+Electrification, 50Hz, 60Hz, 840 Series, 85A Collective, A Machine to Listen to the Sky, ABC Soundproof, AC, AC Projects, AC Projects Counterflows, AC-DC, AC/DC, ACCA, ACCA Melbourne, Acid Brass, Acidges, Add N to X, Akio Suzuki, Akitoshi Honda, Albert Einstein, Alexander Garsden, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Andquestionmark, Angelica Sule, Anita Zabludowicz, Ann Lislegaard, Ann Shenton, Anne Zeitz, Annika Kahrs, AnOther Magazine, AnOtherMag, Anstruther, Antiphony, Aphex Twin, Architecture as an Instrument, Archive, Ariane Koek, Arno Penzias, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art of Failure, Art of Failure Collective, Art UK, Artangel, Artist, Arts Catalyst, Arts Council Collection, Arts Council Tokyo, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly of Disturbance, Astrid Bowron, Atau Tanaka, Atelier Nord, Audible Light, Audint, Audio Art, Audio Rorschach, Audio Spatial Composition, Auditory Perception, Australian Centre for Contemporary Art, Autopneumatx, AV Festival, AV Festival Newcastle, Échos Magnétiques, Baku, Balzer Projects, Barry 7, Barry Burns, Barry Smith, Bastard Assignments, BBC Radio 3, BBC World Service, Ben Barwise, Benedict Cumberbatch, Benoit Mandelbrot, Big Bang, Bill Drummond, Bill Kouligas, Black Sands, Blah Blah Blah, Blast First, Blast Magazine, Bold Tendencies, BOUM, Brian Eno, Brilliant Noise, Bruce Gilbert, Bruce Nauman, Buried Treasure Records, C, C4i, Café Oto, Calvert 22, Camden Arts Centre, Carolin Schnurrer, Carsten Holler, Carsten Nicolai, Carsten Seiffarth, Cathie Boyd, Cave Leeds, CCA, CCA Glasgow, Center for Art and Media Karlsruhe, Centre for Audio Visual Experimentation, Centre for Contemporary Arts, CERN Geneva, Chalton Gallery, Chalton Gallery London, Changing Signals, Channels, Chess Boughey, Christian Marclay, Christina Kubisch, Christine Kim Sum, City of Drones, Clélia Barbut, CM von Hausswolff, Code Poetry, Cold War, Composition for Tuning an Architectural Space, Concretism, Construction of an Act, Contemporary Art Society, Counterflows, CRISAP, Critical Media Lab Basel (IXDM), Cryptic, Crystal World, Current War, Dalston Bunker, Damien Simon, Dan Tapper, Daniel John Jones, David Clegg, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, DCA Dundee, DDMMYY, De La Warr Pavilion, Deep Media Research, Defasten, Delaware Road, Detektors, Digital Art House, Digital Ethereal, Digital Nature, Direct Current, Direct Current (DC), Disinformation, Disobey, Disturbance, DJ Food, Dmitri Prigov, Dnieper Hydro-Electric Power Station, Dolly Dolly, Domestic EMI, Douglas Kahn, Dr. Saskia Steinmann, Dr. Walford Bodie, DRAF, Drew Mulholland, Drone Music, Dundee Contemporary Arts, DWLP Bexhill, E.A.R., EAM, Earth Sound Earth Signal, Eartheater, Eastbourne, Ecology of Fear, Eigen+Art, Eigen-Art, Electric Wizard, Electric Wizard of the North, Electrical Currents of the City, Electrical Pulse of London, 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Leipzig, Ghostcode, Gina Buenfeld, Glasgow, Glitch Saunders & Hill, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goodiepal, Goodiepal and Pals, Graham Dunning, Great Britain Sasakawa Foundation, Grid Music, GV Art, Hari Kunzru, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Hayley Newman, Hayward Gallery, Hear & Now, Hear and Now, Heinrich Barkhausen, HeK, HEK Basel, HEK Haus der elektronischen Künste, Heliosphere, Henry Moore Foundation, Honor Harger, Howlround, HRM199, Hull 2017, Hull Time Based Arts, Humber Street Gallery, Hyperdub, i-D magazine, Ian Helliwell, Ian Stonehouse, Iklectik, Iklectik Art Lab, Imperial War Museum, IMT Gallery, In the Studio, Industrial Language, Infrasound, INS, Installation Art, Installation No. 3 for High and Low Frequencies, International Necronautical Society, Intonarumori, Inverness to Edinburgh, Invisible Dust, Invisible Forces, IWM North, IXDM Basel, Jack Jelfs, Jake Chapman, James Ginzburg, James Rushford, Jamie XX, Jarvis Cocker, Jean Perrin, Jeff Kolar, Jeremy Deller, Jeremy Gravayat, Jessica Aszodi, Jo Melvin, Joe Banks, John Cale, John Drever, John Latham, John Wynne, Jonathan Kemp, Joshua Portway, Joyce Hinterding, Judith Clark, Julia Peyton-Jones, Julian Mader, Julie Cunningham, Julius Meytuss, Juun J, Karl Hyde, Karl Jansky, Karst, Karst Plymouth, Kathryn Ashill, Kathy Acker, Körper im Elektromagnetischen Feld, Kelvedon Hatch, Kettle's Yard, KKW Leipzig, Kode9, Kontinuum, Koppel Project, Krakow, KRASH, KRASH ZZZT, KREV, Kunstkraftwerk Leipzig, La Belle Electra, Late Night Chameleon Cafe, Laura Netz, Laura Sillars, Laure Genillard, Laure Genillard Gallery, LCC Crisap, LCD, Le Bon Accueil, Leafcutter John, Liquid Architecture, Liquid Crystal, Liquid Crystal Display, Lise Autogena, Lise Autogena & Joshua Portway, Lisson Gallery, Listening Challenge, Listenpony, Live Mains Electricity, Live to Air, LN-CC, London was the capital of the electricity of the mind, Loose Capacitor, Louis d’Heudieres, Luigi Russolo, Lux, MAD Museum, Magnetic Movie, Malcolm Poynter, Malgorzata Plysa, Manchester Art Gallery, Marc Langlois, Marius Schwarz, Mark Leckey, Mark Peter Wright, Mark Vernon, Mark Vernon & Barry Burns, Martial Hauntology, Martin Clark, Martin Creed, Martin Howse, Martin Messier, Mat Schulz, Max Prediger, Mechanical Techno, Men In Space, Metronome, MFA Fine Art, Michael Shannon, Michelle Hannah, Microwave Background Radiation, Mike Fell, Mike Kelley, Mike Stubbs, Mila Askarova, Mini Oramics, Mobile Homestead, Modern Art Oxford, Mogwai, MOMA Oxford, Monica Bello, Montréal, Mount Vernon Arts Lab, MTV, Mummers and Pappers, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Arts & Design, Museum of Installation, Music Hackspace, Musica Dispersa, Musical Cities, Mute Magazine, Mute Records, National Endowment for Science, National Grid, Near Future Laboratory, Nesta, Neural Magazine, New Museum NY, Nick Cave, Nicolas Maigret, Nicolas Montgermont, Nicolas Nova, No Idea Festival, Non-Classical, Nonclassical, Norbert Weiner, NOVA, Nuclear Bunker, OCM, Olga Panades, Oliver Beer, Oonagh Cousins, Otolith Group, Otomo Yoshihide, Outlands, Outlands Network, Owada, Oxford Contemporary Music, P-A-N, PAMM, Pan, Paul Burwell, Paul Jamrozy, Paul Purgas, Paul Smith, Penned in the Margins, Perez Art Museum, Pete Kember, Peter Weibel, Phantasmata, Phantasmata and Illusions, Phantom Terrains, Physical Media Matter, PLUNK, PLUNK BOUM, PLUNK BOUM KRASH ZZZT, Plus Electrification, Polly Gaer, Presence, Project DARK, Prolekult, Radio Phrenia, Radio Phrenia Live to Air, Radionics Radio, Radiophrenia, Radiophrenia Live-to-Air, Radioqualia, Radius, RAF Rotor bunker, Raf Simons, Raitis Smits, Rarely Unable, Rasa Smite, Raster Noton, Ray Lee, RCA, Re-sounding, Red Gallery, Regional Seat of Government, Remainder, Rennes, Resonance FM, Resonant Architecture, resonantarchitecture.com, Resonanzen, Richard James, Rob Mullender, Robbie Thomson, Robert Helliwell, Robert Wilson, Robin Rimbaud, Rorschach Audio, Royal Air Force, Royal College of Art, Royal Institution, RSG, Rubin Museum of Art, Rudolph Arnheim, Russell Haswell, Ruth Garde, Ryan Jordan, Ryoji Ikeda, Ryuichi Sakamoto, Sabine Himmelsbach, Sadie Coles HQ, Sam Belinfante, Samizdat, Sara Adhitya, Sarah-Jane Lewis, Satellitic, Satin Island, Scanner, Schirn Kunsthalle, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scotland’s Secret Bunker, Sean Dower, Semiconductor, Semiconductor Films, Sensorium of Animals, Seth Kim-Cohen, Shaping Space with Sound, Sheffield, Shintaro Miyazaki, Simon James, Simon Thorogood, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, Some Call it Noise, Somerset House, Somerset House Studios, Sonic Arcade, Sonic Art, Sonic Boom, Sonic Electronics, Sonic Electronics Festival, Sonic Field, Sonic Geography, Sonica, Sonica 2018, Sonica Festival, Sound & Music, Sound Artist, Sound Installation, Sound Practice Research, Sound Sanctuary, Sound Studies, Sounding the Body Electric, South London Gallery, Southbank Centre, Speech Acts, SPR, Stanley Picker Gallery, Steve Goodman, Steven Claydon, Store Studios, Store X, Strange Attractor, Strange Attractor Press, Subterranea Britannica, Susan Hiller, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Sydney Biennale, Sydney Opera House, Tara Pattenden, Tate Modern, TD Redux, Technology and the Arts, Teleplasmiste, Tempting Failure, Terumo Foundation, Test Department, Test Dept, Test Dept Redux, Thaddaeus Ropac, The Crystal World, The Current War, The Electric Wizard of the North, The Live Room, The Otolith Group, The Power of Electricity, The Quietus, The War of the Currents, The World Is Sound, Theatre of Revolutionary Action, Theophany, Thomas Edison, Timothy Morton, Tintin and the Secret of Literature, Tom McCarthy, Tom Mclean, TOOT, Totally Out Of Tune, Touch Music, Touch Records, Towner, Towner Art Gallery, Towner Gallery, Transducing Resonant Architecture, Troywood, Turbulent Forms, Twelve Hour Foundation, UCL, Unclassified, Unconscious Archives, Unit for Sound Practice Research, University of London, University of Westminster, Unsound, Unsound Festival, Unsound Krakow 2018, Urban Sound, Vernon & Burns, Very Low Frequency Radio, Via Satellite Records, Vice, Vincent Honoré, Vincent Van Uffelen, Vinyl Factory, VLF Explorer, VLF Radio, VLF Whistlers, VLF Works, Volksbühne Berlin, Voluta, Vorticism, Walford Bodie, War of the Currents, Waveform, We Break Strings, We Stared at the Moon, We Stared at the Moon from the Centre of the Sun, Wellcome Trust, Winter Sparks, Wire, Wire Magazine, Wyndham Lewis, XFRMR, Xname, Yang Li, Yuko Mohri, Yuko Mohri Exhibition Circle, Yuri Suzuki, Yuri Suzuki Furniture Music, Zabludowicz, Zabludowicz Collection, Zentrum für Kunst und Medientechnologie, ZKM, ZKM Karlsruhe, ZZZT