0rphan Drift, Acala, Accidental Records, Acoustics, Act of Creation, Adaadat Ash International, Adaadat Records, Aesthetica, Aesthetica Magazine, Agni, Alchemy Festival, Alice Herz, Allegorical Portrait, Allegorical Portrait of Roger Bacon, ALM Busy Circuits, Ammonite, Ammonite Video Installation, Amoenus, An Allegorical Portrait of Roger Bacon, Andrew Dickson, Anna Barham, Annka Kultys, Antithesis, Apiary Studios, Architectural Acoustics, Architectural Space, Argos Centre, Argos Centre Brussels, Argos Centre for Audiovisual Arts, Argos VZW, Art and Perception, Art Blocks, Art Journal, Art-Science, Artificial Lightning, Artist, Arts Catalyst, Arts Catalyst Radio, Ascension, Audint, Audio Art, Audio Convolution, Audio Installation, Audio Rorschach, Audiokinetic Art, Auditory Rorschach, Auto-Creative Art, Auto-Destructive Art, Autocreative Art, Autodestructive Art, Barbara London, Barbican Art Gallery, Batō Kannon, Belshazzar's Feast, Biennale, Big Black, Bill Viola, Blank Forms, Blast First, Blue Tapes, Book of Ascension, Books of Ascension, Bornemisza, Brachliegen Tapes, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brion Gysin, British Museum, Bruce Nauman, Brussels, Cable Depot, Café Oto, Cafe OTO / Otoroku, Camden Arts Centre, Carl Michael von Hausswolff, CAS, Catherine Elwes, Catholic Worker, CCA Brighton, CCA Glasgow, Cement, Cement Fields, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Chinabot, Chisenhale, Chisenhale Gallery, Civilisation and its Discontents, Clot Magazine, CM von Hausswolff, Cochlear Implant, Cognitive Sensations, Collective Act, Colliding Lines, Contemporary Art Society, Contemporary Art Tasmania, Convolution, Courtisane Festival, Culture Coventry, Cyanotapes, Cyril Roy, Dark Morph, David Rickard, David Roberts Art Foundation, Dazed and Confused, Dazed Digital, Demo Moving Image, Destruction in Art Symposium, DIAS, Digicult, Discord, Discrepant, Disinformation, Disobey, Dorian Gray, Dream Machine, Dreamachine, Drone, Dronica, Dronica Festival, E-Flux, Eastbourne, Electromagnetic Noise, Electromagnetism, Electronic Arts Intermix, Electronic Noise, Electronic Noise Music, Electronic Sound, Eleni Ikoniadou, Elpida Hadzi-Vasileva, Enter The Void, Equitable Vitrines, Erika Blumenfeld, ERTZ, Experimental Art, Experimental Film, Experimental Music, Experimental Portraiture, Experimental Video, Fabrica, Fabrica Brighton, Fabrica Gallery, Félicie d’Estienne d’Orves, Fermynwoods, Fields, Fifteen Questions, Film & Video Umbrella, Finissage, Fire, Fire and Light, Fire Halo, Fire in the Eye, Flat Time House, Fondation Daniel Langlois, Fort Process, Fort Process Festival, Freud Museum, Future Pace, Future\Pace, FVU, Gallery 46, Gary Hill, Gaspar Noé, Gazell.io, Gazell.io Project Space, Gazellio, Gazello Art House, Generative Art, Generative Video, Generative Video Art, Georgia Gardner Gray, Gertrude Contemporary, Glenn Branca, Gold SF, Goldsmiths, Goldsmiths APRU, Goldsmiths CCA, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - 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