Tags

A Human History of Sound and Listening, A Scientific Odyssey of Sound, Acoustic Rorschach, Alva Noto, Andrew O'Hagan, Ann Winsper, Apophenia, Art & Illusion, Art & Illusion for Sound, Art-Science, Artefact, Assembly, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Illusion, Auditory Inkblot, Auditory Perception, Auditory Projective Test, Auditory Rorschach, Aura Satz, BBC Radio, BBC Radio 4, BBC Wales, Carsten Nicolai, Channel One Channel Two and Channel Three, Christine Kim Sum, CM von Hausswolff, Cognitive Psychology, Cognitive Science, Continent, Dave Tompkins, David Hendy, Dead Lines, Diana Deutsch, Drone Rorschach, Duke University Press, EH Gombrich, Eigen+Art, Eigen-Art, EVP, Ghost in the Machine, Ghosts In The Machine, Goldsmiths, Gonzo Circus, Harpers Bazaar, Haunted Technology, Hauntology, Hearing Voices in the Noise, Hermann Rorschach, High Static, High Static Dead Lines, How To Wreck A Nice Beach, If The Spirit Moves You, International Necronautical Society, Jean Cocteau, Justine Picardie, K-Punk, Konstantin Raudive, Kristen Gallerneaux, Larry Sider, Laurie Taylor, London Consortium, Magic Lantern, Mark Underwood, Media@McGill, Mike Kelley, MIT Press, Neuroscience, New York University, Noise, Orphée, Orpheus, Pedagogies of the Ear, Penguin, Penguin Random House, Pete Bebergal, Peter Bebergal, Politics of Listening, Postmodernism, Psychoacoustics, Random House, Raster Noton, Robin Rimbaud, Rorschach Audio, Rorschach Ink-Blot, Salome Voegelin, Scanner, School of Sound, Serpentine Gallery, Somerset House, Somerset House Studios, Sonic Inkblot, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sophie Scott, Sound & Music, Sound Studies, Speech Perception, Stephen Connor, Steve Rajam, Steven Rajam, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, STUK, Susan Hiller, Tate Modern, The Act of Magic, The MIT Press, Tom McCarthy, Trevor Cox, Unit for Sound Practice Research, We Haunt You While You Watch

Hard-copy research materials used in “Rorschach Audio”

September 10, 2014

A selection of the hard-copy research materials used in the “Rorschach Audio” project (not including academic research papers or newspaper and magazine articles).

“Rorschach Audio” reviewed (in Dutch) in Gonzo Circus (Muziek, Kunst, Meer)…
https://www.gonzocircus.com/rorschach-audio/

From → Uncategorized

Hard-copy research materials used in “Rorschach Audio”

Leave a Reply Cancel reply

Recent Posts

Archives

Meta

Rorschach Audio welcomes...

Hard-copy research materials used in “Rorschach Audio”

Share this:

Like this:

Related

Leave a Reply Cancel reply

Recent Posts

Archives

Meta

Rorschach Audio welcomes...