&Beyond, 3D Audio, 3D Sound, A Machine to Listen to the Sky, Absolute Value of Noise, Accidental Records, Acoustic Mirror, Acoustic Mirrors, Action Research, Adrian Searle, Adriana Knouf, Afroditi Psarra, Ahmed bin Shabib, AHRC, Air, Alexandra Maciá, ALM Busy Circuits, Alternating Current, Alvin Langdon Coburn, Alyssa Moxley, Amanprit Sandhu, Ambisonic, Ambisonics, Amoenus, Amoenus Sound, AmoenusSound, And Beyond, Andrew Hill, Andrew Nairne, Andy Knight, Angus Carlyle, Anil Seth, Anithesis, Anjali Nair, Anna Friz, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Arcadia, Aria Dean, Ariane Koek, Ars Electronica, Ars Electronica Linz, Art Blocks, Art Catalyst, Artistic Exchange, Arts, Arts & Humanities Research Council, Arts Catalyst, Arts Catalyst Radio, Arts Science, As If Radio, Ash International, Athens Art Book Fair, Athens ArtBook Fair, Atmospherics, Audio Rorschach, Audiokinetic Art, Audiosfera, Audiosphere, Audrey Briot, Bankside, Bankside Power Station, Barry Burns, Barry Phipps, Battersea, Battersea Power, Battersea Power Station, Battersea Power Station Control Room, BBC Sounds, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Ben Drew, Benedict Drew, Berlin, Bernard Wolfe, Bexleyheath to Dartford, Bianca Roden, Binaural Beats, Blanc Sceol, Blast First, Blue Tapes, Boris Magrini, Bornemisza, Brachliegen Tapes, Brain Wave, Brian Eno, Bright Sparks Trail, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brigitte Hart, Brion Gysin, British Art Studies, Bruce Gilbert, C.M. von Hausswolff, Café Oto, Cafe OTO / Otoroku, Call and Response, Call and Response Studios, Cambridge University, Camden Arts Centre, Cameron Perry Fraser, Capturing Futurity, Carl Michael von Hausswolff, Caroline Jones, Carsten Seiffarth, CAS, Catalyst, Cathy Lane, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, Caylie Stapes, Caylie Staples, CCA, CCA Annex, CCA Brighton, CCA Glasgow, CCA Glasgow Annex, CCA Goldsmiths, Celeste, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Contemporary Art Goldsmiths, Centre for Sound Technology & Culture, Changing Signals, Chienvoler, Chinabot, Chris Firth, Chris Ford, Christian Rauch, Christina Kubisch, Christina Kubisch - Electrical Walks, Christine Takengny, Claire Williams, Clare Lilley, CM von Hausswolff, Cold Light, Collective Act, Colliding Lines, Communism is Soviet power plus Electrification, Constanza Piña Pardo, Contemporary Art Society, Control Room A, Control Room B, Counter Sonics, Countersonics, Countersonics: Radical Sonic Imaginaries, CRISAP, Critical Media Lab, Critical Media Lab Basel, CTM, CTM Festival, CTM Radio Lab, CTM Radiolab, Cyanotapes, Dan Tapper, Daniel Tapper, Dark Morph, David Toop, Demystification of Electronic Art, Detach, Detektors, Didier Queloz, Digicult, Discord, Discord Server, Discrepant, Disinformation, Disinformation - Antiphony, Disobey, Dom Culture Centre, Dom Culture Centre Moscow, Dom Moscow, Dream Machine, Dreamachine, E-werk Luckenwalde, Eastbourne, Eastern Bloc, Eastern Bloc Lab, EEG, Elahe Karimnia, Electric Boulevard, Electric Coast, Electric Walk, Electric Walks, Electrical, Electrical Noise, Electrical Substation, Electrical Substations, Electrical Walk, Electrical Walks, Electricity, Electricity Generation, Electricity The Spark of Life, Electro Encephalogram, Electro Encephalograph, Electro Encephalography, Electroencephalogram, Electroencephalograph, Electroencephalography, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetic Tape, Electromagnetism, Electronic Noise, Electronic Noise Music, Electronic Sound, Elektrizitätswerk, Emma Enderby, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Esther Bourdages, Evan Parker, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Fachhochschule Nordwestschweiz, Fachhochschule Nordwestschweiz Basel, Ferranti, Ferranti Archive, Ferranti Collection, Festival of Power, Festiwalu, FHNW, FHNW Basel, FM Mutiny, FON Festival, Fort Process, Fort Process Festival, Fort Process Newhaven, Fram Kitagawa, Franchesca Casauay, Frgmnt, Full of Noises, Furtherfield, Future Pace, Future\Pace, Futurity, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Gambletron, Gascia Ouzounian, Gazell.io, Gazell.io Project Space, Gazellio, Gazello Art House, Generative Art, Georgia Muenster, Girton, Girton College, Glasgow, Glasgow CCA, Glass Salt, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths Press, Goldsmiths Press - Sonics Series, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Greg Hilty, Grid Music, H.G. 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Immersive Audio, Sonic Geography, Sonic Imaginaries, Sonic Scope, Sonic Signature, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: Resonances in a New Field, Sonic Youth, Sonics Series, Sonorous Cities, Sound and Politics, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Image Research Group, Sound Minds, Sound Mirrors, Sound Politics, Sound Practice, Sound Studies, Sound Studies Journal, Sound Technology & Culture, Sound Theory, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 22, SoundImage, SoundImage 22, Sounding Objects, Sounds of Electricity, Sounds of Electricity Generation, South London Gallery, Southampton, Soviet Power Plus Electrification, Spark, Spark of Life, Spatial Audio, Spatial Sound, SPR, SPR Goldsmiths, Stargate, Stelios Manousakis, Stephanie Pan, Steve Bates, Steve Kennedy, Steven Kennedy, Stone Roses, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Streetlights Collective, Studies in British Art, Substation, Suchitra Sebastian, Super Blue, Superblue, Supernormal, Supernormal Festival, Taco, Taco Gallery, Tasos Varoudis, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, Tesla, Test Department, Test Dept, Text Sound, Teylers Museum, Teylers Museum Haarlem, Thamesmead, Thamesmead Arts & Culture Office, Thanet Tape Centre, The Ferranti Archive, The Ferranti Collection, The Listening Room, The MIT Press, The Network Is a Blind Space, The Oram Awards, The Quietus, The Spark of Life, The Stone Roses, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Dixon, Tim Shaw, Tomás Saraceno, Topovoros Books, Touch, Touch Music, Touch Records, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Tramshed, Transmission Ecologies, Transmitting Object, Transmitting Object Behaviours, Trebuchet, Trebuchet Magazine, Trevor Mathison, Tsouknida Eirini, Turbine Hall, Turbine Hall A, Turbine Hall B, Turner Contemporary, Tushar Hathiramani, Ulyana Gumeniuk, Una Ryan, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uniform Books, Uniformbooks, Unit for Sound Practice Research, Unit for Sound Practice Research - Goldsmiths, University, University of Cambridge, University of Greenwich, University of London, University of Westminster, Unsound, Unsound Festival, Unsoundu, Unsoundu Festiwal, Utter, Verso, Very Low Frequency, Victor Mazon Gardoqui, Virtual Ground, VLF, VLF Field Recording, VLF Interference, VLF Radio, VLF Radio Noise, VLF Works, Volksbühne, Voltnoi & Quetempo, Volume 1, Wave Farm, Wave Farm etc, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wayne McGregor, We Are All Bats, Wellcome, Wellcome Trust, Westminster, WGXC 90.7-FM, Wire, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, Young Guns, Zentrum für Kunst und Medien, Zentrum für Kunst und Medien Karlsruhe, Zero BPM, ZKM, ZKM Karlsruhe