Acoustic Anthropology, Acoustic Rorschach, Aetheism, AHRC, Aliens, Andy Farnell, Angels, Art & Illusion, Art & Illusion for Sound, Artefact, Arts & Humanities Research Council, Audio Art, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aural History, BBC Monitoring Service, Bionics Institute Melbourne, Bloomsbury Publishing, Bompass & Parr, Brad Story, Breakthrough, Brian Baker, Buckner, Cave Leeds, Centre for Audio Visual Experimentation, Channel One Channel Two and Channel Three, Cinéma & Cie, Cinema, CM von Hausswolff, Cognitive Science, Communications, Continent, Cultural Theory, Culture Machine, Damion Searls, David Alais, David Marcusson-Clavertz, Day of the Dead, Dead Lines, Deafness and Communication Engineering, Diana Deutsch, Disembodied Voice, Disinformation, Duke University Press, E.H. Gombrich, Electromagnetism, Electronic Voice Phenomena, Etzel Cardeña, Evocative Object, EVP, FACT Liverpool, Faraday Cage, Friedrich Jürgenson, Geoffrey Hlibchuk, Ghost Hunting, Ghost in the Machine, Ghost Orchid, Ghosts, Goldsmiths, Goldsmiths College, Greg Hainge, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Voices in the Noise, Hermann Rorschach, High Static, History of Art, Hugh McDermott, Humanism, Infrasound, Joe Banks, John Buckner, John Palmer, Joshua Gunn, Jurgen Keil, Ken Hollings, Konstantin Raudive, Kristen Gallerneaux, Larry Sider, Lars Riecke, Laurel, Leonardo Music Journal, Liminalities, Listening to Yourself, Maastricht University, Magic Lantern, Mara Mills, Marina Warner, Mark Leary, Mark Underwood, McFarland & Co, Media Culture, Media@McGill, Merge Festival, Michael Esposito, Mike Kelley, Mishearing, Neil Matheson, Neuroscience, New York University, No Such Things As Gravity, Number Stations, On the Phone, Paranormal Research, Parapsychology, Penguin, Penguin Random House, Penn State University Press, Perception, Performance Studies, Pete Bebergal, Peter Bebergal, Politics of Listening, Polyglot Voices, Psychoacoustics, Public Understanding Of Science, Radio Interference, Radio Noise, Random House, Rebecca, Recording Technology, Resonance FM, Robin Rimbaud, Rorschach Audio, Royal College of Art, Sarah Sparkes, Sas Mays, Scanner, School of Sound, Scientific Methodology, Simon & Schuster, Simone Natale, Sonic Art, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sound Design, Sound Studies, Speak Spirit Speak, Spectacular Supernatural, Spectral Paradigms, Speech Science, Spirit Voices, Strange Frequencies, STUK, Supernatural Entertainments, Susan Hiller, Talking to the Dead, Tape Spectra, Tate Modern, Technology and Spiritualism, The Act of Magic, The Inkblots, The Machine and the Ghost, The MIT Press, The New Soundtrack, The Skeptic, The Voice of God, Thomas Y. Levin, Tom Butler, UFOs, Unit for Sound Practice Research, University of Arizona, University of Sydney, University of Westminster, Vic Tandy, Victorian Spiritualism, Vinyl is Dead, VLF Radio, Vocal Phantoms, What do You Hear?, White Noise, Yanny, Yanny or Laurel?
Rorschach Audio – Citations & References
Updates to the list of books and research papers that quote the version of “Rorschach Audio” published by The MIT Press in “Leonardo Music Journal” in 2001, and the “Rorschach Audio” book that was published in 2012…
Brian Baker – “Contemporary Masculinities in Fiction, Film & Television”, Bloomsbury USA, 2015 (see the chapter “Tape Spectra”)
John E. Buckner V and Rebecca A. Buckner – “Talking to the Dead, Listening to Yourself – An Empirical Study on the Psychological Aspects of Interpreting Electronic Voice Phenomena”, The Skeptic Magazine, volume 17, issue 1, 2012
Andy Farnell – “Sonarchy in the UK: is Sound Design a Rebellious Teenager?”, The New Soundtrack, volume 4, issue 2, pages 89 to 102, Aug 2014
Joshua Gunn – “On Recording Performance; or Speech, the Cry, and the Anxiety of the Fix”, Liminalities: A Journal of Performance Studies, volume 7, issue 3, Autumn 2011
Greg Hainge – “Vinyl is Dead, Long Live Vinyl: The Work of Recording & Mourning in the Age of Digital Reproduction”, Culture Machine [online journal], volume 9, 2007
Geoffrey Hlibchuk – “This Secret Charm of Numbers: The Clandestine Relationship Between Shortwave Number Stations & Twentieth-Century Poetry”, English Studies in Canada, volume 33, issue 4, pages 181 to 194, Dec 2007
Mark Leary and Tom Butler – “Electronic Voice Phenomena”, chapter 26 in Etzel Cardeña, John Palmer & David Marcusson-Clavertz (editors) – “Parapsychology: A Handbook for the 21st Century”, McFarland & Co, pages 341 to 349, 2015
Simone Natale – “Supernatural Entertainments: Victorian Spiritualism & the Rise of Modern Media Culture”, Penn State University Press, 2016
Simone Natale – “The Spectacular Supernatural: Spiritualism, Entertainment & the Invention of Cinema”, Cinéma & Cie, volume X, issue 14 to 15, Spring-Fall 2010
Earlier citations…
https://rorschachaudio.com/2015/05/07/rorschach-audio-citations/
https://rorschachaudio.com/2016/08/01/evp-rorschach-audio-clarifications/
From → Uncategorized
