Acoustic Inkblot, Arts Council England, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Baltic, BBC Radio 3, Bluecoat, Bruce Nauman, Electronic Voice Phenomena, Electronicvoicephenomena.net, EVP, Goldsmiths, Goldsmiths College, Haunted Media, Hayward Gallery, Hayward Touring, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Inigo Wilkins, Institute for Contemporary Arts, Irreversible Noise, Jo Burzynska, Jonathan Calver, Ken Hollings, Larry Sider, Listening, Liverpool, Liverpool Biennal, London, Marina Warner, Mark Underwood, McGurk Effect, Mercy, Mercyonline, Mishearings, Neil Matheson, Norwich University, Paranormal Activity, Pedagogies of the Ear, Penned in the Margins, Reversible Images, Rorschach Audio, Sam Belinfante, Sas Mays, School of Sound, Serpentine Gallery, Sheffield Institute of Arts, Site Gallery, Sonic Boom, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Speak Spirit Speak, Susan Hiller, Suzanne Treister, Technology and Spiritualism, The Auricle, The ICA, The Innkeepers, The Machine and the Ghost, Unit for Sound Practice Research, Urbanomic, White Noise
Rorschach Audio talk at the Liverpool Biennial, 6 Oct 2012, organised by Mercy, and at The ICA, London, 15 Sept 2012 (as part of the closing events for Bruce Nauman’s exhibition “Days”) – click on the highlighted texts for details
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Rorschach Audio + Disinformation