Abie Joyce B. Soroño, Acoustic Anthropology, AJ Ayer, Alban Rosenberger, Alexander Wolframm, Alisa Omelianceva, Aliya Prichard-Casey, Aly Gear, Ambiguity, Amelie M, Antanas Jacinevicius, Artemis Panagiotidou, Audio Apophenia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Aural History, BBC Radio, Broadcast, C, Cégeste, Celeste MacLeod-Brown, Charli R, Claudia Sweet, Claus Lam, Conor Browne, Disembodied Voice, Disinformation, François, François Périer, Franz Eggerichs, French Resistance, Friedrich Andreoni, Glasgow International, Guglielmo Marconi, Hafssa Amina Codraro, Hari Kunzru, Harry Baker, Haunted Media, Huiqi Deng, Ines Boyle, INS, International Necronautical Society, Isabell Alexandra Meldner, Ishbel Angus, Ivy Tanit, Jean Cocteau, Jean Marais, Jonny Keen, Jordan MacRae, Josh Breen-Tucci, Justīne Emīlija Brieze, Li Kirnbauer, Lilly Lavorato, Lily Evans, Luca Diebold, Lucille Brownrigg, Maeve Dolan, Maquis, María Casares, MI6, Mimi Belilty, Mona Freudenreich, Mute Magazine, Nat Hairsine, Oleh Dmytruk, Orphée, Orpheus, OUP, Oxford University Press, Patryk Kujawa, Phantasma Humana, Phantasmatic, Poi Marr, Psykick Dancehall, Radio International, Radio International Collective, Radio Interval Signals, Rebecca Rudolf, Richard Birkett, Richard Laber, Robin Rimbaud, Robyn Bamford, Roger Blin, Ronja Sommer, Rorschach Audio, Rudy Sinclair, Rufus Horton, Sancia McHenry, Scanner, School of Sound, Sergei Diaghilev, Sonic Phantoms, Sonic Studies, Sorley MacRae, Sound Studies, Susan Philipsz, The Broadcast, The Mattering of Matter, Tom Macfadyen, Tom McCarthy, Transmission and the Individual Remix, Vocal Phantoms, Yaqing Hu, Yimin Xiang, Yiwen Bo, Yoonyoung Bae
Jean Cocteau “Orphée” (Oxford University Press, 1933)
My dad’s copy of “Orphée” by Jean Cocteau – special thanks to Colin Banks
See every single published version of “Rorschach Audio”
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Disinformation + Rorschach Audio 