+Electrification, 0 BPM, 111, 111Hz, 13.10 MHz, 180 Studios, 180 The Strand, 35MW, 3D Audio, 3D Sound, 50 Hertz, 50 Hz, 50Hz, 60 Hertz, 60 Hz, 60Hz, A Cosmic Ray Muon, A Machine to Listen to the Sky, A Monday Night in Middlesbrough, A Sensory Journey Through The Acoustic Vibration of the Lights of Tokyo, A Tone Poem, A---Z, A---Z x Iklectik, A.n0nE, A4 Bratislava, AA, AA Gallery, Abby Aresty, Absolute Value of Noise, AC Electricity, AC/DC, Accidental Records, ACE, ACE England, Acoustic Ecology, Acoustic Environment, Acoustic Environments, Acoustic Mirrors, Acoustic Vibration, Across the Sonic Border, Across the Sonic Border (Variations on 50Hz), Action Noise, Action Research, Action:Noise, Adrian Corker, Adrian Searle, Adriana Knouf, Adriana Tranca, Adventures In Sound, Adventures In Sound and Music, Adventures in Sound Art, Aeolian Harps, Aerside, Aesthetica, Aesthetica Magazine, Affairs of the Current, Afroditi Panagiotakou, Afroditi Psarra, Afterall, Afterall Research, Agata Kik, Age of Media, Agnès Pe, AHRC, Ain Bailey, Air, Air Can Break Your Heart, Akademie der Künst, Akeelah Bertram, Aki Onda, Akis Chontasis, Alan Bogana, Alasdair Campbell, Alejandro Zhang, Alejo Duque, Alessandra Grignaschi, Alessandro Volta, Alex Fierra, Alexandra Fierra, Alexandra Maciá, Alexandra Rodale Fierra, Alexandre da Cunha, Algorave, Ali Hossaini, Alice Amati, Alice Amati Gallery, Alice Hoffmann, Alice Hoffmann-Fuller, Alistair Hudson, All the Light We Cannot See, All Under, All Under One Magnetosphere, Alternating Current, Alternating Current Electricity, Alt_R, Alva Noto, Alyssa Moxley, Amanprit Sandhu, Amber, Ambient Drone, Ambisonic, Ambisonics, Ameonus, Amina Abbas-Nazari, Amit D Patel, Amit Patel, Ammonite, Amoenus, Amoenus Sound, AmoenusSound, Amplified, An Electromagnetic Shower, Ana Fosca, Ana Luisa Cubas, Ana Prendes, Analema, Analema Group, Analogue Video, Analogue Video Art, Andrew Hill, Andrew Hughill, Andrew Hugill, Andrew Knight-Hill, Andrew Nairne, Andrew Pierre Hart, Andy Robinson, Anil Seth, Aniruddha Das, Anithesis, Anna Barham, Anna Boland, Anna Friz, Anna Mahler, Anna Marazuela Kim, Anna Thorvaldsdóttir, Anne Duffau, Anne Zeitz, Annet Dekker, Annka Kultys, Annka Kultys Gallery, Anthony Doerr, Anti Festival, Anti-Futurism, Anti-Matter, Anti-sphere, Antimatter, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Antiphony Architectural Supplement, Antiphony Video Supplement, Antisphere, Antithesis, Antonia Shaw, Antonio Roberts, Aphex Twin, Apo 33, Apo33, Appau Jnr Boakye-Yiadom, AQNB, AQNB Magazine, Aram Bartholl, Arcadia, Archaeon, Archaeon Music, Architectural Acoustics, Architectural Association, Architectural Brutalism, Architectural Modernism, Architectural Review, Architectures of Abundance, Archival sonics, Archive of Listening, Archivo Audible, Archivo de lo Audible, Are You Listening, Arebyte, Arebyte Gallery, Arebyte Laser, Arebyte London, Arebyte Skills, Arebyte Studios, Aria Dean, Ariane Koek, Arie Altena, Arika, Arjan Onderdenwijngaard, Ars Electronica, Ars Electronica Festival, Art & Ideas, Art & Science Collide, Art & Technology, Art and Activism, Art and Media, Art and Science, Art and Science Summit, Art Blocks, Art Blocks x Pace Verso, Art Electricity, Art Lab, Art Lab Berlin, Art Laboratory, Art Laboratory Berlin, Art Meets Science, Art Moorhouse, Art Moorhouse London, Art Moorhouse Projects, Art of Noise, Art Of Noises, Art on the Underground, Art Process Ideas, Art Technologies, Art Text, Art Ubicua, Art x Decentralised Tech, Art Zone, Art-Science, Arte Sonoro, Artist, Artistic Research, Artists & Airwaves, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Arts & Media, Arts Admin, Arts at CERN, Arts Catalyst, Arts Catalyst Radio, Arts Council, Arts Council England, Arts Science, Arts Technologies, Artsadmin, Artsadmin London, As If Radio, Ash International, Asha King, Assembly, Assembly 2024, Assembly Podcast, Assembly Somerset House, Assembly Somerset House 2024, Astrid Bowron, Astro-Darien, Atau Tanaka, Atay Ilgun, Atelier Luma, Atmosférica, Atmosféricas, Atmospheric Listening, Atmospherics, Atocha, Atonal 2025, Audible Matter, Audint, Audio Art, Audio Art Lab, Audio Artist, Audio Club, Audio Installation, Audio Intelligence, Audio Rorschach, Audio Visability, Audio-Kinetic Art, Audioblast, Audiokinetic Art, Audiosfera, Audiosphere, Audiovisability, Audiovisual, Audiovisual Cultures, Auditive Social Network, Audrey Briot, Augmenting the Void, Aura Satz, Aural, Aural Atmosférica, Aural Atmosféricas, Aural Culture, Aural Cultures, Aural Diversity, Aural Sensation, Autechre, Auto Italia, Auto Italia South East, Auto-Creative Art, Auto-Destructive Art, Autocreative Art, Autodestructive Art, Autotelic, Autotelic Foundation, Auxiliary Project Space, Avalon Cafe, Aviva Studios, Axel Bishop, Aya, Électrique, Électromagnétisme, Ö1, Ö1 Kunstradio, Ö1 Kunstsonntag, B.A.S.E. 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Variations, Douglas Gordon, Dr Eleonora Oreggia, Dr John Wild, Dr. Hannah Catherine Jones, DRAF, DRAF Studio, Dream Machine, Dreamachine, Drone Music, Dronica, Dronica Festival, Dub Morphology, Dubmorphology, Dundee Contemporary Arts, Dushume, Dust Breeding, DXARTS, DXARTS Collective, Dyana Gravina, Dystopia, Dystopia Festival, E-werk, E-werk Luckenwalde, E-Werk Luckenwalde Engine Room, E-Werk Luckenwalde Turbine Hall, E.ON Stiftung, E.ON Stiftung gGmbH, Ealing Extranormal, Ear Hustle, Ear Tells The Eye, Ear Tells The Eye Where To Look, Eastbourne, Eckehard Güther, Eclectic Electronic, Eclectic Electronics, Eddie Ruscha, Edelmat, Edges of Transmission, Eduard Solaz, EEEFFF, EEG, Egg Meat, Einstürzende Neubauten, Electric Artefact, Electric Artefacts, Electric Boulevard, Electric Dreams, Electric Fields, Electric Grid, Electric Infrastructure, Electric London, Electric Pylon, Electric Sound, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Hum, Electrical Impulses, Electrical Infrastructure, Electrical Infrastructures, Electrical Nature, Electrical Network Hum, Electrical Noise, Electrical Substation, Electrical Walk, Electrical Walks, Electricity, Electricity Distribution, Electricity Generation, Electricity in Art, Electricity Infrastructure, Electricity Meter, Electricity Metre, Electricity of the Mind, Electricity Pylon, Electricity The Spark of Life, Electrics, Electro Encephalogram, Electro Encephalograph, Electro Encephalography, Electro Magnetics, Electro Sonic, Electro State, Electro States, Electro-acoustic, Electro-Magnetic Field, Electro-Magnetic Fields, Electro-Magnetic Noise, Electro-Magnetic Sound Art, Electro-Magnetism, Electroacoustic, Electroencephalogram, Electroencephalograph, Electroencephalography, Electromagnetic, Electromagnetic Anomalies, Electromagnetic Anomaly, Electromagnetic Art, Electromagnetic Black Noise, Electromagnetic Bubblebath, Electromagnetic Collective, Electromagnetic Commons, 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Elektrizitätswerk, Elektronik Chromaplane, Elena Biserna, Eleni Ikoniadou, Eleonora Oreggia, Elephant & Castle, Eli Martinelli, Elisa Balmaceda, Elisa Martinelli, Elisa Storelli, Elizabeth Line, Elliott Burns, Eloïse Bertil, Emerging Exits, EMF, EMFs, Emiddio Vasquez, Emily Howard, Emma Bolland, Emma Enderby, Emotional Geography, Empty Set, Emptyset, EMS Goldsmiths, EMST, EMST Athens, ENAS, End of The Dial, Energetic, Energetic Devices, Energetics, Energy, Energy Crisis, Energy Distribution, Energy Infrastructure, Energy Parasites, Energy Revolution, Energy System, Energy System Operator, Engine Room, Ensemble Phoenix, Ensemble Phoenix Basel, Entropy, Entso-E, EON Stiftung, EON Stiftung gGmbH, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Era of Megaphonics, Erin Lewis, erloo Station, Errant Bodies, Errant Sound, ERTZ, ERTZ Festival, ertz-Lab ZKM, Es Devlin, Escapology, Esteban Agosin, Esther Schipper, Eternal, Eternal Research, Eternal Research LLC, Eternal Research Music, Eugene Buldyk, EVA International, Eva Jaeger, Eva Jäger, Eva LeWitt, Eva She, Eva She Demon, EvaShe, EvaSheDemon, Expanded Librarian, Expanded Radio, Expected Music, Experiential Audio, Experimental Art, Experimental Ecosystems, Experimental Music, Experimental Noise, Experimental Noise Artist Seminar, Experimental Radio, Experimental Sound, Experimental Technology, Experimental Technology Fellowship, Experimental Video, Experiments with Noise, Exploring Cultural Diversity, Exploring the Unknown, Exquisite World, Extreme Noise, Eyeo, Eyeo Festival, Fabienne Nicholas, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, FACT, FACT Liverpool, Fact Magazine, Factory International, FAE Serpentine, FAE1, FAE2, FAE3, Faraday Cage, Faraday Dream, Faraday Memorial, Farsight, Farsight Collective, Farsight Gallery, Fatos Üstek, Feel The Sound, Felice Moramarco, Felix Ashford, Fencetenna, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti, Ferranti Archive, Ferranti Collection, Festival of Power, Festival Résonance, Festiwalu, Field Notes, Field Notes Live, Field Notes Magazine, Fielding Hope, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Fieldwave, Film and Video Umbrella, Fine Tuned, Finetuned, Fiona Haggerty, Flaming Pines, Flor de Fuego, Flora Yin-Wong, Florencia Curci, Fluc Bloeder Mittwoch, Fluxus Art, Fluxus Art Projects, FM Einheit, Focal Point, Focal Point Gallery, Focal Point Southend, FON Festival, Fondation Daniel Langlois, Forma, Forma Arts, Forma Arts & Culture, Forma Arts & Media, Forma HQ, Fort Process, Fort Process Festival, Forum Stadtpark, Forum Stadtpark Graz, Foundation, Foxhole Radios, Foxy Moron, FPG Sounds, FPG Southend, Fractured City, Fram Kitagawa, Franchesca Casauay, Francisco J. Doblas Reyes, Frazer Merrick, Freak Zone, Freak Zone Playlist, French Pavilion, Freq Out, Frequencies, Frgmnt, Frictions and Frequencies, Frieze, Frieze Art Fair, Frieze London, Frieze Magazine, Frieze Week, From Signal to Decay, Full of Noises, Fundacja Tone Muzyka, Fundacja Tone Muzyka i Nowe Formy Sztuki, Further Field, Furtherfield, Furtherfield Gallery, Future Architecture, Future Architecture Platform, Future Art, Future Art Ecosystems, Future Art Technologies, Future Artists Programme, Future City, Future City Ltd, Future Everything, Future Pace, Futurecity, Futurecity Ltd, Future\Pace, Futurism, FVU, Gabriel Prokofiev, Gabriela Spangenthal, Gagosian Gallery, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Galerie Meneur, Gallery Sound, Gamma Rays, Gary Stewart, Gascia Ouzounian, Gateshead Multi-Storey Car Park, Gaunt, Gazell.io, Gazell.io Project Space, Gazellio, Gazello Art House, Generateur, Generative Art, Generative Music, Geopolitics of Infrastructure, George Keatos, Georgia, Georgia Leigh-Münster, Gerard Carson, Gertrude Contemporary, Gesa Helms, Giant, Giant Art Gallery, Giant Bournemouth, Giant Gallery, Giles Thacker, Girton, Girton College, Giulia Civardi, Glasgow CCA, Glasgow Tramway, Glass Salt, Goethe Institut, Goethe Institute, Goethe-Institut London, Going Out, Gold SF, Goldsmiths, Goldsmiths Audio, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths College - Unit for Sound Practice Research, Goldsmiths EMS, Goldsmiths London, Goldsmiths Media, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths SARU, Goldsmiths University, Goodiepal, Gossamer Fog, Gossamer Fog Alt_R, Gossamer Fog In Vitro, Gossamer Fog Technonatural, Grandine, Grant Mooney, Great Waves, Greene Naftali, Greenhouse Studios, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Greg Hilty, Grid, Grid Music, Grimes, Groenewegen, Grounding, Gustav Metzger, Guy Robertson, Guy Veale, Haarlem, Hackoustic, Hackspace, Hangar Barcelona, Hannah Catherine Jones, Hannah Corrie, Hannah Kemp-Welch, Hans Berger, Hans Ulrich Obrist, Haroon Mirza, Haroon Mirza Outputs, Harris Benson, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Hear and Now, Hearing, Heart of Noise, Heart of Noise Festival, Heinrich Dove, Heinrich Hertz, Heinrich Wilhelm Dove, HEK Basel, Helen Turner, Helga Timko, Heliosphere, Hellocatfood, Helsinki, Her Noise, Here at Outernet, Hertz, Hertz-Lab, Hertz-Labor, Hertz-Labor ZKM, Hestercombe Gallery, Heute Will Ich Frei Sein, Hidden Sounds, Hidden World, High Voltage, Hilary Powell, Hinrichsen Foundation, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Hot Salvation, House of Arts, House of Music, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hum, Humanities Research, Hybrid Radio/Live, Hyper Chromatic, Hyper Chromatic Music, Hyper Chromatic Music Festival, Hyperchromatic, Hyperchromatic Music, Hyperchromatic Music Festival, Hyperdub, Hypha 1, Hypha Studios, Hz-Lab, Ian Thompson, ICA, ICA London, IDLE, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Art Space, Iklectik London, Iklectik Nomadik, Iklectika, Iklectika 2025, Ilaria Puri Purini, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Immersive, Immersive Artistic Experiences, Immersive Arts, Immersive Media, Immersive Noise, Immersive Sound, Immersive Sound Installation, Immersive Spatial Sound, In Motion, In Motion 2025, In Situ, In The Dark Radio, In the Shadow of a Rose, In Transmission, In Vitro, Incidental Music, Indrė Roberts, Industrial Coast, Industrial Coast Records, Industrial Coast Tapes, Industrial Music, Industrial Overture, Industrial Records, Industrial Research, Industrial Research Lab, Industrial Research Laboratory, Industrial Revolution, Industrial Revolutions, Information War, Infrared Waves, Infrastructure, Infrastructure Art, Infrastructure Artwork, Infrastructure Lab, Infrastructure Politics, Infrastructures, Inigo Wilkins, Initiation, Inkluderende Digitalt Laboratorium for Eksperimentell Kunst, Inner Outer Ocean, Insanely Alive, Installation Art, Institute of Contemporary Arts, Institute of Sonology, Inter.Sonix, Interference, Interferences, Interferences – Electromagnetic Fields, International Media Futures, International MediaFutures, International Times, Intonal Festival, Intonarumori, Invisible Currents, Invisible Forces, Invisible Geographies, Irene Posch, Irreversible Noise, ISAST, Ivan Juritz, Ivan Juritz Prize, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, J. 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& Keith Sargent, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisa Hall, Lisson Gallery, Listen, Listen Club, Listening, Listening Academy, Listening Across Distance, Listening Archive, Listening Arts Channel, Listening Futures, Listening Room, Listening To Non-Human Life, Listening Workshop, Live Mains Electricity, Living Media Art, Living Radio, Living Radio Lab, Lizzie Carey-Thomas, LLC, LMJ, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, Lomond Campbell, London, London College of Communication, London Electric, London Electricity, London Iklectik, London Metro, London Tunnel, London Tunnels, London Underground, London Video Arts, Long Wave, Lords of Lightning, Lost in Transmission, Lottie Lou Poulet, Loudspeaker Orchestra, Love Merci, Love Story, Low End, Low End Theory, Low Frequency Radio, Lower Third, Luce Choules, Lucia Pietroiusti, Luckenwalde, Lucy Railton, Lucy Reynolds, Lucy Shanahan, Luigi Russolo, Lula Criado, LUMA, Luma Arles, Luma 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