0 BPM, Acoustic Rorschach, Aesthetics, AHRC, Ammonite, Ammonite Under Sun & Thyme, Apophenia, Art & Humanities Research Council, Artist, Audio Art, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Pareidolia, Auditory Projection, Auditory Projective Test, Auditory Rorschach, Aura Satz, Barry Hale, Cass School of Art, Disembodied Voice, Disinformation, Drill Hall Gallery, Drone Music, Drone Rorschach, Fossil, Geoffrey Grigson, Goldsmiths College, Haunted Media, Herman Rorschach, Illusion, Installation Art, Joe Banks, John Craxton, Landscape Art, Liquid Architecture, London Metropolitan University, Makiko Nagaya, Making the Stone Stony, Misperception, Neuroaesthetics, Neuroscience, Pareidolia, Paul Nash, Perception, Perceptual Creativity, Peter Lewis, Phantasma Humana, Phantasmatic, Places of the Mind, Portland Sculpture & Quarry Trust, Psychology of Perception, Rorschach Audio, Rorscha[r]ch Angels of History, Sir John Cass Faculty of Art Architecture and Design, Slash Seconds, Sonic Inkblot, Sonic Pareidolia, Sonic Phantoms, Sonic Rorschach, Sonic Studies, Sound Artist, Sound Installation, Sound Studies, Threshold Studios, University of Westminster, Vocal Phantoms, Zero BPM
“Rorscha[r]ch Angels of History”…
Artists Makiko Nagaya, Peter Lewis and Disinformation perform work in which the audience are invited to participate in the creation of massive abstract paintings, using the principle of folded ink-blots, developed by Herman Rorschach in the 1920s; the performance also features a “Rorschach Audio” soundtrack and “Ammonite” video installation by Disinformation (“Ammonite” is a collaboration between Joe Banks and Barry Hale), and accompanies the “Making the Stone Stony” colloquium, organised by PSQT and The Sir John Cass Faculty of Art at London Metropolitan University.
7:00pm to 9:30pm, 13 Sept 2013
The Drill Hall Gallery
Portland Sculpture & Quarry Trust
Easton Lane
Portland
Dorset DT5 1BW
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