Groenewegen, Sadie Coles, Sadie Coles HQ, Sahjan Kooner, Sahko, Sahko Recordings, Sahko Records, Salford, Salome Voegelin, Salon, Sam Dolbear, Sam Kinchin-Smith, Sam Royle, Sanctuaries of Silence, Sarah Jackson, Sarah Sigal, Sarah Wood, Sasha Stiles, School of Sound, Science, Science Gallery, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery International, Science Gallery London, Science Gallery Melbourne, Science Gallery Monterrey, Science Gallery Network, Science x Poetry, Scott Ennis, Script, Seisma, Seisma Magazine, Self-Empowerment, Semiology, Semiotext/e, Semiotexte, Semiotics, Serpentine, Serpentine AI, Serpentine Art, Serpentine Art Technologies, Serpentine Art Technology, Serpentine Arts Technologies, Serpentine Arts Technology, Serpentine Future Art Ecosystems R&D, Serpentine Future Art R&D, Serpentine Galleries, Serpentine Gallery, Serpentine London, Serpentine R&D, Serpentine South, Serpentine South Gallery, SETI, SETI Institute, Shamanism, Shifty, Shilpa Gupta, Showroom, Showroom Gallery, Sign Symbol, Sign Symbol Sound, Signals Intelligence, Signifier, Silent Signal, Silicon Species, Silver Press, Simon Hollis, Siri AI, Situated Listening, Slaughterbot, Slaughterbots, Slipstream, Slipstream - Uncharted Realities & the Eternal Now, Slipstreams, Slow Compression, Sluice, Sluice Art, Sluice Art Fair, Sluice HQ, Sluice Magazine, Society of Artistic Research, Sociotype, Sociotype HQ, Sociotype Journal, Sociotype Magazine, Sofia Lemos, Soft Play, Soft Power, Software, Soho House, Soho House Magazine, Somabotics, Somerset, Somerset House, Somerset House 2026, Somerset House Assembly, Somerset House Channel, Somerset House Future Artists, Somerset House Studios, Somerset House Summer Series, Somerset House: Future Artists Programme, Something Worse, Sonakshi Srivastava, Sonar, Sonar Festival, Sonic Act, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Acts Radio, Sonic Acts Substack, Sonic Agency, Sonic Archive, Sonic Art, Sonic Artefact, Sonic Arts, Sonic Awareness, Sonic Body, Sonic Continuum, Sonic Culture, Sonic Experiment, Sonic Experiments, Sonic Experiments in Text, Sonic Faction, Sonic Faction II, Sonic Faction III, Sonic Futures, Sonic Liberation, Sonic Materiality, Sonic Memory, Sonic Scope, Sonic Stories, Sonic Story, Sonics Series, Soul Search, Sound, Sound & Music, Sound and Culture, Sound and Hearing, Sound Archive, Sound Art, Sound Artefact, Sound Artist, Sound Artwork, Sound as Art, Sound Culture, Sound Issue, Sound Line, Sound Lines, Sound Memory, Sound Museum, Sound Music & Media, Sound of the Year, Sound Out, Sound Poetics, Sound Service, Sound Sign Gesture, Sound Sign Symbol, Sound Stories, Sound Strategies, Sound Strategy, Sound Studies, Sound Surface, Sound Surface Skin, Sound-Image, Sounding, Sounding Toward, Sounding Towards, Soundings, Soundline, Soundlines, Speak, Speak To Me, Speaking, Special Angels, Spectra, Spectrum, Speculations in Sound, Speculative Visions, Speculative Voice, Speculative Voicing, Speech, Speech Against Itself, Speech Synthesis, Speech Synthesiser, Spike Art, Spiral Books, Spiral House, Spiral House Editions, Spoken Language, SRB, Stas Shärifullá, States of Consciousness, States of Exception, Stedelijk, Stedelijk Museum, Stegi Radio, Stephan Scheel, Stephen Squibb, Stephen Willats, Sternberg Press, Steve Goodman, Steven Warwick, Stewart Lee, Stichting Kunstlicht, Stories, Storytelling, Strange Rule, Strange Rules, Stuart Hall, Studies, Studies in British Art, Studio 1.1, Studio1-1, Subcity, Subcity Radio, Sue Webster, Sukhdev Sandhu, Summer School, Summer Series, Super AI, Super Intelligent AI, Super Rare, Superintelligence, Superman, Superposition, SuperRare, Supersymmetry, Sydney Review, Sydney Review of Books, Symbol Sound, Syncretic Form, Syncretic Forms, Synthetic Intelligence, Synthetic Sonics, System, Systems of Control, T.J. Clark, T.J. Demos, Tactical Media, Tai Shani, Tali Hinkis, Tamar Clarke-Brown, Tate Etc, Tate Magazine, TBA21, TBA21–Academy, Tech & Art, Tech Now, Technical Images, Techno-Ancestrality, Technoetic Art, Technoetic Arts, Technologies of Domination, Technology, Technology & Art, Technology of Domination, Technoshamanism, Telecom, Telecommunication, Telecommunication Art, Telecommunication Artwork, Telecommunications, Telecommunications Art, Telecommunications Artwork, Telephony, Telepoetics, Telepoetics Writing the Phone, Tenement Press, Terence Broad, Tessa Edwards, Test Pattern, Test Patterns, Tetragrammaton, Text, Text + Work, Text Art, Text Artwork, Text Based Language, Text Based Language Models, Text to Art, Text to Speech, Text und Bild, Texte, Texte Kunst, Texte Zur Kunst, Texts to Art, Thaddaeus Ropac, The Age of AI, The Architecture of Perception, The Art Book, The Art of Listening, The Art of London, The Atlas of Anomalous AI, The Barbican, The Barbican Centre, The Call, The Chimera, The Common Guild, The Disinformation War, The Dream Radio, The Eternal Now, The Everdawn Foundation, The Future, The Future of Media, The Future of Writing, The Grammar of Art, The Guardian, The Institute of Advanced Studies, The Internet, The Limits of Language, The Lines, The Listening, The Listening Room, The Listening Service, The Long Tail, The Mayor Gallery, The Medium, The Medium and the Message, The Message, The MIT Press, The Moronic Inferno, The Narrator, The Neon Hieroglyph, The Origin, The Pera Museum, The Perimeter, The Phone, The Politics of Futurity, The Power of Language, The Problem of Literacy, The Romance of Technology, The School of Sound, The Science Gallery, The Serpentine, The Serpentine Gallery, The Shed, The Showroom, The Signifier, The Silver Press, The Sound Issue, The Talk, The Toe Rag, The Toe Rag Magazine, The Traditional, The Ultimate Form of Communications Technology is Language Itself, The Underground, The Vanity Press, The Verb, The Vinyl Factory, The Voice as a Site, The Voice as a Site of the Possible, The Weight of Words, The Wende Museum, The White Review, The Wire, The Wire Magazine, The Wires, The Word, The Zone of Ghosts, Theresa Tomi Faison, Think Piece, Think Pieces, Third Ear, This Morning I Heard a Book, Thomas Mader, Thought, Thoughtful Noise, Three Chairs, Thresholds Of Becoming, Tilman Schlevogt, Tim Dixon, Tim Noble, Time Is Away, Timothy Morton, Tina Gallery, Toby Heys, Toe Rag, Toe Rag Magazine, Tom McCarthy, Tomasz Kobialka, Tongue, Tool, Tool Making, Tool Use, Topovoros, Topovoros Books, Touch Music, Traditional Knowledge, Training, Training Data, Transformation Digital, Transformation Digital Art, Translocal, Translocal Institute, Translocal Institute for Contemporary Art, Transmediale, Trebuchet, Trebuchet Magazine, Trebuchet Talks, Trevor Paglen, Troika, True Names, Truisms, Turner 2026, Turner Prize, Turner Prize 2026, Type, Typeface, Typewriter, Typographic Design, Typography, UAL, UBS Digital Art, UCL, UCL Culture, UCL IAS, UCL Illuminated, UCL PACT, UCL Press, UCL Think Piece, UCL Think Pieces, Ulster University, Ultra Contemporary, Ultra Contemporary Art, Ultra Contemporary Artwork, Ultracontemporary, Ultracontemporary Art, Ultracontemporary Artwork, Uncharted Realities, Underground, United Visual Artists, Unity Youth, University College, University College London, University of Essex, University of Exeter, University of Huddersfield, University of London, University of Salford, University of the Arts London, Unseen World, Unsound 2026, Unsound 2026 Soft Power, Unsound Dispatch, Unsound Ephemera, Unsound Lab, Unsound Lab Summer School, Unsound London, Unsound New York, Untamed Sound, Upgrade Yourself, Upstream, Upstream Gallery, Urbanomic, Urbanomic Books, Urbanomic Media, Urgent Future, Urgent Futures, Utrecht, UVA, V&A, Vanessa Onwuemezi, Vanity Press, Varshita Dhanda, Vera Molnár, Verdurin, Verdurin Art Space, Verdurin Project Space, Verse, Verso, Verso Books, Vi Trinh, Victoria & Albert, Victoria & Albert Museum, Victoria Ivanova, Victoria Miro, Victoria Miro Gallery, Victoria Miro Projects, Video Art, Video Artist, Vienna Digital, Vienna Digital Culture, Vienna Digital Cultures, Vignesh Sundaresan, Vilém Flusser, Villa Lontana, Villa Lontana Records, Vinyl Factory, Virus is a Language, Visual Arts, Visual Conversation, Viviana Caro, Vocalisation, Voice, Voice & Listening, Voice = Speech, Voice ≠ Speech, Voice ≠ Speech: A Visual Conversation, Voice Language, Voice Language & Technology, Voice Skin, Voice Technology, Voices, Voices Cartography, Voices Objects Worlds, Voices Radio, Vs AI, Warp, Warp Recordings, Warp Records, Weight of Words, Wellcome, Wellcome Collection, Wellcome Trust, Wen New, Wen New Atelier, Wende Museum, What is the Limit of Language, White Cube, White Cube Gallery, White Review, Whitney Biennial, Who Profits When Disinformation is Sold, Why We Write, Wigan Museums, Will René, William Caxton, Wilson College Mumbai, Wired, Wired Magazine, Wired Online, Wolverhampton Art Gallery, Word, Word & Sound, Writing, Writing + Art, Writing in the Age of AI, Writing Sensations, Writing the Phone, Written Word, Wrong Answers, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X Museum, X-Risk, Xenia Benivolski, Xero Kline, Xero Kline & Coma, XYZ, Yan Du Projects, YDP, YDP London, Year of Reading, Yoko Ono, Young Inspector, Your Ghost, Your Ghost My Machine, Your Keyboard, Yuan Fuca, Yusuke Shono, Zahra Malkini, Zaira Oram, Zero 10, Zero Books, Zeroichi Arakawa, Zeynep Bulut, Zone of Ghosts, Zoning, ZYX
“Languages of the Future” IAS / UCL ****
Further emphasising this cross-pollination between academia and the arts, auto-didact artist and researcher Joe Banks was next to present, exhibiting and discussing (the) sonic artwork “Language [as] Meta-Technology”, which centres on “the power of language as both a repository of traditional knowledge and as a tool of personal and political self-empowerment…” –
https://thinkpieces-review.co.uk/2025/11/24/the-languages-of-the-future-conference/
Representing the Architectural Association, Ashoka University (Sonipat), Carnegie Mellon University, Royal Central School of Speech & Drama, Leuphana University (Lüneburg), Joy University (Kanyakumari), National Centre for Academic & Cultural Exchange, SETI Institute, Universities of Essex, Exeter, London, Oxford and Ulster, Wilson College (Mumbai), plus independent researchers, the “Languages of the Future” conference at UCL featured presentations by Matthew De Abaitua, Javier Andreu-Perez, Emily Baker, Joe Banks, Renate Lurdesa Baumane, Helen Buckley-Woods, Joseph Cook, Varshita Dhanda, Scott Ennis, Bronac Ferran, Matt Finch, Jason Goldfarb, Marina Iodice, Bart Kuipers, Evelyn McCune, Joseph Murray, John Preston, Davina Quinlivan, Kieren Reed, James Rowson, Flora Sagers, Beatrice de Salles, Mohammed Shafeer K P, Nelli Shkarupina, Sarah Sigal, Sonakshi Srivastava, Riitta Valijarvi and Josh Weeks.
From → Uncategorized
⭐ 🙂