Acoustic Inkblot, Adam Crockatt, Agnès Gayraud, Al Cameron, Alice Carey, Alina Popa, Amy Ireland, Ann Winsper, Anna Greenspan, Anthony Nine, Antonia Barnett-McIntosh, Apophenia, Art & Illusion, Art & Illusion for Sound, Audio Art, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Illusion, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural Contract, Bárbara Rodríguez Muñoz, BBC Radio, BBC Radio 4, BBC Wales, BBC4, Beau Lotto, Birkbeck College, British Library, Brooker Buckingham, Carbonic Oscillation, Carol Watts, Carolyn McGettigan, Charlie Blake, Christmas Lectures, Dana Centre, Dave Tompkins, David Reby, Diana Deutsch, Disinformation, Drone Rorschach, Electronic Voice Phenomena, Eleni Ikon, Eleni Ikoniadou, Emma Bennett, Erik Davis, Eugene Thacker, EVP, Friedrich Jürgenson, Georgina Rochefort, Ghost Voice, Ghosts In The Machine, Goldsmiths, Goldsmiths College, Hannah Silva, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Holly Pester, Human Conversation, Institute of Cognitive Neuroscience, James Wilkes, Jenna Sutela, Jo Burzynska, Joe Banks, Jonathan Sterne, Jonnie Robinson, Julian Henriques, Kodwo Eshun, Konstantin Raudive, Kristen Gallerneaux, Language of Life, Larry Sider, Laurie Taylor, Lawrence Abu Hamdan, Lee Gamble, Lendl Barcelos, Lisa Blanning, London Science Museum, Lotto Lab, Luciana Parisi, Marina Warner, Mark Underwood, Matthew Fuller, Matthew Wraith, McGurk Effect, Mikhail Karikis, Mishearing, Mishearings, MIT Press, Neil Matheson, Neuroscience, Nicola Masciandaro, Now You're Talking, Occulture, Oenosthesia, Olga Gurionova, Paranormal Activity, Paul Hibbard, Paul Purgas, Pedagogies of the Ear, Penguin, Penguin Random House, Perception, Pete Bebergal, Peter Bebergal, Poetry as I need it, Politics of Listening, Pradheep Shanmugalingam, Queen Mary’s College, Ramona Naddaff, Random House, Robin Mackay, Roger Moore, Rorschach Audio, Royal Holloway, Royal Institution, S. Ayesha Hameed, Sas Mays, School of Sound, Science Museum, Serpentine Gallery, Sheffield, Shelley Trower, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sophie Scott, Sound & Music, Sound Art, Sound Installation, Sound Studies, Souzana Zamfe, Spirit Voices, Spritualism, Steve Goodman, Steve Rajam, Steven Rajam, Steven Shaviro, Strange Frequencies, Sumbisori, Supernatural, Supersonix, Susan Hiller, Sussex, Suzanne Treister, Technology and Spiritualism, The Auricle, The Innkeepers, The Machine and the Ghost, The MIT Press, The Occulture, The Whole Truth, This is a Voice, Tim Hecker, Toby Heys, Trevor Cox, UCL, Undead, Unit for Sound Practice Research, University of Brighton, Unsound, Unsound: Undead, Unsound:Undead, Urbanomic, Voice Symposium, Vox Lab, Wellcome Collection, Westminster, White Noise, Will Montgomery, Writing Around Sound