Acoustic Anthropology, Alberto Giacometti, Audio History, Audio Illusion, Audio Inkblot, Audio Rorschach, Auditory Illusion, Auditory Inkblot, Bionics Institute Melbourne, Bobby Gillespie, Brad Story, Bruce Nauman, Central School of Speech & Drama, CSSD, David Alais, Deathwatch, Disinformation, Eros & Thanatos, Experimental Portraiture, Festival of the Unconscious, Freudian Slip, Funeral Rites, Gertrude Contemporary, GQ magazine, Gucci, Haute Surveillance, Hayward Gallery, Hayward Touring, Homophone, Hugh McDermott, Hypebeast, Illusion of Sound, Institute of Contemporary Arts, Jean Genet, Jean-Paul Sartre, Joe Banks, John Berger, Journal du voleur, Lars Riecke, Laurel, Le Balcon, Les Bonnes, Les Nègres, Les Paravents, Liquid Architecture, Louis Albert Necker, Love & Death, Love Song, Maastricht University, Miracle de la Rose, Mishearing, Mishearings, MUMA Melbourne, National Portrait Gallery, Necker Cube, Notre Dame des Fleurs, NPG, Our Lady of the Flowers, Penned in the Margins, Perceptual Flipping, Poetry Film, PoetryFilm, Pompes Funebres, Primal Scream, Prisoner of Love, Querelle de Brest), Querelle of Brest, Richard Dawkins, Rorschach Audio, Saint Genet, Samizdat, Sigmund Freud, Sonic Studies, Sound & Music, Sound Installation, Sound Studies, The Balcony, The Blacks, The Freud Museum, The ICA, The Maids, The Miracle of the Rose, The Performers, The Screens, The Thief's Journal, Theatre Noise, Un Captif Amoureux, Un Chant d'Amour, University of Arizona, University of Sydney, Video Art, Ways of Seeing, What do You Hear?, Yang Li, Yanny, Yanny or Laurel?
Disinformation – “Sound Portrait of Jean Genet”
See “Rorschach Audio” book pages 49, 68, 119, 130, 131 and 138
From → Uncategorized
