+Electrification, 20Hz, 35MW, 50Hz, 60Hz, 840 Series, 85A Collective, A History of the Universe in Sound, A Machine to Listen to the Sky, ABC Soundproof, AC, AC Projects, AC Projects Counterflows, AC-DC, AC/DC, ACCA, ACCA Melbourne, Acid Brass, Acidges, Add N to X, Adriana Knouf, Afroditi Psarra, Agency Gallery, Akio Suzuki, Akitoshi Honda, Albert Einstein, Alessandra Eramo, Alexander Garsden, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Andquestionmark, Angelica Sule, Anita Zabludowicz, Ann Lislegaard, Ann Shenton, Anna Friz, Anne Zeitz, Annika Kahrs, AnOther Magazine, AnOtherMag, Anstruther, Antiopic, Antiphony, Aphex Twin, Architectonic Studies of Radio, Architecture as an Instrument, Archive, Ariane Koek, Arno Penzias, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art Contemporary, Art of Failure, Art of Failure Collective, Art on the Underground, Art UK, Artangel, Artist, Artistic Inventiveness, Arts Catalyst, Arts Catalyst Radio, Arts Council Collection, Arts Council Tokyo, Arts Science, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly 2020, Assembly of Disturbance, Astrid Bowron, Atau Tanaka, Atelier Nord, Atrocity Exhibition, Audible Light, Audint, Audio Art, Audio Rorschach, Audio Spatial Composition, Audio Sphere, Audiosfera, Audiosphere, Audiosphere: Social Experimental Audio, Audiosphere: Social Experimental Audio Pre- and Post-Internet, Audiovisual Culture, Auditory Perception, Audrey Briot, Australian Centre for Contemporary Art, Autopneumatx, AV Festival, AV Festival Newcastle, Échos Magnétiques, Ö1 Kunstradio, B-Side Festival, Baku, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Balzer Projects, Barry 7, Barry Burns, Barry Smith, Basel, Bastard Assignments, BBC Radio, BBC Radio 3, BBC Radio 4, BBC World Service, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Ponton, Benedict Cumberbatch, Benoit Mandelbrot, Big Bang, Bill Drummond, Bill Kouligas, Black Sands, Blah Blah Blah, Blast First, Blast Magazine, Block Universe, Bloomberg, Bloomberg New Contemporaries, Bold Tendencies, BOUM, Brandon LaBelle, Brian Eno, Brighton Fabrica, Brilliant Noise, Broadcasts, Bruce Gilbert, Bruce Nauman, Buried Treasure Records, C, C4i, Café Oto, Caleb Kelly, Call & Response, Call and Response, Calvert 22, Camberwell, Camberwell College of Arts, Cambridge, Camden Arts Centre, Cameron Perry Fraser, Carolin Schnurrer, Carsten Holler, Carsten Nicolai, Carsten Seiffarth, Catalyst Radio, Cathie Boyd, Cave Leeds, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Glasgow, Center for Art and Media Karlsruhe, Centre for Art and Media, Centre for Audio Visual Experimentation, Centre for Contemporary Arts, CERN Geneva, Chalton Gallery, Chalton Gallery London, Changing Signals, Channels, Chaos Media, Charlie Fox, Chess Boughey, Christian Marclay, Christina Kubisch, Christine Kim Sum, Christoph Cox, Chus Martinez, City of Drones, Claudia Mareis, Clélia Barbut, Close Lightning, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, Code Poetry, Cold War, Composition for Tuning an Architectural Space, Concretism, Construction of an Act, Contemporary Art, Contemporary Art Society, Counterflows, Counterflows at Home, Counterflows Festival, Counterflows Glasgow, CRISAP, Critical Media Lab, Critical Media Lab Basel (IXDM), Cryptic, Crystal World, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Cultural History, Cultural History of the Ghost, Current War, Dalston Bunker, Damien Hirst, Damien Simon, Damon Kruskowski, Dan Tapper, Daniel John Jones, David Clegg, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, DCA Dundee, DDMMYY, De La Warr Pavilion, Deep Media Research, Defasten, Delaware Road, Deptford Power Station, Detektors, Deutschlandfunk Kultur, Devonshire Collective, Digital Art House, Digital Ethereal, Digital Nature, Direct Current, Direct Current (DC), Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, Disobey, Disturbance, DJ Food, Dmitri Prigov, Dnieper Hydro-Electric Power Station, Dolly Dolly, Domestic EMI, Dorit Chrysler, Doug Kahn, Douglas Kahn, Dr Simon Foster, Dr. Saskia Steinmann, Dr. Walford Bodie, DRAF, DRAF Broadcasts, Drew Mulholland, Drone Music, Dundee Contemporary Arts, DWLP Bexhill, E.A.R., EAM, Earth Sound Earth Signal, Eartheater, Eastbourne, Ecology of Fear, Eigen+Art, Eigen-Art, El Reina, El Reina Sofía, Electric, Electric Wizard, Electric Wizard of the North, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electro Putere, Electro-Magnetic Musical, Electromagnetic Art, Electromagnetic Audio, Electromagnetic Force Fields, Electromagnetic Forces, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Audio Research, Electronic Bauhaus, Electronic Music, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Elektronische Art & Music, Elektronische Art and Music, Eleonora Oreggia, Elizabeth Alker, Elizaveta Butakova-Kilgarriff, EMARE, Emily Bick, Empty Set, Energies In The Arts, Energy Flow, Enlighten Manchester, Eric Demetriou, Eric La Casa, Erratum, Evening Standard, Everything at Once, Ewerk, Ewerk Luckenwald, Ex Voto, Experimental Design and Media Cultures, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Faraday Cage, Felix Carey, Felix Kubin, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festival of Light & Sound Art, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, FHNW Basel, FHNW IXDM, Field, Fieldwave, Filthy Lucre, Flat Time House, Flatpack Festival, Florian Hecker, Forked Forest Path, Fracture Patterns, Francisco Lopez, Frank Swain, Freunde Guter Musik, Freya Schack-Arnott, Furtherfield, Future Pace, Futurecity, Future\Pace, Futurism, Gabriel Prokofiev, Galerie für Zeitgenössische Kunst, Galerie Thaddaeus Ropac, Garden of Russolo, Gazelli Art House, Geoffrey Grigson, George Westinghouse, GFZK Leipzig, Ghostcode, Gina Buenfeld, Girton College, Girton College Cambridge, Glasgow, Glitch Saunders & Hill, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goodiepal, Goodiepal and Pals, GR-Uniforma, Graham Dunning, Great Britain Sasakawa Foundation, Greenwich Power Station, Grid Music, Guy Haywood, GV Art, Hari Kunzru, Haroon, Haroon Mirza, Haroon Mirza Outputs, Haroon Mirza: The Construction of an Act, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Hauser & Wirth, Hayley Newman, Hayward Gallery, Hear & Now, Hear and Now, Heather Phillipson, Heinrich Barkhausen, HeK, HEK Basel, HEK Haus der elektronischen Künste, Heliosphere, Henry Moore Foundation, Honor Harger, Howlround, HRM199, HRM199 Ltd, HRM199 Outputs, Hull 2017, Hull Time Based Arts, Humber Street Gallery, Hyperdub, i-D magazine, Iain Chambers, Ian Helliwell, Ian Stonehouse, Iklectik, Iklectik Art Lab, Iklectik Offsite, Illusions, Imperial War Museum, IMT Gallery, In the Studio, Industrial Language, Inflamed Invisible, Information, Information Disinformation, Infrasound, INS, Installation Art, Installation No. 3 for High and Low Frequencies, International Necronautical Society, Intonarumori, Inverness to Edinburgh, Invisible Dust, Invisible Forces, Irene Revell, Isn’tses, IWM North, IXDM, IXDM Basel, J.G. Ballard, Jack Jelfs, Jake Chapman, James Ginzburg, James Rushford, James Webb, Jamie Allen, Jamie XX, Jana Winderen, Jarvis Cocker, Jean Perrin, Jeff Gburek, Jeff Kolar, Jeremy Deller, Jeremy Gravayat, Jeremy Keenan, Jessica Aszodi, Jez Riley French, Jo Melvin, Joe Banks, Joe Gerhardt, John Cale, John Drever, John Hansard Gallery, John Latham, John Macedo, John Squire, John Squire: Disinformation, John Wynne, Jonathan Kemp, Jorgen Teller, Joshua Portway, Joyce Hinterding, Judith Clark, Juergen Teller, Julia Peyton-Jones, Julian Mader, Julie Cunningham, Julius Meytuss, Juun J, Karl Hyde, Karl Jansky, Karst, Karst Plymouth, Kate Carr, Katharina Worf, Kathryn Ashill, Kathy Acker, Körper im Elektromagnetischen Feld, Kelvedon Hatch, Kettle's Yard, Kinetic Art, Kirsty Ogg, KKW Leipzig, Klangkunst, Kode 9, Kode9, Kontinuum, Koppel Project, Krakow, KRASH, KRASH ZZZT, KREV, Kristen Floos, Kunstkraftwerk Leipzig, Kunstradio, La Belle Electra, Langham Research Centre, Late Night Chameleon Cafe, Laura McLean-Ferris, Laura Netz, Laura Sillars, Laure Genillard, Laure Genillard Gallery, LCC Crisap, LCD, Le Bon Accueil, Leafcutter John, Lee Berwick, Leila Hasham, LG Notations, Liquid Architecture, Liquid Crystal, Liquid Crystal Display, Lisa McKendrick, Lise Autogena, Lise Autogena & Joshua Portway, Lisson Gallery, Listening Challenge, Listenpony, Live Mains Electricity, Live to Air, LN-CC, LNCC, London was the capital of the electricity of the mind, Loose Capacitor, Louis d’Heudieres, Lovely Music, Luckenwalde, Luigi Russolo, Lux, MAD Museum, Magnetic Movie, Magnetic Signals, Magneticsignals, Magnets, Malcolm Poynter, Malgorzata Plysa, Manchester Art Gallery, Manuel Borja-Villel, Marc Langlois, Margot Heller, Marijn Ottenhof, Marius Schwarz, Mark Leckey, Mark Peter Wright, Mark Titchner, Mark Vernon, Mark Vernon & Barry Burns, Markus Steffens, Marta Zapparoli, Martial Hauntology, Martin Clark, Martin Creed, Martin Howse, Martin Messier, Mat Schulz, Matt Lewis, Max Prediger, Mechanical Techno, Men In Space, Merle Ibach, Metronome, MFA Fine Art, Michael Begg, Michael Joo, Michael Shannon, Michelle Hannah, Microwave Background Radiation, Mike Fell, Mike Kelley, Mike Stubbs, Mila Askarova, Mini Oramics, Mira Calix, Mirza, Mobile Homestead, Modern Art Oxford, Mogwai, MOMA Oxford, Monica Bello, Montréal, Mount Vernon Arts Lab, Mountain of Art Research, MTV, Muffled Ciphers, Mummers and Pappers, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Museum of Arts & Design, Museum of Installation, Music and New Art Forms, Music Hackspace, Musica Dispersa, Musical Cities, Mute Magazine, Mute Records, Nadia Thondrayen, NASA, NASA Sound Archive, National Endowment for Science, National Grid, Near Future Laboratory, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Nesta, Neural Magazine, New Analog, New Approaches, New Art Forms, New Contemporaries, New Museum NY, Newport Street, Newport Street Gallery, Nick Cave, Nicolas Maigret, Nicolas Montgermont, Nicolas Nova, No Idea Festival, Non-Classical, Nonclassical, Norbert Weiner, NOVA, Nuclear Bunker, OCM, Olafur Eliasson, Olga Panades, Oliver Beer, Omnempathy, Oonagh Cousins, ORF Musikprotokoll, ORR Scintilla, ORR_Scintilla, Otolith Group, Otomo Yoshihide, Outlands, Outlands Network, Outputs, Overwhelming Waves, Owada, Oxford Contemporary Music, P-A-N, Pace Gallery, Pace London, PAMM, Pan, Panayiotis Vassilakis, Past Present and Future, Past Present and Future of Artistic Inventiveness, Patrick Sykes, Paul Burwell, Paul Jamrozy, Paul Purgas, Paul Smith, Penned in the Margins, Perez Art Museum, Pete Kember, Peter Weibel, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Phantom Terrains, Philip Tagney, Physical Media Matter, PLUNK, PLUNK BOUM, PLUNK BOUM KRASH ZZZT, Plus Electrification, Polly Gaer, Presence, Project DARK, Prolekult, Queen Sofía Museum, Radio 3, Radio 4, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Lab 2022, Radio Phonography, Radio Phrenia, Radio Phrenia Live to Air, Radio Revolten, Radionics Radio, Radiophonography, Radiophrenia, Radiophrenia Live-to-Air, Radioqualia, Radius, RAF Rotor bunker, Raf Simons, Raitis Smits, Rana Begum, Rarely Unable, Rasa Smite, Raster Noton, Raviv Ganchrow, Ray Dolby, Ray Dolby Centre, Ray Lee, RCA, Re-sounding, Recording The Spirit Level, Red Gallery, Regional Seat of Government, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Remainder, Renaud Bajeux, Rennes, Resonance FM, Resonant Architecture, resonantarchitecture.com, Resonanzen, Richard Chartier, Richard James, RKSS, Rob Bowman, Rob Mullender, Robbie Thomson, Robert Helliwell, Robert Wilson, Robert Worby, Robin Rimbaud, Rorschach Audio, Ros Carter, Royal Air Force, Royal College of Art, Royal Institution, RSG, Rubin Museum of Art, Rudolph Arnheim, Ruslan Karablin, Russell Haswell, Ruth Garde, Ruth Jarman, Ryan Jordan, Ryoji Ikeda, Ryuichi Sakamoto, Sabine Himmelsbach, Sadie Coles HQ, Sam Belinfante, Samizdat, Sara Adhitya, Sarah-Jane Lewis, Sasha Engelmann, Satellitic, Satin Island, Scanner, Schirn Kunsthalle, SCHQ, SCHQ Electric, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Limited, Science Ltd, Science Museum, Scope, Scotland’s Secret Bunker, Sculptures Électromagnétiques, Sean Dower, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sensorium of Animals, Seth Kim-Cohen, Sferics, Shannen SP, Shaping Space with Sound, Sheffield, Shift Register, Shintaro Miyazaki, Shiva Feshareki, Siân Ede, Signals, Silent Sound, Simon Foster, Simon James, Simon Parris, Simon Thorogood, Simulation/Skin, Singuhr, Singuhr Projects, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, SLG, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonic, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Arcade, Sonic Art, Sonic Boom, Sonic Electronics, Sonic Electronics Festival, Sonic Field, Sonic Geography, Sonic Ray, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonica, Sonica 2018, Sonica Festival, Sonics, Sonics Series, Sound & Music, Sound Artist, Sound Installation, Sound Practice Research, Sound Sanctuary, Sound Studies, Sounding Out, Sounding Out Practice, Sounding the Body Electric, South London Gallery, Southbank Centre, Spatial Sound, Spectral, Speech Acts, SPR, SSUR, Stanley Picker Gallery, Stephen McGreevy, Steve Goodman, Steven Claydon, Store Studios, Store X, Strange Attractor, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Subterranea Britannica, Suchitra Sebastian, Sunsong, Susan Hiller, Susan Owens, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Sydney Biennale, Sydney Opera House, Sylvia Ross, Takis, Takis Foundation, Takis Foundation Research Center, Takis Foundation Research Center for the Arts and Sciences, Tara Pattenden, Tate Modern, Tate Publishing, TD Redux, Technology and the Arts, TED Talks, Teleplasmiste, Tempting Failure, Terumo Foundation, Test Department, Test Dept, Test Dept Redux, TFL, Thaddaeus Ropac, The Agency, The Agency Gallery, The Atrocity Exhibition, The Crystal World, The Current War, The Electric Wizard of the North, The Ferranti Archive, The Ferranti Collection, The Ghost, The Ghost - A Cultural History, The Live Room, The New Analog, The Otolith Group, The Power of Electricity, The Quietus, The Situationist, The Visitor, The War of the Currents, The Wave Epoch, The Wire, The Wire Magazine, The World Is Sound, Theatre of Revolutionary Action, Theophany, Thomas Edison, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Drage, Tim Spooner, Timothy Morton, Tintin and the Secret of Literature, Tom McCarthy, Tom Mclean, Tone Foundation, Tone Foundation - Music and New Art Forms, TOOT, Totally Out Of Tune, Touch Music, Touch Records, Towner, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transducing Resonant Architecture, Transmission Ecologies, Transmissions, Transmissions TV, Troywood, Turbulent Forms, Twelve Hour Foundation, UCL, Una Ryan, Unclassified, Unconscious Archives, Unit for Sound Practice Research, University of London, University of Westminster, Unsound, Unsound 2020, Unsound Festival, Unsound Krakow 2018, Unsound Lab, Unsound Lab 2020, Urban Sound, Vernon & Burns, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Via Satellite Records, Vice, Victor Mazon Gardoqui, Vincent Honoré, Vincent Van Uffelen, Vinyl Factory, Vitrine, Vitrine Gallery, VLF, VLF Explorer, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, VLF Whistlers, VLF Works, Volksbühne Berlin, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Volta, Voltage, Voluta, Vorticism, Walford Bodie, War of the Currents, Wave Epoch, Waveform, Wayne McGregor, Ways of Hearing, We Break Strings, We Stared at the Moon, We Stared at the Moon from the Centre of the Sun, Wellcome Trust, Werner Moebius, Winter Sparks, Wire, Wire Magazine, Wireless, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Wyndham Lewis, Wysing, Wysing Arts Centre, Wysing Transmissions, Wysing Transmissions TV, X-Name, XFRMR, Xname, Yang Li, Yuko Mohri, Yuko Mohri Exhibition Circle, Yuri Suzuki, Yuri Suzuki Furniture Music, Zabludowicz, Zabludowicz Collection, Zentrum für Kunst und Medientechnologie, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, ZZZT