0 BPM, 0rphan Drift, 3D Audio, 3D Sound, 50 Hertz, 50Hz, A Cosmic Ray Muon, A Spectre - Haunting, A.n0nE, AA, AA Gallery, Absolute Value of Noise, Action Research, Adrian Searle, Adventures in Sound Art, Aeolian Harps, Aerside, Aesthetica, Aesthetica Magazine, AHRC, Ain Bailey, Air Can Break Your Heart, Aki Onda, Alejandro Zhang, Alexandra Maciá, Alexandre da Cunha, Alternating Current, Alternating Current Electricity, Amanprit Sandhu, Ambient Drone, Ambisonic, Ambisonics, Ami Clarke, Amoenus, Amoenus Sound, AmoenusSound, Amplified, An Electromagnetic Shower, Andrew Dickson, Andrew Nairne, Anil Seth, Aniruddha Das, Anithesis, Anna Friz, Anti-Futurism, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Antithesis, Aphex Twin, Arcadia, Architectural Association, Architectural Brutalism, Architectural Modernism, Architectural Review, Architectures of Abundance, Aria Dean, Ariane Koek, Arie Altena, Art Blocks, Art Electricity, Art on the Underground, Art-Science, Artist, Arts at CERN, Arts Science, Ash International, Atmospheric Electricity, Atmospherics, Audint, Audio Art, Audio Artist, Audio Installation, Audio Rorschach, Audio-Kinetic Art, Audiokinetic Art, Audiosfera, Audiosphere, Auto-Creative Art, Auto-Destructive Art, Autocreative Art, Autodestructive Art, Bankside Power Station, Barry Phipps, Battersea, Battersea Power, Battersea Power Station, BBC Programme Research Department, BBC Radio 3, BBC Radio 4, BBC Radiophonic Workshop, BBC Sounds, Ben Drew, Benedict Drew, Berlin, Bernard Wolfe, Bianca Biberaj, Bianca Roden, Binaural Beats, Black Noise, Blanck Mass, Blast First, Bornemisza, Brain Wave, Brian Eno, Bright Sparks Trail, Brilliant Noise, British Library, British Library Sound Archive, Broken Syntax, Brutalism, Brutalist, Brutalist Architecture, Cable Depot, Café Oto, Call and Response, Call and Response Studios, Cambridge University, Carl Michael von Hausswolff, Caroline Jones, Carsten Nicolai, Cavendish Art Science, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, Caylie Stapes, CCA, CCA Annex, CCA Glasgow, CCA Glasgow Annex, CCA Goldsmiths, Celeste, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, China Mieville, Chris Firth, Chris Ford, Christian Rauch, Christina Kubisch, Christina Kubisch - Electrical Walks, Clare Lilley, Clot Magazine, clxo, CM von Hausswolff, Cold Light, Contemporary Art Society, Control Room A, Control Room B, Corsica Studios, Cosmic Ray Muon, Cross Sections, Currents, D&B Audiotechnik, Dan Tapper, Daniel Tapper, Daphne Oram, Dark Morph, David Rickard, David Roberts Art Foundation, Deciphering a Broken Syntax, Deep Wireless, Delia Derbyshire, Desmond Briscoe, DH Lawrence, Dhangsha, Didier Queloz, Digicult, Digital Arts and Experimental Media, Direct Current, Discord, Discord Server, Disinformation, Disinformation - Antiphony, Disruptive, Disruptive Frequencies, Drone, Drone Music, Dronica Festival, Dub Morphology, Dubmorphology, Dushume, DXARTS, E-werk, E-werk Luckenwalde, E-Werk Luckenwalde Engine Room, E-Werk Luckenwalde Turbine Hall, Ear Hustle, Eastbourne, Edelmat, EEG, Electric Boulevard, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Nature, Electrical Noise, Electrical Walk, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electro Encephalogram, Electro Encephalograph, Electro Encephalography, Electroencephalogram, Electroencephalograph, Electroencephalography, Electromagnetic Black Noise, Electromagnetic Fields, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Shower, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Space, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Art Festival, Electronic Noise, Electronic Writing, Electrosonic, Elektrizitätswerk, Eleni Ikoniadou, Elephant & Castle, Elpida Hadzi-Vasileva, Emma Enderby, Engine Room, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Erased Tapes, Erased Tapes Sound Gallery, Erika Blumenfeld, ERTZ, ERTZ Festival, Esteban Agosin, Experimental Art, Experimental Music, Experimental Sound, Experimental Video, Exquisite World, Extreme Noise, Fabrica Brighton, Fabrica Gallery, Faraday Memorial, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Félicie d’Estienne d’Orves, Felix Ashford, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti Archive, Festival of Power, Festiwalu, Forma, Fort Process Festival, Fram Kitagawa, Frequencies, Frgmnt, Frieze, Frieze Magazine, Future Pace, Future\Pace, Futurism, Gabriel Prokofiev, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Gary Stewart, Gascia Ouzounian, Gazell.io, Gazell.io Project Space, Gazellio, Gazello Art House, Generative Art, Geomagnetic Field, Geomagnetism, Gerard Carson, Gertrude Contemporary, Ghostworker, Girton, Girton College, Glass Salt, Gold SF, Goldsmiths, Goldsmiths APRU, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths Shorts, Goodiepal, Goodiepal and Pals, Graham Foundation, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Greg Hilty, Gregory Orr, Grid Music, Gustav Metzger, Guy Veale, Hannah Corrie, Hans Berger, Haroon Mirza, Haunting, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Heinrich Dove, Heinrich Wilhelm Dove, Helsinki, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hypha 1, ICA, ICA London, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectika, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Immersive Artistic Experiences, Immersive Sound, Immersive Sound Installation, Immersive Spatial Sound, In Situ, Industrial Records, Information War, Installation Art, Institute of Contemporary Arts, Interference, International Times, Intonarumori, Jack Jelfs, James Bailey, Jónsi Birgisson, Jean Khalfa, Jeff Koons, Jenn Leung, Jeremy Baumberg, Jo Grys, Jodrell Bank, Joe Banks, Joe Gerhardt, Johann Diedrick, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, Jordan Baseman, José Alejandro Rivera, K/not, Katharina Worf, Keith Sargent, Kerber Verlag, Kettle's Yard, Kiasma, Kiasma Helsinki, Kinetic Art, Kinetic Audio, Kinetic Audio Art, King's Place, Kings Place - Sound Unwrapped, Knife Loop, Knifeloop, Kode 9, Kubisch, Kumbirai Makumbe, Kunstradio, Kunststrom, Lance Sieveking, Language [as] Meta-Technology, Late Junction, Laurie Anderson, Lawrence Abu Hamdan, LCC Crisap, Le Bon Accueil, Leeds 2023, Leeds2023, Leonardo Magazine, Leonardo Music Journal, Let There be Language, Life Loop, Lifeloop, Lift 109, Lighthouse Brighton, Lindsay Seers, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisson Gallery, Listening Arts Channel, Live Mains Electricity, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London Underground, London’s Overthrow, Lords of Lightning, Low Frequency Radio, Luckenwalde, Luigi Russolo, Maggie Roberts, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Movie, Magnetics, Mantra & Djinn, Mantra b2b Djinn, Marcus Du Sautoy, Mariele Neudecker, Markus Buehler, Martin Rees, Marwan T Assaf, Matt Lewis, Matt’s Gallery, Matts Gallery London, Melissa Franklin, Metaverse, Metaverse Spatial Audio, Mete Atatüre, Metro, Metro Magnetics, Michael Faraday, Michael Faraday Memorial, Michel Faber, Mika Vainio, Mike Fell, Mike Nelson, Minimal Disinformation, Modernism, Modernist Architecture, Mona Tasmania, Monica Bello, Monoskop, Moon Phases, Movement Radio, Movement Two, MSCTY, MUMA Melbourne, Museo Reina Sofia, Music and Sound Residency, Music City, MusicCity, Musicity, Mute Records, Naomi Alderman, Nathaniel Mellors, National Grid, National Grid Music, National Sound Archive, Natural Radio, Neural Magazine, New Adventures in Sound Art, New Art City, New Landscape, New Landscape of Electronic Writing, Nice Little Static, Nicholas Delap, Nick Luscombe, Nicola Triscott, Nicole Raymond, Nigel Stanford, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nikola Tesla, Nikolas Tesla, Nine Elms, Nkisi, Noise, Noise Machines, Noise Music, Non-Classical, Nonclassical, Oceanallover, Onassis Stegi, Optikinetic Instruments, Optokinetic Art, Optokinetic Video, ORF Kunstradio, Oscar Nearly, Oscillations, Otherness, Otherness Festival, Output Field, Outputs, Outputs AV, Outputs_AV, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace Gallery Discord, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pamela Davis Kivelson, Pan Sonic, Panasonic, Passengers, Paul Fletcher, Paul Purgas, People Doing Physics, Performance Electrics, Performance Electrics gGmbH, Peter Matthews, Phillip Ball, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Polly Atkin, Poly Kicks, Polykicks, Power, Power Cuts, Power Nights, Power Station, Project Space, Proxemia, Proxemica, PRS Foundation, PRSF, Psychoacoustics, Pylons, Quantum Materials, Quantum Materials Group, Quinta, Radio 3, Radio 4, Radio Bronka, Radio Halo, Radio Interference, Radio Noise, Radio Picnic, Radio Picnic Berlin, Radiophonic Music, Radiophonic Workshop, Radiophonics, Radiophrenia, Radiophrenia Glasgow, Radiotopia, Rana Begum, Rapture, Rare Frequency, Raster Noton, Ray Dolby, Ray Dolby Centre, Ray Fearon. Paul Frankl, Research Group, Resonance, Resonance FM, Richard D. James, Richard James, Riverside Radio, Rob Bowman, Rob Mullender, Roberts Art Foundation, Robin Klassnik, Robin Rimbaud, Rodney Gordon, Rorschach Audio, Rosie Cavaliero, Rough Trade, Rough Trade Books, Rough Trade Records, Royal College of Art, Royal College of Music, Rupture, Ruth Garde, Ruth Jarman, Ryochi Kurokawa, Sadie Coles, Sadie Coles HQ, Salon Bruit, Salon de Bruit, Sam Stokes, Samuel Capps, Sarah Bohndiek, Savvy Contemporary, SAVVYZAAR, Scanner, Schemata, Schemata Art, Schemata Arts, Sci-Art, Seamus O’Donnell, Seers/Sargent Exhibition Circle, Semiconductor, Semiconductor Films, Serpentine, Serpentine Gallery, Serpentine Gallery London, Server, Siân Ede, Signal to Decay, Signal to Decay: Volume 1, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Sluice HQ, Sluice Magazine, Soho House Magazine, Solar Noise, Solar Radio, Somerset House, Somerset House Studios, Somerset House Studios Music and Sound, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Art, Sonic Artist, Sonic Garden. Immersive Audio, Sonics Series, Sound & Music, Sound and Politics, Sound Archive, Sound Art, Sound Artist, Sound Group, Sound Image Research Group, Sound Installation, Sound Minds, Sound Politics, Sound Practice, Sound Research Group, Sound Studies, Sound Theory, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 22, Sound/Image Research Centre, SoundImage, SoundImage 22, South Bank Centre, South London Gallery, Southampton, Southbank Centre, Sparks, Spatial Audio, Spatial Sound, Spectre, Spectre Haunting, Spectre Haunting Europe, Stargate, Static, Station, Stephen Spender, Steve Goodman, Steve Kennedy, Steven Kennedy, Strange Attractor, Strange Attractor Press, Suchitra Sebastian, Sunset Sunrise Sunset, Super Blue, Superblue, Suprematism, Surges, Susan Hiller, Suzie Shrubb, Synaptic Island, Talbot Rice, Talbot Rice Gallery, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, Tecsonics, Terms of Service, Tesla, Test Department, Test Dept, Text Sound, TG, Thanet Tape Centre, The Act of Creation, The Aelectrosonic, The Electrosonic, The Guardian, The ICA, The Quietus, The Rapture, The Rumble, The Stuff of Radio, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Throbbing Gristle, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Dixon, Toby Heys, Tomás Saraceno, Touch Records, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transmission Ecologies, Transmission Ecologies - Movement Radio, Transmitting Object, Transmitting Object Behaviours, Trebuchet Magazine, Trevor Mathison, Tricor, Troika, Turbine Hall, Turbine Hall A, Turbine Hall B, Turner Contemporary, Turner Contemporary Margate, Two Protons, Tyler Maxin, Ulyana Gumeniuk, Under Ether, Underground Flower, University of Cambridge, University of Greenwich, University of Westminster, Unsoundu, Unsoundu Festiwal, Value of Noise, Verso, Very Low Frequency Radio, Video Art, Virtual Art, Virtual Art Exhibition, Virtual Art Platform, VLF, VLF Interference, VLF Radio, VLF Radio Noise, Volume 1, Warp Record, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wayne McGregor, We Are All Bats, Web3, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, White Noise, Words and Music, Words and Music - Electricity, Wysing Polyphonic, Young Guns, Zabludowicz Collection, Zero BPM
Electromagnetic Sound Art in Virtual Exhibition Space ****
After entering the “Antithesis” exhibition portal – see earlier post – click anywhere to explore the three-dimensional exhibition space. In particular, after watching the eye videos (titles “Scintillating Scotoma” and “Untitled_Eye”) be sure to pass through the eyes into the space behind, then into the luminous rectangle behind the screen (this space is described in the exhibition notes in comparison to “The Ipcress File”).
Alternately, enter the “catalog” view (accessible via the main menu) to access a two-dimensional library of the exhibited videos and sounds. The “catalog” view offers powerful tools for user-controlled remixing of all the sound files. Sound works can be played individually, in any sequence, and together, in any combination…
Control-clicking the forward “play” buttons enables users to loop the chosen sound files. Clicking the “loudspeaker“ symbol enables precise control of audio volume. Clicking the “3 dot“ symbol enables control of playback speed – 25% to 200%.
Recommended “solo” play-outs include the tracks – “Radiate + National Grid”; “Kwaidan, Part 1”, and “National Grid 1” (spring reverb + virtual string quartet).
Recommended user remixes include – “Kwaidan 3” + “Artificial Lightning” + “London Underground”; “Ghost Shells” (multiple track options) + “9V DC Supply with Home-Made Copper Solenoid” + “Electricity of the Mind”.
Try playing “National Grid 1” + “Bexleyheath to Dartford” – both at 25% speed. Experiment with watching different video works while remixing the sounds.
Portal – https://newart.city/show/schemata-disinformation-antithesis
Full description + user guide – https://tinyurl.com/379w9wfu
Works best on a PC or laptop (not mobile devices).
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Rorschach Audio + Disinformation 