A Spectre, A Spectre - Haunting, Aaron Mahnke, Acoustic Inkblot, Adam Crockatt, Agnès Gayraud, Al Cameron, Alice Carey, Alina Popa, Amy Ireland, Angus Carlyle, Ann Winsper, Anna Greenspan, Anthony Nine, Antonia Barnett-McIntosh, Apophenia, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Artist, Audio Art, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Illusion, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural Contract, Bárbara Rodríguez Muñoz, BBC Radio, BBC Radio 4, BBC Wales, BBC4, Beau Lotto, Birkbeck College, Black Tapes, Black Tapes Podcast, British Library, Brooker Buckingham, Carbonic Oscillation, Carol Watts, Carolyn McGettigan, Cathy Lane, Charlie Blake, China Mieville, Christmas Lectures, Dana Centre, Daniel Powell, Dave Tompkins, David Reby, Dead Signals, Dead Signals Podcast, Diana Deutsch, Disinformation, Drone Rorschach, Electronic Voice Phenomena, Eleni Ikon, Eleni Ikoniadou, Emma Bennett, Erik Davis, Eugene Thacker, EVP, Friedrich Jürgenson, Georgina Rochefort, Ghost Voice, Ghosts In The Machine, Goldsmiths, Goldsmiths College, Hannah Silva, Haunting, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Holly Pester, Human Conversation, Institute of Cognitive Neuroscience, James Wilkes, Jenna Sutela, Jo Burzynska, Joe Banks, Jonathan Sterne, Jonnie Robinson, Julian Henriques, Kodwo Eshun, Konstantin Raudive, Kristen Gallerneaux, Language of Life, Larry Sider, Laurie Taylor, Lawrence Abu Hamdan, Lee Gamble, Left of the Dial, Left of the Dial Podcast, Lendl Barcelos, Lisa Blanning, Listening, London Science Museum, Lore, Lore Podcast, Lotto Lab, Luciana Parisi, Marc Sollinger, Marina Warner, Mark Underwood, Matthew Fuller, Matthew Wraith, McGurk Effect, Mikhail Karikis, Mishearing, Mishearings, MIT Press, Neil Matheson, Netflix, Neuroscience, Nicola Masciandaro, Now You're Talking, Occulture, Oenosthesia, Olga Gurionova, On Listening, Paranormal Activity, Paul Bae, Paul Hibbard, Paul Purgas, Pedagogies of the Ear, Penguin, Penguin Random House, Perception, Pete Bebergal, Peter Bebergal, Poetry as I need it, Politics of Listening, Pradheep Shanmugalingam, Queen Mary’s College, Ramona Naddaff, Random House, Robin Mackay, Roger Moore, Rorschach Audio, Rorschach Sound, Royal Holloway, Royal Institution, S. Ayesha Hameed, Sas Mays, School of Sound, Science Museum, Serpentine Gallery, Sheffield, Shelley Trower, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sophie Scott, Sound & Music, Sound Art, Sound Artist, Sound Arts Now, Sound Installation, Sound Studies, Souzana Zamfe, Spectre, Spectre Haunting, Spirit Voices, Spritualism, Static Man, Steve Goodman, Steve Rajam, Steven Rajam, Steven Shaviro, Strange Frequencies, Sumbisori, Supernatural, Supersonix, Susan Hiller, Sussex, Suzanne Treister, Technology and Spiritualism, Terry Miles, The Auricle, The Black Tapes, The Black Tapes Podcast, The Innkeepers, The Machine and the Ghost, The MIT Press, The Occulture, The Static Man, The Whole Truth, This is a Voice, Tim Hecker, Toby Heys, Trevor Cox, UCL, Undead, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Brighton, Unsound, Unsound: Undead, Unsound:Undead, Urbanomic, Voice Symposium, Vox Lab, Wellcome Collection, Westminster, White Noise, Will Montgomery, Writing Around Sound