The Disinformation video installations “Spellbound” [aka “An Allegorical Portrait of J. Robert Oppenheimer”] (2001) and “Ammonite” (2009) featured in the “Light | Sensitive | Material” conference at the University of West London, 1st to 2nd November 2019. Both works were exhibited on rotation throughout the conference – “Spellbound” as part of an artists’ showreel, featuring work by Verity Adriana, Disinformation, Sylvia Grace Borda, Tim Daly, Karel Doing, Rebecca Goddard, David Kendall, Vrinda Seksaria, Carolin Lange, Joseph Moore, Andrea Muendelein, Sam Nightingale, Paul Proctor, Sonya Robinson and Ana Teresa Vicente; while the “Ammonite” exhibit played-out “solo” – as a self-contained, split-screen installation, displayed across two broadcast monitors. Special thanks to Michelle Henning and Theresa Mikuriya for programming the artworks.
The conference also included papers by Abelardo Gil-Fournier, Daniel Rubinstein, Elizabeth Howie, Howard Caygill, Joel McKim, Kim Knowles, Lara Thompson, Laura Marks, Liz Watkins, Lucy Mensah, Michelle Henning, Niharika Dinkar, Ohad Zehavi, Paul Frosh, Peter Bennett, Peter Buse, Pierre Pernuit, Stephen Turner, Susanna Collinson, Theresa Mikuriya, Tomas Dvorak, Tonje Sorenson and Victor dos Reis.
Click on “Artist Programme” – https://www.uwl.ac.uk/light-sensitive-material
“Spellbound” also screened at the Moving Image Salon, Film & Video Umbrella, London, 13 Sept 2019.
International Lawns + Disinformation + the Rural College of Art
Friday 5 July to Sun 28 July 2019
11am to 6pm Fridays to Sundays
Closed Mondays to Thursdays
White Box Gallery
5 Hare & Billet Road
Blackheath
London SE3 0RB
Opening reception Friday 5 July 6pm to 8pm
In his essay “Meanings of Landscape” (“Places of the Mind”, RKP 1949) the critic and curator Geoffrey Grigson described how “some people have ignored the personal factor” in writing on landscape art, and have attempted “to deduce from landscape rules of its own aesthetic”, describing the influence on art (and on art writing) of “a romantic pastime of English travellers in the eighteenth century” who sought to postulate “a kind of psychology divorced from the individual soul”. Particularly in response to the work of the painter John Constable, “Places of the Mind” proposed the alternate hypotheses that “landscape is you and me”, discussing how “we project ourselves” into an actual or painted landscape, “which then reflects our own being back to our eyes”.
https://www.domobaal.com/artists/international-lawns-bio.html
https://www.domobaal.com/artists/david-gates-bio.html
Exhibition Guide – https://tinyurl.com/y4f3z3xe
https://www.instagram.com/internationallawns/
https://www.instagram.com/xxruralxx/