20Hz, 50 Hertz, 50Hz, 85A Collective, A History of the Universe in Sound, Adriana Knouf, Afroditi Psarra, Agnes Meyer-Brandis, Alex Baker, Alexander Manotskov, Alexander Mosolov, Alexandre da Cunha, Alva Noto, Alvin Lucier, Anna Friz, Anne Zeitz, Antiopic, Ars Electronica, Art on the Underground, Ash International, Audrey Briot, Échos Magnétiques, Ö1 Kunstradio, Bankside, Battersea Power, Bill Nelson, Blanca Regina, Blast First, British Library, Calvert 22, Cameron Perry Fraser, Carsten Nicolai, Changing Signals, Christina Kubisch, Clay Gold, Clélia Barbut, Close Lightning Spherics, Cryptic, CTM, CTM Festival, CTM Radio Lab, Damien Simon, Dan Tapper, Daniel Muzyczuk, Dash Arts, Deutschlandfunk Kultur, Disinformation, Dneiprostroi, Dnieper Hydro-Electric Power Station, Drone, Eigen+Art, Eigen-Art, Eléonore Pironneau, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Field, Geoffrey Grigson, Goethe Institut, Grid Music, GV Art, Helsinki, Honor Harger, Ilpo Väisänen, Iris Garrelfs, Iron Foundry, Jacqui Stewart, James Andean, Janek Schaefer, Joe Banks, Jon Adams, Josh Horsley, Joyce Hinterding, Julius Meytuss, Karen Gustafson, Kate Carr, Katie Paterson, Kerber Verlag, Kevin Logan, Kiasma, Kiasma Helsinki, King's Place, Klangkunst, Kristen Floos, Le Bon Accueil, Leafcutter John, Lenin, Leonid Tishkov, Liliane Lijn, Lisson Gallery, Lovely Music, Marc Langlois, Mark Peter Wright, Martin A Smith, Martin Messier, Matthias Kispert, Mendel Kaelen, Merja Nieminen, Mika Vainio, Mike Fell, Montréal, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Mute Records, NASA, NASA Sound Archive, National Grid, Noise, Noise & Whispers, Nonclassical, ORF Musikprotokoll, Pan Sonic, Panasonic, Patrick Sykes, Penned in the Margins, Plus Electrification, Power, Power Station, Radio Art, Random Order Collective, Raster Noton, raxil4, Recording The Spirit Level, Rennes, Republic of the Moon, Riz Maslen, Robbie Thomson, Robert Devcic, Robin Rimbaud, Robin Storey, Royal Academy, Sasha Engelmann, Scanner, Semiconductor, Sferics, Simon Coates, Simon Foster, Socialism plus Electrification, Some Call it Noise, Some Call it Noise - Turbulent Forms, Sonica, Sonica 2016, Sounding the Body Electric, Sounds of the Revolution, Soviet Power, Spectral, Station, Stephen Chase, Stephen McGreevy, Sunset Sunrise Sunset, Sunsong, Susan Alexjander, Susan Walsh, TED Talks, The Arts Catalyst, The Power of Electricity, The Wire, The Wire Magazine, Thomas Finbarr, Thomas McConville, Touch Records, Transmission Ecologies, Turbulent Forms, Two Degrees, Very Low Frequency, Victor Mazon Gardoqui, VLF Noise, VLF Radio, VLF Sound, Wajid Yaseen, Wellcome Trust, Wyndham Lewis, XFRMR, Yann Novak, Zahra Jewanjee
Trebuchet Magazine review of “Noise & Whispers”
Trebuchet Magazine review of the “Noise & Whispers” exhibition at GV Art gallery in London (see earlier posts) – “Disinformation’s National Grid (is) one of the most important and impressive sound art works of recent times… this alone makes the exhibition worthwhile”…
http://www.trebuchet-magazine.com/noise-and-whispers/
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