&Beyond, +Electrification, 20Hz, 35MW, 50 Hertz, 50Hz, 85A Collective, A History of the Universe in Sound, A Machine to Listen to the Sky, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Adrian Searle, Adriana Knouf, Afroditi Psarra, Agency Gallery, Ahmed bin Shabib, AHRC, Aleks Kolkowski, Alex Baker, Alex Peverett, Alexander Mosolov, Alexandre da Cunha, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Amanda Stuart, Amanprit Sandhu, Ami Clarke, Amit D Patel, Amplified, And Beyond, Andrew Nairne, Angharad Davies, Anil Seth, Aniruddha Das, Anjali Nair, Anna Friz, Anne Zeitz, Antiopic, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Arcadia, Aria Dean, Ariane Koek, Arie Altena, Art Blocks, Art Blocks x Pace Verso, Art Contemporary, Art Electricity, Art on the Underground, Artangel, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Science, Arts@CERN, Artsadmin, Ash International, Assembly 2020, Assembly of Disturbance, Atau Tanaka, Atelier Nord, Atmospherics, Audrey Briot, Aura Satz, Australian Centre for Contemporary Art, Autopneumatx, AV Festival, AV Festival Newcastle, Échos Magnétiques, Électromagnétisme, Ö1 Kunstradio, B-Side Festival, Baltic, Bankside, Bankside Power Station, Barry Phipps, Battersea, Battersea Power, Battersea Power Station, Battle of Orgreave, BBC Programme Research Department, BBC Radio 3, Bea De Souza, Beatrice Dillon, Ben Barwise, Benedict Cumberbatch, Bernard Wolfe, Bianca Roden, Bill Nelson, Blanca Regina, Blanck Mass, Blast First, Bluecoat, Brian Catling, Bright Sparks Trail, C.M. von Hausswolff, Café Oto, Call & Response, Call and Response, Calvert 22, Cambridge University, Cameron Perry Fraser, Caroline Jones, Carsten Nicolai, Carsten Seiffarth, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, CERN Geneva, Changing Signals, Channel, Channel Somerset House, Chris Firth, Chris Ford, Chris Gladwin, Christian Rauch, Christina Kubisch, Clare Lilley, Claudio Zamperoni, Clay Gold, Clélia Barbut, Close Lightning, Close Lightning Spherics, CM von Hausswolff, Cold Light, Construction of an Act, Contemporary Art, Contemporary Art Society, Control Room A, Control Room B, Critical Sonic Practice, Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Current War, Currents, Damien Simon, Dan Tapper, Dangerous Space, Daniel Muzyczuk, Daniel Tapper, David Roberts, David Roberts Art Foundation, David Toop, DC, Deep Media Research, Detektors, Deutschlandfunk Kultur, DH Lawrence, Dhangsha, Didier Queloz, Dimitra Lazaridou-Chatzigoga, Direct Current, Direct Current (DC), Disinformation, Disinformation - Antiphony, Disinformation My Misinformation, Disinformation War, Disobey, Disruptive, Disruptive Frequencies, Dissonant Wave, Disturbance, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Douglas Benford, Douglas Kahn, Dr Simon Foster, DRAF, Drone, Drone Rorschach, Dub Morphology, Dubmorphology, Dushume, E-werk, E-werk Luckenwalde, Earth Sound Earth Signal, Ed Hamilton, Edelmat, Eigen+Art, Eigen-Art, Elahe Karimnia, Eléonore Pironneau, Electric Boulevard, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Currents of the City, Electrical Nature, Electrical Noise, Electrical Pulse of London, Electrical Substation, Electrical Substations, Electrical Walk, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Bubblebath, Electromagnetic Field Recording, Electromagnetic Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Space, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Art Festival, Electronic Music, Electronic Writing, Electrosonic, Elektrizitätswerk, Eleonora Oreggia, Embodied Interaction, Emma Enderby, Empty Set, Energies In The Arts, Eric Demetriou, Erratum, Ewa Justka, Ex Voto, Experimental Sound, Exploring Cultural Diversity, Fabrica Gallery, FACT Liverpool, Ferranti Archive, Festival of Power, Field, Fieldwave, FON Festival, Fram Kitagawa, Francesco Fusaro, Frequencies, Freunde Guter Musik, Full of Noises, Furtherfield, Future Pace, Futurism, Gabriel Prokofiev, Galeria OMR, Galerie für Zeitgenössische Kunst, Gary Stewart, Gascia Ouzounian, Gazelle Twin, Gazelli Art House, Geoffrey Grigson, George Westinghouse, GFZK Leipzig, Girton, Girton College, Glenn Branca, Goethe Institut, Goethe Institute, Goethe-Institut London, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Shorts, GR-Uniforma, Greenwich Power Station, Greenwich University, Greg Hilty, Gregory Orr, Grid Music, Groenewegen, GV Art, Haarlem, Hannah Kemp-Welch, Hannah Rose Fox, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haunted Media, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Hayward Touring, HEK Haus der elektronischen Künste, Heliosphere, Helsinki, Her Noise, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Honor Harger, HRM199, HRM199 Ltd, Hyperdub, Iain Sinclair, Iklectik Art Lab, Ilia Rogatchevski, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Information, Information Disinformation, Inigo Wilkins, Installation No. 3 for High and Low Frequencies, Interference, Intonarumori, Invisible Forces, Iris Garrelfs, Iron Foundry, Irreversible Noise, Isn’tses, Jack Jelfs, Jacqui Stewart, James Andean, James Ginzburg, Janek Schaefer, Jasmine Guffond, Jean Khalfa, Jeff Kolar, Jeremy Baumberg, Jeremy Deller, Jeremy Keenan, Joe Banks, John Bingham-Hall, John Wynne, Jon Adams, Josh Horsley, Joyce Hinterding, Juan-Guillermo Dumay, Julius Meytuss, Karen Gustafson, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Körper im Elektromagnetischen Feld, Keith Sargent, Kerber Verlag, Kettle's Yard, Kevin Logan, Kiasma, Kiasma Helsinki, King's Place, Kings Place - Sound Unwrapped, Klangkunst, Kode 9, Kohn Gallery, Kontinuum, Kristen Floos, Kunstradio, Kunststrom, Lance Sieveking, Language, LCC Crisap, Le Bon Accueil, Leafcutter John, Lee Berwick, Leila Dear, Lenin, Lift 109, Lindsay Seers, Lindsay Seers & Keith Sargent, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Listening, Listening To Non-Human Life, Live Mains Electricity, Living With Ghosts, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London was the capital of the electricity of the mind, Lords of Lightning, Lovely Music, Luckenwalde, Luigi Russolo, Magic Lantern, Magnetic, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Signals, Magnetics, Magneticsignals, Manchester, Marc Langlois, Maria Chehonadskih, Maria Dominguez, Marina Benetti, Mark Leckey, Mark M0WGF, Mark Peter Wright, Martin A Smith, Martin Howse, Martin Messier, Martin Rees, Marwan T Assaf, Matilde Meireles, Matt Lewis, Matt Parker, Matt’s Gallery, Matthias Kispert, Matts Gallery London, Melissa Franklin, Melissa Van Drie, Mendel Kaelen, Merja Nieminen, Meta Gesture, Meta Gesture Music, Mete Atatüre, Metro, Metro Magnetic, Metro Magnetics, MFZ Records, Michael Shannon, Michel Faber, Mika Vainio, Mike Fell, Mila Askarova, Miriam Young, Misinformation, Mona Tasmania, Monai de Paula Antunes, Monica Bello, Montréal, MSCTY, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Installation, Music City, Music Hackspace, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute Frequencies, Mute Magazine, Mute Records, Nahum, Naomi Alderman, NASA, NASA Sound Archive, Nastassja Simensky, Natasha Nicholson, National Grid, National Grid Music, National Union of Mineworkers, Nebularosa, Nebularosa Records, Neural Magazine, New Field, New Instruments, New Landscape, New Landscape of Electronic Writing, Nick Luscombe, Nicola Di Croce, Nicola Triscott, Nik Nak, Nikki Sheth, NikNak, Niko de Paula Lefort, Nikola Tesla, Nikolas Tesla, Nine Elms, Nkisi, Noise, Noise & Whispers, Non-Classical, Non-Human Life, Nonclassical, Norwich University, NUM, Nuno da Luz, OCM, Olga Panades, Onassis Stegi, ORF Musikprotokoll, Oxford Contemporary Music, Pablo Wendel, Pace, Pace Gallery, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pamela Davis Kivelson, Pan Sonic, Panasonic, Pascal Savy, Patrick Sykes, Paul Fletcher, Paul Purgas, Penned in the Margins, People Doing Physics, Performance Electrics, Phil Durrant, Phillip Ball, Plant Wave, Plus Electrification, Politics of Listening, Polly Atkin, Power, Power Cuts, Power Nights, Power Station, Prelude, Preludes, Prolekult, Pylons, Quantum Materials, Quantum Materials Group, Radio 3, Radio Art, Radio Lab 2022, Radio Noise, Radio Revolten, Radiophrenia, Radioqualia, Radius, Raitis Smits, Rana Begum, Random Order Collective, Rasa Smite, Rashid bin Shabib, Raster Noton, raxil4, Ray Dolby, Ray Dolby Centre, Ray Fearon. Paul Frankl, Ray Lee, Recomposing the City, Recording The Spirit Level, Red Gallery, Rennes, Research Centre, Research Group, Resonance FM, Resonances, Resonances in a New Field, Resonanzen, Riverside Radio, Riz Maslen, Rob Bowman, Rob Mullender, Robbie Thomson, Roberto Botazzi, Robin Klassnik, Robin Rimbaud, Robin Storey, Rorschach Audio, Rosie Cavaliero, Royal College of Art, Royal Institution, Ruth Garde, Ruth Oldham, S. J. Groenewegen, Sabine Himmelsbach, Sam Belinfante, Sam Stokes, Sara Rodrigues, Sarah Bohndiek, Sasha Engelmann, Scales, Scanner, Schirn Kunsthalle, Science and Industry Museum, Science and Industry Museum Manchester, Seers/Sargent Exhibition Circle, Seetal Solanki, Semiconductor, Semiconductor Films, Sepideh Karami, Serpentine Gallery, Serpentine Gallery London, Sferics, Shannen SP, Sheffield Institute of Arts, Shintaro Miyazaki, Siân Ede, Signal to Decay, Signal to Decay: Volume 1, Silenic Drift, Silent Sound, Simon Coates, Simon Foster, Singuhr Sound Gallery, Site Gallery, Socialism plus Electrification, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Channel, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Boom, Sonic Geography, Sonic Immersion, Sonic Practice, Sonic Ray, Sonic Scope, Sonic Studies, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: Resonances in a New Field, Sonica, Sonica 2016, Sound & Music, Sound Art, Sound Group, Sound Image Research Group, Sound Minds, Sound Research Group, Sound Studies, Sound Unwrapped, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Spark, Spark of Life, Sparks, Spectral, Sprawl, Stargate, Station, Stephen Chase, Stephen McGreevy, Stephen Spender, Strange Attractor Press, Streetlights Collective, Substation, Suchitra Sebastian, Sunset Sunrise Sunset, Sunsong, Surges, Susan Alexjander, Susan Walsh, Switch Room, Tasos Varoudis, Tate Modern, TBA 21 Academy, Team Doyobi, Technology, TED Talks, Test Department, Test Dept, Teylers Museum, Teylers Museum Haarlem, The Aelectrosonic, The Agency, The Agency Gallery, The Current War, The Disinformation War, The Electrosonic, The Motherland of Electricity, The Power of Electricity, The Process, The Quietus, The Rumble, The Situationist, The Spark of Life, The Stuff of Radio, The War of the Currents, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Thomas Edison, Thomas Finbarr, Thomas McConville, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Dixon, Tim Drage, Titans in the Landscape, Tom McCarthy, Tomás Saraceno, Touch Records, Transmission Ecologies, Transmission Ecologies - Movement Radio, Trevor Mathison, Trevor Paglen, Tricor, Troika, Tsouknida Eirini, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Tushar Hathiramani, Two Degrees, Ulyana Gumeniuk, Una Ryan, University of Cambridge, University of Greenwich, Urbanomic, Verso, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vice, Victor Mazon Gardoqui, Vincent Honoré, Vincent Van Uffelen, Viv Corringham, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Sound, VLF Works, Volksbühne Berlin, Volume 1, Wajid Yaseen, War, War of the Currents, Wayne McGregor, Wellcome, Wellcome Trust, Wireless, Witness, Words and Music, Words and Music - Electricity, Wyndham Lewis, X-Name, XFRMR, Xname, Yann Novak, Young Guns, Zabludowicz, Zabludowicz Collection, Zahra Jewanjee, ZKM Karlsruhe