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“The Rapture” – discussed in 15 Questions ****

“The symbolic language of mainstream visual art is in many respects decades behind the avant-garde of popular culture…”. Interview conducted by Lara Cory –

https://tinyurl.com/2s4k4cmw

“The Rapture” – review in Seisma Magazine ****

“The Rapture” installation reviewed by Paul Carey-Kent (includes video) –

https://seismamag.com/music-sound-arts/disinformation

Disinformation – “The Rapture” – live optokinetic video + sound installation

Disinformation – “The Rapture”
Live video + audio installation

Cameras go live – 7 June to 31 July 2022
NB: on-site visits are by appointment only
Contact info@cable-depot.com to book

Private View – 6pm Friday 17 June 2022
Finissage – 4pm Sunday 31 July 2022

Cable Depot
Off Warspite Road
Woolwich
London SE18 5NX

https://cable-depot.com/disinformation

“Set me as a seal upon thine heart, as a seal upon thine arm, for love is as strong as death, and jealousy is cruel as the grave: the coals thereof are coals of fire, which burn with a vehement flame” – “The Song of Solomon” – chapter 8, verse 6

Electromagnetic Sound Art in Virtual Exhibition Space ****

Disinformation_7_July_2021

After entering the “Antithesis” exhibition portal – see earlier post – click anywhere to explore the three-dimensional exhibition space. In particular, after watching the eye videos (titles “Scintillating Scotoma” and “Untitled_Eye”) be sure to pass through the eyes into the space behind, then into the luminous rectangle behind the screen (this space is described in the exhibition notes in comparison to “The Ipcress File”).

Alternately, enter the “catalog” view (accessible via the main menu) to access a two-dimensional library of the exhibited videos and sounds. The “catalog” view offers powerful tools for user-controlled remixing of all the sound files. Sound works can be played individually, in any sequence, and together, in any combination…

Control-clicking the forward “play” buttons enables users to loop the chosen sound files. Clicking the “loudspeaker“ symbol enables precise control of audio volume. Clicking the “3 dot“ symbol enables control of playback speed – 25% to 200%.

Recommended “solo” play-outs include the tracks – “Radiate + National Grid”; “Kwaidan, Part 1”, and “National Grid 1” (spring reverb + virtual string quartet).

Recommended user remixes include – “Kwaidan 3” + “Artificial Lightning” + “London Underground”; “Ghost Shells” (multiple track options) + “9V DC Supply with Home-Made Copper Solenoid” + “Electricity of the Mind”.

Try playing “National Grid 1” + “Bexleyheath to Dartford” – both at 25% speed. Experiment with watching different video works while remixing the sounds.

Portal – https://newart.city/show/schemata-disinformation-antithesis

Full description + user guide – https://tinyurl.com/379w9wfu

Works best on a PC or laptop (not mobile devices).

Philip Jeck, 1952 to 2022, R.I.P.

Joe Banks, Mike Harding, Philip Jeck, Kyoto, Feb 2000 – photo by Rees Archibald

I was saddened to hear about the death of the musician and sound artist Philip Jeck. In February 2000, Phil, myself and Mike Harding (proprietor of the record company Ash International) flew to Tokyo to perform at the NTT ICC “Phase of Post Music” concert series, organised by curator Minoru Hatanaka, staged on the 3rd (?) floor of the Tokyo Opera City Tower in Shinjuku. The sound engineers spent 3 days (not 3 hours, DAYS) calibrating the quadraphonic sub-bass sound system (the PA wasn’t quadraphonic and sub-bass, the sub-bass itself was quadraphonic); and, to Minoru’s delight, the Disinformation set brought down ceiling panels and shook the entire (huge) NTT ICC gallery. I was also delighted to meet once more mum and dad’s old friends Ryo and Keiko Nonaka (who came to the concert, bearing moving tributes).

Soon after, we all travelled, with saxophonist Rees Archibald, to perform at the Metro nightclub in Kyoto, at the invitation of Koji Marutani (proprietor of the record company Digital Narcis). Phil’s music appears alongside Disinformation on the “Touch Sampler 3” CD, and Phil also exhibited alongside Disinformation in David’s Toop’s spectacular “Sonic Boom” exhibition at the London Hayward Gallery, April to June 2000.

I have clear memories of discussing the finer points of the so-called Darwin Awards with Minoru, Phil, Mike and Masami Akita – “High Five” also to Ikue Mori and Terre Thaemlitz, and a particularly revealing encounter with a senior official of the British Council, in the “Irish” pub on the ground floor of Tokyo Opera City Tower, shopping for Godzilla toys for Phil’s son, extraordinary trips around the backstreets with sound artist Atau Tanaka, and Phil’s endless bemusement at Japanese cuisine.

https://www.ntticc.or.jp/en/feature/2000/Phase_of_Post_Music/Events/event02.html

https://www.flickr.com/photos/disinfo/35669376503/

I was also saddened to hear about the passing of the electronic musician Mira Calix… we didn’t know each other, but Mira sent nice messages about my work. Thank you Mira.

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Disinformation “Antithesis” [virtual exhibition] ****

Portal – https://newart.city/show/schemata-disinformation-antithesis

Full description + user guide – https://tinyurl.com/2p8zjvm

“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991

Love Russia, Hate Putin! ****

Real ways you can help Ukraine –

https://supportukrainenow.org

Electromagnetic Sound Art – Disinformation and “National Grid” – 1996 to 2022

Disinformation, National Grid, live at Cargo nightclub 17 February 2005

Transmission Ecologies Ep. 13, featuring “National Grid” by Disinformation. Podcast produced for Transmission Ecologies, broadcast by Movement Radio, for Onassis Stegi, Athens.

• Disinformation – National Grid – remixed by Bruce Gilbert – 1997
• Disinformation – National Grid (VLF radio recording, original LP version) – 1996
• Pathé News / British Pathé – Pylon Men (documentary) – 1956
• Disinformation – National Grid – remixed by Bruce Gilbert – 1997
• Pathé News / British Pathé – Pylon Men (documentary) – 1966
• Disinformation – Radiate + National Grid + Loran-C – 1999 *
• Moscow Popular Science Film Studio – Plus Electrification (documentary) – c.1960
• Disinformation – Live in Moscow – featuring Mike Walter + Andy Knight – 2000
• Moscow Popular Science Film Studio – Plus Electrification (documentary) – c.1960
• Disinformation – National Grid – featuring Ilia Rogatchevski – 2018 *
• Disinformation – London Underground (VLF field recording) – 2002 *
• Disinformation – Bexleyheath to Dartford (VLF field recording) – 2002 *

* NB: tracks remixed January 2022. Total running time: 57:30.

Click here (scroll down for description) – https://tinyurl.com/25nh385p

Also available on Mixcloud – https://tinyurl.com/2p9eec8r

Original broadcast 18 January 2022, special thanks to Afroditi Psarra.

“The Internet Does Not Exist”

“Inspired by the e-flux volume The Internet Does Not Exist and including a reading of the introductory chapter by editors Julieta Aranda, Brian Kuan Wood and Anton Vidokle, Ep. 3 of The Reader’s Catalogue serves you nostalgia over this thing we used to call the internet…”

• Disinformation – Language [as] Meta-Technology
• Daphne X – Echo to Herself
• Stine Janvin – Fake Synthetic Music
• Holly Herndon – Home
• Lyra Pramuk – Xeno
• Kuedo – Story of the Wolf
• Meuko! Meuko! – About Time
• Arca – Mother
• Sega Bodega – 3310
• Empty Set – Bloom
• Patrick Belaga – Impiety
• Dustbreeding – Nils Frahm Says (Distorted)
• L-Vis 1990 FT Girl Unit & ADR – Love Focused Like A Laser (Theme)
• J.S. Bach – Das Alte Jahr Vergangen Ist / BWV 614
• Daphne X – Eva’s Monologue
• Eterna – Industry Night

http://www.movement.radio/show/The-Internet-Does-Not-Exist-29092021

Also on Mixcloud – https://www.tinyurl.com/2p98pmkv

Programme produced by Dust Breeding for Movement Radio

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