Agnes Meyer-Brandis, Alex Baker, Alexander Manotskov, Alexander Mosolov, Ash International, Bankside, Bill Nelson, Blanca Regina, British Library, Calvert 22, Christina Kubisch, Clay Gold, Dan Tapper, Daniel Muzyczuk, Dash Arts, Disinformation, Dneiprostroi, Dnieper Hydro-Electric Power Station, Drone, Eléonore Pironneau, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electromagnetism, Geoffrey Grigson, Grid Music, GV Art, Iris Garrelfs, Iron Foundry, Jacqui Stewart, James Andean, Janek Schaefer, Joe Banks, Jon Adams, Josh Horsley, Julius Meytuss, Karen Gustafson, Kate Carr, Katie Paterson, Kevin Logan, Leafcutter John, Lenin, Leonid Tishkov, Liliane Lijn, Mark Peter Wright, Martin A Smith, Matthias Kispert, Mendel Kaelen, Merja Nieminen, Mike Fell, National Grid, Noise, Noise & Whispers, Nonclassical, Penned in the Margins, Plus Electrification, Random Order Collective, raxil4, Republic of the Moon, Riz Maslen, Robin Rimbaud, Robin Storey, Royal Academy, Scanner, Simon Coates, Socialism plus Electrification, Sounding the Body Electric, Sounds of the Revolution, Soviet Power, Stephen Chase, Susan Alexjander, Susan Walsh, The Arts Catalyst, The Power of Electricity, Thomas Finbarr, Thomas McConville, Touch Records, Two Degrees, Wajid Yaseen, Wellcome Trust, Wyndham Lewis, Yann Novak, Zahra Jewanjee
Trebuchet Magazine review of “Noise & Whispers”
Trebuchet Magazine review of the “Noise & Whispers” exhibition at GV Art gallery in London (see earlier posts) – “Disinformation’s National Grid (is) one of the most important and impressive sound art works of recent times… this alone makes the exhibition worthwhile”…
http://www.trebuchet-magazine.com/noise-and-whispers/
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