Acoustic Anthropology, Alberto Giacometti, Audio History, Audio Illusion, Audio Inkblot, Audio Rorschach, Auditory Illusion, Auditory Inkblot, Bobby Gillespie, Bruce Nauman, Central School of Speech & Drama, CSSD, Deathwatch, Disinformation, Eros & Thanatos, Experimental Portraiture, Festival of the Unconscious, Freudian Slip, Funeral Rites, Gertrude Contemporary, GQ magazine, Gucci, Haute Surveillance, Hayward Gallery, Hayward Touring, Homophone, Hypebeast, Illusion of Sound, Institute of Contemporary Arts, Jean Genet, Jean-Paul Sartre, Joe Banks, John Berger, Journal du voleur, Le Balcon, Les Bonnes, Les Nègres, Les Paravents, Liquid Architecture, Louis Albert Necker, Love & Death, Love Song, Miracle de la Rose, Mishearing, Mishearings, MUMA Melbourne, National Portrait Gallery, Necker Cube, Notre Dame des Fleurs, NPG, Our Lady of the Flowers, Penned in the Margins, Perceptual Flipping, Poetry Film, PoetryFilm, Pompes Funebres, Primal Scream, Prisoner of Love, Querelle de Brest), Querelle of Brest, Richard Dawkins, Rorschach Audio, Saint Genet, Sigmund Freud, Sonic Studies, Sound & Music, Sound Installation, Sound Studies, The Balcony, The Blacks, The Freud Museum, The ICA, The Maids, The Miracle of the Rose, The Performers, The Screens, The Thief's Journal, Theatre Noise, Un Captif Amoureux, Un Chant d'Amour, Video Art, Ways of Seeing
Disinformation – “Sound Portrait of Jean Genet”
See “Rorschach Audio” book pages 49, 68, 119, 130, 131 and 138
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