+Electrification, 180 Studios, 180 The Strand, 50Hz, A Mirrored Conversation, A Monday Night in Middlesbrough, A Sonic Urbanism, A Train, A---Z, Abby Aresty, Abena Addo, Abenaartistaddo, Ade Awofadeju, Adriana Knouf, Afroditi Psarra, AHRC, AJ Sidford, Alastair Levy, Alejo Duque, Alessandro Volta, Alex Farquharson, Alexandra Fierra, Alexandra Rodale Fierra, Ali Roche, Alice Amati, Alice Amati Gallery, Alva Noto, Alyssa Moxley, Andrew Knight-Hill, Anna Barham, Anna Friz, Anna Vienna Ho, Anne Duffau, Anthony Esland, Antonio Roberts, Aphex Twin, Apo33, Archivo Audible, Archivo de lo Audible, Are You Not Well, Arebyte, Arebyte Gallery, Aris Daryono, Arrested Time, Ars Electronica, Art & Language, Art & Science Collide, Art Lab, Art Research, Art-Science, Arte Sonoro, Artistic Research, Artists Programme, Arts & Humanities Research Council, Arts Council England, Atmosférica, Atmosféricas, Atmospheric Listening, Atmospheric Noise, Audint, Audio Art, Audio Artist, Audio Rorschach, Audrey Briot, Aura Satz, Aural, Aural Atmosférica, Aural Atmosféricas, Aural Sensation, Autechre, Auto Italia, Auto Italia South East, Autotelic, Autotelic Foundation, Avalon Cafe, Aviva Studios, B.A.S.E. Tsonami, Babel, Background Noise, Baiocchi Daria, Bankside Power Station, Barry Anderson, Barry Burns, BASE Tsonami, Battersea Power Station, BBC, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radio 5, BBC Radio 6, BBC Radio 6 Music, BBC Radio Five, BBC Radio Four, BBC Radio Six, BBC Radio Three, Beaconsfield, Beaconsfield Gallery, Beatrice Zaidenberg, Ben Howarth, Benjamin Luhi, Bhavisha Panchia, Bill Corrigan, Black Industrial, Black Industrial Research, Black Industrial Research Group, Black Noise, Blast First, Bonington Gallery, Bowen Wu, Boyi Bai, BRDCST, Bret Berry, Brian Dillon, Brian Eno, Brighton, Brigitte Hart, Bring Your Own Sound, Broadway, Broadway Cinema, Broadway Media Centre, Broadway Nottingham, Cameron Perry Fraser, Canan Batur, Carolina Rito, Carsten Nicolai, CCA Glasgow, Cedric Fauq, Centre for Radiophonic Studies, Centre for Sound and Image, Centro di Ricerca per la Radiofonia, Channel Hopping, Channel Somerset House, Charles Dobson, Chisenhale, Chisenhale Gallery, Chisenhale Gallery London, Christian Marclay, Christina Kubisch, Cildo Meireles, Cindy Sissokho, City of Sound, Claire Williams, CM von Hausswolff, Code Omega, Code Omega [Ω], Coded Geometry, Cold Light, Concrete Projects, Conduction Series, Constantine Katsiris, Constanza Piña, Constanza Piña Pardo, Constellations of Listening, Contemporary Art Society, Contemporary Journal, Crafting a Sonic Urbanism, Cryptic Night, Cryptic Nights, CTM, CTM Festival, CTM Festival Berlin, Curating Sound, Damian Lentini, Dan Edelstyn, Dan Tapper, Daniel Rudolf, Daphnellc, Daphnellc Lavender, Dark Mofo, Dark Radio, Dave Tompkins, David Crawforth, David Sinclair, David Toop, David Walsh, Dead Hand, Dead Hand Radio Hour, Dead Rat Orchestra, DeForrest Brown Jnr. Kristen Gallerneaux, Delusions Of The Living Dead, Demdike Stare, Demon Box, Destructive Circuits, Detach, Devonshire Collective, Diffusion 919 FM, Dinzu Artefacts, Dirty Electronics, Disclaimer, Disgraceland, Disgraceland Middlesbrough, Disinformation, Disobey, Disorganising, Divergent Listening, DIY Radio, Donald Rodney, Dossier 37, Dossier 37 - Unidentified Vibrational Objects, Dr John Wild, Dronica, Dronica Festival, Dross, Dubmorphology, DXARTS, DXARTS Collective, D[Nowhere]J, E-werk, E-werk Luckenwalde, Ear to Ear, Ear to Eye, Eclectic Electronic, Eclectic Electronics, Electric London, Electrical Walk, Electrical Walks, Electricity, Electricity The Spark of Life, Electro Studios, Electro Studios Project Space, Electromagnetic Art, Electromagnetic Black Noise, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Inducer, Electromagnetic Induction, Electromagnetic Interference, Electromagnetic Listening, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Spiral, Electromagnetic Transmissions, Electronic Noosphere, Eleftherios Krysalis, Eleni Ikon, Eleni Ikoniadou, Ella Finer, Eloïse Bertil, EMF, EMFs, End of The Dial, Energy Revolution, Energy System, Era of Megaphonics, Erin Lewis, Esteban Agosin, Esther Schipper, Eternal Research, Eternal Research LLC, Eternal Research Music, Evan J Lawson, Eve Vickers, Evelyn Glennie, Ewa Sadowska, Expanded Listening, Expected Music, Experimental Audio, Experimental Music, Experimental Sound, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, FACT, FACT Liverpool, Fact Magazine, Factory International, Faraday Memorial, Faris Amin, Farsight Collective, Farsight Gallery, Fatos Üstek, Federico Pozzer, Festival Résonance, Flora Yin-Wong, Florencia Curci, Fractured City, Franchesca Casauay, Frazer Merrick, Freak Zone, Freak Zone Playlist, Future Artists, Future Artists Programme, FutureEverything Proto, Gaia Crocella, Galen Joseph-Hunter, Gary Stewart, Gatherings, Gavriel Rubin, Gen Doy, Georgia Leigh-Münster, Ghost Shells, Gina Tsitseri, Glasgow CCA, Glasgow International, Glasgow Tramway, Godspeed You Black Emperor, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Press - Sonics Series, Goldsmiths University, Grant Mooney, Greenwich Power Station, Greg Hannan, Grid Music, Grounding, Guohan, Hackspace, Hannah Kemp-Welch, Haroon Mirza, Harry Martin, Hayward Gallery, Hear and Now, Heart of Noise, Heart of Noise Festival, HEK Basel, Helen Turner, High Voltage, Hilary Powell, Histories of Listening, Hito Steyerl, HRM199, Hull Art, Hull Art Lab, Humber Street, Humber Street Art Gallery, Humber Street Gallery, Hyperdub, Ian Thompson, ICA London, Immersive, Immersive Arts, Immersive Noise, In Motion, In Motion 2026, In The Dark Radio, In the Shadow of a Rose, In Transmission, Incidental Music, Industrial Coast, Industrial Coast Records, Industrial Coast Tapes, Industrial Music, Industrial Noise, Ingrid McLaren, Inside Listening, Inter.Sonix, Interferences, Intonarumori, Invention, Invention of Wonder, Invisible Currents, Invisible Forces, Invisible Geographies, Irene Aristizabal, Irene Posch, Jack Harris, Jaime Carvajal, Jake Greenup, Jason Haynes, Jean Genet, Jean-Baptiste Thiebaut, Jeff Kolar, Jennifer Lucy Allan, Jenny Picket, Jjacy, Joe Banks, Joe Gerhardt, Johannes Zakrzewski, John Bingham-Hall, John Butcher, John Wild, Joshua Brown, Juan Duarte, Julia Schauerman, Julien Ottavi, Karen Werner, Kate Donovan, Katharina Bévand, Katharina Worf, Katie Simpson, Keith Sargent, Kettle's Yard, Kiasma Helsinki, King's Place, Klangzeit, Klangzeit Festival, Klara Szafrańska, Knife Loop, Kode 9, Kodwo Eshun, Krafthaus Arts, Kristen Roos, Krystle Patel, Kunst Radio, L.M. Ramsey, Laila Arafah, Lakeside Arts, Language, Language Art, Language Matters, Language [as] Meta-Technology, Language [as] Metatechnology, Late Junction, Laura Netz, Lawrence Abu Hamdan, LCB Depot, LCC Crisap, Lee Ranaldo, Leonard Maassen, Light at The End of The Dial, Linder, Lindsay Seers, Liquid Architecture, Lis Rhodes, Lisa Hall, Listen Club, Listen Gallery, Listening, Listening as Critique, Listening Biennial, Listening Cobweb, Listening Party, Listening Space, Listening Workshop, Living Dead, Lomond Campbell, London Electric, London Electricity, Lost in Transmission, Lottie Woodard, Lou Liska, Loudspeaker Exhibition, Loudspeaker Project, Louise Marlborough, Lucia Pietroiusti, Lucite Plains, Luckenwalde, Lyd Galleriet, Lydgalleriet, M.A. Ricciardi, Machina Bristronica, Machine Music, Maggie Roberts, Magneto Sonic, Mahdis Golzar Kashani, Maholo Uchida, Mahtina Noh, Mai Muraguchi, Manchester Metropolitan University, Map Magazine, Marc Camille Chaimowicz, Marco Galvani, Maria Papadomanolaki, Marinos Koutsomichalis, Mark Leckey, Mark Vernon, Marko Stojanovic, Marns Faith, Martín Rodríguez, Maschine Musik, Mateus Domingos, Mathijs Hunfeld, Matt Deslauriers, Matt Williams, Matt’s Gallery, Medial Ages, Medial Dark Ages, Megaphonics, Meira Asher, Melanie Kidd, Mensch Maschine Musik, Meta-Technology, Metatechnology, Methas Chantawongs, Michael Pinchbeck, Middlesbrough, Mika Vainio, Mike Fell, Milo Masoničić, Minkyung Kim, Mireia Ludevid, Miriam Bean, Mirrored Conversation, Mitosis, Mobile Radio, Modal, Modal Gallery, Modal Manchester, Modern Activity, MONA, Mona Foma, Mona Tasmania, Monday Night, Monday Night in Middlesbrough, Moonquake, Movement Radio, Mundi, Museum of Old & New Art, Music, Music Hackspace, Music Tectonics, N.N., Nadim Samman, Naomi Siderfin, Nastassja Simensky, Nathan Bissette, Nathanial Mann, National Grid, National Grid Music, Natural Radio, Near Now, Neil Milton, Neil Walker, New Art Exchange, Next Gen, Niall Farrelly, Nicole Yip, Nik Novak, Niki Russell, Nkisi, Noise Collective, Noise Noise Noise, Noise Radio, Noise Surround System, Nothing to Commit, Nottingham Broadway, Nottingham Castle, Nottingham Contemporary, Nottingham Trent University, NTU Arts, OCM, OCM Oxford, Odonian Drifts, Olivia Aherne, Olivier Renaud-Clément, Onassis Culture, Onassis Foundation, Onassis ONX, Onassis Stegi, Open Weather, ORF, ORF Kunst, ORF Kunst Radio, ORF Radio, Orleans House, Orleans House Gallery, Orphan Drift, Otolith Group, Oxford Contemporary Music, Pablo Wendel, Pacific Standard Time, Pacific Standard Time Art, Pan Sonic, Panasonic, Paul Purgas, Paul Sims, Paul Westcombe, People vs. Power, Performance Electrics, Peter Weibel, Phil Dunn, Philosophical Table, Phoenix Leicester, Plane of Unbelief, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Planetary Radio, Playground of Sound, Plus Electrification, Politics, Politics of Listening, Power Station, Primary, Primary Nottingham, Process Somerset House, Project Arts, Project Arts Centre, PST Art, PST Art: Art & Science Collide, Psycho Acoustics, Psychoacoustics, Quetempo, R10 Heritage Studios, Radical Matter, Radical Matter Journal, Radio Art, Radio Art 106, Radio Art Research, Radio Art Zone, Radio Bern RaBe, Radio Noise, Radio Noise Collective, Radio Papesse, Radio Research, Radiofonia, Radiophonic Studies, Radiophrenia, Radiophrenia 2025, Radiophrenia 2026, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Raster Media, Raster Noton, Ratcliffe-on-Soar, Ratcliffe-on-Soar Power Station, Ray Lee, Récitatif, Rebecca Lee, Reboot FM, Research Centre for Radiophonic Studies, Research Group, Research Unit, Resonance Extra, Resonant Frequencies, Resonant Frequency, Riah Naief, Ricerca per la Radiofonia, Ricky Allman, Riding the A Train, Riding the A Train with Electromagnetic Inducer, Ringing World, Robert Gillespie, Robert Worby, Robin Klassnik, Robin Mackay, Rorschach Audio, Royal College of Art, Rural Electrification, Ruth Jarman, Ryan Boultbee, Ryan Kearney, Ryoji Ikeda, S. Ayesha Hameed, Saad Eddine Said, Sabine Himmelsbach, Sahko, Sahko Recordings, Sahko Records, Sally Applin, Salma Tuqan, Sam Slattery, Sam Thorne, Samson Young, Sarah Bernstein, Sarah Washington, Sarahsson, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Savvas Metaxas, Saziso Phiri, Sónar 2024, Sónar 2025, Sónar by Day, Sónicas, Scant Intone, School of Digital Arts, Science Museum, Seamus O’Donnell, Seasferic, Seisma, Seisma Magazine, Semiconductor, Semiconductor Films, Serpentine, Serpentine Gallery, Serpentine London, Serpentine South, Serpentine South Gallery, Seth Guy, Sferic Project, Shih-Lin Hung, Shortwave Collective, Shortwave Encounters, Siana Serres, Siân Landau, Soda Manchester, Sofia Lemos, Somatics & Acoustics, Somerset House, Somerset House 2026, Somerset House Assembly, Somerset House Studio, Somerset House Studios, Somerset House: Future Artists Programme, Sonar Festival, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Research Unit, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Artwork, Sonic Boom, Sonic Continuum, Sonic Dialogues, Sonic Faction, Sonic Field, Sonic Frontiers, Sonic Labs, Sonic Sculpture, Sonic Sculptures, Sonic Sculptures 3, Sonic Urbanism, Sonica, Sonica 2024, Sonica 2025, Sonica Istanbul, Sonica Next Gen, Sonica Tramway, Sonica Tramway Festival, Sonics Series, Sono-Electro, Sono-Electro Festival, Soph Dyer, Sophie Trudeau, Sound, Sound and Image, Sound and Listening, Sound Art, Sound Art Lab, Sound Artist, Sound City, Sound City Festival, Sound Generator, Sound Image Research Group, Sound Installation, Sound Pressure, Sound Sculpture, Sound System, Sound System Outernational, Sound Workshop, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Sound/Image Research Centre - University of Greenwich, Sounds of the Garden, Spark of Life, Sphere Music, Stedelijk Museum, Steffani Jemison, Stegi Radio, Stelios Manousakis, Stereolux, Steve Goodman, Steve Kirby, Steven Kennedy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stuart Maconie, Stuart Maconie’s Freak Zone, Sukhdev Sanhdu, Sung Tieu, Sung Tieu: Acousmatic Paranoia, Swarm, Tania Daniel, Tasha Lizak, Tat-kuen Ko, Tati au Miel, TBA21, Telluric Currents, Text Art, TG Gallery, The Conduction Series, The Contemporary Journal, The Dial, The End of The Dial, The Era of Megaphonics, The Factory, The Invention of Wonder, The Light at The End of The Dial, The Listening Biennial, The Listening Cobweb, The Living Dead, The Network, The Ringing World, The Sferic Project, The Spark of Life, The Vinyl Factory, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, Tim Hecker, Tim Shaw, Timothy Hecker, TJ Demos, Toby Heys, Tolbooth Stirling, Tom Godfrey, Tom Harris, Torsten Lauschmann, Tramway, Tramway Glasgow, Transmediale, Transmission Ecologies, Transmissions, Trevor Mathison, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, Udagan, Ultra Magnetic, Unidentified Vibrational Objects, Unit, Unit Gallery, Unit London, Unit London Gallery, University of Greenwich, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, Unsound Adelaide, Unsound Kraków, Unsound NYC, Unsound Osaka, Urban Sonic, Urbanomic, Urbanomic Press, Valentino Catricalà, Verity Sharp, Vibrational Objects, Victor Mazon Gardoqui, Viktar Makuryn, Villa Lontana, Villa Lontana Records, Vinyl Factory, Visceral Canker, Volksbühne Berlin, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Voltnoi, Voltnoi & Quetempo, Volts, Walter Maioli, Wave Farm, Wellcome Collection, Whitstable, Will Dutta, Will Harvey, Wired, Wired Magazine, Wireless Forces, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, Yang Lu, Yasmin Rai, Yoshitaka Mori, Yu Pan, Zac Pomphrey, Zeynep Bulut, ZKM Karlsruhe, Zuzanna Wudarska