0.0MHz Film, 180 The Strand, 2009 A-Z, 35MW, 4’33”, A Ghost Dance, A Ghost In Your Ear, A Spectre, A Spectre - Haunting, Aaron Mahnke, Abi Warburg, Abie Joyce B. Soroño, Academic Cut-Up, Acoustic Ambiguity, Acoustic Environment, Acoustic Environments, Acoustic Inkblot, After Post-Truth, Agency Gallery, AHRC, Aki Onda, Alan Hall, Alban Rosenberger, Albert Tarrats, Aldous Huxley, Alexander Wolframm, Alice Kemp, Alisa Omelianceva, Aliya Prichard-Casey, ALKU, Alva Noto, Aly Gear, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, Amelie M, Amit D Patel, Amplified, An Academic Cut-Up, Analyst A-113, André Chêdas, Andrew Hugill, Angus Carlyle, Anla Courtis, Anna Irina Russell, Anna Ramos, Anne Faucheret, Annie Goh, Anomalous Speech, Anomalous Voices, Answerbient, Answering Machine, Antanas Jacinevicius, Anthony Enns, Antonio Gagliano, Antonis Antoniou, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Apophenia Research, Archival sonics, Archive 81, Archive81, Archives From Konstantin Raudive, Arie Altena, Art & Illusion, Art & Illusion for Sound, Art & Technology, Art Blocks, Art Blocks x Pace Verso, Art Research, Artangel, Artangel Everywhere, Artangel London, Artangel Projects, Artemis Panagiotidou, Artist, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Ashtray Navigations, Assembly 2020, Attila von Szalay, Audimat, Audint, Audint Undead, Audint Unsound, Audint Unsound Undead, Audio, Audio Ambiguity, Audio Apophenia, Audio Archive, Audio Archives, Audio Art, Audio Forensics, Audio Hallucination, Audio History, Audio Illusion, Audio Illusions, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Pareidolia, Audio Phantom, Audio Projection, Audio Projections, Audio Projective Test, Audio Projective Tests, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audioscopic Research, Audiosfera, Audiosphere, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucination, Auditory Hallucinations, Auditory History, Auditory Illusions, Auditory Ink Blot, Auditory Ink-Blot Test, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantasmic Presence, Auditory Phantom, Auditory Projection, Auditory Projections, Auditory Projective Test, Auditory Projective Tests, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aural Auras, Aural Auras and Haunting Echoes, Aural Diversity, Aural Diversity Doctoral Research Hub, Aural Diversity Research Hub, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Rorschach, Aural Rorschach Test, Autonomedia, Autonomedia Archives, Autonomedia Publishing, Autotelic, Autotelic Foundation, Ayesha Hameed, Édouard Dermit, Électromagnétisme, Élisabeth Lebovici, B-Side Festival, B.F. Skinner, Backmasking, Barbara Ellison, Barnaby Wright, Basalt, Basalt Rennes, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radio 4 Extra, BBC Radiophonic Workshop, BBC TV, Be Language, Bea De Souza, Bearpark Poltergeist, Beatrice Dillon, Benjamin Radford, Bernie Grant Arts Centre, Bianca Biberaj, Bidston Observatory, Bill Sherman, Bill Thompson, Black Cat Systems, Black Tapes, Black Tapes Podcast, BOARC, Bornemisza, BPS, British Psychological Society, Broadcast, Bronac Ferran, C. 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Gombrich, E.H. 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Milo Taylor, J.G. Ballard, Jack Coventry, Jack Jelfs, Jamie Allen, Jasia Reichardt, Jean Cocteau, Jean Marais, Jeffrey Sconce, Jeremy Keenan, Jess M. Williams, Jesse Darling, Joe Banks, John Cage, John Drever, John Levack Drever, Jon Culshaw, Jonathan Cape, Jonny Keen, Jordan MacRae, Josh Breen-Tucci, Jung Eun-Ji, Justin Lader, Justīne Emīlija Brieze, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Keith Sargent, Ken Hollings, Knopf, Kode 9, Kode9, Koladé Spirit, Konstantin Raudive, Kornhausforum Bern, Kristen Gallerneaux, Kunsthalle Wien, Kunststrom, Kythera Gallery, Laetitia Rouiller, Lafayette College, Language, Language Analysis, Language Technology, Languaged, Languaging, Larry Sider, Lars Bang Larsen, LAURA, Lawrie Shabibi, LCC Crisap, Le Pavillon, Lee Berwick, Lee Fraser, Lee Ranaldo, Leeds 2023, Leeds2023, Left of the Dial, Left of the Dial Podcast, Leila Dear, Let There, Let There Be, Let There be Language, Leverhulme, Leverhulme Trust, Leverhulme Trust Aural Diversity Doctoral Research Hub, Li Kirnbauer, Lilly Lavorato, Lily Evans, Liminal Sound, Lindsay Seers, Lisa McKendrick, Lisson Gallery, Listen Gallery, Listen Gallery Glasgow, Listening, Listening Arts Channel, Listening for Ghosts, Little Palais, Living With Ghosts, London College of Communication, Lore, Lore Podcast, Lost in Transmission, Lower Third, Luca Diebold, Lucille Brownrigg, Luckenwalde, Luigi Monteanni, Luma Arles, Macba, Macba Barcelona, Macba Museu, Macba Museu d’Art Contemporani, Macba Museu d’Art Contemporani de Barcelona, Mack Hagood, Maeve Dolan, Magic Lantern, Maquis, Mara Mills, María Casares, María Salgado, Marc Garrett, Marc Sollinger, Marc-Olivier Wahler, Marcel Duchamp, Marco Brambilla, Marco Pasi, Mariam Zulfiqar, Mark Alizart, Mark Blagrove, Mark Fisher, Mark Leckey, Mark Pilkington, Mark Underwood, Martyn Riley, Matías Rossi, Matt Bernico, Matt Lewis, Matt’s Gallery, Mattering of Matter, Matthew Harle, Matts Gallery London, Meaning in Randomness, Mego Records, Melika Kolongo, Mentalizing Sound, Michael Esposito, Michael Nees, Michael Zeltner, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation, Mike Kelley Foundation for the Arts, Milo Taylor, Mimi Belilty, Misinformation, Misinformation Network, MIT Press, Mix Tate, Mixtate, Modus Arts, Modus Sandbox, Momentum, Mona Freudenreich, Monitor Books, Mounir Fatmi, Murray Bookchin, Murray R. Schaeffer, Music of the Mind, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, Nahmad Contemporary, Nam June's Spirit, Nam June's Spirit Was Speaking To Me, Nastassja Simensky, Nat Hairsine, Natalie Kane, Nataša Ilić, Nate Young, National Grid, National Poetry, National Poetry Library, Núria Rodriguez, Nebularosa, Nermin Saybasili, Netflix, Network, Neurorealist Listening, New Instruments, New King of Pop, New Landscape, New Landscape of Electronic Writing, Nicolas Bourriaud, Nigel Kneale, Nik Nak, Nikki Sheth, NikNak, Nikola Tesla, Nkisi, Nonclassical, Now Arcade, Now Building, Now Pop-Up, Now Pop-Up 2, Now Trending, Objects of Sound, Ocean of Sound, Oleh Dmytruk, Olga Sureda, On Listening, Open Sound, Orphée, Orpheus, Orpheus and Eurydice, Orpheus Mix, Oto Projects, Out of Thin Air, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Outline Platform, Outputs, Oxford Brookes, Oxford Brookes University, Oxford Brookes University - Sonic Arts Research Unit, Oxford Exorcism, Oxford Street, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Palais de Tokyo, Palais de Tokyo 2009 A-Z, Palais de Tokyo Paris, Palais / (Magazine), Paracoustics, Paralyze AI, Paranormal Acoustics, Paranormal Audio, Paranormal Experiences, Paranormal Sound, Parapsychological, Paréidolie, Pareidolia, Pareidolia and Apophenia, Pareidolia Research, Paris, Patryk Kujawa, Paul Bae, Paul Laffoley, Paul Mellon, Paul Mellon Centre, Paul Purgas, Pedagogies of the Ear, Perceptual Ambiguity, Performance Electrics, Perspektive Synthese, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmic Audio, Phantasmic Presence, Phantastic Sound, Phantom Audio, Phantom Power, Phantom Sound, Phantom Sounds, Phantom Within, Phantom Words, Phastasmogenesis, Philosophy Now, Plastic Language, Play on Words, Playing with Words, PLOS, PLoS ONE, Poetic Transmission, Poetry Library, Poi Marr, Political Voice, Politics of Listening, Poltergeist, Post Theory, Post Theory Art, Post-Truth, Power Nights, Prelude, Preludes, Prof. Chris French, Proof of Ghosts, Protozoic Rock Express, Psycho Acoustics, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychological Society, Psychologist, Public Enemy, Public Knowledge, Public Library of Science, Public Listening, Quantum Physics, Quietus, Quim Pujol, Radical Radio, Radio, Radio 4, Radio 4 Extra, Radio Atlas, Radio Benjamin, Radio International, Radio International Collective, Radio Interval Signals, Radio Rorschach, Radio Rorschach Test, Radio Transmissions, Radiophonic, Radiophonic Art, Radiophonic Communication, Radiophonic Music, Radiophonic Workshop, Radiophrenia FM, Radiophrenia Schizophonic, Rahma Khazam, Raster Media, Raw Story, Ràdio Macba, Ràdio Web Macba, Répondeur, Re:Search, Reaktion, Reaktion Books, Rebecca Rudolf, Reece Shearsmith, Reference Studios, Reference Studios x Selfridges, Reina Sofía, Reina Sofía Madrid, Research Council, Research Group, Research Hub, Research Now, Research Unit, Residual Haunting, Resistance, Ricardo Cárdenas, Richard Birkett, Richard Laber, Richard Woodfield, Rob Mullender, Rob Mullender-Ross, Robert Redford, Robin Rimbaud, Robyn Bamford, Roc Jimenez de Cisneros, Ronja Sommer, Rorschach Audio, Rorschach Audio - Orpheus Mix, Rorschach Audio Generator, Rorschach Effect, Rorschach Sound, Rough Trade Editions, Routledge, Rudy Sinclair, Rufus Horton, Ruth Catlow, Ryan Electric, Ryan Electric Products, Ryan Gander, Ryoji Ikeda, S. J. 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Burroughs, Wajid Yaseen, Walter Benjamin, War, Warburg, Warburg Institute, Warburg Renaissance, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm WGXC90.7FM, Weird and Eerie, Weird and the Eerie, Weird Noise, Weird Noise Zine, Westminster University, WGXC 90.7FM, WGXC90.7FM, What Is Research Now, Whisper EVP, Whispered Stories, Whispered Stories of Forgotten Wires, William Bailey, William Burroughs, William S. Burroughs, Wolf Eyes, WW2, x AI, X-Name, xAI, Xname, Yale Sound Studies, Yale Sound Studies Working Group, Yale University, Yale University Press, Yaqing Hu, Yimin Xiang, Yiwen Bo, Yodeling, Yoko Ono, Yoo Sun-Dong, Yoonyoung Bae, Zoë Hopkins, ]Sub Rosa
“Rorschach Audio – Orpheus Mix” commissioned by Palais de Tokyo
The “Rorschach Audio – Orpheus Mix” – a sound tribute to film-maker Jean Cocteau – was commissioned by Palais de Tokyo in Paris for exhibition as part of their Répondeur project in 2009.
The “Rorschach Audio – Orpheus Mix” commission was curated by Rahma Khazam and exhibited on the Palais de Tokyo answering machine throughout July 2009, then exhibited as a podcast for a further 2 years.
This commission is documented in the Palais de Tokyo book “2009 A-Z (From Yodeling to Quantum Physics)”, pages 40 to 41.
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