0.0MHz Film, 180 The Strand, 2009 A-Z, 35MW, 4’33”, A Ghost Dance, A Spectre, A Spectre - Haunting, Aaron Mahnke, Abi Warburg, Abie Joyce B. Soroño, Academic Cut-Up, Acoustic Ambiguity, Acoustic Environment, Acoustic Environments, Acoustic Inkblot, After Post-Truth, Agency Gallery, AHRC, Aki Onda, Alban Rosenberger, Albert Tarrats, Aldous Huxley, Alexander Wolframm, Alice Kemp, Alisa Omelianceva, Aliya Prichard-Casey, ALKU, Aly Gear, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, Amelie M, Amit D Patel, Amplified, An Academic Cut-Up, André Chêdas, Andrew Hugill, Angus Carlyle, Anla Courtis, Anna Irina Russell, Anna Ramos, Anne Faucheret, Annie Goh, Answerbient, Answering Machine, Antanas Jacinevicius, Anthony Enns, Antonio Gagliano, Antonis Antoniou, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Apophenia Research, Archival sonics, Archive 81, Archive81, Archives From Konstantin Raudive, Arie Altena, Art & Illusion, Art & Illusion for Sound, Art & Technology, Art Blocks, Art Blocks x Pace Verso, Art Research, Artangel, Artangel Everywhere, Artangel Projects, Artemis Panagiotidou, Artist, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Ashtray Navigations, Assembly 2020, Attila von Szalay, Audimat, Audio, Audio Ambiguity, Audio Apophenia, Audio Archive, Audio Archives, Audio Art, Audio Forensics, Audio Hallucination, Audio Illusion, Audio Illusions, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Pareidolia, Audio Phantom, Audio Projection, Audio Projections, Audio Projective Test, Audio Projective Tests, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audiosfera, Audiosphere, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucination, Auditory Hallucinations, Auditory Illusions, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantasmic Presence, Auditory Phantom, Auditory Projection, Auditory Projections, Auditory Projective Test, Auditory Projective Tests, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aural Auras, Aural Auras and Haunting Echoes, Aural Diversity, Aural Diversity Doctoral Research Hub, Aural Diversity Research Hub, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Rorschach, Aural Rorschach Test, Autonomedia, Autonomedia Archives, Autonomedia Publishing, Édouard Dermit, Électromagnétisme, Élisabeth Lebovici, B-Side Festival, B.F. 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Gombrich, E.H. Gombrich & Sound, Earwitness Testimony, Eddie Ruscha, Edelmat, Editions Mego, EH Gombrich, Electric Dreams, Electrical Nature, Electromagnetic Bubblebath, Electromagnetic Interactions, Electronic Art Festival, Electronic Music, Electronic Voice Phenomena, Electronic Voice Phenomenon, Electronic Writing, Electrosonic, Elektrizitätswerk, Eleonora Oreggia, Eli Ningú, Elisa Troiano, Elton’s Phone, Embodied Listening, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Erik Davis, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Vegelin, Ernst Vegelin van Claerbergen, Es Devlin, Esprits de Paris, Evelyn Hollow, Evocative Object, Evocative Object: Auditory Inkblot, EVOL, EVP, Experimental Music, Experimental Phastasmogenesis, Experimental Sound, Exploring Cultural Diversity, Fallow Media, Festiwalu, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Fieldwave, Florian Decker, Florian Hecker, Forensic Audio, Forgotten Wires, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Foundation for the Arts, Francisco Lopez, Franz Eggerichs, Frédéric Grossi, Fredy Perlman, Freud Museum, Friedrich Andreoni, Friedrich Jürgenson, Frieze, Frieze London, Frieze Magazine, From Yodeling to Quantum Physics, Furtherfield, Furtherfield Gallery, Future Pace, Gary Stewart, Gazelle Twin, Gemma Planell, Geography of Sounds, Gerhard Stempnik, Ghost, Ghost & Spirit, Ghost and Spirit, Ghost Dance, Ghost Formula, Ghost Horses of Averham, Ghost Quartet, Ghost Radio, Ghost Semantics, Ghost Voice, Ghost Voice Research, Ghost Voices, Ghost Watch, Ghost Zone, Ghosts, Ghostwatch, Giulia Lenti, Glasgow International, Glenn Branca, Goethe Institute, Goethe-Institut London, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Press - Sonics Series, Gombrich, Gombrich & Sound, Gombrich Archive, Goodman Gallery, GR-Uniforma, Granta, Granta Magazine, Greenwich University, Grey Room, Groenewegen, Guglielmo Marconi, Hafssa Amina Codraro, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Hannah Kemp-Welch, Harry Baker, Haunted Machine, Haunted Machines, Haunted Media, Haunting, Haunting Echoes, Hauntology, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hearing Voices in the Noise, Heavier Than Words, Hecker, Helen Frosi, Henry David Thoreau, Here at Outernet, Hidden Words, High Static, High Static Dead Lines, HKW, HKW - Haus der Kulturen der Welt Berlin, Huiqi Deng, Humanities Research, Hyperdub, Ian Maleney, Iarlaith Fheorais, Iarlaith Ni Fheorais, Iklectik Art Lab, Iklectik Nomadik, Illusion of Sound, Illusions, Illusions & Paradoxes, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, IMCC, Inaudible Becomes Audible, Ines Boyle, Information, Information Disinformation, Inigo Wilkins, Ink Blot Audio, Inkblot Audio, INS, Installation, Inter.Sonix, International Necronautical Society, Into The Uncanny, Invisible Generation, Irini Papadimitriou, Irreversible Noise, Isabell Alexandra Meldner, Ishbel Angus, Isn’tses, Ivet Ćurlin, Ivy Tanit, J. Milo Taylor, J.G. Ballard, Jack Coventry, Jamie Allen, Jasia Reichardt, Jean Cocteau, Jean Marais, Jeffrey Sconce, Jeremy Keenan, Jess M. Williams, Jesse Darling, Joe Banks, John Cage, John Drever, John Levack Drever, Jon Culshaw, Jonathan Cape, Jonny Keen, Jordan MacRae, Josh Breen-Tucci, Jung Eun-Ji, Justin Lader, Justīne Emīlija Brieze, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Keith Sargent, Ken Hollings, Knopf, Kode 9, Koladé Spirit, Konstantin Raudive, Kornhausforum Bern, Kristen Gallerneaux, Kunsthalle Wien, Kunststrom, Kythera Gallery, Laetitia Rouiller, Lafayette College, Language, Language Analysis, Language Technology, Languaged, Languaging, Larry Sider, Lars Bang Larsen, LAURA, Lawrie Shabibi, LCC Crisap, Le Pavillon, Lee Berwick, Lee Fraser, Lee Ranaldo, Leeds 2023, Leeds2023, Left of the Dial, Left of the Dial Podcast, Leila Dear, Let There, Let There Be, Let There be Language, Leverhulme, Leverhulme Trust, Leverhulme Trust Aural Diversity Doctoral Research Hub, Li Kirnbauer, Lilly Lavorato, Lily Evans, Liminal Sound, Lindsay Seers, Lisa McKendrick, Lisson Gallery, Listen Gallery, Listen Gallery Glasgow, Listening, Listening Arts Channel, Listening for Ghosts, Little Palais, Living With Ghosts, London College of Communication, Lore, Lore Podcast, Lower Third, Luca Diebold, Lucille Brownrigg, Luckenwalde, Luma Arles, Macba, Macba Barcelona, Macba Museu, Macba Museu d’Art Contemporani, Macba Museu d’Art Contemporani de Barcelona, Mack Hagood, Maeve Dolan, Magic Lantern, Maquis, Mara Mills, María Casares, María Salgado, Marc Garrett, Marc Sollinger, Marc-Olivier Wahler, Marcel Duchamp, Marco Brambilla, Marco Pasi, Mark Alizart, Mark Blagrove, Mark Fisher, Mark Leckey, Mark Pilkington, Mark Underwood, Martyn Riley, Matías Rossi, Matt Bernico, Matt Lewis, Matt’s Gallery, Mattering of Matter, Matthew Harle, Matts Gallery London, Meaning in Randomness, Mego Records, Mentalizing Sound, Michael Nees, Michael Zeltner, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation, Mike Kelley Foundation for the Arts, Milo Taylor, Mimi Belilty, Misinformation, Misinformation Network, MIT Press, Mix Tate, Mixtate, Modus Arts, Modus Sandbox, Momentum, Mona Freudenreich, Monitor Books, Mounir Fatmi, Murray Bookchin, Murray R. Schaeffer, Music of the Mind, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, Nahmad Contemporary, Nam June's Spirit, Nam June's Spirit Was Speaking To Me, Nat Hairsine, Natalie Kane, Nataša Ilić, Nate Young, National Grid, National Poetry, National Poetry Library, Núria Rodriguez, Nebularosa, Nermin Saybasili, Netflix, Network, New Instruments, New King of Pop, New Landscape, New Landscape of Electronic Writing, Nicolas Bourriaud, Nigel Kneale, Nik Nak, Nikki Sheth, NikNak, Nikola Tesla, Nkisi, Nonclassical, Now Arcade, Now Building, Now Pop-Up, Now Pop-Up 2, Now Trending, Objects of Sound, Ocean of Sound, Oleh Dmytruk, Olga Sureda, On Listening, Open Sound, Orphée, Orpheus, Orpheus and Eurydice, Orpheus Mix, Oto Projects, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Outline Platform, Oxford Brookes, Oxford Brookes University, Oxford Brookes University - Sonic Arts Research Unit, Oxford Exorcism, Oxford Street, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo 2009 A-Z, Palais de Tokyo Paris, Palais / (Magazine), Paracoustics, Paranormal Acoustics, Paranormal Experiences, Parapsychological, Paréidolie, Pareidolia, Pareidolia and Apophenia, Pareidolia Research, Paris, Patryk Kujawa, Paul Bae, Paul Laffoley, Paul Purgas, Pedagogies of the Ear, Perceptual Ambiguity, Performance Electrics, Perspektive Synthese, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmic Audio, Phantasmic Presence, Phantastic Sound, Phantom Audio, Phantom Power, Phantom Sound, Phantom Sounds, Phantom Within, Phantom Words, Phastasmogenesis, Philosophy Now, Plastic Language, Play on Words, Playing with Words, PLOS, PLoS ONE, Poetry Library, Poi Marr, Political Voice, Poltergeist, Post Theory, Post Theory Art, Post-Truth, Power Nights, Prelude, Preludes, Prof. Chris French, Protozoic Rock Express, Psycho Acoustics, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychological Society, Psychologist, Public Enemy, Public Knowledge, Public Library of Science, Public Listening, Quantum Physics, Quim Pujol, Radical Radio, Radio, Radio 4, Radio 4 Extra, Radio Benjamin, Radio International, Radio International Collective, Radio Interval Signals, Radio Rorschach, Radio Rorschach Test, Radio Transmissions, Radiophonic, Radiophonic Art, Radiophonic Communication, Radiophonic Music, Radiophonic Workshop, Rahma Khazam, Raw Story, Ràdio Macba, Ràdio Web Macba, Répondeur, Re:Search, Reaktion, Reaktion Books, Rebecca Rudolf, Reece Shearsmith, Reference Studios, Reference Studios x Selfridges, Reina Sofía, Reina Sofía Madrid, Research Council, Research Group, Research Hub, Research Unit, Residual Haunting, Resistance, Ricardo Cárdenas, Richard Birkett, Richard Laber, Richard Woodfield, Rob Mullender, Rob Mullender-Ross, Robert Redford, Robin Rimbaud, Robyn Bamford, Roc Jimenez de Cisneros, Ronja Sommer, Rorschach Audio, Rorschach Audio - Orpheus Mix, Rorschach Effect, Rorschach Sound, Rough Trade Editions, Routledge, Rudy Sinclair, Rufus Horton, Ruth Catlow, Ryan Electric, Ryan Electric Products, Ryan Gander, Ryoji Ikeda, S. J. 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Burroughs, Wajid Yaseen, Walter Benjamin, War, Warburg, Warburg Institute, Warburg Renaissance, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Weird and Eerie, Weird and the Eerie, Westminster University, WGXC 90.7FM, WGXC90.7FM, Whispered Stories, Whispered Stories of Forgotten Wires, William Bailey, William Burroughs, William S. Burroughs, Wolf Eyes, WW2, x AI, X-Name, xAI, Xname, Yale Sound Studies, Yale Sound Studies Working Group, Yale University, Yale University Press, Yaqing Hu, Yimin Xiang, Yiwen Bo, Yodeling, Yoko Ono, Yoo Sun-Dong, Yoonyoung Bae, Zoë Hopkins, ]Sub Rosa
“Rorschach Audio – Orpheus Mix” commissioned by Palais de Tokyo
The “Rorschach Audio – Orpheus Mix” – a sound tribute to film-maker Jean Cocteau – was commissioned by Palais de Tokyo in Paris for exhibition as part of their Répondeur project in 2009.
The “Rorschach Audio – Orpheus Mix” commission was curated by Rahma Khazam and exhibited on the Palais de Tokyo answering machine throughout July 2009, then exhibited as a podcast for a further 2 years.
This commission is documented in the Palais de Tokyo book “2009 A-Z (From Yodeling to Quantum Physics)”, pages 40 to 41.
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