A Brief History of EVP, A Human History of Sound and Listening, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, Aaron Mahnke, Acoustic Rorschach, Alva Noto, Andrew O'Hagan, Angus Carlyle, Ann Winsper, Anthony Enns, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Art and Culture, Art-Science, Artefact, Artist, Assembly, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Audiograft, Audiograft 2022, Auditory Illusion, Auditory Illusions, Auditory Inkblot, Auditory Perception, Auditory Projective Test, Auditory Rorschach, Aura Satz, BBC Radio, BBC Radio 4, BBC Radiophonic Workshop, BBC Wales, Ben Cutmore, Black Tapes, Black Tapes Podcast, Blaze TV, Bon Accueil, Book Works, Bookworks, Cachichi, Carsten Nicolai, Cathy Lane, Channel, Channel One Channel Two and Channel Three, Channel Somerset House, China Mieville, Christina Kubisch, Christine Kim Sum, CM von Hausswolff, Cognitive Psychology, Cognitive Science, Continent, Creative Technologies Research Centre, Damien Simon, Daniel Powell, Daphne Xanthopoulou, Dark Histories, Dark Histories Podcast, Dave Tompkins, David Hendy, Dead Lines, Dead Signals, Dead Signals Podcast, Deadly Sounds From Above, Diana Deutsch, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Douglas Kahn, Drone Rorschach, Duke University Press, Earslips, Earslips: Of Mishearings and Mondegreens, EH Gombrich, Eigen+Art, Eigen-Art, Ernst Gombrich, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, EVP, Expérience Radiophonique, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Galerie Le Bon Accueil, Gazelle Twin, Ghost, Ghost in the Machine, Ghost Machine, Ghosts In The Machine, Goldsmiths, Gonzo Circus, Greenwich University, Harpers Bazaar, Haunted Machine, Haunted Machines, Haunted Technology, Haunting, Hauntology, Hearing Lips, Hearing Lips and Seeing Voices, Hearing Voices in the Noise, Hermann Rorschach, High Static, High Static Dead Lines, Historien de L’Art, Homage with Minimal Disinformation, How To Wreck A Nice Beach, If The Spirit Moves You, Image Research, Inigo Wilkins, International Media Futures, International MediaFutures, International Necronautical Society, Irreversible Noise, Jamie Allen, Jean Cocteau, Jo Burzynska, Joe Banks, Justine Picardie, K-Punk, Konstantin Raudive, Kristen Gallerneaux, Language, Larry Sider, Laurie Taylor, L’Art et L’Illusion, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Left of the Dial, Left of the Dial Podcast, Leila Dear, Lieu d'Art Contemporain, Listening, Living With Ghosts, London Consortium, London Southbank University, Lore, Lore Podcast, Machine, Machine and the Ghost, Magic Lantern, Marc Sollinger, Marina Warner, Mark Fisher, Mark Leckey, Mark Underwood, Matt Bernico, McGurk Effect, Media Futures, Media@McGill, MediaFutures, Mike Kelley, Minimal Disinformation, Mishearings, Misinformation, MIT Press, Mondegreens, Murray R. Schaeffer, Neil Matheson, Netflix, Neuroscience, New Music, New York University, Nkisi, Noise, OCM, On Listening, Orphée, Orpheus, Otolith, Otolith Group, Oxford Contemporary Music, Paul Bae, Paul Purgas, Pedagogies of the Ear, Penguin, Penguin Random House, Pete Bebergal, Peter Bebergal, Phantom Signals, Politics of Listening, Postmodernism, Primary Information, PRS Foundation, PRSF, Psychoacoustics, Radical Radio, Radiophonic Music, Radiophonic Workshop, Random House, Raster Noton, Repeater Books, Repeater Radio, Research Group, Robin Rimbaud, Rorschach Audio, Rorschach Ink-Blot, Rorschach Sound, Salome Voegelin, Sas Mays, Scanner, School of Sound, Seeing Voices, Sensoramics, Serpentine Gallery, Somerset House, Somerset House Channel, Somerset House Studios, Sonic Inkblot, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sophie Scott, Sound & Music, Sound and Music, Sound Artist, Sound Arts Now, Sound Group, Sound Image Research Group, Sound Research Group, Sound Studies, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Spectre, Speech Perception, Stanier Black Five, Static Man, Stephen Connor, Steve Rajam, Steven Connor, Steven Rajam, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, STUK, Susan Hiller, Susan Treister, Tate Modern, Technological Imaginary, Technology, Technology and Spiritualism, Terry Miles, The Act of Magic, The Black Tapes, The Black Tapes Podcast, The Machine and the Ghost, The MIT Press, The Process, The Static Man, Three Receivers, Tom McCarthy, Trevor Cox, Trolley Books, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Greenwich, Urbanomic, W.S. Burroughs, We Haunt You While You Watch, William Burroughs, William S. Burroughs