000 Days on Earth, 20, A Human History of Sound and Listening, A Scientific Odyssey of Sound, AHRC, Aimee Nash, Art or Sound, Audio Rorschach, Aura Satz, Auschwitz, Barbara London, BBC Monitoring and the Second World War, BBC Monitoring Service, Beth Orton, Blaine Harrison, BMX Bandits, Bristol New Music, British Library, Casino Luxembourg, Casper Clausen, Cat’s Eyes, Cesare Pavese, Chemistry, Colin Stanley, Colin Wilson, Colston Hall, Conrad Standish, Daughter, Dave Tompkins, David Blaine, David Hendy, Daydreaming with Stanley Kubrick, Devastations, Digicult, Disinformation, Doves, Du Pont, Efterklang, Electrostatics, Elena Tonra, ERTZ Festival, Fondazione Prada, Ghetto Fighters, Giustizia e Libertà, Gold Against The Soul, Goldsmiths College, High Static Dead Lines, House Magazine, How To Wreck A Nice Beach, HTRK, Iain Forsyth, IG Farben, Il Sistema Periodico, Imperial War Museum, Incomprehensible Languages, Intricate Universe, Ironfoot Jack, IWM, IWM Contemporary, James Lavelle, Jane Pollard, Jarvis Cocker, Jean Cocteau, Jehnny Beth, Jimi Goodwin, Joe McAlinden, Jonnine Standish, King of the Bohemians, Kristen Gallernaux, Laura Johnson, Lawrence Abu Hamdan, Liima, Linden, Mangled Human Voices, Manic Street Preachers, Matt Berninger, Messages of Death, Mike Kelley, Minor Victories, Modulated Hisses, Morse Tickings, MUU Helsinki, Mysterious Messages, Mystery Jets, Noise, Norberto Bobbio, Numbers Station, Palais de Tokyo, Partisan, Penguin Classics, Periodic Table, Phil Baker, Politics of Listening, Primo Levi, Rachel Goswell, Rachel Zeffira, Radio Art, Radiophonic Babel, Radiophonic Babel of War, Requiem for 114 Radios, Resistance, Rorschach Audio, Royal Institution, Savages, Shoppinghour, SIVA, Slowdive, Soho House, Somerset House, Sonic Art, Sonic Wonderland, Sound Art, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Superstar, Susan Hiller, Suzanne Bardgett, The Black Ryder, The Hum, The Magic Paint, The MIT Press, The National, The Quietus, The Surrender of Silence, The Wrench, Tom McCarthy, Trevor Cox, University of Westminster, UNKLE, Wartime Radio, We Haunt You While You Watch, WW2
Primo Levi (1919 to 1987) – “The Radiophonic Babel of War”
“The assistant welcomed me in the tiny room on the ground floor where he himself lived, and which was bristling with a much different sort of equipment, unknown and exciting enthusiasm. Some molecules are carriers of an electric dipole; they behave in short in an electric field like minuscule compass needles: they orient themselves, some more sluggishly, others less so. Depending on conditions, they obey certain laws with greater or less respect. Well, now, these devices served to clarify those conditions and that inadequate respect. They were waiting for someone to put them to use; he was busy with other matters (astrophysics, he specified, and the information shook me to the marrow: so I had an astrophysicist right in front of me, in flesh and blood!) and besides he had no experience with certain manipulations which were considered necessary to purify the products which had to be measured, for this a chemist was necessary, and I was the welcomed chemist. He willingly handed over the field to me and the instruments. The field was two square meters of a table and desk; the instruments, a small family, but the most important of these were the Westphal balance and the heterodyne. The first I already knew; with the second I soon established a friendship. In substance it was a radio-receiving apparatus, built to reveal the slightest differences in frequency; and in fact, it went howlingly out of tune and barked like a watchdog simply if the operator shifted in his chair or moved a hand, or if someone just came into the room. Besides, at certain hours of the day, it revealed a whole intricate universe of mysterious messages. Morse tickings, modulated hisses, and deformed, mangled human voices, which pronounced sentences in incomprehensible languages, or others in Italian, but they were senseless sentences, in code. It was the radiophonic Babel of war, messages of death transmitted by ships or planes from God knows who to God knows whom, beyond the mountains and the sea.” – Primo Levi “The Periodic Table” 1975
See “Rorschach Audio” book pages 22 to 23 (and all previous “Rorschach Audio” publications and artworks etc)
http://www.penguinclassics.co.uk/
http://www.primolevi.it/
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what a find! I dont remember him talking about radio! brilliant description.
Hi, May I use for artistic creation and intervention this image?
Probably best to check with the International Primo Levi Studies Center – see links above