111, 111Hz, 9V DC Supply with Home-Made Copper Solenoid, Absolute Value, Absolute Value of Noise, Absolute Zero, Accelerate, Acoustic Commons, Adaadat, Adriana Knouf, Afroditi Psarra, Aki Onda, Al Khwarizmi, Al-Jabr, Alexandra Fierra, Alice Hackney, Alternating Current, Alva Noto, Alyssa Moxley, American Radio, Andrew Lagowski, Andy Knight, Angus Carlyle, Anil Seth, Anna Friz, Antiphony, Antithesis, Ariane Koek, Art Park Audio, Artangel, Artificial Lightning, Artists & Airwaves, Arts Catalyst, Arts@CERN, Ash International, Atelier Nord, Atmospherics, Atom Heart, Audio Archive, Audio Art, Audio Rorschach, Audrey Briot, AV Festival, Barcelona, Beaconsfield, Beaconsfield Gallery, Beaconsfield Primary Research, Beatrice Dillon, Being Sound, Ben Barwise, Ben Ponton, Bernard Wolfe, Between Scylla and Charybdis, Bexleyheath to Dartford, Bianca Biberaj, Bianca Roden, Blanc Sceol, Bridget DeFranco, Brigitte Hart, Brilliant Noise, Bruce Gilbert, Bryn Nieboer, Calling the Cosmos, Cameron Perry Fraser, Caroline Golum, Carsten Nicolai, Cartsen Nicolai, Cave Leeds, Caveh Zahedi, Caylie Stapes, Caylie Staples, Celebration, Celeste, Centre for Audio Visual Experimentation, CERN, CERN Geneva, Chaos Media, Char Jeré, China Mieville, Chris & Cosey, Chris Carter, Chris Firth, Chris Watson, Christian Fennesz, Christina Kubisch, Circuit Blasting, Claire Williams, CM von Hausswolff, Cold Light, Collide, Constanza Piña Pardo, Constellations of Listening, Contemporary Art Society, Coronal Mass Ejection, Cosey Fanni Tutti, Coum Transmissions, Crackhead Barney, Creators Programme, Damien Hirst, Dan Tapper, Data Storm, David Roberts Art Foundation, David Toop, Demon Box, Deptford Power Station, Desireena Almoradie, Detach, Detektors, Diane Severin Nguyen, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation vs Oubliette, Dom Culture Centre, Doppleganger, Douglas Kahn, DRAF, E-werk Luckenwalde, Eigen+Art, Eigen-Art, Electrical Interference, Electrical Walks, Electricity, Electro-acoustic, Electro-Magnetic Field, Electro-Magnetic Fields, Electroacoustic, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetism, Electron Festival, Electronic Music, Elektrizitätswerk, Elisabeth Zimmermann, Emerging Paradigm, EMF, Eric Lyon, Eternal, Eternal Research, Evan Parker, Evan Starling-Davis, Experimental Music, FACT, FACT Liverpool, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Foundation, Foxhole Radios, Franchesca Casauay, Gaia Fugazza, Galen Joseph-Hunter, Gamma Rays, Geomagnetism, Georgia Leigh-Münster, Ghost Shells, Glass Salt, Glenn Branca, Grandine, Greenwich Power Station, Greg Hilty, Gregory Whitehead, Guiliana Stefani, Hannah Kemp-Welch, Haroon Mirza, Haroon Mirza Outputs, Harris Benson, Hayward Gallery, Headlights, Hidden World, Honor Harger, Hoxton, HRM199, HRM199 Ltd, HRM199 Outputs, HTBA, Hull 2017, Hull Art Lab, Hull Time Based Arts, Humber Street, Humber Street Gallery, Ilm Al-jabr Wa’Mukabalah, Immerse magazine, Immersive Noise, Indexical, Infrared Waves, Invisible Forces, Iris Light, Jack Jelfs, Jane Manwelyan, Jeff Gburek, Jeff Kolar, Jez Riley French, Jim O'Rourke, Joan Schumann, Joe Banks, Johann Diedrick, John Duncan, John Squire, John Squire: Disinformation, John Wynne, Jon Wozencroft, Jordan Bortner, José Alejandro Rivera, Kapotte Muziek, Karen Werner, Kate Donovan, Katharina Worf, Keith, Keith Sargent, Kevin Peter He, Knut Aufermann, Kristen Roos, Kwaidan, L.O.S.D., Laura Plana Gracia, LCB Depot, Leif Elggren, Lindsay, Lindsay Seers, Lindsay Seers & Keith Sargent, Liquid Architecture, Lisa Hall, Lisa Schonberg, Lisson Gallery, Listening Across Distance, Live at The Museum of Installation, Live Mains Electricity, Liverpool, Living Radio, Living Radio Lab, London, London Underground, London’s Overthrow, Loran-C, Magnetic Movie, Marc Behrens, Maria Papadomanolaki, Mark Fingerhut, Mark Pilkington, Mark Poysden, Mark Van Hoen, Marko Peljhan, Martin Howse, Marwan T Assaf, Matt’s Gallery, Matthew Gantt, Mechos, Meira Asher, Melbourne, Merge magazine, Mesmer Variations, Michael Begg, Michael Joo, Microwaves, Mike Harding, Mike Kelley, Mike Walter, Milton X. Trujillo, Miriam Simun, Monash University Museum of Art, Monica Bello, Moscow, MOSI, Movement Radio, Muhammad ibn Musa Al-Khwarizmi, MUMA, Museum of Science and Industry, Nam June's Spirit, Nam June's Spirit Was Speaking To Me, National Grid, Natural Radio, Neil Verma, Neural Magazine, New American Radio, Newcastle, Newport Street, Newport Street Gallery, Nikola Tesla, Nine Elms, Omnempathy, Onassis, Onassis Foundation, Onassis Stegi, Open Ears, Oren Ambarchi, ORF Funkhaus, ORR Scintilla, ORR_Scintilla, Outputs, Overwhelming Waves, Oxford Contemporary Music, PAJ Publications, Pan Sonic, Paul Fletcher, People Like Us, Peter Burr, Phillip Ball, Planetary Radio, Plural Radio, Plural Radio Listening, Poly Kicks, Polykicks, Primary Research, Proxemia, Psychoacoustics, R&D, R&D2, Radio Art, Radio Art Archive, Radio Disruption, Radio Lab, Radio Listening, Radio Noise from the Sun, Radio of the Future, Radio Phonography, Radio Phrenia, Radio Revolten, Radio Thamesmead, Radio Waves, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Ralf Wehowsky, Rare Frequency, Rasa Smite, Raster Noton, Ray Lee, Re:Search, Research & Development, Revenant, RLW, Robin Klassnik, Robin Rimbaud, ROOT, Rorschach Audio, Rothschild Foundation, RTM.FM, Running Out Of Time, Ryoichi Kurokawa, Ryoji Ikeda, S.E.T.I., Saburo Teshigawara, Sally A. Applin, Sally Applin, Sam Belinfante, Sarah Lucas, Sarah Washington, Sargent, Sasha Engelmann, Sasha Englemann, Sawako Kato, Scanner, Scatter, Science Limited, Science Ltd, Scylla and Charybdis, Seers, Seers/Sargent Exhibition Circle, Semiconductor, Semiconductor Films, Sense Data & Perception, Sha Li, Shintaro Miyazaki, Short Wave Collective, Short Wave Radio, Shortwave Collective, Shortwave Listening, Shortwave Radio, Simon Fisher Turner, Simulation/Skin, Sine-Wave Speech, Sofiya Cheyenne, Solar Radio, Solar Radio Noise, Solstice Star, Sonic Art, Sonic Boom, Sonic Youth, Sound Archive, Sound Artist, Sound Check for the Disobey Performance, Sound Season, Sounds of Love, Southbank Centre, Spatial Dynamics, Spatial Sound, Spirit Box, Standing Wave, Standing Wave Radio, Stargate, Stegi, Stephanie Rothenberg, Strange Attractor, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Susan Hiller, Suzanne Thorpe, Sylvia Ross, T:un[k] Systems, Taco, TACO Thamesmead, Tactile, Technology, Text Sound, The Demon Box, The Ferranti Archive, The Ferranti Collection, The Foundry, The Radio of the Future, The Visitor, The Wave Epoch, The Wire, The Wire Magazine, Themepark magazine, Theophany, Throbbing Gristle, Tim Dixon, Tony Oursler, TOOT, Torsten Lauschmann, Totally Out Of Tune, Touch Records, Transmission Art, Transmission Arts, Transmission Arts: Artists & Airwaves, Transmission Artwork, Transmission Ecologies, Transmit Receive, Turner Contemporary, Tyler Maxin, Ultraviolet Waves, Unfold, Untitled Test Sequence, Value of Noise, Velimir Khlebnikov, Victor Mazon Gardoqui, Visible Light Rays, VLF Radio, VLF Whistlers, Volt 2021, Voltnoi & Quetempo, Wave Epoch, Wave Farm, Wave Farm Artist Residency, Wave Farm Artist Residency Program, Wave Farm Radio, Wave Farm Radio Art, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wave Radio, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, Wire, Witness 4, Witness 4: The Visitor, X-Rays, Zain Alam, Zainab Aliyu, Zbigniew Karkowski
Electromagnetic Sound Art – Disinformation on Wave Farm Radio
From 8pm on the 12 Dec 2015 to 4am the following morning, New York based sonic arts organisation Wave Farm broadcast a radio feature about the Disinformation sound art project – featuring nearly 8 hours of content, including almost all the commercially published Disinformation LPs and CDs, plus interview material and performance recordings. Although the very first Disinformation recording – VLF radio sounds contributed to a track by Andrew Lagowski’s S.E.T.I. project – was released on CD in 1995 (see link for “Mesmer Variations”), the Wave Farm broadcasts cover Disinformation’s earliest experiments with electromagnetic noise, with electrical interference, VLF and shortwave radio, plus extensive remixes and collaborations, during the decade from 1996 to 2006, plus a smattering of more recent tracks, and material connected to the “Rorschach Audio” project. All the programmes are produced by Bianca Biberaj, with special thanks to Bianca and to Galen Joseph-Hunter. Programme 8 features recordings of Disinformation live at the Dom Culture Centre, Moscow (26 Nov 2000) – featuring saxophonists Mike Walter & Andy Knight, Disinformation & Strange Attractor live at Hull Art Lab on Humber Street (4 Feb 2005) – well before the opening of the new Humber Street Gallery, and the Disinformation DJ set at MUMA, Melbourne (4 June 2015). So, those familiar with Disinformation CDs and LPs etc are likely to find programme 8 the most interesting…
https://wavefarm.org/wgxc/schedule/a0e3t1 (then click on the word “Audio”)
Programme 1 – https://wavefarm.org/archive/t3xaf0
Programme 2 – https://wavefarm.org/archive/w7y0as
Programme 3 – https://wavefarm.org/archive/s5xwxh
Programme 4 – https://wavefarm.org/archive/nnkmqt
Programme 5 – https://wavefarm.org/archive/yy0r6f
Programme 6 – https://wavefarm.org/archive/94551v
Programme 7 – https://wavefarm.org/archive/5a14b4
Programme 8 – https://wavefarm.org/archive/mmg0p3
Image 1 – https://wavefarm.org/archive/dpvj0v
Image 2 – https://wavefarm.org/archive/k8vwv0
http://www.discogs.com/Various-Mesmer-Variations/release/226821
“Potent drug-like trances of utter black mysteriousness” Sound Projector (UK)
“Engaging… illuminating, fascinating” The Wire (UK)
“Surrealists on ketamine” Vital (The Netherlands)
In terms of describing and explaining the ideas explored in the early Disinformation recordings, Disinformation features in (among many others) Immerse magazine (1997), Merge (1998) and Themepark (2000) for instance, openly advertise this project’s sources and inspirations, further document the activities themselves, and also help show how these ideas (and a great deal of practical information) were transmitted to and influenced other practitioners in electronic music and sonic art…
From → Uncategorized
Disinformation + Rorschach Audio 