&Beyond, +Electrification, 20Hz, 35MW, 50Hz, 85A Collective, A History of the Universe in Sound, A Machine to Listen to the Sky, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Adrian Searle, Adriana Knouf, Afroditi Psarra, Agency Gallery, Ahmed bin Shabib, Aleks Kolkowski, Alex Baker, Alex Peverett, Alexander Mosolov, Alexandre da Cunha, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Amanda Stuart, Amanprit Sandhu, And Beyond, Andrew Nairne, Angharad Davies, Anil Seth, Aniruddha Das, Anjali Nair, Anna Friz, Anne Zeitz, Antiopic, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Arcadia, Aria Dean, Ariane Koek, Arie Altena, Art Contemporary, Art on the Underground, Artangel, Arts Catalyst, Arts Science, Arts@CERN, Artsadmin, Ash International, Assembly 2020, Assembly of Disturbance, Atelier Nord, Atmospherics, Audrey Briot, Aura Satz, Australian Centre for Contemporary Art, Autopneumatx, AV Festival, AV Festival Newcastle, Échos Magnétiques, Ö1 Kunstradio, B-Side Festival, Baltic, Bankside, Barry Phipps, Battersea, Battersea Power, Battersea Power Station, Battle of Orgreave, BBC Programme Research Department, Bea De Souza, Beatrice Dillon, Ben Barwise, Benedict Cumberbatch, Bernard Wolfe, Bianca Roden, Bill Nelson, Blanca Regina, Blast First, Bluecoat, Brian Catling, Bright Sparks Trail, C.M. von Hausswolff, Call & Response, Call and Response, Calvert 22, Cambridge University, Cameron Perry Fraser, Caroline Jones, Carsten Nicolai, Carsten Seiffarth, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, CERN Geneva, Changing Signals, Chris Firth, Chris Ford, Chris Gladwin, Christian Rauch, Christina Kubisch, Clare Lilley, Clay Gold, Clélia Barbut, Close Lightning, Close Lightning Spherics, Cold Light, Construction of an Act, Contemporary Art, Control Room A, Control Room B, Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Current War, Damien Simon, Dan Tapper, Dangerous Space, Daniel Muzyczuk, Daniel Tapper, David Roberts, David Roberts Art Foundation, David Toop, DC, Deep Media Research, Detektors, Deutschlandfunk Kultur, Didier Queloz, Dimitra Lazaridou-Chatzigoga, Direct Current, Direct Current (DC), Disinformation, Disinformation - 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“Noise & Whispers” at GV Art, featuring “National Grid” by Disinformation
An installation version of the “National Grid” exhibit by Disinformation (see earlier posts) features in the “Noise & Whispers” exhibition at the GV Art Gallery in London, which runs from Fri 8 Nov to Sat 14 Dec 2013. Performance date/s TBC. If anyone fancies a swift ‘arf and a chat, please RSVP to info@gvart.co.uk to attend the opening reception. As the poet and wartime “ether-warrior” Geoffrey Grigson (who’s repeatedly quoted in the “Rorschach Audio” book) wrote in 1957, “London was the capital of the electricity of the mind”…
The GV Art Gallery
49 Chiltern Street
Marylebone
London W1U 6LY
The “Noise & Whispers” exhibition is curated by Martin A. Smith, thanks also to Robert Devcic, and to Poulomi Desai for the heads-up. “Noise & Whispers” features artworks by Alex Baker, Bill Nelson, Blanca Regina, Clay Gold, Dan Tapper, Disinformation, Eléonore Pironneau, Iris Garrelfs, Jacqui Stewart, James Andean, Janek Schaefer, Jon Adams, Josh Horsley, Karen Gustafson, Kate Carr, Kevin Logan, Mark Peter Wright, Martin A. Smith, Matthias Kispert, Mendel Kaelen, Merja Nieminen, Random Order Collective, raxil4, Riz Maslen, Robin Storey, Simon Coates, Stephen Chase, Susan Alexjander, Susan Walsh, Thomas Finbarr, Thomas McConville, Wajid Yaseen, Yann Novak and Zahra Jewanjee.
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