2009 A-Z, 35MW, A Spectre, A Spectre - Haunting, Aaron Mahnke, Acoustic Inkblot, Agency Gallery, AHRC, Aki Onda, Amplified, Angus Carlyle, Anne Faucheret, Anthony Enns, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Archive 81, Archive81, Arie Altena, Artist, Arts & Humanities Research Council, Assembly 2020, Audio Art, Audio Illusions, Audio Inkblot, Audio Pareidolia, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, B-Side Festival, BBC, Bea De Souza, Beatrice Dillon, Bianca Biberaj, Black Tapes, Black Tapes Podcast, Cachichi, Call & Response, Call and Response, Cathy Lane, CCA, Centre for Contemporary Arts, China Mieville, CM von Hausswolff, Collectif, Continent, Currents, Daniel Powell, Daphne Xanthopoulou, Dead Lines, Dead Signals, Dead Signals Podcast, Disinformation, Disinformation My Misinformation, Douglas Kahn, Drone Rorschach, E-werk, E-werk Luckenwalde, Edelmat, Electrical Nature, Electronic Art Festival, Electronic Writing, Electrosonic, Elektrizitätswerk, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Experimental Music, Festiwalu, Fieldwave, Florian Hecker, Frédéric Grossi, Frieze, Frieze Magazine, Furtherfield, Furtherfield Gallery, Future Pace, Glenn Branca, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, GR-Uniforma, Greenwich University, Halluzination Perspektive Synthese, Haunted Machine, Haunted Machines, Haunting, Hauntology, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hearing Voices in the Noise, Hecker, High Static, High Static Dead Lines, HKW, HKW - Haus der Kulturen der Welt Berlin, Hyperdub, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, IMCC, Information, Information Disinformation, INS, Installation, International Necronautical Society, Isn’tses, Ivet Ćurlin, Jamie Allen, Jean Cocteau, Jeremy Keenan, Joe Banks, Kate Carr, Katharina Worf, Keith Sargent, Ken Hollings, Kode 9, Kristen Gallerneaux, Kunsthalle Wien, Kunststrom, Larry Sider, Lee Berwick, Leeds 2023, Leeds2023, Left of the Dial, Left of the Dial Podcast, Lindsay Seers, Lisa McKendrick, Lisson Gallery, Listening, Lore, Lore Podcast, Luckenwalde, Magic Lantern, Maquis, Marc Garrett, Marc Sollinger, Marc-Olivier Wahler, Mark Alizart, Mark Fisher, Mark Underwood, Matt Bernico, Matt Lewis, Matt’s Gallery, Mattering of Matter, Matts Gallery London, Mike Kelley, MIT Press, Murray R. Schaeffer, Nam June's Spirit, Nam June's Spirit Was Speaking To Me, Natalie Kane, Nataša Ilić, National Grid, Netflix, New Landscape, New Landscape of Electronic Writing, Nicolas Bourriaud, Nonclassical, On Listening, Orphée, Orpheus, Orpheus Mix, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Paris, Paul Bae, Pedagogies of the Ear, Performance Electrics, Power Nights, Psycho Acoustics, Psychoacoustics, Quantum Physics, Radical Radio, Rahma Khazam, Répondeur, Research Group, Resistance, Robin Rimbaud, Rorschach Audio, Rorschach Sound, Ruth Catlow, Sabina Sabolović, Sadie Coles, Sadie Coles HQ, Scanner, School of Sound, Sensoramics, Serpentine Gallery, Serpentine Gallery London, Shannen SP, Silent Sound, Somerset House Assembly 2020, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sound & Music, Sound Art, Sound Artist, Sound Arts Now, Sound Group, Sound Image Research Group, Sound Installation, Sound Research Group, Sound Studies, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Spectre, Spectre Haunting, Static Man, Sternberg Press, Steven Connor, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Susan Hiller, Susan Treister, Technological Imaginary, Terry Miles, The Aelectrosonic, The Agency, The Agency Gallery, The Black Tapes, The Black Tapes Podcast, The Electrosonic, The Guardian, The MIT Press, The Quietus, The Situationist, The Static Man, Three Receivers, Tim Drage, Tobias Revell, Tom McCarthy, Tricor, Turner Contemporary, Turner Contemporary Margate, Tyler Maxin, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Greenwich, University of Westminster, Unsoundu, Unsoundu Festiwal, W.S. Burroughs, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Westminster University, WGXC 90.7FM, WGXC90.7FM, William Burroughs, William S. Burroughs, WW2, Yodeling
Rorschach Audio sound work commissioned by Palais de Tokyo
The “Rorschach Audio – Orpheus Mix” – a sound tribute to film-maker Jean Cocteau – was commissioned by Palais de Tokyo in Paris for exhibition as part of their Répondeur project in 2009. The piece was curated by Rahma Khazam and exhibited on the museum’s answering machine throughout July 2009, then exhibited as a podcast for 2 years. This commission is documented in the Palais de Tokyo book “2009 A-Z (From Yodeling to Quantum Physics)”.
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