A Human History of Sound and Listening, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, Aaron Mahnke, Acoustic Rorschach, Alva Noto, Andrew O'Hagan, Angus Carlyle, Ann Winsper, Anthony Enns, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Art-Science, Artefact, Artist, Assembly, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Audiograft, Audiograft 2022, Auditory Illusion, Auditory Inkblot, Auditory Perception, Auditory Projective Test, Auditory Rorschach, Aura Satz, BBC Radio, BBC Radio 4, BBC Wales, Black Tapes, Black Tapes Podcast, Blaze TV, Bon Accueil, Book Works, Bookworks, Cachichi, Carsten Nicolai, Cathy Lane, Channel One Channel Two and Channel Three, China Mieville, Christine Kim Sum, CM von Hausswolff, Cognitive Psychology, Cognitive Science, Continent, Creative Technologies Research Centre, Damien Simon, Daniel Powell, Daphne Xanthopoulou, Dave Tompkins, David Hendy, Dead Lines, Dead Signals, Dead Signals Podcast, Deadly Sounds From Above, Diana Deutsch, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Douglas Kahn, Drone Rorschach, Duke University Press, EH Gombrich, Eigen+Art, Eigen-Art, Ernst Gombrich, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, EVP, Expérience Radiophonique, Galerie Le Bon Accueil, Ghost in the Machine, Ghosts In The Machine, Goldsmiths, Gonzo Circus, Harpers Bazaar, Haunted Machine, Haunted Machines, Haunted Technology, Haunting, Hauntology, Hearing Voices in the Noise, Hermann Rorschach, High Static, High Static Dead Lines, Historien de L’Art, How To Wreck A Nice Beach, If The Spirit Moves You, International Media Futures, International MediaFutures, International Necronautical Society, Jamie Allen, Jean Cocteau, Joe Banks, Justine Picardie, K-Punk, Konstantin Raudive, Kristen Gallerneaux, Larry Sider, Laurie Taylor, L’Art et L’Illusion, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Left of the Dial, Left of the Dial Podcast, Lieu d'Art Contemporain, Listening, London Consortium, London Southbank University, Lore, Lore Podcast, Magic Lantern, Marc Sollinger, Mark Fisher, Mark Underwood, Matt Bernico, Media Futures, Media@McGill, MediaFutures, Mike Kelley, Misinformation, MIT Press, Murray R. Schaeffer, Netflix, Neuroscience, New Music, New York University, Noise, OCM, On Listening, Orphée, Orpheus, Oxford Contemporary Music, Paul Bae, Pedagogies of the Ear, Penguin, Penguin Random House, Pete Bebergal, Peter Bebergal, Phantom Signals, Politics of Listening, Postmodernism, Primary Information, PRS Foundation, PRSF, Psychoacoustics, Radical Radio, Random House, Raster Noton, Robin Rimbaud, Rorschach Audio, Rorschach Ink-Blot, Rorschach Sound, Salome Voegelin, Scanner, School of Sound, Sensoramics, Serpentine Gallery, Somerset House, Somerset House Studios, Sonic Inkblot, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sophie Scott, Sound & Music, Sound and Music, Sound Artist, Sound Arts Now, Sound Studies, Spectre, Speech Perception, Static Man, Stephen Connor, Steve Rajam, Steven Connor, Steven Rajam, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, STUK, Susan Hiller, Susan Treister, Tate Modern, Technological Imaginary, Terry Miles, The Act of Magic, The Black Tapes, The Black Tapes Podcast, The MIT Press, The Static Man, Three Receivers, Tom McCarthy, Trevor Cox, Trolley Books, Uniform Books, Uniformbooks, Unit for Sound Practice Research, W.S. Burroughs, We Haunt You While You Watch, William Burroughs, William S. Burroughs