101 TV Sets, 1100, 15 Questions, 180 Studios, 180 The Strand, 1995 UK VHS, 20 Years of Hyperdub, 59 Productions, A Journey With Tom Hanks, A Visual Biography, Aby Warburg, Acala, Accidental Records, Action Research, Acute Arts, Adaadat, Adaadat Records, Adam Heardman, Adam Lockhart, Adina Glickstein, Aesthetica, Aesthetica Film, Aesthetica Magazine, Afet Baghirova, Afterimage Reader, Against Immersion, Age of Heat, Agni, Agustin Vidal Saavedra, Ai Weiwei, AI x Culture, Aidan Salakhova, Alchemy Festival, Aldo Tambellini, Aldo Tambellini Archive, Aldo Tambellini Art Foundation, Alessandra Grignaschi, Alex Sainsbury, Alfredo Jaar, Ali Hossaini, Alice Herz, Alienated, Alison Wright, All about Videotape, Allegorical Portrait, Allegorical Portrait of Roger Bacon, ALM Busy Circuits, Alt_R, Alvaro Barrington, Amar Kanwar, Amazon, Ambika P3, Amiangelika, Amiangelika & 1100, Ammonites Live Sessions, Amoenus, An Allegorical Portrait of Roger Bacon, Analogue Video, Analogue Video Art, Andrea Khora, Andrew Dickson, Andy Robinson, Anna Barham, Anna Marazuela Kim, Annka Kultys, Apollo Magazine, April Lin, Archive 81, Arebyte, Arebyte Digital, Arebyte Digital Art, Arebyte Digital Art Centre, Arebyte Gallery, Arebyte Laser, Arebyte London, Arebyte on Screen, Arebyte Skills, Arebyte Studios, Argos Centre Brussels, Ariel Hudes, Art & Technology, Art and Cinema, Art and Perception, Art and Technology, Art and Technology Before the Internet, Art Blocks, Art Centre, Art Contemporary, Art Forum, Art Journal, Art Link, Art Magazine, Art Meets Science, Art Monthly, Art Platform, Art Research Group, Art Review, Art Video, Art Week, Art-Science, Artangel, Artangel Collection, Artangel Projects, Artec House, Artec House DC, Artec House NYC, Artechouse, Artechouse DC, Artechouse NYC, Artemis II, Artist, Artist's Video, Artists and Cinema, Artists Moving Image, Arts Catalyst, Artworks, Ascension, Ash International, Assembly Somerset House, Assetto, Assetto Fellowship, Astrid Korporaal, At Home, Atrbute, Audint, Audio Art, Audio Installation, Audio Rorschach, Audiokinetic Art, Audiovisual Cultures, Auditory Rorschach, Aura, Auras, Auriea Harvey, Ayna Moazzen, Azabudai Hills, Azabudai Hills Gallery, Azabudai Hills Tower, Barbara London, Barbican Art Gallery, Bargehouse, Batō Kannon, Before the Internet, Belshazzar's Feast, Berlin Art Link, Berlin Atonal, Berlin Atonal 2023, Berwick Film & Media Arts, Berwick Film & Media Arts Festival, Berwick Film Festival, Beyond the Light, BFI, BFI Expanded, BFI Experimenta, BFI LFF Expanded, BFI London, BFI London Film Festival, BFI London Film Festival Expanded, BFMAF, BFMAF Berwick, Bi Xin, Bibliothek Warburg, Biennale, Big Black, Bigger & Closer, Bilderatlas Mnemosyne, Bill Sherman, Bill Viola, Birkbeck College, Bjarne Melgaard, Bjork, Black Is, Black Matters, Black Plus X, Black Spiral, Black Sun, Black Trip, Black TV, Black Zero, Blackout, Blck Sun, Blessed Foundation, Blue Tapes, BMW, Bodhisattva, Body Is Yours, Body Mind Soul, Book of Ascension, Books of Ascension, Bornemisza, Box Media Lab, Box Plymouth, Brachliegen Tapes, Brandon LaBelle, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brion Gysin, British Film Institute, British Film Institute LFF, Bronac Ferran, Bruce Nauman, Buddhism, Buddhist, Burberry, Button Happening, Cabinet, Cabinet Books, Cabinet Gallery, Cabinet Magazine, Cable Depot, Cable Depot London, Cable Depot Sofia, Cacophony In Stillness, Café Oto, Cafe OTO / Otoroku, Camden, Camden Arts Centre, Canan Batur, Candice Breitz, Cao Fei, Carebot, Carl Michael von Hausswolff, Catch the Light, Caterina Avataneo, Catherine Bird, Catherine Elwes, Catherine Wood, Catholic Worker, César Chirinos, CCA Brighton, CCA Glasgow, CCI, CCI x Somerset House, CCI x Somerset House Studios, Cecília Mello, Celebratory Gathering, Cem, Cem Hasimi, Cement, Cement Fields, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Research, Centre for Research and Education in Art and Media, Centre for the Study of the Networked Image, Centre Point, Channel Somerset House, Chaos Inc, Charing Cross Road, Chateau Denmark, China, Chinabot, Chisenhale, Chisenhale Gallery, Chris King, Chris Rawcliffe, Christopher Pinney, Chronus Art, Chronus Art Centre, Cinema, Cira Art Market, Circa, Circa 2025, Circa Art, Circa Arts, Circa Economy, Circa London, Circa Piccadilly, Circa Piccadilly Circus, Circa Pipeline, Circa Prize, Circa Public Art, Circa Public Art Program, Circa x Dazed, Circuits of Art, Circuits of Art & Technology, Civilisation and its Discontents, Claudel Goy, Clot Magazine, CM von Hausswolff, Cognitive Sensations, Collective Act, Colliding Lines, Color Stripe Study, Color Stripe Theory, Communication Studies, Compassion, Concepción Huerta, Concordia Montreal, Concordia University, Confessions, Conscious Subconscious, Consumimur Igni, Contemporary Art, Contemporary Art Society, Continuum, Convolution, Cool Hunting, Corona Discharge, Corsica Studios, Cory Arcangel, Courtisane Festival, Cream, Creative Technologies, Creative Technologies Fellowship, Cristina La Porta, Critical AI, Crosslucid, CSNI, Cultural Institute, Cultural Institute of Radical Contemporary Arts, Culture Coventry, Cultus, Cura Magazine, Curates, Cursive Binary, Cursive Binary: Fragments, Curtain Call, Cyanotapes, Cyber Cocoon, Cyril Roy, Daito Manab, Dana Centre, Daniel Birnbaum, Daniel Langlois, Daniel Langlois Foundation, Daniel Palmer, Dara Birnbaum, Dark Mofo, Dark Morph, Data / Set / Match, Dave Griffiths, David Bering-Porter, David Blandy, David Hall, David Hockney, David Rickard, David Roberts Art Foundation, David Walsh, Daytime Viewing, Dazed and Confused, Dazed Digital, Dazed Studio, DCA Dundee, Deleuzine, Demo Moving Image, Denmark Street, Derek Jarman, Deus in Machina, Device Control, Digital Art, Digital Art Centre, Digital Art House, Digital Art Week, Digital Artwork, Digital Direction, Disarm, Discord, Discrepant, Disinformation, Disinformation War, Dissonant Wave, Doctor Who, Dogwoof, Dogwoof Films, Doreen Rios, Dotcom Séance, Double Acts, Double Vision, Douglas Gordon, Dr Joel McKim, Dr Who, Dream Machine, Dreamachine, Dshed, Dundee Contemporary Art, Dust Breeding, DVD, Dystopia, Dystopia Festival, E.H. Gombrich, Eastbourne, Ebony Haynes, Edith Russ Haus, Edith-Russ-Haus für Medienkunst, Education in Art and Media, Edward Enninful, El Callao, Elaine Shemilt, Electric Dreams, Electric Dreams: Art and Technology Before the Internet, Electric Op, Electricity, Electro-Photography, Electrography, Electromagnetism, Electromedia, Electronic Arts Intermix, Electronic Music, Electronic Musician, Electronic Sound, Electrophotography, Elektronmusik, Elektronmusik Studion, Elpida Hadzi-Vasileva, EMS, EMS Elektronmusik Studion, Enclave Projects, Energy, Enter The Void, Entering, Equitable Vitrines, Erik Verhagen, Erika Balsom, Erika Blumenfeld, Ernst Gombrich, Errant Bodies, Errant Sound, Es Devlin, Eva Langret, Event for a Stage, Excelsior Ruth, Expanded Cinema, Experimental Film, Experimental Technology, Experimental Technology Fellowship, Experimental Television, Experimental Television Center, Experimental TV, Experimental TV Center, Experimental Video, Experimental Video Art, Experiments in Synthetic Data, Fabian Aerts, Fabienne Nicholas, Fabrica, Fabrica Brighton, Fabrica Gallery, Fakhriyya Mammadova, Farah Nayeri, Farsight, Farsight Collective, Félicie d’Estienne d’Orves, Felice Moramarco, Fellowship, Fermynwoods, Fields, Fifteen Questions, Film, Film & Video, Film & Video Umbrella, Film and Video Umbrella, Film as Film, Film Material, Film Material Collective, Fine Tuned, Finetuned, Finissage, Fiona Banner, Fire, Fire and Light, Fire Halo, Fire Halos, Flaming Aura, Flaming Auras, Flannels, Flannels London, Flash Art, Flat Time House, Flavia Visconte, Flitcroft Street, Flora Dennis, Flow, Fondation Daniel Langlois, Foreign Body Productions, Forensic Architecture, Form Foundation, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Former Carebot, Forsaken, Four Tet, Fragments, Frameless, Frameless Rembrandt, Francis Alÿs, Frank Bowling, Freeze London, Freeze New York, Frieze, Frieze Art Fair, Frieze Artist, Frieze London, Frieze London 2024 Artist Award, Frieze London Artist Award, Frieze Los Angeles, Frieze Magazine, Frieze Seoul, Frith Street, Frith Street Gallery, Frith Street Gallery - Moving Image Programme, Frith Street Gallery at Home, Fruitmarket Gallery, Future City, Future City Ltd, Future of An Illusion, Future Pace, Futurecity, Futurecity Ltd, Future\Pace, Fvckrender, FVU, Gabriela Spangenthal, Gallerie Thaddeus Ropac, Gallery, Gareth Evans, Gary Hill, Gaspar Noé, Gazell.io, Gazell.io Project Space, Gazelli, Gazelli Art, Gazelli Art Gallery, Gazelli Art House, Gazelli Art House Window Project, Gazellio, Gazello Art House, Gen/Gen, Gen:Gen, Generative AI, Generative Art, Generative Art 2024, Generative Art Video, Generative Artwork, Generative Artworks, Generative Computer Art, Generative Generations, Generative Video, Generative Video Art, Generative Video Artwork, Genesis, Geneva International Film Festival, George Keatos, Georgia Gardner Gray, Giant, Giant Art Gallery, Giant Bournemouth, Giant Gallery, Giulia Civardi, Glass Eye, Glasseye, Glenn Branca, Global Groove, Goddess of Compassion, Goddess of Mercy, Goddess of Mercy and Compassion, Gold SF, Goldsmiths, Goldsmiths APRU, Goldsmiths Audio, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goldsmiths Shorts, Gombrich, Gombrich Archive, Gossamer Fog, Greenwich University, Gretchen Bender, Groenewegen, Guanshiyin, Guanyin, Guanyin: Confessions of a Former Carebot, Guy Debord, Halo, Halo of Fire, Halos, Hannah Nijsten, Hans Ulrich Obrist, Haroon Mirza, Hasan Bolkhari Ghehi, Hauntological Transmission, Hayward Gallery, Heaven’s Gate, Helen Knowles, Here at Outernet, Hernando Chindoy Chindoy, Heute Will Ich Frei Sein, Hidden Sounds, High Files, Hindu, Hinduism, Hinterland, Hito Steyerl, Holoplot, Homage To Quan Âm, Homonym, Homophone, Hot Salvation, How Video Transformed the World, Howl-around, Howlaround, HRM199, HRM199 Ltd, Hugo Berger, Human Cell Atlas, Hyper Dub, Hyperdub, I See Letters, I See Letters in the Sky, Iavor Lubomirov, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Offsite, Iklectika, Image Atlas, Image Atlas of Remembrance, Image Lab, Image Laboratory, Image Music Text, Images in the Age of Heat, Immanent Rapture, Immersive, Immersive Experience, Immersive Light Art, Immersive Light Installation, Immersive Video Art, IMT Gallery, Imus Nocte, In Girum, In Girum Imus Nocte, In Girum Imus Nocte et Consumimur Igni, Industrial Coast, Infinite Archives, Infinite Images, Infinite Space, Insanely Alive, Institute, Institute of Contemporary Arts, Institute of Contemporary Arts: ICA, Institute of Contemporary Arts: ICA London, Intangible Forms, Intellect Books, Into the Mind of AI, Iran, Iris Xiaoyu Qu, Islam, Isn’tses, Isra, Isra and Mi'raj, Jack Dartford, Jade Y. Turanlı, Jakob Kudsk Steensen, Jamie Sutcliffe, Jan Dibbets, Jónsi Birgisson, Jennifer Crook, Jeremy Deller, Jeremy Fassio, Jeremy Stolow, Jesse Woolston, Jim Moir, Joe Banks, Joel McKim, Joelle Snaith, John Akomfrah, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Latham, John Squire, John Tresch, John Wynne, Jonathan Allen, Jonathan Crabb, Josef O'Connor, Josh Jen, Joshua Davis, Joy Division Archive, Juanita Onzaga, Julian Weaver, Juliette Singer, Julius Horsthuis, Kannon, Karel Doing, Kaseki, Kate Woodward, Kembra Pfahler, Kerosene, Kettle's Yard, Kettle’s Yard Gallery, Kill Your TV, Kim Knowles, Kinetic Art, Kinetic Painting, Kinetic Paintings, Kinetic Video, Kinetic Video Art, Kinetic Video Montage, King’s Cross, Kira Xonorika, Kirlian Aura, Kirlian Photo, Kirlian Photography, Knowing Machines, Kode 9, Kode9, Kornhausforum Bern, Krista Kim, Kulturwissenschaftliche Bibliothek Warburg, Kythera, Kythera Gallery, La Fondation Daniel Langlois, La Plaque Tournante, Laboratory of Images, Lafayette Anticipations, Language [as] Meta-Technology, Language [as] Metatechnology, Lara Cory, Larry Achiampong, Las Vegas, Last Days, Laura Leuzzi, Laura Marks, Laure Prouvost, Laurie Anderson, Lawrence Abu Hamdan, Lawrence Lek, LCB Depot, Leeds 2023, Leonard Cohen, Les Walkling, Let There be Language, Let there be Light, Letters in the Sky, Levels of (Dis)information, LFF, LFF Expanded, Liam Howe, Life Force, Lifeworld, Light, Light Art, Light Breeze, Light Installation, Light Observer, Light Room, Light Somewhere, Lightroom, Lightroom King’s Cross, Lightroom KX, Lightroom UK, Lilly Marks, Lilly Markaki, LIMA, Liminal Lands, Limits of Language, Limits of Verbal Language, Lis Rhodes, Lisson, Lisson Gallery, Listen, Little Tokyo, London Film Festival, London Film Festival Expanded, London Magazine, London Theatre Company, London Tunnel, London Tunnels, Lost in Light, Lost In Light Art, Louise K Wilson, Lovid, Lower Third, LTR Records, Lucy Reynolds, Luma Arles, Luminous Aura, Luminous Auras, Lux, Lux Distribution, Lux Machina, Lux Moving Image, Lux Online, Lux Scotland, Luxonline, MA Photography, MA Photography RCA, MA Photography Royal College of Art, Maggie Roberts, Maggie West, Making Space, Making Space: Rapture, Manifestation of Fire and Light, Manual of Action, María Palacios Cruz, Marble Arch, Marc Quinn, Marco Brambilla, Marcus Du Sautoy, Marek Wolynski, Maria Than, Maria Thuy Hien Than, Maria Walsh, Mariam Zulfiqar, Mariele Neudecker, Mariia Timoshenko, Marina Abramović, Mark Davy, Mark Leckey, Mark Pilkington, Mark Webber, Markus Buehler, Martin Green, Martine Syms, Matt Nordstrom, Matthew Harle, Matthias Kispert, Mâlik Bakshî, Mónica Nepote, McGloughlin Brothers, Mǎ Wáng, ME by Melia, ME London, Media Archaeology, Media Art, Media Lab Gallery, Media Sandbox, Medienkunst, Meditation, Meditation Machine, Medium Hot, Medium Hot - Images in the Age of Heat, Meʿrāj-nāmas, Mercy, Meta Space, Meta-Net, Meta-Space Gallery, Metaspace, Metaspace Gallery, MIA Journal, Michael Mazière, Michaela Kinghorn, Michèle Lamy, Micheal Maziere, Michelle Henning, Michelle Kuo, Mike Kelley, Mike Nelson, Mila Askarova, Milagro, Mind of AI, Ming Wong, Minimal Rituals, Mir Haydar, Mir-Heidar, MIRAJ, Miraj - Cream, Miraj Journal, Mirâj Nâmeh, MIRGe Bristol, Misinformation, MIT Press, Mnemosyne, Moco Museum, Mocoverse, Moma, MoMA New York, MONA, Mona Foma, Mona Tasmania, Monolith, Moon is the Oldest TV, Moonwalkers, Mortality, Moving Image, Moving Image Artists, Moving Image Network, Moving Image Programme, Moving Image Research, Moving Image Research Group, Moving Image Review, Moving Image Review & Art Journal, Moving Image Review & Journal, Moving Image Review and Art Journal, MSG Sphere, Muhil Venkatesh, Museum of Modern Art, Museum of Old & New Art, Muslim, My Trip 2023, Mystical Philosophy, Nahmad Contemporary, Nam June Paik, Narmina Khalilova, Nathaniel Brown, Natural World, Nâmeh, NDE, Near Death, Near Death Experience, Netflix, Networked Image, Neural Magazine, New Generations, New Instruments, New Red Order, New York, Newport Street, Newport Street Gallery, Nick Starr, Nicky Hamlyn, Nicoletta Fiorucci, Nigel Stanford, Night Journey, Nimrod Vardi, NMC Recordings, Nonclassical, Norman Morrison, Norman Rosenthal, Now Arcade, Now Building, Now Pop-Up, Now Pop-Up 2, Now Trending, Now. Gather. Change., Nur, Nār, Object To Be Destroyed, Odyssey, Off Site, Off Site Project, Offsite, Offsite Project, Olafur Eliasson, Olivier Assayas, On The Way, Onassis Foundation, Onassis Stegi, Open Editions, Optokinetic Art, Organ Recital, Origin of Painting, Orphan Dift, Oscillations, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Outernet Studio, Outlands, Outlands Network, Oxford Street, Oxo Tower Wharf, Pace, Pace Discord, Pace Gallery, Pace Gallery Discord, Pace London, Pace Verso, Palais de Tokyo, Paradigm Discs, Patikulamanasikara, Patricia Domínguez, Paul Abbott, Paul Carey-Kent, Paz de la Huerta, Péter Bergmann, Peltz Gallery, Penumbra, Perception Research, Pervasive Media, Pervasive Media Studio, Peter Campus, Peter Donebauer, Peter Matthews, Peter Weibel, Petit Palais, Petra Cortright, Philippa Adams, Photographer’s Gallery, Photographers Gallery London, Photography, Photomontage, Photosytem II, Pi, Pi Art, Pi Art Works, Pi Artworks, Pi Sound, Pi Sound Works, Pi Soundworks, Piccadilly, Piccadilly Circus, Piccadilly Lights, Picturing Aura, Picturing Aura: A Visual Biography, Pipilotti Rist, Pita Arreola, Pita Arreola-Burns, Pixel Artworks, Plink Plunk, Poetics of Time, Poetry of Data, Pollocks, Pools, Porsche, Portapak, Portrait of Roger Bacon, Post Archive Faction, Prada, Prada Paradoxe, Prada Paradoxe Fragrance, Praystation, Process Somerset House, Prof. Jeremy Stolow, Professor Jeremy Stolow, Profound Sound, Project, Project Space, Prophecy, PSW, Psyché Tropes, Psychoacoustics, Public Art, Public Art Platform, Public Art Program, Qu Junktions, Quaker, Quan Âm, Radiant Aura, Radiant Auras, Radical Contemporary, Radical Contemporary Arts, Radio Reverb, Ramina Saadatkhan, Ramita Navai, Rankin, Rapture, Rapture: A Celebratory Gathering, Rapture: Celebratory Gathering, Raven Row, RCA, RCA London, RCA Photography, RCA RCA MA Photography, Re-Exhibit, Re:Voir, Re:Voir Film, Re:Voir Films, Rebeca Romero, Rebecca Allen, Rebecca Edwards, Reference Festival, Reference Studios, Reference Studios x Selfridges, Refik Anadol, Rembrandt, Rencontres Internationales, Rencontres Internationales Berlin, Rencontres Internationales Paris, Repeater Books, Research Group, Resonance FM, Resonant Frequencies, Rewind, Rewind Artists Video, Rewind Media Preservation Lab, Rewind Video, Re_Exhibit, Ricardo Sierra, Richard Noakes, Richard Serra, Richard Slaney, Rob Bowman, Roberts Art Foundation, Roberts Institute of Art, Rock The Outernet, Roger Bacon, Roger LaPorte, Rorschach Audio, Royal College of Art, Rozi Rexhepi, RTM, RTM Radio, RTM.FM, Rudolf Frieling, Ruini Shi, Ruins and Resilience, Rupert Newman, Ryochi Kurokawa, S. J. Groenewegen, Sabeen Chaudhry, Sadie Coles, Sadie Coles HQ, Sadie Coles London, Safe Distance, Salmon Universe, Samia Halaby, Sasha Stiles, Sónar 2025, Sónar Barcelona, Sónar by Day, SB16, Scanimate, Science Museum, Sculpture, Sean Cubitt, Seasferic, Sebastiano Vitale, Sebastiano Vitale x High Files, Sebastián Mira, Seisma, Seisma Magazine, Seismic, Seismic - Art Meets Science, Seismic Exhibition, Selfridges, Semiconductor, Semiconductor Films, Semyon Kirlian, Senate House, Serpentine Galleries, Serpentine Gallery, Serpentine South, Serpentine South Gallery, Shane Akeroyd, Sharjah Art, Sharjah Art Biennial, Sharjah Biennial, Sharjah Biennial 16, Shohei Fujimoto, Siggraph, Sigmund Freud, Signals, Signals: How Video Transformed the World, Simar, Simar Films, Simon Denny, Sinead McCarthy, Sitara Ibrahimbayli, Sluice HQ, Sluice Magazine, SODA Gallery, Sofia Lemos, Soho Radio, Somadome, Somayeh Ramezanmahi, Somerset House, Somerset House Assembly, Somerset House Channel, Somerset House Creative Technologies Fellowship, Somerset House Process, Somerset House Studies, Somerset House Studios, Somerset House Studios Experimental Technology Fellowship, Sonar, Sonar Festival, Sondra Perry, Song of Solomon, Sonic Agency, Sonic Art, Sonic Continuum, Sonic Continuum: On the Sound and Poetics of Time, Sonic Immersion, Sonic Scope, Sonica 2024, Sonics, Sonics Series, Sony, Sony Portapak, Sook-Kyung Lee, Sophie Forbat, Sound Agendas, Sound and Poetics of Time, Sound Art, Sound Art Brighton, Sound Artist, Sound as Art, Sound Image Research Group, Sound Installation, Sound of Waves, Sound of Wind, Sound-Image, Sound-Image Research Group - University of Greenwich, Soundworks, Source, South By Southwest, South London Gallery, Southampton, Southbank Centre, Spaces In-Between, Spectral Cinema & Contested Landscapes, Speech Encryption, Speech Sounds, Sphere, Sphere Stratford, Spike Art, Spike Art Magazine, Squares Cubed, Squid, Squid Soup, Squidie, Stan Vanderbeek, Stanley Picker Gallery, Steina and Woody Vasulka, Steina Vasulka, Stephen Partridge, Steve Goodman, Steve McQueen, Steve Siporin, Stiftung Niedersachsen, Stiftung Niedersachsen für Medienkunst, Stone Circle Sampler, Stone Roses, Stonecirclesampler, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stratford, Struan Gray, Stuart Comer, Stuart Semple, Submarine Cable Depot, Summer Palace, Superblue, Superfutures, Suppressed Memories, Supreme, Susan Hiller, Suum Project, Suzanne Treister, Synthetic Data, Tacita Dean, Taco, Taco Gallery, TACO Thamesmead, Taco VHS/DTV, Talbot Rice, Talbot Rice Gallery, Tambellini Archive, Tate Britain, Tate Gallery, Tate Modern, Tate Tanks, Tavares Strachan, TBA, TBA 21, TBA 21 Academy, TBA 21 Collection, TBA 21 Current, TBA 21 Foundation, TBA21, TBA21 Collection, TBA21 Current, TBA21 Foundation, TBA21–Academy, Television, Television Art, Television Artwork, Terra, Test Department, Test Dept, Thaddeus Ropac, Thames-Side Studios, Thameside Studios, Thamesmead, Thamesmead Arts & Culture Office, Thamesside Studios, Thích Quảng Đúc, The Age of Heat, The Artangel Collection, The Body, The Body Is Yours, The Body The Mind The Soul, The Box, The Box Plymouth, The Current, The Disinformation War, The Earth is Poem Unwritten by the Fire, The Farsight Collective, The Form Foundation, The Future of an Illusion, The Hayward Gallery, The Light Observer, The Lightroom, The Manual of Action, The Mind, The Mind of AI, The MIT Press, The Moonwalkers, The Mother, The Moving Image Review & Art Journal, The Night Journey, The Now Building, The Oram Awards, The Organ Recital, The Photographers Gallery, The Prophecy, The Quietus, The Rapture, The Showroom, The Song of Solomon, The Soul, The Sphere, The Sphere at the Venetian Resort, The Stone Roses, The Tibetan Book of the Dead, The V01d, The Vanity Press, The Vinyl Factory, The Void, The Warburg, The Warburg Institute, The Wire, The Wire Magazine, Theatrum Mundi, There Is Light, There Is Light Somewhere, Theresa Mikuriya, Threaded Frequencies, Three Transitions, Thyssen, Thyssen Bornemisza, Thyssen Bornemisza Art, Thyssen-Bornemisza Art Contemporary, Tibetan Book of the Dead, Time, Times Square, Times Square Arts, Today Art Museum, Tom Hanks, Tony Cokes, Tony Oursler, Tony Tremlett, Touch, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, TPG London, TPG Names, Tramshed, Tramway, Tramway Glasgow, Transitions, Trebuchet, Trebuchet Magazine, Trevor Paglen, Tribes, Troika, TV, TV Art, TV Artwork, TV as a Fireplace, TV Buddha, TV Interruption, Twin Vision, UCL, UCL London, Ugo Rondinone, UK VHS, Ulrich Schrauth, Ultraviolet, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Undershed, Undershed Bristol, Unit, Unit Gallery, Unit London, Unit London Digital, Unit London Gallery, University of Greenwich, University of London, University of Westminster, Unreal Engine Operator, Unsound Dada, UnSpooling, Unthinking Photography, Unwritten by the Fire, Urbanomic, Urbanomic Press, Ursula Bieman, Utter, V-Tape, Val Ravaglia, Valentina Kirlian, Valentina Ravaglia, Vanity Press, Vasari, Vasari Research, Vasari Research Centre, Vasari Research Centre for Art and Technology, Vasulkas, Venetian Resort, Verbal Language, Verso, Verso Books, Verso Publishing, Vestalia Chilton, VHS, VHS PAL, VHS/DTV, VHS/DTV/DVD, Vic Reeves, Vica Pacheco, Victoria Fard, Victoria Miro, Victoria Miro Gallery, Viddy Horror Show, Viddy Horrorshow, Video, Video Art, Video Artist, Video Artwork, Video Circuits, Video Feedback, Video Feedback Artwork, Video Fireplace, Video Installation, Video Killed the Radiostar, Video Montage, Video Naturals, Video Portrait, Video Portraiture, Video Show, Video Transformed, Video Transformed the World, Video Umbrella, Videosphere, Videotape, Vidicon Inscriptions, Vidicon Tube, Vinyl Factory, Virtual Ground, Visible Press, Vision Archive, Vision Research, Visual Biography, Visual Research, Visual Research Centre, Vitamin V, Vitamin V: Video, Vitamin V: Video and the Moving Image, Vitamin V: Video and the Moving Image in Contemporary Art, Void, Vollut, Volta, Volta Artists Moving Image, Volta Eastbourne, Von Archives, VRHAM Hamburg, VTape, W1, W1 Curates, W1 Curates Gallery, W1 Curates Studios, W1 Events, W1 Immersive, War, Warburg, Warburg Institute, Warburg Institute Assetto Fellowship, Warburg Institute London, Warspite Road, Watershed, Watershed Bristol, Watershed Media, Watershed Media Centre, Wavelength, We Present, WePresent, Westminster University, Whale Fall, Whitstable, Whitstable Biennale, Who By Fire, William Fowler, Wolfgang Tillmans, Woody and Steina Vasulka, Woody Vasulka, Woolwich, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, World Archive, Wounds & Repair, Wulf Herzogenrath, Xu Haomin, Yael Bartana, Yoko Ono, Zach Blas, Zachary Lieberman, Zbigniew Karkowski
“The Rapture” (video art) – Finissage ****

Drawing attention to the near homonym by which fire (Nār) and light (Nur) “are audio-visually very similar”, the Iranian art historians Somayeh Ramezanmahi and Hasan Bolkhari Ghehi state in their discourse on ‘The Manifestation of Fire and Light in the Icons of Mir-Heidar’s Miraj Nameh’:
“Fire and heat remind always of immortal memories saved in human being’s mind, they have become to a brilliant phenomenon for the exploitation of many ideas, feelings, and thoughts of human. Fire has not only a personal, individual, and internal aspect, but also agential, comprehensive, and general characteristics. It exists in human’s heart, and heaven, blazes from inside, manifested in form of love, and burns inside human… Among all phenomena, fire is indeed the only one that is involved to this extent in the life, thoughts, believes, vision, and feelings of people”…
Full text – https://cable-depot.com/disinformation
“The Rapture” Finissage – 4pm to 7pm, Sunday 31 July 2022
From → Uncategorized