Aaron Mahnke, Acoustic Anthropology, Acoustic Rorschach, Aetheism, AHRC, Albert Tarrats, Ale Hop, Aliens, Always Alive Recordings, An Adventure In Apophenia, Anòmia, Anders Monrad, André Chêdas, Andy Farnell, Angels, Anna Irina Russell, Anna Ramos, Antonio Gagliano, Apophenia, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Apophenia Research, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Art and Culture, Artefact, Arts & Humanities Research Council, Atau Tanaka, Audio Apophenia, Audio Art, Audio Ghost, Audio Hallucination, Audio Illusion, Audio Inkblot, Audio Paredolia, Audio Pareidolia, Audio Phantoms, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucinations, Auditory Illusion, Auditory Illusions, Auditory Inkblot, Auditory Phantasm, Auditory Phantasmic Presence, Auditory Projective Test, Auditory Rorschach, Aural History, Axel Roebel, Barbara Ellison, BBC Monitoring Service, Belus, Bionics Institute Melbourne, Black Tapes, Black Tapes Podcast, Bloomsbury Publishing, Bompass & Parr, BPS, Brad Story, Brandon LaBelle, Breakthrough, Brian Baker, British Psychological Society, Buckner, Buh Records, Cave Leeds, CCA Goldsmiths, Centre for Audio Visual Experimentation, Channel One Channel Two and Channel Three, Charlie McDowell, Cinéma & Cie, Cinema, Claire Elliott, CM von Hausswolff, Cognitive Science, Communication, Communications, Confounded by Apophenia, Continent, CTM Discourse, Cultural History, Cultural History of the Ghost, Cultural Theory, Culture Machine, Damion Searls, Daniel Powell, David Alais, David Marcusson-Clavertz, David Toop, David Wesley Sutton, Day of the Dead, Dead Lines, Dead Signals, Dead Signals Podcast, Deafness and Communication Engineering, Deleted Scenes, Delicious Audio, Diana Deutsch, Diana Pasulka, Discovery, Disembodied Voice, Disinformation, Dolores Acebal, Dragan Spasov, Drawing Phantoms, Duke University Press, Dyslex, E.H. Gombrich, Earslips, Earslips: Of Mishearings and Mondegreens, Electromagnetism, Electronic Voice Phenomena, Eli Ningú, Erik Deerly, Erminio Alekos Serpente, Etzel Cardeña, Evocative Object, EVP, Ex Anima, FACT Liverpool, Faraday Cage, Faster Circuits, Felicia Barr, Florian Hecker, Francisco Lopez, Friedrich Jürgenson, Gemma Planell, Geoffrey Hlibchuk, Ghost, Ghost Hunting, Ghost in the Machine, Ghost Machine, Ghost Orchid, Ghost Stories, Ghost Voice Research, Ghosts, Ghosts and Demons, Gold SF, Goldsmiths, Goldsmiths College, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Greg Hainge, Halluzination, Halluzination Perspektive Synthese, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Lips, Hearing Lips and Seeing Voices, Hearing Voices in the Noise, Hermann Rorschach, High Static, History of Art, Holographic Skies, Hugh McDermott, Humanism, Illusions & Paradoxes, Inflamed Invisible, Infrasound, Joe Banks, John Buckner, John Palmer, Joshua Gunn, Julie Wolfe, Jurgen Keil, Justin Lader, Ken Hollings, Konstantin Raudive, Kristen Gallerneaux, Kunsthalle Wien, Larry Sider, Lars Riecke, Last Tuesday Society, Laurel, Left of the Dial, Left of the Dial Podcast, Leonardo Music Journal, Liminalities, Listening to Yourself, Loco-Lab, Lore, Lore Podcast, Lumisokea, LXV, Maastricht University, Macba, Macba Barcelona, Macba Museu d’Art Contemporani de Barcelona, Machine, Machine and the Ghost, Magic Lantern, Magnus Schaefer, Mara Mills, María Salgado, Marc Sollinger, Marina Warner, Mark Leary, Mark Pilington, Mark Underwood, Matías Rossi, Matt Collier, Matthew Fuller, McFarland & Co, McGurk Effect, Meaning in Randomness, Media Culture, Media@McGill, Merge Festival, Michael Esposito, Michael Newman, Mike Kelley, Mirage Men, Mishearing, Mishearings, Mondegreens, Mr. Bill, Musical Ear, Musical Ear Syndrome, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, Natural Phantoms, Núria Rodriguez, Neil Matheson, Netflix, Neuroscience, New York University, Nicholson Heal, NMC Recordings, No Such Things As Gravity, Number Stations, On the Phone, Paranormal Research, Parapsychology, Paredolia, Pareidolia and Apophenia, Pareidolia Research, Patrik Lechner, Paul Bae, Penguin, Penguin Random House, Penn State University Press, Perception, Performance Studies, Perspektive, Pete Bebergal, Peter Bebergal, Phantasma Humana, Phantasmatic Audio, Phantasmatic Sound, Phantasmic Presence, Phantom Portraits, Phantom Sounds, Phantom Within, Phantom Words, Politics of Listening, Polyglot Voices, Printed Matter, Printed Matter Chelsea, Psychoacoustic Illusions, Psychoacoustics, Psychological Society, Public Understanding Of Science, Quest for the Supernatural, Quim Pujol, Radio Interference, Radio Noise, Radiophonic, Radiophonic Communication, Radiophrenia 87.9FM, Random House, Ràdio Macba, Ràdio Web Macba, Re:Search, Rebecca, Recording Technology, Resonance FM, Resynthese FAVN, Ricardo Cárdenas, Robert Redford, Robin Rimbaud, Roc Jimenez de Cisneros, Rorschach Audio, Rorschach Device, Rorschach Devices, Rorschach Sound, Royal College of Art, Royal Conservatory, Ruede Hagelstein, Sarah Sparkes, Sas Mays, Scanner, School of Sound, Scientific Methodology, Seeing Voices, Simon & Schuster, Simone Natale, Site Gallery, Site Sessions, Sonic Agency, Sonic Art, Sonic Field, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Rubbish, Sonic Spectres, Sonic Studies, Sonics, Sonics Series, Sonology, Sonology Education, Son[i]a, Soul in the Machine, Sound Design, Sound Studies, Speak Spirit Speak, Spectacular Supernatural, Spectral Communication, Spectral Paradigms, Speech Science, Spirit Voices, Static Man, Stefan Goldmann, Sternberg Press, Steven Connor, Strange Frequencies, STUK, Supernatural Entertainments, Susan Hiller, Susan Owens, Synthese, Talking to the Dead, Tape Spectra, Tate Modern, Tate Publishing, Team IF, Technological Quest, Technological Quest for the Supernatural, Technology and Spiritualism, Terry Miles, The Act of Magic, The Black Tapes, The Black Tapes Podcast, The Discovery, The Extraordinary Story of the Technological Quest for the Supernatural, The Ghost, The Ghost - A Cultural History, The Hague, The Inkblots, The Machine and the Ghost, The MIT Press, The New Soundtrack, The Phantom Within, The Psychologist, The Skeptic, The Soul in the Machine, The Static Man, The Voice of God, They Might Be Giants, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Thomas Y. Levin, Tiago Pina, Tom Butler, Trickster, Txe Roimeser, UFOs, Unit for Sound Practice Research, University of Arizona, University of Huddersfield, University of Sydney, University of Westminster, Vanessa Joan Müller, Venetian Veil, Verónica Lahitte, Vic Tandy, Victorian Spiritualism, Vincent Lostanlen, Vinyl is Dead, Violeta Ospina, VLF Radio, Vocal Phantoms, What do You Hear?, White Noise, William Bailey, Yanny, Yanny or Laurel?
Rorschach Audio – Citations & References
Updates to the list of books and research papers that quote the version of “Rorschach Audio” published by The MIT Press in “Leonardo Music Journal” in 2001, and the “Rorschach Audio” book that was published in 2012…
Brian Baker – “Contemporary Masculinities in Fiction, Film & Television”, Bloomsbury USA, 2015 (see the chapter “Tape Spectra”)
John E. Buckner V and Rebecca A. Buckner – “Talking to the Dead, Listening to Yourself – An Empirical Study on the Psychological Aspects of Interpreting Electronic Voice Phenomena”, The Skeptic Magazine, volume 17, issue 1, 2012
Andy Farnell – “Sonarchy in the UK: is Sound Design a Rebellious Teenager?”, The New Soundtrack, volume 4, issue 2, pages 89 to 102, Aug 2014
Joshua Gunn – “On Recording Performance; or Speech, the Cry, and the Anxiety of the Fix”, Liminalities: A Journal of Performance Studies, volume 7, issue 3, Autumn 2011
Greg Hainge – “Vinyl is Dead, Long Live Vinyl: The Work of Recording & Mourning in the Age of Digital Reproduction”, Culture Machine [online journal], volume 9, 2007
Geoffrey Hlibchuk – “This Secret Charm of Numbers: The Clandestine Relationship Between Shortwave Number Stations & Twentieth-Century Poetry”, English Studies in Canada, volume 33, issue 4, pages 181 to 194, Dec 2007
Mark Leary and Tom Butler – “Electronic Voice Phenomena”, chapter 26 in Etzel Cardeña, John Palmer & David Marcusson-Clavertz (editors) – “Parapsychology: A Handbook for the 21st Century”, McFarland & Co, pages 341 to 349, 2015
Simone Natale – “Supernatural Entertainments: Victorian Spiritualism & the Rise of Modern Media Culture”, Penn State University Press, 2016
Simone Natale – “The Spectacular Supernatural: Spiritualism, Entertainment & the Invention of Cinema”, Cinéma & Cie, volume X, issue 14 to 15, Spring-Fall 2010
Earlier citations…
https://rorschachaudio.com/2015/05/07/rorschach-audio-citations/
https://rorschachaudio.com/2016/08/01/evp-rorschach-audio-clarifications/
From → Uncategorized
Disinformation + Rorschach Audio 