1+1=3, ACCA, ACCA Melbourne, Acidges, Action Research, Adaadat, Adrian Searle, AHRC, Alternating Current, Amit D Patel, Anil Seth, Aniruddha Das, Art & Illusion for Sound, Art X Neuroscience, Artist, Arts & Humanities Research Council, Ash International, Atau Tanaka, Atelier Nord, Audio Rorschach, Audiovisual Cultures, Australian Centre for Contemporary Art, AXNS Collective, BBC Horizon, BBC Programme Research Department, BCIG.Tec, Bernard Wolfe, Bianca Roden, Bill Kouligas, Binaural Beats, Black Noise, Brain Wave, Brainwave, British Electric Foundation, British Museum, Brommage Dub, Cave Leeds, CCA, CCA Goldsmiths, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, Centre for Contemporary Arts, Chimerization, Chris Firth, Christina Kubisch, Christine Kim Sum, Classical, Cognition, Cognitive Psychology, Cognitive Science, Cold Light, Construction of an Act, Consumer Neuroscience, Contemporary Art Society, D&B Audiotechnik, David Eagleman, Dhangsha, Discord, Discord Server, Disinformation, Disruptive, Disruptive Frequencies, Dub Morphology, Dubmorphology, Dungeon Acid, Dushume, E-werk, E-werk Luckenwalde, EEG, EEGsynth, Electric Walk, Electric Walks, Electrical Walk, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electrics, Electro Encephalogram, Electro Encephalograph, Electro Encephalography, Electroencephalogram, Electroencephalograph, Electroencephalography, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Space, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Music, Elektrizität, Elektrizitätswerk, Everything at Once, Experimental Sound, Exploring Cultural Diversity, Florian Hecker, Frequencies, Future Pace, Future\Pace, Gabriel Prokofiev, Gaia Fugazza, Gary Stewart, Geoffrey Grigson, Gold SF, Goldsmiths, Goldsmiths Audio, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Greenwich University, Grid Music, Hallucination Perspective Synthesis, Hannah Matthews, Hans Berger, Haroon Mirza, Haroon Mirza: The Construction of an Act, Heaven 17, Heinrich Dove, Heinrich Wilhelm Dove, High Boys, Homage with Minimal Disinformation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Human League, Ian Stonehouse, Image Research, Imperial War Museum, Inigo Wilkins, Iris Light, Irreversible Noise, Jack Jelfs, Jean-Louis Huhta, Jeff Kolar, Jimmy Carr, Joe Banks, Joel Stern, John Drever, Katharina Worf, Keith Sargent, Kinetic Art, King's Place, Kunsthalle Wien, Lance Sieveking, Leonardo, Leonardo Music Journal, Lindsay Seers, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisson Gallery, Listening Challenge, London was the capital of the electricity of the mind, Lucia Pietroiusti, Luckenwalde, Lucy Shanahan, MAD Museum, Magic Steven, Magnetic Attack, Magnetic Attacks, Martyn Ware, Marwan T Assaf, Matt’s Gallery, Meditation Machine, Melbourne, MFA Fine Art, Mick Grierson, Mike Fell, Minimal Disinformation, MIT Press, MSCTY, MUMA, Museum of Arts & Design, Music City, National Grid, National Grid Music, Neural Magazine, Neuroaesthetics, Neuroscience, New Museum NY, Nick Luscombe, Nicole Raymond, Nik Nak, Nik Void, Nikki Sheth, NikNak, Nikola Tesla, Nine Elms, Non-Classical, Nonclassical, Ocsid, One Plus One is Three, Optikinetic Instruments, Optokinetic, Optokinetic Art, Optokinetic Arts, Optokinetics, Outputs, Outputs AV, Outputs_AV, P-A-N, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, PAMM, Pan, Paul Bonaventura, Paul Fletcher, Per Huttner, Perception, Perez Art Museum, Performance, Performance Electrics, Peter McGraw, Phillip Ball, Places of the Mind, Poly Kicks, Polykicks, Psychoacoustics, Radioqualia, Radius, Raitis Smits, Rasa Smite, Re Place London, Replace London, Research Group, Resonant Frequencies, Roberts Institute of Art, Robin Dunbar, Robin Klassnik, Rorschach Audio, Royal College of Art, Rubin Museum of Art, Ruth Garde, Sadie Coles HQ, Science Gallery Bengaluru, Science Gallery Chicago, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Seers/Sargent Exhibition Circle, Serpentine Line, Shaping Space with Sound, Signal to Decay, Signal to Decay: Volume 1, Sine-Wave, Somadome, Sonic Agency, Sonic Arcade, Sonics, Sonics Series, Sophie Scott, Sound, Sound Agendas, Sound Artist, Sound as Art, Sound Group, Sound Image Research Group, Sound Practice Research, Sound Research Group, Sound Spaces, Sound Unwrapped, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, SPR, Stephen Whitmarsh, Strange Attractor Press, Super Blue, Superblue, Synthetic Hinge, The Analysis of Beauty, The Brain, The Joke That Isn't Funny Anymore, The Listener, The Power of Electricity, The Science of Laughter, The Skull Defekts, The Stuff of Radio, The Wave Epoch, The World Is Sound, Tim Dixon, Touch Music, Touch Records, Trevor Mathison, Tricor, Turner Contemporary, un Magazine, Unit for Sound Practice Research, University of Greenwich, University of London, University of Westminster, Unwrapped, Urbanomic, Vanessa Joan Müller, Verso, Vinyl Factory, Volume 1, Wave Epoch, Wellcome, Wellcome Collection, Wellcome Foundation, Wellcome Trust, What is Reality, White Noise, Wyndham Lewis, Zabludowicz Collection