20Hz, 50Hz, A History of the Universe in Sound, Adriana Knouf, Afroditi Psarra, Alternating Current, Alva Noto, Alvin Lucier, Anna Friz, Antiopic, Ariane Koek, Artangel, Arts Science, Ash International, Atau Tanaka, Audio Art, Audio Installation, Audio Rorschach, Audrey Briot, Ö1 Kunstradio, Brandon LaBelle, Bruno Schulz, Cambridge, Cameron Perry Fraser, Carsten Nicolai, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, Changing Signals, China Mieville, Christina, Christina Kubisch, Cinnamon Shops, Close Lightning, Close Lightning Spherics, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Cultural History, Cultural History of the Ghost, Dan Tapper, David Toop, Deutschlandfunk Kultur, Disinformation, Disinformation + Strange Attractor, Disinformation vs. Strange Attractor, Doug Kahn, Douglas Kahn, Dr Simon Foster, Drone Music, Electric Walks, Electrical Noise, Electrical Sound Art, Electrical Walks, Electricity, Electro-Magnetic Sound Art, Electro-Magnetic Spectrum, Electro-Magnetism, Electromagnetic Audio, Electromagnetic Induction, Electromagnetic Interference, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Symphony, Electromagnetism, Electronic Music, Experimental Music, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Fort Process, Fort Process Festival, Girton College, Girton College Cambridge, Goethe Institut, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Guy Haywood, Haroon Mirza, Hayward, Hayward Gallery, Honor Harger, HRM199, Inflamed Invisible, Joe Banks, Joyce Hinterding, Kettle's Yard, Kettle’s Yard Gallery, Klangkunst, Kometa, Kristen Floos, Kubisch, Kunstradio, Listening Arts Channel, Live Mains Electricity, Lovely Music, Magnetic Signals, Magneticsignals, Magnetism, Mark Pilkington, Mark Titchner, NASA, NASA Sound Archive, National Grid, Noise Music, OCM, ORF Musikprotokoll, Oscillation, Oxford Contemporary Music, Patrick Sykes, Radio Art, Radio Lab 2022, Radio Revolten, Rana Begum, Ray Dolby, Ray Dolby Centre, Ray Lee, Recording The Spirit Level, Resonance FM, Rob Bowman, Rorschach Audio, Sasha Engelmann, Semiconductor, Semiconductor Films, Sferics, Siân Ede, Simon Foster, Sine-Wave, Sinewave, Sklepy Cynamonowe, Some Call it Noise, Some Call it Noise - Turbulent Forms, Sonic Agency, Sonic Ray, Sonics, Sonics Series, Sound Art, Sound Installation, South Bank Centre, Southbank Centre, Spectral, Stephen McGreevy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Street of Crocodiles, Suchitra Sebastian, Sunsong, Susan Owens, Tate Publishing, TED Talks, Test Department, Test Dept, The Comet, The Ghost, The Ghost - A Cultural History, The Wire, The Wire Magazine, Touch Music, Transmission Ecologies, Turbulent Forms, Una Ryan, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Victor Mazon Gardoqui, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, Wayne McGregor, We Are All Bats, Wireless
Bruno Schulz – “Sklepy Cynamonowe” (1934)
“The metals dipped in acid solutions, salty and rusting in that painful bath, began to conduct in darkness. Awakened from their stiff lifelessness, they hummed monotonously, sang metallically, shone molecularly in the incessant dusk of those mournful and late days. Invisible charges rose in the poles and swamped them, escaping into the circling darkness. An imperceptible tickling, a blind prickly current traversed the space polarised into concentric lines of energy, into circles and spirals of a magnetic field. Here and there an awakened apparatus would give out signals, another would reply a moment later, out of turn, in hopeless monosyllables, dash-dot-dash in the intervals of a dull lethargy. My father stood amongst those wandering currents, a smile of suffering on his face, impressed by that stammering articulation, by the misery, shut in once and for all, irrevocably, which was monotonously signalling in crippled half-syllables from the un-liberated depths.”
Bruno Schulz “Kometa” (“The Comet”) from “Sklepy Cynamonowe” 1934
Use headphones – https://player.vimeo.com/video/525853784
Related
From → Uncategorized
Rorschach Audio + Disinformation 